Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements

Size: px

Start display at page:

Download "Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements"

Alan Todd
5 years ago
Views:

1 1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01

2 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any orm or y any means ithout the rior ermission o the comoser Distriution: Music inland Music Lirary Urho Kekkosen katu C, th loor Helsinki inland musiclirary@musicinlandi musicinlandi Helsinki, 01

3 O l l i V i r t a e r k o Romer's Ga C o n c e r t o o r a m l i i e d c e l l o a n d c h a m e r o r c h e s t r a in three movements d u r a t i o n m i n u t e s

5 R o m e r ' s G a as a oint commission y Turku Music estival and yväskylä Sinonia in 01 erttu Kivilaakso (amliied cello) and Ville Matvee (conductor) remiered the concerto on August 11, 01 at Turku Concert Hall ith Turku ilharmonic Orchestra and on Setemer, 01 at yväskylä Theathre ith yväskylä Sinonia This version as scored or the availale orces o the yväskylä remiere a classical chamer orchestra ith e additional instruments NSTRUMENTATON: lutes (nd douling iccolo) Ooes Clarinet (in ) ass Clarinet (in ) assoon Doule assoon Horns (in ) Trumets in C iano/celesta ercussions (see elo) ist (ith amliication and eects rocessor) Violin () Violin () Viola () () Doule ass () * * * ERCUSSON SETU erc 1 Timani Marima, Tuular ells, Glockensiel, Crotales Susended Cymal Crash Cymal, TamTam Triangle, Claves, Metal Wind Chimes, Rainstick erc Virahone Susended Cymals () Crash Cymal, Snare drum, Gong TomToms (), Gran Cassa Woodlocks (), Coells (), Virasla

6 NOTATON General Trills are diatonic, i not otherise seciied (the altered tone is the closest uard unaccidented tone) lv (laissez virer) let ring trilets laid ack = an exression orroed rom azz erormance ractice: lay trilets in a slightly uneven manner Comaring to the mathematical ratio give a it more time to the irst to eats Strings O divisi: The asic division o strings ollos the order o layers, eg div 1 o violin 1 consists o layers 1 and div o violin 1 o layers not othervice seciied, the deault divisions are: violin 1 = +; violin = +; viola = +; cello = + (and ass = 1+1) O the notation o harmonics: Harmonics are notated ith diamondshaed noteheads The string rom here a articularharmonic should e layed is indicated ith Roman numeral ( = highest string ; V = loest string) Note that this notation does not necessary equal ith the sounding itches S (sul onticello) near the ridge N normal (used ater S, otherise ord) Note that the indication o string does not reer to "agressive accentation" unless it is accomanied ith accent mark or/ith crescendo ist: eects rossessing and amliication The ist is let ith a great reedom to mold the cello sound according to the nature o the texture Hoever, the articularily sesiied sounds in the score are to e realized as such (eg the use o octave v eect in the 1st movement; the very long rever at the eginning o the nd movement, the itch shiter stereo harmonization later in nd movement resulting a sesiic arallel note harmonization consisting o the layed main tone, loer maor second and uer erect ourth, as ell as the strictly deined delay in the rd movement to create a articular kind o echo eect) The concerto as comosed using oss GT10 Guitar Eects rocessor as a deault device or the amliication it ould e reerale to amliy oth the ist and the orchestra (orchestra lightly) in order to control the overall volume level and alance, as ell as to create a uniied satial enviroment or the sounding result Celesta/iano and Virahone edalling is not seciied, use edal lightly according the to nature o the texture Virahone should alays e layed ith some edal there shouldn't e any "damen tones" ercussion The choise o the nature and hardness o sticks used is let to ercussionists * * * "R o m e r ' s G a as comosed eteen August 01 and March 01 at the heart o Kallio, Helsinki Devoting to ulltime comosing as made ossile y the generous suort o the Arts romotion Centre inland The sound rocessing equiment as extremely kindly given at my disosal y ms Eia Kankaanranta Thank you, atrons" (OV March 01)

7 Romer's Ga Concerto or amliied cello and orchestra transosed score lute 1 q = irmly Olli Virtaerko lute Ooe 1 Ooe Clarinet (in ) ass Clarinet (in ) assoon Contraassoon Horn 1 (in ) Horn (in ) Trumet 1 (in C) Trumet (in C) ercussion 1 Tuular ells n * ercussion Sus cymals () ith o Y y lv y Y y iano Celesta Violoncello (amliied) Okt, särö, del izz V < (vir) V < < hit /thum (sideays) 1 Violin 1 q = irmly Violin Viola Violoncello Doule ass

