Henrik Denerin. seals II. for cello and soprano. full score

Transcription

1 Henik Denein seals II o and ull scoe

2

3 Henik Denein seals II ( ) o and duation: 5 seconds

4 Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical to the scoe = change vey gadually om one sound o one way o laying to anothe No vibato unless indicated All tansitions, including glissandi, as smooth as ossible A glissando begins immediately ate the enty and should last o the entie notated duation Staccato is always shot egadless o the note value above o below which it stands Notes without staccato should neve be shotened A tenuto mak ( ) indicates an aticulated attack (ie tongued) without aticula emhasis unless accentuated An accented attack should only biely be one degee loude than the dynamic level notated All tills, temoli and gace-notes as ast as ossible (unless othewise seciied) Tills ae ½ tone (semi-tone) u om the notated itch, i not an auxiliay note is esent Gace-notes ae subtacted om the notated duation in which they occu (n) D b d n + # = (n) Quatetones: Smalle intevals ae notated using an aow ointing u o down om one o these accidentals; the ecise intonation o such itches may be ineed om the notated ingeing i esent, o othewise is geneally undestood to be aoximately one eighth-tone ] is an indication to dam all sound, stoing the bow audibly on the sting [ indicates (e) stating with the bow aleady on the sting (these two symbols ae usually ound in conunction) CEO s, ms = oco and molto sul onti esectively, the ome aleady being noticeably dieent in timbe om, the latte being as exteme as ossible consistent with the undamental itch emaining audible st, mst = oco and molto sul tasto (similaly) = ascending degees o bow essue: lautando; nomal ; exaggeated and distoted (itch only ust discenible); comletelyitchless scaing The exact timbal esult will aise om the combination o bow essue with bow osition and dynamic level, any o all o which might be simultaneously changing clb = col legno battuto; clt = col legno tatto; 1/2clb = using wood and hai o the bow simultaneously, = degees o let-hand inge essue: hamonic, hal hamonic and nomal a sound notated as a hamonic will not always have a clea o single esultant itch, eg in the case o glissandi = exchange o inges on a single itch o glissando, usually but not always extemely aid solo should always be quite exaggeated, tying to be a soloist diva but ailing VOICE The text is taken om Giodano Bunos Tiginta Sigilli (153) Clealy olled Italian '', akin in eect to luttetonguing In some laces an exta system (one line) has been added beneath the stave to indicate exlosive consonant sounds These sounds should nomally be vey shot, and cut o abutly with glottal action as i unde high essue Black noteheads indicate slightly voiced sounds; white noteheads indicate unvoiced consonants

5 seals II o and Henik Denein n n n b e= 755 con sod seme n n > z initial tuning: gettato NB in scoe, all scodatua sting itches ae witten AS SOUNDING O n - vib n - R (non vib) ms 13: :11 K nn nn - K K n - n nn O d b - F b + - b + e dex - ti su - e - ni s 6:5 n d 6:7 + n Ùn o I II 4 ms I/II =n 4:5 gliss tans # n b gliss tans n Ï ç inge ec + 3 sul 1 seme st # - n 4:3 n # -> 7:9 13:12 n # # n n n n n - n # # n n > - b 4:3 9: # in e - ni - i i i i i i que e ests in mid-glissando inteut bowing but not itch-movement, so that the glissando estats at the oint it would have eached i continuous n o :9 Ÿ~~~ n b # n n ( ) ( ) d F F Ÿ~~~~ # + b n - b - F 10:7 Œ 10:7 n + + > > n Ù # b n di - e - en - t - ia - s que di - - e - en -ti - as en-ti - as ha - b e - t + Ù n n b it > b - Í 7: b > d - Í thoat-lutte (shiveing) S b n o S 9 e= 65 4 b - d hal-whiseed b K b - d - + 4:3 11:10 5:4 5:4 b # - n d mst K d - ] [ ] [ ] [ ] [ ] :9 + - n + b # + n b d n 16 7 ms Ÿ~~~~~ 16 9 Ÿ~~~~~~~ st (no gliss :9 K b - n Ÿ~~~~~ n ( D ) ( ) A ci - ca se B(e) et C(e) B(e) ha - be - t ( ) n om the G n!) ] b (no gliss om the A n!) d - b - n [ ] [ ] [ b F ß n n b K # b Ï ß b # n + 5:4 a g n - d ( b ) ( ) Coyight 2015 by Henik Denein, vesion 10

6 2 12 sul tasto ossible! + w - * * 5:4 5:4 n # d E G(e) N n * almost inaudible, though caeul obsevance o the aticulation in the voice should ensue that the low o tension is always meintained subito 13 e= I 1 clt s d n + n # n d n d ms s d - d # + - ½ clb st + + ½ clb 7:5 (lh izz) + + # + # n + # (lh izz) ½ clb s # I II II 2 + b d n # n 5:7 + (N) 5:4 n # ç n - d - a vey beathy sound itch scacely audible n - co d n