Miss Havisham am Spinnrade

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1 erey Ryan Miss Havisham am Sinnrade or solo assoon

erey Ryan Miss Havisham am Sinnrade or solo assoon Perormance notes Total erormance time ca 5 minutes ingering only (key noise) Key noise is an integral art o this work, simulating the sound o the

shar (see chart elow or suggested ingerings; other ingerings are ossile) Note ends with a strong reath accent Give note a slight rhythmic and dynamic stress Other erormance notes are given as

later, she still sits in her ridal gown, the wedding east (now mouldy and dust-covered) still on the tale In 11, ranz Schuert scored his irst art song success with Gretchen am Sinnrade, in which

accomaniment mimics the turning o the wheel, seeding u and slowing down as Gretchen is reeatedly distracted y thoughts o her lover, the harmonies shiting with her moods Miss Havisham am Sinnrade

2 erey Ryan Miss Havisham am Sinnrade or solo assoon Perormance notes Total erormance time ca 5 minutes ingering only (key noise) Key noise is an integral art o this work, simulating the sound o the sinning wheel; inger the indicated itches orceully enough that key noise can e heard at the requested dynamic 1/4-tone shar (see chart elow or suggested ingerings; other ingerings are ossile) /4-tone shar (see chart elow or suggested ingerings; other ingerings are ossile) Note ends with a strong reath accent Give note a slight rhythmic and dynamic stress Other erormance notes are given as required in the score Programme note In the Charles ickens novel Great xectations, Miss Havisham has withdrawn rom the world, devastated y the etrayal o her groom-to-e on their wedding day Years later, she still sits in her ridal gown, the wedding east (now mouldy and dust-covered) still on the tale In 11, ranz Schuert scored his irst art song success with Gretchen am Sinnrade, in which Gretchen sits at her sinning wheel, working away hynotically while she anxiously awaits the return o her eloved aust s Goethe's oem tells us, her eace is gone, her heart is heavy The iano accomaniment mimics the turning o the wheel, seeding u and slowing down as Gretchen is reeatedly distracted y thoughts o her lover, the harmonies shiting with her moods Miss Havisham am Sinnrade rings together these two 19th-century insirations y imagining that aust never returned, and Gretchen, like Miss Havisham, never stoed waiting, still sinning two centuries ater Schuert immortalised her in song She works madly, lank-eyed, stiling her weeing, or a moment losing hersel in the antasy o a wedding waltz that will never haen, yet unale to sto the wheel rom turning cknowledgements This work is dedicated to assoonist Sohie ansereau with thanks or her invaluale advice It was made ossile through an rtist Grant rom the Canada Council or the rts

3 q» º Not too ast Mechanically, automatically, the mind elsewhere (ingering only) 4 to Sohie ansereau Miss Havisham am Sinnrade or solo assoon m n m n m n n m n m n m n m n m (lay) erey Ryan 5 semre* like stiled weeing** * inger orceully or audile key noise at **sound emerges rom key clicks with as little attack as ossile ynamics reer to sounded itches; ingering continues at m (lay, sim) n m n m n m n n m n m m n > m n > (reath accents in ) 9 m n > m > n 4 m n m n m n m m m 1 4 m n n m n m n m n m n m m n m n 1 0 (ingering) m n m 5 9 m > µ ^ m > n > m > n m n m > m m ^ n m n 4 (sounded itches) n n > m > n m > n m m n m m > n m n m m e»e n m m n µ ^ m > n > m µ ^ m n m n m m n m µ ^ 5 m ^ m m n m n n m n m n m rit to n µ m 01 erey Ryan µ 4 C # C # (S) (L) C # q» m w n (S)

4 -- 4 (S) (L) (S) (S) n m (L) n rit to q» (S) (L) Ÿ ~~~~~~ 4 non-tr ( ) µ n µ 4 m n 9 m m n * * audily click alt key 4 m n µ ^ n µ > 4 q» º rit to n n n q» µ n 10 m ^ m ^ µ m n µ n µ w m n q» su n m q» º su m n m n m m n m n m n m n m n 4 muttering n m n m n q» su n q» º su m n m su n muttering again (e»ª ) m m oco accel to

5 (accel) m m >e» º m > > > x»x 1 e > k» m > > m > m 1 > m > m > m 1 > m > m m > m > m m m m m m 110 m > m > m m > m m m 4 > m > > m x»x m m q k» n imagined waltz n m > m > m K > m m m m n m m m m m n n m m n m m > -- n n m m m m m n m m m n m > n m m m

6 11 n 1 n > -4- > Ÿ (use ~~~~~~~~~~~~~~~~~~~~~~ trill ingering) ( ) (ingering only) (trill key only) Ÿ ~~~~~~~~~~~~~~~~ ^ ( ) R x»x q» º m n m n m m n m n m n m n ^ 4 5 m n m n m m n m n m n m n ^ ^ 4 m n m ^ ^ n n m m n m n m n m n > m > n > m n m n > m > n > m n > m m m > n m n m > n n m m n m n >Ÿ ~~~ ( ) m n n >Ÿ ~~~~~~ ( ) m n > m >Ÿ ~~ ( ) > m > n Ÿ ~~~~~~~~ > ( ) m Ÿ > ~~~~ ( )

7 1 4 > n -5- v n Ÿ ~~~~ ( ) ^ raucously 4 4 n Ÿ ~~~ Ÿ~~~ ( ) ( ) n^ v Ÿ ~~~ ( ) µ ^ - ( )m - m Ÿ ~~~ ( ) µ ^ n Ÿ ~~~ Ÿ~~~~~~~~~ ( ) ( ) 4 Ÿ~~~ Ÿ ( ) ~~~ ( ) n e»e Ÿ ~~~~ ( ) ^ v e»e n ṛit oco a oco to - Ÿ~~~~ ( ) ^ (q»ªº) end with emouchure ( µ ) n- ( µ ) (q» ) 4 (q» º) ( µ ) n 4 - ( )m- ( µ ) n- ( µ ) n ( ) m ( µ ) n q» Mournul, resigned ( µ ) m Ÿ ~~~ ( ) 19 0 µ (end) m m m ( µ ) m ( µ ) 4 Ÿ ~~~~~ ( µ ) m ( µ ) ( ) 4 Ÿ ~~~ ( ) ( ) Ÿ ~~~ 4 ( ) P q» º n 4 * * audily click key rit to m q»

Five Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score.

Five Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score. ive Loons LLC No. 102 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Text by Stehen Crane Comlete Score Comosed 2016 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Comosed 2015-2016