8 l 1 oco rit q = 9 aective, loing l O sn C sn Hn Tr erc 1 oco rit N erc y y lv y y Y lv y Cel oco rit < < < oco rit q = 9 aective, loing Vl D

9 l 1 " " l O sn C sn n " R R Hn Tr erc 1 erc Cel 9 10 arco 11 n 1 Vl D

10 l 1 l O sn C sn Hn Tr erc 1 erc Cel n 1 conductor: give a little time to this gesture 1 V V V < Vl V V < D

11 l 1 l O exressive n sn C sn (non legato) Hn Tr erc 1 erc Cel 1 19 n 0 n n n n 1 Vl D

12 l 1 l O sn C sn Hn Tr erc 1 erc Virahone TamTam /lastic stick let ring * Tuular ells Cel Celesta n Vl V D V

13 l 1 l O sn C sn Hn Tr erc 1 erc * * Cel to noise V Vl V V D (ord)

14 l 1 l O sn C sn n R R R R Hn Tr erc 1 y Triangle erc Cel (semilagolet; ossily /o ressure/quasi S) G G ord reely n n n Vl D

15 l 1 l O sn C sn ritardando (ollo the ist) q = aective n n n n n n r i t a r d a n d o n 9 Hn Tr Harmon mute Cu mute erc 1 erc Cel ritardando V to noise (as eore) G 9 ritardando (ollo the ist) q = aective r i t a r d a n d o Vl D (trilets laid ack) n (trilets laid ack) n (trilets laid ack) (trilets laid ack) (trilets laid ack)

16 l 1 10 q = 9 (revious temo) l O sn C sn n Hn Tr mute o mute o erc 1 erc Cel G G lightly, reely (ord) n n n n n n 0 1 Vl q = 9 (revious temo) V V D

17 l 1 l O sn C sn " n " n n 11 Hn Tr erc 1 erc Cel Virahone o string 1 o string to noise (as eore) G 9 Vl D V use little or no virato

18 l 1 l O 1 n R R R R R sn C sn Hn Tr erc 1 erc Cel * n n G G ord 0 1 Vl use little or no virato use little or no virato use little or no virato use little or no virato use little or no virato use little or no virato D use little or no virato

19 l 1 l o 1 O sn C sn Hn Tr erc 1 erc * Cel virato attement (v) (narro ast inger virato) light gliss ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ g G g ord hold ack n (vir ord) (vir ord) Vl D (vir ord) (vir ord) (vir ord)

20 l 1 1 c a l m i n g d o n l ȯ O sn C sn Hn Tr erc 1 erc Cel in temo calm don n kee inger ressed don c a l m i n g d o n Vl (vir ord) (vir ord) n (vir ord) (vir ord) D divisi n

21 l 1 tranquilly 1 l O sn C sn Hn Tr erc 1 erc Gran Cassa Yæ Yæ Cel h (gliss on G) K K rit ad li K K K tranquilly Vl D

22 l 1 1 q = 10 intensively vigorously l O sn C sn Hn Tr erc 1 erc y Cel 9 0 n n n 1 q = 10 intensively vigorously n Vl D n " n " n n n n n n

23 l 1 l O sn C sn Hn Tr n n n n n n n n n n n n n erc 1 erc Timani Virahone no Vl l l n n n ß iano (detache) (slurred) ß n ß n D l ß

24 1 l 1 l O sn C sn n n " n n n n n n n 1 1 Hn Tr 1 1 erc erc 1 1 n no n 1 1 n n n n gliss n (still intense and ) Vl D 1 1

25 l 1 l n n n O sn 1 1 C sn Hn Tr 1 1 erc erc 1 1 no n n n n " n n n (ahah ) Vl D o string (trilets laid ack) (trilets laid ack) (trilets laid ack) (trilets laid ack) (trilets laid ack) a a a

26 l 1 l O sn C sn Hn 0 (trilets laid ack) (trilets laid ack) n (trilets laid ack) n (trilets laid ack) (trilets laid ack) n (trilets laid ack) (trilets laid ack) n (trilets laid ack) (trilets laid ack) (trilets laid ack) Tr erc 1 erc n n (trilets laid ack) (trilets laid ack) (trilets laid ack) 9 Vl (trilets laid ack) (trilets laid ack) n (trilets laid ack) n (trilets laid ack) n (trilets laid ack) (trilets laid ack) D n (trilets laid ack) n n

27 1 l 1 l O n sn C sn Hn chiuso chiuso n Tr Cu mute Cu mute n erc 1 erc 90 n 91 n n 9 n 9 (as reviously) n Vl n n n D

28 l 1 l O n n detache n n n n n n n n n n n sn C sn n n n Hn Tr erc 1 Sus cymal ith rods y y y y y y y y y y y y y y y y y y y y y y y y y y y y erc no n n ß gliss µ µ g G g Vl D

29 l 1 detache n l O sn C sn detache n n n R " n n n n " n n n (trilets laid ack) n Hn Tr erc 1 y y y y y y y y y y y y erc no q G extremely raid imrovised iguration, very high Vl D

30 l 1 l " n " n n n " n " n sloer, more heavily n < O sn C sn " " " " n < n " n n n n n n n n n < < n < Hn Tr erc 1 erc y y y y Snare drum ith snares Y æ y l secco y ith stick secco y no continue iguration on d string (stay high; near the ridge) 101 on G (as eore) 10 < + Okt slo gliss 10 sloer, more heavily vl 1 tutti n 10 Vl vl tutti n < vle tutti n D (trilets laid ack) n < <

31 l 1 q = e eaceully and aectively (q = ) l O sn C sn Hn Tr erc 1 erc no (V) gliss reely through V q = e eaceully and aectively (q = ) Vl D

32 l 1 l n ritardando q = O n n sn C sn n Hn Tr (Cu mute) (Cu mute) n mute o erc 1 y Rainstick Y erc no G slo gliss on ritardando q = Vl D

33 l 1 l O sn C sn Hn Tr erc 1 erc Y ( ) Virahone Y Y n Y Celesta n g ( ) 11 (lay o aside) Vl D

34 l 1 irmly and recisely l O sn C sn Hn Tr erc 1 erc Tuular ells * * * 119 Okt, särö, del izz 10 change to iano V Y (aroximate itch) Y 11 hit G string lightly /thum Y 1 irmly and recisely < < < < ( ) ( ) Vl < < < < ( ) ( ) < ( ) D

35 9 l 1 l O sn C sn n n n n Hn Tr (Cu mute) n erc 1 erc * * no * iano y 1 V (don't luck the high note, ust let hand movement) 1 (sul ) Vl n n gliss D

36 l 1 l 0 O " sn C sn Hn Tr n chiuso R erc 1 erc * nn Glockensiel no n ( ) V ( ) V n n Vl n n izz arco n izz arco D izz arco

37 l 1 l O n n n 9 sn C sn Hn n n n r " n n Í mute o 9 Tr 9 erc 1 erc n 9 9 Timani no n 9 9 n arco 9 (aroximate) n n 9 9 Vl n 9 divisi n 9 9 n D 9 n

38 l 1 l O sn C sn Hn Tr n erc 1 erc no y y y Sus cymal ith sticks Í 1 1 n 1 c r e s c o c o a o c o n a a a n n Vl D

39 l 1 l O sn C sn n n Hn Tr n n Í Í Í Í erc 1 erc y y y y y y y y y y y y y no n n n n n n n n n n n n n n n Í Í Vl n n Í Í divisi Í D Í Í

40 l 1 l O sn n n n n n n " n n n n n n C sn Hn Tr non legato n n " n n erc 1 erc æ æ no 10 n 11 1 n n n Vl (a) (a) D

41 l 1 l O sn n C sn n Hn Tr erc 1 erc æ change to celesta no Vl D n n S S S S S S S S S glissandi individually, ad li diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente

42 CADENZA/CELLO, OEN

43 l 1 q = 10 active, ree in sirit l O sn C sn Hn Tr erc 1 erc Virahone n Marima Cel Celesta n n n q = 10 active, ree in sirit Vl D

44 l 1 l O sn C sn Hn Tr erc 1 erc ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~ æ ( ) æ ( ) n Cel n n n n Vl D

45 erc erc 1 l 1 l O sn C sn Hn Tr Cel Vl D ~~~~~~~~~~~~~ æ 1 m o r e c a l m l y m o r e c a l m l y 1 1 V 1 V 9

46 l 1 0 q = 9 l O sn C sn Hn Tr erc 1 erc Cel U (Virahone) * q = 9 Vl D

47 erc erc 1 l 1 l O sn C sn Hn Tr Cel Vl D * * * 1 Tuular ells 1 1 o string 1 o string o string o string change to iano 1

48 l 1 h = 0 relaxed, eightless and loating 1 ˆ1 l 1 ˆ 1 1 ˆ 1 O 1 ˆ 1 1 ˆ 1 1 ˆ 1 sn 1 ˆ 1 C sn 1 ˆ 1 1 ˆ 1 Hn 1 ˆ 1 1 ˆ 1 Tr 1 ˆ 1 erc 1 Crotales ith o o lv dynamics similary lv 1 ˆ 1 lv erc no iano dynamics according to the nature o texture ( ) Virahone n n dynamics according to the nature o texture ( ) 1 ˆ 1 1 ˆ 1 1 ˆ 1 +itkä kaiku a delay (/) lay all notes gently o string to ring out the echo to maximal eect dynamics according to the nature o texture ( ) 1 ˆ 1 1 h = 0 relaxed, eightless and loating 1 ˆ 1 Vl Strings: use little or no virato throughout the movement 1 ˆ 1 1 ˆ 1 1 ˆ 1 D 1 ˆ1

49 erc 1 ˆ 1 erc (Virahone) ˆ 1 ˆ1 no K gliss " * o string ˆ1 ˆ1 9 erc 1 ˆ1 (Crotales ith o) o lv ˆ1 erc ˆ1 ˆ1 no ˆ1 ˆ1 ˆ1 K o string * * u create noise n n ˆ1 ˆ1 ˆ erc 1 ˆ1 erc ˆ1 n ˆ 1 n no ˆ 1 ˆ 1 o string izz gliss (ta only)

50 erc 1 o lv similary erc n n no n arco o string erc 1 1 ˆ1 n erc 1 ˆ1 1 ˆ1 n no K 1 ˆ1 1 ˆ1 * K erc 1 ˆ1 erc n ˆ1 n no ˆ 1 ˆ 1 izz arco V V ˆ 1 µ 9 0

51 l 1 ˆ 1 l ˆ 1 ˆ 1 O ˆ1 ˆ1 ˆ1 sn ˆ1 C sn ˆ1 ˆ1 Hn ˆ1 ˆ1 Tr ˆ1 erc 1 erc Crotales, ord n ˆ1 ˆ1 change to celesta ˆ1 no ˆ 1 µ (, ) sotly izz ˆ 1 1 "The oxes": izzicato, individually Collectively create a rhythmically aleatoric, crisy ield o sound y icking u random, searate notes rom the ox Vl layers 1 izz layers layers 1 layers 1 layers 1 izz izz h h h ˆ 1 ˆ 1 ˆ 1 ˆ 1 ˆ 1 n n n D ˆ1

52 l 1 l O sn C sn Hn Tr erc 1 ith o lv o erc Celesta Cel SOUNDNG: * n n n etc itch shiter stereo,(0),+ (/) arco molto sul onticello N S n N aster (a) n n (a) Vl (a) (a) (a) n n D

53 l 1 h = (a it more lively) l O sn C sn Hn Tr erc 1 erc Cel norm vir, ( ) (a) 9 0 h = (a it more lively) 1 Vl (a) n n (a) (a) D

54 l 1 l O sn C sn Hn Tr erc 1 erc Cel W Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) ( ) (trill intensity) (a) n Vl (a) n (a) n (a) n D W

55 9 l 1 l O sn C sn Hn Tr erc 1 erc Cel ~~~~~~~~~~~~ h W v ~~~~~~~~~~~~~~~~~~~~~~~~~~~ n 9 0 (a) n n Vl (a) n n (a) n n n n (a) n n n n D W n

56 erc erc 1 l 1 l O sn C sn Hn Tr Vl D Cel ~~~~~~~~~~~~~~~~~~~ Ÿ 1 n (a) (a) (a) (a) W W n n n n n n 0

57 erc erc 1 l 1 l O sn C sn Hn Tr Vl D * layers 1 Virahone layers layers SOUNDNG: (a) (a) (a) WW W o W layers 1 layers tacet layers 1 tacet layers h = 0 h = 0 WW W W harmonics airy, use o reely harmonics airy, use o reely 9 o string V etc harmonics airy, use o reely harmonics airy, use o reely (a) (a) 1

58 l 1 l $ $ n n O sn $ n $ C sn Hn $ $ Tr erc 1 (adust the general volyme level to the accomaniment) n 0 1 layers 1 ith sordino divisi a (c; ) (a) W W W o string divisi a (c; ) (a) Vl WW (a) layers 1 ith sordino divisi a (c; ) W W W layers 1, arco ith sordino divisi a (; c) divisi a (c; ) divisi a (; c) D W W W Doule ass: make a delicate longterm crescendo to rovide the thickening orchestration ith suicient undament suort

59 l 1 W W l O W W W n sn C sn W W W W Hn Tr W W Straight mute erc 1 W 9 (a) (a) (a) (a) remove sordino (div) layers n V Vl remove sordino arco layers layers 1 divisi a n remove sordino V (div) n o string o string o string D W n

60 l 1 l O sn C sn Hn Tr Vl D erc 1 0 o string (a) (a) (a) (a) (a) 1 W W o string mute o n V o string ( ) n n n n n W W n n n n n n n n W n

61 l 1 l O sn C sn Hn Tr Vl D erc 1 (a) (a) (a) o string o string o string n n n n n n n n n n o string

62 erc l 1 l O sn C sn Hn Tr Vl D erc 1 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 (layers 1) (a) (a) (a) 0 o string 1 o string layers 1 layers Timani o string n n n n o string o string

63 l 1 l n O sn C sn Hn Tr erc 1 slo don tremolo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lv erc itch shiter O o string +itkä kaiku a delay (/) (a) (a) Vl (a) (a) (a) o string layers 1 o string o string o string o string o string molto sul onticello D o string

64 l 1 l O sn o o o (Trill ith the index inger o the let hand Search overtones hile maintaining the undament audile) Ctr ( ) h o lo o n C sn Hn Tr erc 1 erc iano sounding: Y Sus cymal ith o y K n no SOUNDNG (aroximately): lay harmonic, th artial o C lv K 9 90 lv K K K l 91 th artial o D lv layers 1 layers o string molto sul onticello (trem) æ Vl layers 1 (a) (a) layers 1 (trem) æ æ D

65 9 l 1 l O Ctr sn C sn Hn Tr TamTam /lastic stick erc 1 lv y erc K no 11th artial o 11th artial o C th artial o D K æ (trem) æ o string Vl D layers 1 layers 1 K a molto sul onticello molto sul onticello (trem) æ æ (trem) æ æ (trem) æ (trem) æ

66 erc l 1 l O sn C sn Hn Tr Vl D no erc 1 y 9 æ æ lv h (the ingering o the high note, tremolo ith register key) ( ) (a) (a) l W W 9 æ K (trem) o string 99 æ o string K o string l (similarily) molto sul onticello 100 n æ 0

67 1 l 1 l O W W sn C sn Hn Tr erc 1 y (TamTam /lastic stick) erc Sus cymal ith o Y lv y o string W layers 1 molto sul onticello æ N molto sul onticello (trem) æ æ æ (trem) Vl layers layers molto sul onticello (trem) æ æ (a) (a) molto sul onticello (trem) æ æ D molto sul onticello W V æ molto sul onticello æ V (trem) æ

68 l 1 l O sn C sn Hn Tr erc 1 erc TamTam ith a o Y (Sus cym/o) Y lv y Y lv y no 9th artial o C (a) (a) (trem) æ æ N layers 1 layers layers æ æ æ æ (trem) æ (trem) æ Vl (a) (trem) æ æ (a) (a) (trem) æ layers 1 (trem) æ layers (trem) æ (a) (a) o string (trem) æ æ N D V o string

69 l 1 1 ˆ 1 l 1 ˆ 1 1 ˆ 1 O 1 ˆ 1 1 ˆ 1 1 ˆ 1 sn 1 ˆ 1 C sn 1 ˆ 1 1 ˆ 1 Hn 1 ˆ 1 1 ˆ 1 Tr 1 ˆ 1 erc 1 1 ˆ 1 erc Gong y Scrae ith a triangle eater y Gran Cassa Y æ Y æ y 1 ˆ 1 K 1 ˆ 1 no 9th artial o A th artial o A 1 ˆ 1 1 ˆ Vl (a) (a) (a) (a) æ (a) (a) æ (trem) æ (trem) æ (trem) æ æ æ (trem) æ (trem) æ æ (trem) æ o string (gently) o string (gently) o string (gently) o string (gently) o string (gently) o string (gently) 1 ˆ 1 1 ˆ 1 1 ˆ 1 1 ˆ 1 1 ˆ 1 1 ˆ 1 1 ˆ 1 D molto sul onticello o string (gently) o string (gently) 1 ˆ1 1 ˆ 1

70 l 1 1 ˆ1 ˆ1 l 1 ˆ1 ˆ1 1 ˆ1 ˆ1 O 1 ˆ1 ˆ1 1 ˆ1 ˆ1 1 ˆ1 ˆ1 sn 1 ˆ1 ˆ1 C sn 1 ˆ1 ˆ1 1 ˆ1 ˆ1 Hn 1 ˆ1 ˆ1 1 ˆ1 ˆ1 Tr 1 ˆ1 ˆ1 erc 1 1 ˆ1 ˆ1 erc 1 ˆ 1 ˆ 1 1 ˆ 1 ˆ 1 L no 1 ˆ 1 11th artial o A ˆ 1 9th artial o C 9th artial o A 9th artial o (=H) x th artial o E x 9th artial o (=H) 1 ˆ 1 ˆ ˆ 1 ˆ 1 Vl 1 ˆ 1 ˆ 1 1 ˆ 1 ˆ 1 1 ˆ 1 ˆ 1 D 1 ˆ 1 ˆ 1

71 l 1 l O sn C sn q = 9 maestetically n Hn Tr särö, del, kaiku etc ast (q = 10) rit ad li, ( ) layers 1 layers layers 1 q = 9 maestetically layers 1 Vl layers layers D

72 l 1 l n O n n n n < sn n C sn Hn < n Tr erc 1 Timani æ æ erc Sus cymal ith sticks y æ Y æ n (a) n (a) (a) n n Vl (a) (a) (a) n < < n < < < D

73 l 1 reely, ollo the ist l O sn C sn Hn Tr erc 1 erc y lv lv secco secco ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ normal virato exanding to ast oneinger glissando virato around the main tone r r r r r r r r r r r r r r r r r r r r r r r r r r r r sloer and ider virato r r r r r descend, continue glissvir r r r 9 (a) reely, ollo the ist (a) (a) (a) Vl (a) (a) D n

74 l 1 q = 10 l O sn C sn Hn Tr erc 1 erc Celesta : Cel ord gliss % Vl (a) (a) (a) (a) (a) 10 q = o string o string o string o string o string 1 D V o string o string o string o string

75 9 l 1 l O sn C sn Hn Tr erc 1 erc Cel reely () n n n n n n n n Vl D

76 l 1 l O sn C sn 0 Hn Tr erc 1 erc Virahone reely n * Cel vary o ressure, create noise Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) S 1 1 % N o string V 19 shamelessly, ith attitude µ n ( ) 0 Vl D

77 1 n µ n n n n rit in temo µ n n n n 1 n n n n n (V) () n n n hold ack in temo n n n 9 n n % (, ) gliss vir ~~~~~~~ n n n n n 0 1 o ressure n Ÿ~~~~~~~ l n n gliss vir ith c n ~~~~~~~~~~~~~ n gliss vir ith g ~~~~~~~~~~~~~~~~~~~~ n n n 9 0 µ accel ad li 1 calm don Ÿ~~~~~~~~~~~~~~ slo tr ord tr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( )

78 l 1 q = 1 active l O sn C sn Hn Tr erc 1 erc Timani æ æ lv no S slo tr accel ord tr ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ q = 1 active Vl izz D izz

79 l 1 l O n Í Í Í Í Í sn C sn Hn Tr erc 1 erc no ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vl Í S Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n N n arco D arco

80 l 1 l O sn C sn Hn Tr n erc 1 1 (Timani) erc 1 1 TomToms Crash Cymal y n no 1 1 N vary eteen S and N Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Vl D n Z Z Z n n a 1

81 l 1 q = 1 l O sn C sn Hn Tr erc 1 erc (Timani) æ no ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o string Ta delay to e Vl D o string o string o string o string n n o string o string o string o string o string q = 1 o string o string o string o string o string o string izz izz izz izz izz

82 l 1 l O sn C sn Hn Tr erc 1 erc Claves Woodlocks no 9 0 izz izz Vl izz D

83 l 1 q = 1 steady l O sn C sn Hn Tr erc 1 erc (Woodlocks) no g ß izz 1 artókizz l l hit /thum (sideays) l l l l l l l l l q = 1 steady a arco Vl arco arco D arco arco arco arco arco

84 l 1 l O sn C sn cantaile n exressive cantaile n exressive exressive n Hn Tr erc 1 erc no l l l l l l l l l l l 9 l l l 0 l arco vl 1 tutti Vl vl tutti D ounce at the ti o the o

85 9 l 1 l change to iccolo O sn C sn n n n Hn n Tr erc 1 erc (Timani) æ æ n no l l 1 l ord izz Ta delay to q n + Octave v Series o glissandos, reely, imrovise q () n x ounce at the ti o the o n n Vl ounce at the ti o the o n n n n ounce at the ti o the o n n D vle tutti izz luck: middle thum ing " n vc tutti n n

86 l 1 icc O sn C sn 0 recisely and smoothly iccolo n Hn Tr Harmon mute mute o erc 1 erc Marima no suito as ritten damen the string (or release the inger tension) 9 90 recisely and smoothly Vl n l D

87 l 1 icc O 1 n n sn C sn Hn Tr erc 1 erc no % Vl n n n n D n n

88 l 1 icc O sn C sn Hn Tr erc 1 erc no Vl D

89 l 1 icc O sn C sn n n n chiuso Hn Tr erc 1 erc no n n % n n Vl D

90 l 1 icc O sn C sn Hn Tr erc 1 erc no Woodlocks " " " æ (tremolo) æ æ æ æ æ (less Delay) Vl 10 ord arco 10 D

91 l 1 icc O sn C sn more delicate, sotly ritardando (ollo the ist) Hn Tr erc 1 æ erc no Octave O rit ad li 111 light gliss more delicate, sotly ritardando (ollo the ist) divisi o string o string Vl D V o string o string o string o string o string o string o string

92 l 1 icc O sn C sn q = 10 armly and aectively n n Hn Tr erc 1 erc no % h q = 10 armly and aectively a a a Vl D n V

93 l 1 q = 11 energetically and vigorously icc O sn C sn Hn Tr erc 1 erc no n accelerating trill 11 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n 10 q = 11 energetically and vigorously vl 1 tutti n Vl n vle tutti D

94 l 1 icc O sn C sn n n n n n n n n r R R r R r R R n n n n n n n Hn Tr n n r n n r erc 1 erc no n R r R n n n n n n n n r r Vl R R D

95 9 l 1 icc O sn n C sn n Hn Tr erc 1 erc ith continuous gliss no cantaile ŸÈ n Ÿi n n quasi glissando gestures n n n n Vl D n n n n n n

96 l 1 90 ith tension icc O sn C sn Hn Tr erc 1 erc no V % % ß 1 < V 19 < < < < 10 < < n < < 11 Vl D ith tension izz izz izz n n n n n n V V V vl tutti n V V n V n n gliss

97 91 l 1 icc n O sn C sn < < < < < < n Hn n n Tr erc 1 erc Timani no ith don ending gliss gestures similarily Vl n n izz n n n n izz n n n n n n D arco izz n n

98 9 l 1 icc O n sn C sn Hn n n n n n Tr erc 1 erc æ æ no l Vl Ÿ~~~~~~~~~~~~~~~~~~~ " n n n n n l ß n l ß n ß l ß n D ß

99 l 1 icc O sn C sn " " n n n " " " " n " n " " n " n " n n n " n n n n n n " n " 9 Hn Tr erc 1 erc no Vl D

100 l 1 9 q = 100 armly icc n n O sn C sn " n n n n n n n n n Hn Tr erc 1 erc Y æ Snare drum ith snares y no hold ack, reely n n q = 100 armly arco arco Vl arco arco arco arco arco arco D

101 l 1 icc n n 9 n O sn C sn Hn Tr Harmon mute erc 1 erc no 1 n 1 n 1 19 (ord) Vl n n n n D

102 l 1 icc O sn C sn 9 n n Hn Tr erc 1 erc no end n gliss sul, reely n Vl D % n % % %

103 l 1 icc O sn C sn n n n n n n n n 9 Hn Tr erc 1 erc no Vl R R vl tutti n n n vl 1 tutti n n n n D n n n Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~ n

104 l 1 icc O 9 suito suito active and recise, ith tension sn C sn suito suito n Hn Tr erc 1 erc Marima chiuso chiuso æ æ (Harmon mute) æ æ æ æ no n active and recise, ith tension Vl D suito suito suito < suito n n

105 l 1 icc O sn C sn n n n R n intensively n r r 99 Hn Tr erc 1 erc chiuso (Harmon mute) n R r Sus cymal ith stick secco mute o no n n n n n n Vl h 11 1 ( ) r n n R n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r n 1 n 1 n n intensively vle tutti n n D n n n R R

106 l 1 icc O sn C sn 100 r e = e n n n n n n n n n n n n n n n n n n n Hn n n Tr 9 erc 1 9 erc Coells 9 no n n 9 9 n n n 9 n n Vl D n n R e = e n n n n n n n n n n n n n n n n

107 l 1 icc O sn C sn Hn < < n n n n n n n n 101 Tr erc 1 erc Timani TomToms Crash Cymal y y Crash Cymal no < n 1 V < 1 n Vl < D < n n n

108 l 1 icc O sn C sn Hn Tr 10 n n erc 1 y y y y y y y y erc no 1 q extended o ressure, lo seed 1 ß 1 1 ß 1 1 ß 1 1 Vl D artókizz l artókizz artókizz artókizz l artókizz l l l artókizz artókizz l l l artókizz n vle tutti arco vc tutti arco

109 l 1 icc O sn C sn e = e n n detache detache detache n n n r i t a r d a n d o 10 Hn Tr erc 1 erc Timani no Vl D e = e n n 19 detache detache n n detache detache detache n suito suito suito suito suito suito suito 1 r i t a r d a n d o diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente diminuendo to niente

110 l q = 1 intensively icc 1 1 O sn 1 C sn 1 1 Hn 1 1 Tr 1 erc 1 1 erc Y Virasla 1 1 no q = 1 intensively vl 1 tutti n Vl 1 1 vl tutti n 1 1 vle tutti n n 1 D 1

111 l 1 icc O sn C sn Hn Tr Cu mute Cu mute n n n n n 10 n erc 1 erc Gran Cassa Y æ $ Y æ Y æ no n n n n n n n n n n n n n n n n Vl n n n n n n n n D n <

112 l 1 icc O sn C sn 10 ä n n e = e n n n n n n n Hn Tr ä ä ä n n erc 1 erc y Virahone gather any kind o cluster, reely lv no ä 191 glissandos reely, aroximately, noisy r r r G e = e 19 ast iguration on G, d a strings Lightly, aroximate, reely Very high Vl ä ä â D â

113 l 1 icc O sn C sn n n n n n n oco rit < n < < < < < < < < 10 Hn Tr n n n n < < < < erc 1 erc Timani * æ gliss no oco rit Vl V D

114 10 q = 11 calmly and transarently l 1 gliss gesture, diminuendo to niente icc gliss gesture, diminuendo to niente O sn C sn gliss gesture, diminuendo to niente gliss gesture, diminuendo to niente gliss gesture, diminuendo to niente gliss gesture, diminuendo to niente Hn n gliss gesture, diminuendo to niente gliss gesture, diminuendo to niente gliss gesture, diminuendo to niente Tr gliss gesture, diminuendo to niente erc 1 æ h erc no Vl q = 11 calmly and transarently D

115 109 l 1 1 icc 1 1 O sn 1 C sn 1 1 Hn 1 1 Tr 1 erc 1 erc Metal Wind Chimes Y lv y 1 1 Gran Cassa y æ 1 no Vl D 1

116 110 l 1 icc O sn C sn q = 1 ast and vigorously ß ß n ß ß n ß ß ß ß Hn Tr erc 1 erc Y æ 1 1 Timani y Z 1 no q = 1 ast and vigorously 1 1 n n n n Vl D l l l n n n n l n n n n arco n n n n arco

117 l 1 icc O sn C sn Hn Tr erc 1 " n n n n n n n n n y æ Sus cymal ith sticks n ä ß n ä n ß ä n ß n ä ß l â ß l â ß ä l ß â n â â ä â y æ ß y secco 111 erc Crash Cymal y secco no n n n n n â n n 1 n 1 R n n n â ß 1 ä ß ä ß Vl D n n n n n n n R " n n n n n ä ß ä ß ä ß ä ä ß ß â ß

118 l 1 icc O sn C sn Hn Tr 11 n n n " R l l n l l erc 1 y æ y æ y ß erc TomToms no l n l " n n n 1 1 l 1 Vl detache detache detache detache detache n n n l n l D l n l Suvilahdenkadulla 101

Olli Virtaperko Usvapatsas

Olli Virtaperko Usvapatsas Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm