OPHELIA. Her heart is a clock. Amadeus Julian Regucera. A dissertation submitted in partial satisfaction of the. requirements for the degree of

Transcription

1 OHELIA He heat is a clock Amadeus ulian egucea A dissetation submitted in atial satisaction o the equiements o the degee o Docto o hilosoh in Music in the Gaduate Division o the nivesit o Calionia, ekele Committee in chage: oesso Ken eno, chai oesso Edmund Camion oesso Cind Cox Sing 0

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3 Abstact OHELIA He heat is a clock b Amadeus ulian egucea Docto o hilosoh in Music nivesit o Calionia, ekele oesso Ken eno, Chai In Heine Mülle s la Die Hamletmaschine, an adatation o Shakeseae s Hamlet, the chaacte Ohelia s entance is signaled b the wods: OHELIA He heat is a clock It is unclea i this line is to be deliveed b an acto, whethe it is meant o the audience to hea, o whethe it is a stage diection to be intenalized b those in the oduction As an image, it is an aesting one, evoking associations between a quintessential litea achete and taditions o emininit with mechanization, dehumanization, and caitalism It is a obust metaho o chambe music the human laing the musical machine that is he instument, the elationshi o the individual within and against the gou, and the eiication o at (and atists) into a oduct, which is oduced and distibuted Singing om m inteest in oet and theate, wods themselves la an integal at o OHELIA He heat is a clock The hthm o seech oms the basis o the iece s musical language, and though the vehicle o text, the laes eveal themselves om behind thei music machines, machines though which the beathe, touch, scae, luck, sceam, and stike Thei voices emege onl to be subsumed anew into the din o music-noise Each instument(alist) is a chaacte, thei voices and thei music distinct, in discouse about lie and love in all thei ecstasies and deavities OHELIA He heat is a clock was emieed b Ensemble Linea at the estival Musica in Stasboug, ance on Octobe 01 1

4 o Melanie i

5 Acknowledgements I dedicate this dissetation to m amil who has suoted me though man eas o stud and esonal stuggle, eseciall m atne oah who gave me the couage to esevee desite all the diiculties and doubts as well as the eminde that much o lie and music is la I could not have comleted m degee studies without the loving suot o m communit o iends who gave me ongoing and endless encouagement in m nine eas at C ekele to Hunte, Dann, Walke, Sivan, Anicia, ell, ohn, and Melanie thank ou I would also like to also thank all o the teaches in m academic caee eseciall Ken eno, Edmund Camion, Cind Cox, anck edossian, David Milnes, and hilie Manou With thei hel, I develoed m natual cuiosit and ceative dive, leaning how to challenge msel, to be citical, and to gow as a comose, an atist, and an individual with integit and a sense o sevice to othes and m at inall, I want to thank all the membes o m intellectual and camus communit in and aound C ekele To the othe gaduate students, visiting acult and atists, the sta, and all o the undegaduate students with whom I could shae m love o music, I am geatl indebted Without ou esectives, oten wildl divegent om m own, I would not have been able to exeience the gowth I have had duing m studies Thank ou all ii

6 OHELIA He heat is a clock (01) ass lute, doubling lute Oboe ass Clainet, doubling Clainet Tumet ecussion (1 lae) iano Violin Viola Cello Double ass (with low-c extension) Scoe is witten in C Aoximate duation: 1 Witten o Ensemble Linea and the 01 estival Musica Academ Text comosed, collected, and cut-u b the comose Instumental Disosition: iano Oboe lute Viola Violin Clainet Tumet Cello Double ass Conducto ADIECE 1

7 Instumental eomance Indications: Geneal: Accidentals ae held though the measue Micotones ae used as inlections o equaltemeed itches: I Indicates a thee-quate-tone lat o o o o Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts Thoughts ou'll know the tuth The text is agmented in man instances thoughout the iece in a sot o musical ahasia The onunciation in these instances should emain consistent as i the whole wod wee to be onounced Wods ma also be agmented into single vowel and consonant sounds and ae contained within backets [ ] These should be onounced accoding to the context given In most instances, the subscibe to the sounds in the Intenational honetic Alhabet Indicates a quate-tone lat µ Indicates a quate-tone sha Indicates a thee-quate-tone sha ote: laed cescendos and decescendos should be eomed as dnamic accents, o suddenl becoming stonge o weake, dnamicall hthmic igues with slashes indicate acceleandos o deceleandos as ast as ossible These can be indicated as eomed eel o as measued tulets Vocalization: All laes ae asked to seak, whise, o othewise declaim text The delive should be unch, extemel ecussive, and should be an integated at o the oveall instumental textue Text: esteda I stoed killing msel nothing will come o nothing we that ae oung shall neve see so much no live so long Tomoow moning has been cancelled with m bleeding hands out o m beast In m bod m bod eveda hee in m bod I desto the battleield that was m home othing will come o nothing I ling oen the the ison that was set ie to m heat with m bleeding hands I walk in to the steet clothed in m doos so that the wind gets in and the sceam o the wold I tea the hotos o the men I loved seak again I wench the clock the miseable I watch the clock out o m heat seak what we eel not what we ought to sa I ling oen the the miseable childen o the miseable childen o intenet and cocaine do ou want to eat m heat childen o in and exquisite and viginal childen alaud ou downing alaud ou downing Do ou want to uck me I want to oget exquisite and viginal Hee, the glances last a little longe childen exquisite and viginal whoes o loneliness ou'll know the tuth choke on ou omises Don't stae choke on ou omises The ain o gavel in m lesh on m knees Hoe whises a sweet song om the bell o a sleeing beast Do ou want to dance one ill ten ills Do ou want to eat m heat do ou eel an thing too long he ma think ou want some thing whoes o lone li ness Valium is eective at 1 milligams e da divided into equal doses thoughout the da Additional studies ound it eective at 0, 1, and 6 milligams lesh likes to kee the coman o lesh M ees wide oen I see nothing but ed I see blood I am ang but all I can do is wee I onl ate ou but then me A sca, let dee in ou lesh Memo is an obect, a thing ou can oint to, touch, eel Some wounds heal and some neve do We ae bette o it an emt oom, lage,with a chai in the cone Thee ows om the back, I lit m head meet the ees o m mothe and *His* ace m Lod and Savio, his bloodied ace, thowing shade; his ees ae ull o sueing, and I am ull o shame The dug, eective at a dosage o 6, 0, and 60 milligams but I can't emembe how The ain o gavel in m lesh, on m knees ed ills, blue ills, glass bottle Tomoow has been cancelled What ou killed, ou will love His ees emoved, his sight ganted tothe govenment to stud the weak, the disossessed I want to be a machine o ain o ain o ain o ain o ain o ain o o ain o ain o ain o o ain o o ain o o o Vowels: [I] oen i as in sit, will, mth [a] combination o bight ah (as in ench: dame, table) [E] oen e as in well, tethe, excuse [o] as in ous, ove [i] as in English: even; ench: hive [u] as in English: even; ench: hive icatives: [t] as in tea [k] as in cu [s] as in switch [] as in l Oten, the consonants will be ollowed b vowels This indicates the shae o the mouth cavit as the icative is onounced In the ollowing examle, the mouth cavit becomes moe esonant and oen as its shae tansitions om the closed i" ( ee ) shae to the u ( oo ) shae This tansition is most aaent in the shae the lis make, moving om smiling to used [ki] [ki] [ke] [ka] [ko] [ku] Vocal Sta: single-line sta: Onl elative egiste ositions ae given The text should be deliveed in the lae s seaking ange in elation to the middle line, which indicates nomal seaking egiste eomed in a seaking timbe at aoximate itch ( itch hee ees to the lace in the vocal ange whee the seaking is the be eomed) eomed in a seaking timbe with some beathiness eomed in a ve beath, almost whiseed wa < he $ % Indicates audible inhale ( u-bow ) and exhale ( down-bow ) into lute with CLOSED MOTHIECE (indicated b the black squae); accomanied b beath aticulations [he] (as in head, heav, hell) o the icative [s] (as in switch) (ass) lute: Tongue-sto $ % Tongue izzicato with [te] (as in English: tethe) o [i] (as in English

8 lutte-tongue Indicates beath timbe, almost no discenible itch content; toneless Indicates a mixtue o beath timbe and itch Humming o mumuing while laing the instument, ceating a comlex timbe When the lute is divided into staves, the to stave indicates mouth and embouchue aticulations Deending on whee the aticulation alls in comaison to the sta-line detemines its elative itch o height The bottom sta indicates itches to be ingeed ingeed notes should be stuck as oceull as ossible o maximum ke click sound Oboe: Indicates an luttetongue b olling the, almost without an beath, coveing the embouchue hole with the tis o the lis isbigliando (timbal tills) ae laed as ast as ossible Indicates a timbe that is mostl beath and diuse and one that is a combination o itch content and beath, esectivel The aow between them indicates a gadual tansomation om one timbe to the othe Indicates odinaio laing Indicates a smooth tansition om one consonant to the next Double-till (tills at double seed): occu when one altenates between the two D till kes using one inge o the ight and let hand, and between the two E-lat kes, the two kes, o the two A-lat kes and uthemoe when one tills with inges o the ight hand altenatel on the same ke o the -sha tonehole ingeings ae indicated in the oboe at Embouchue notation: (l ) oen embouchue, hal-closed embouchue, closed embouchue The aow indicates a smooth tansition om one osition to anothe < he $ % $ % Indicates audible inhale ( u-bow ) and exhale ( down-bow ) into lute with CLOSED MOTHIECE (indicated b the black squae); accomanied b beath aticulations [he] (as in head, heav, hell) o the icative [s] (as in switch) Multihonic on the given itch; taken om Veale/Mahnko s The Techniques o Oboe laing, ublished b aeneite ingeings ae indicated in the oboe at Teeth on eed, highest itch ossible Tight embouchue o [k], [t], [] ae vocalized into the lute with OE MOTHIECE (indicated b the white squae) These should be ve ecussive and sha It is helul to make a smile ace with the mouth in ode to shoten the distance between the aiexlosion and the mouthiece lute Oveblow: Inhale though the eed -lat Clainet ass Clainet: : both clainets ae tuned down ¼-tone o the entiet o the iece Indicates beath timbe, almost no discenible itch content; toneless Encicled numbes coelate to the hamonic egions above the ingeed itch (undamental) Decouling: Indicates a mixtue o beath timbe and itch Indicates a timbe that is mostl beath and diuse and one that is a combination o itch content and beath, esectivel The aow between them indicates a gadual tansomation om one timbe to the othe Indicates odinaio laing

9 Sla tongue Scae acoss the suace o the instument (eg Tam-tam, China cmbal, the esonant ies o the vibahone, etc) Slit-tone (son endu) multihonics using egula ingeings The numbes coelate to the hamonic egions above the undamental, illustated on a sta above the given itch lutte-tongue Singing while laing the instument, ceating a gowling timbe Dead hit: Stike the instument but leave the mallet on the suace (no ebound) to damen the esonance (eg vibahone, tom-tom, kick dum, etc) ) low metal blk $ Scae the metal ie, block, woodblock, o Tam-tam aidl acoss its suace " " $ Indicates audible inhale ( u-bow ) and exhale ( down-bow ) into the clainet Tumet: The tumet at equies the ollowing accessoies - staight mute - hamon mute (no stem) - a CD (held loosel against the bell and vibates against it, ceating a distoted timbe) Indicates beath timbe, almost no discenible itch content; toneless Indicates a mixtue o beath timbe and itch Dag the sueball mallets acoss the suace o the ass Dum (smhonic) with a lot o essue to oduce low, esonant, ough timbe that is somewhat iegula in dnamic iano: : the highest note (C) should be muted with dating tae, oducing a ecussive, clicking timbe and the lowest o the iano (A0-D1) should be eaed with aluminum oil to give it a distoted, buzzing timbe The iano at equies the a CD ewel case to scae the lowest stings Damen the sting o the given itch with the hand that is not laing Highest ossible itch Singing while laing the instument, ceating a gowling timbe ½ valve: oducing a beath, distant timbe b deessing the valves onl halwa ecussion (1 eome): Damen the sting o the low itch notated with the ight hand in such a wa that a hamonic is oduced This is achieved b locating an easil accessible hamonic node io to laing, making it, and damening the sting thee An hamonic is ine Stike the lowest stings inside the iano with an oen alm (sustain edal must be deessed) Indicates a itch cluste, which is eomed b using the alm, hand, o oeam to simultaneousl la the ambitus o itches given (while it is best to la both black and white kes, aim to la as man o the notes in the given ambitus as ossible) The ecussion at equies the ollowing accessoies - had an mallets - sot an mallets - had lastic mallets - lage tiangle beate - dumsticks (lighte A o smalle) - two () sueball mallets - Stooam block (to ub on the bass dum head) - Tibetan bowl : ass Dum (smhonic) head should be coated Indicates a ull cluste, which is eomed using one o both oeams and coveing all the notes (ull chomatic) contained within the given ambitus Sz Scae the lowest stings in a aid, exlosive manne (sustain edal must be deessed)

10 Scae the lowest sting in a aid, exlosive, and iegula manne o the given duation (sustain edal must be deessed) Stings: od odinaio s sul onticello as alto sul onticello ( almost O the bidge, ich in hamonics/noise) st sul tasto ast alto sul tasto (on the ingeboad, as close as ossible to the let hand) Aggessivel sla the stings against the ingeboad with the LH alm, making a ecussive sound ow essue: Sudden, accented bow oveessue The dotted-aow between bow ositions indicates a gadual movement om one osition to anothe batt battuto (stike the stings with the bow) cl ic col legno icochet (thow the wood o the bow acoss the stings) cl tatto col legno tatto (bow with the wood) cl batt col legno battuto (stike with the wood o the bow in a staight, downwad motion) cine hai (cine o cancels an col legno bowing) Geneal mute: Indicates that the stings ae to be ull damened with the let hand; thee is to be O itch onl noise It can be used in conunction with battuto, izzicato, col legno battuto, col legno ic Gestues eomed while the stings ae damened ae aticulated on the sta as the oen stings (Violin: G-D-A-E, Viola/Cello: C-G-D-A, ass: E-A-D-G) The above indicates a tansition om nomal laing bow essue to extemel stong essue (snoing, eoated, o scatch timbe whee thee is no discenible itch) to extemel light (lautando) essue The above indicates a tansition om a medium bow essue (mixtue o itch and noise) to extemel stong essue (no discenible itch) Glissando Indicates a nomal glissando; i indicated, itches ae not to be e-aticulated and siml seve to aid oientation and inge osition Indicates a sound devoid o itch (ex noise ); this can elate to exteme bow essue, damened/muted stings, knocking on the bod o the instument Ve slow uwad glissando Indicates a beath o toneless timbe; this can elate to col legno tatto, ubbing damened/muted stings, bowing damened stings, bowing the bidge o tailiece, o extemel light bow essue Ve slow downwad glissando Exlosive gestue; simila to glissando o a caz, exaggeated vibato laed behind the bidge on the winding o the sting Highest ossible itch atók (sna) izzicato izzicato stum (alwas damened) Let-hand izzicato Vetical été aggessivel bing the bow down on the stings diectl vetical, allowing the bow to bounce but not dawing in hoizontall as ou would with a egula été

11 I e = 10-96, utive, skittish, tense, volatile OHELIA He heat is a clock o Ensemble Linéa the 01 esitval Musica Academ amadeus ulian egucea 01 ass lute/ C lute ass lute \ / ē \ sim b \ ē / \ \ / \ - b e \ \ / Oboe Clainet in b/ ass Clainet µ / wqwq / / n ass Clainet Cl Cl tuned down 1/-tone () sim / b / / wqwq µ sim / / / b n µ b / / / wqwq C Tumet hamon mute (no stem) / sim / ecussion iano take lastic mallets take tiangle beate ic metal blk ) with the handle - loco sub seme LV molto sostenuto - - sim - sim - - sub loco loco - sub Violin izz as secco äö izz Ö izz äö Viola as Ö secco Ö T T T ic T T T ic Ö Cello 1 izz secco ic e izz 1 ic e Ö l 1 izz ic e Double-ass I izz as 1 secco

12 l - e b \ \ / \ / ē \ b \ \ / ē wqwq wqwq µ wqwq µ wqwq wqwq Cl / b / / / / / b n b C Tt / / Œ no loco - - n loco - sub - n loco loco - - sub sub Vln izz izz äö Ö ä izz äö izz äö izz Vla Ö ic T T T Ö ic T T T Ö sub cesc Vlc Ö l ic Ö l 1 izz Ö l ic e Db

13 () l 9 \ / \ wqwq µ b Cl / b b / n / b C Tt molto no - loco sub )ˇ - n - w lastic mallets china cmb metal blk sub n + Í Vibahone Kick D loco Œ 1" Tom-tom n b scae the ies w butt o mallet l b n Í " Tom-tom ass D Vln äö izz b b oss Vla b µ oss Vlc Db 1 izz 1 1 as e as IV 1 b e sub sub molto

14 l 1 Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~~ e e e Ÿ~~~~~~~ e Ÿ~~~~~~~~~~~~~~~~~ e n :6 b b Ÿ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ µ µ e b e e µ M M oss Cl Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ M e as ast as oss in an ode / b b n M M u C Tt < sub lz Vibahone w lastic mallets china cmb metal blk sub Kick D + Œ 1" Tom-tom scae the ies w butt o mallet l " Tom-tom ass D no Í loco n n b b n Í :6 :6 Vln b b oss Vla b µ oss Vlc as e sub Db as IV 1 b e sub molto 9

15 l 1 \ / ē \ b \ \ / \ / ē \ wqwq wqwq µ wqwq Cl / sim b / / / C Tt / / sim ic ) )ˇ no loco loco n - - sub sub loco - sub Vln izz izz äö Ö ä izz äö izz Vla ic T sub T T Ö ic äö Vlc Ö l ic Ö l izz 1 Db I izz as 1 secco

16 l 1 Ÿ~~~ Ÿ~~~ Ÿ~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~ e e e e n b :6 b Ÿ~~~~~ ~~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~~ µ µ e b e e M M µ oss Cl / b b n M M u C Tt + voice sub lz Vibahone china cmb metal blk sub + Kick D Œ 1" Tom-tom l " Tom-tom ass D l Second time, use / ba to take had an mallets no Í b Í n b sub :6 n n n b n b :6 Vln as b b b oss oss Vla as b µ oss µ oss Vlc Db as e as IV 1 b e sub sub molto sub 1 sub molto 11

17 e = 11-10, a little quicke, headlong l 1 take C lute Cl C Tt use hand to "mute" Sz Sz sim ) hi metal blk sim no Vln cl ic Sz e Sz e cl tatto winding " " cl tatto " " izz Vla cl ic Sz e Sz e cl tatto ä " " winding cl tatto " " izz Vlc Db 1

18 l 6 Cl C Tt no Vln cl ic Sz e cl tatto winding " " izz oss winding ä Vla cl ic Sz e n b winding cl tatto ä " " izz oss winding ä b b Vlc st T T T T T Ø cesc oco a oco Db 1

19 C lute l 1 cesc µ oss cesc oco a oco Cl cesc C Tt no 1/ edal eocious, non-decesc b damen sting with H b b b Vln cl tatto " " izz as I Sz Sz cl tatto " " izz Vla cl tatto " " izz as III Sz Sz cl tatto " " izz Vlc T T T T T Db izz II oss 1

20 l 6 e Ô ( ) q :6 q :6 [ke] l oss [] l q :6 q :6 q :6 e Ô ( ) µ sub lz µ sub lz µ sub lz µ sub lz µ sub lz Cl b Í gowl b Í gowl b Í gowl b Í gowl b Í C Tt < < )ˇ " Tom-tom no b ( ) Î b l l b l l b l l b l l b l l Vln cl ic Sz e as b Vla cl ic Sz e as l Vlc T izz II I izz II I Db b b e b e b e b e b e 1

21 l lz [] b [] [] [] b b n [] b b b Cl gowl l b b b n C Tt Vibahone cesc oco a oco (balance w vibes) no cesc oco a oco l l Vln b gain, daw bow as slowl as ossible b Vla gain, daw bow as slowl as ossible Vlc b cl ic cl tatto cine b izz b cl ic cl tatto cine b Db b cl ic cl tatto cine b izz b cl ic cl tatto cine as b

22 l [] n b [] b q :6 µ - Í lz q :6 µ - Í lz q Î µ - Í lz Cl n b Í gowl Í gowl gowl b Í C Tt ) ˇ " Tom-tom metal blk w had mallets no l b b sub Œ Î b l l b l l b l l Vln b ( ) sub Vla : ( ) : sub Vlc b ic e izz b b II I sub Db b ic b e izz b b III b e b e od IV b sub 1

23 subito e = 60- l Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b e " " take ass lute - Cl b / b / / decesc oco a oco u C Tt emove hamon mute ass D Kick D sub no l sub mute ve slightl w H l l Catch w ed Catch w ed Vln Œ Vla Vlc e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e < sub non-decesc Q Db od as µ < non-decesc 1

24 subito e = 11-10, Temo () l Ÿ~~~~~~~~~~~ µ µ e (ass) b Cl u < I / b w u / b w u C Tt ) M Sings sub hi metal blk no l l l ( ) Vln izz IV 1 oss 1 1 Vla izz IV 1 oss 1 1 Vlc as sub e 1 1 IV Db sub be 19

25 e = 10-96, Temo 1 ee temo but hthmicall stict " " l 9 q " " [] " " 6 µ n \ oss \ b " " b b b [si] Ô [si] b b b [u] [] b Cl " " M b/ u C Tt take CD [] " " take dumsticks no [] " " * l sub b sub * take CD case Vln [] " " izz IV 1 oss Vla [] " " izz IV 1 oss Vlc od II as T Ÿ~~~~~~~~~~~~~~~~~~~~~~~ e ẏ oss Db I T oss od as 0

26 l 6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [] e - e " " [] / b \ q b b b oss " " b n Ÿ~~~~~~~~~~~~~~~~~~~ " " b oss Cl C Tt no Vln Vla Vlc Db 1

27 l 6 [] ~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~ n b b b b n b b b e b e e µ M " " µ M 6 [] " " Í Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ ~~~~~~~~~~~~~ µ e e nm M b e Ÿ~~~~~~~ oss Cl M M w Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~ M e e M M M M b e M e b e ( ) C Tt mute with CD (hold loosel so that it attles against the bell) sing aleatoicall in a wild manne ( ) emove CD scae the ies w butt o sticks Œ " Tom-tom no w CD case scae lowe stings longitudinall as ast as oss * * Vln oss - sub - oss sub oss gain, daw bow as slowl as ossible Vla - oss sub - oss sub oss gain, daw bow as slowl as ossible Vlc oss - sub oss - sub oss gain, daw bow as slowl as ossible Db - od oss

28 subito e = 60- l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 ~~~~~~~~~~~~~~~~~ Cl ~~~~~~~~~~~~~~~~ b e q Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e Œ C Tt ass D no Vln Vla Œ Vlc Db as od

29 e = 10-96, Temo 1 stak, haunting, unch l 1 q M Cl emove mouthiece without mouthiece C Tt [] ) ˇ scae Tam-tam with lage tiangle beate, ie, o a lage coin Kick D choke/mute no l ` VOCALIATIO EATH SOD [] Vln Voice Vln Œ izz ỵ l VOCALIATIO EATH SOD [] ỵ Vla Voice Vla izz ỵ secco sim l VOCALIATIO EATH SOD [] ỵ Vlc Voice Vlc Db Voice Db secco izz sim secco VOCALIATIO EATH SOD VOCALIATIO EATH SOD [] [] sla stings against the ingeboad I sim ỵ secco

30 l Cl C Tt q q M M [] [] choke/mute q M [] choke/mute q tight embouchue [] 0 Ÿ~~~~~~~~~~~~~~~~~~~ e oss [] choke/mute no l ` l [] [] l ` [] l ` [si] Vln Voice [si] [si] [] Vln Vla Voice Vla Vlc Voice ỵ ỵ [si] [si] ỵ ỵ [si] [si] as [] - [] ỵ gain, daw bow as slowl as ossible \ [] " " ỵ ad lib Vocalization eath Sound Vlc Db Voice Db I I [si] [si] ỵ sim ỵ as - [] ỵ gain, daw bow as slowl as ossible \ [] " " ỵ ad lib Vocalization eath Sound

31 l 9 " " " " 0 0 b 0 Sz Œ Cl C Tt ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e choke/mute take Tibetan bowl Œ choke/mute Q w Tibetan bowl ente imecetibl Œ no l ` [si] [] l l ` take CD case Vln - - Vla Voice [] Vla \ ỵ sim ỵ ỵ Vlc - - Db Voice [] Db \ ỵ ỵ sim ỵ 6

32 l all Cl elace mouthiece C Tt cesc oco a oco take stooam block lace stooam on ass D (smhonic) no w CD case cesc oco a oco ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ * Vln b Vla ỵ ỵ Vlc b Db ỵ ỵ

33 e = 60-, EATHIG MACHIE " " () l n b tight embouchue µ oss (inhale) (ass) b Cl " " let some ai out aound the eed C Tt 1/-valve b \ \ " " " " \ 10 " " lz ass D w stooam block Q Q Q Q Q " " beathing $ $ $ loco seme LV no Vln Vla Vlc Db

34 l b n n 0 slight, iegula bends Cl C Tt n " " " " "S " "S " $ Q Q Q $ - - loco - n - loco no Vln od I T T Vla ΠVlc ΠDb 9

35 9 l Ÿ~~~~~~~~~~~~~~~~ e b µ 0 Cl C Tt "S " b 6 " " " " take staight mute $ Q Q Q Q $ $ $ take had mallets - - loco - - no Vln T T T T T T T T Vla sim Vlc sim Db 0

36 e = 10-96, Temo 1 Exlosive l 9 nn \ as ast as oss beathe as necessa into/out o the lute Ÿ~~ ~~~ Ÿ~ ~~ Ÿ~~Ÿ~~ e ~~~ b e e e Ô Ô Ô Ô u u n n \ sim Ÿ~~ ~~~ Ÿ~~ ~~~ Ÿ~~ ~~~ Ÿ~~ ~~~~ e b e e e Ô Ô Ô Ô u u as ast as oss in an ode sim as high in the sectum as oss Cl / M M b M b M M as ast as oss in an ode u / M M b M b M M sim u C Tt / b b / / n b b igues laed as ast as oss n / / Vibahone china cmb sot damen with mallet sim no b Í n n Í Í Vln ic izz as äö n Vla ic izz Ö b as b Vlc od all tills 1/-ste above Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Í Db Í µ e µ e 1

37 loco l 9 ( ) u b b b b b b b b b b b b b b sim u M M M M oss oss b < oss Cl u gowl b b sim take Clainet C Tt / b b b b / / n b sing aleatoicall in a wild manne < b choke/mute < choke/mute b < no ( ) ä ( ) Í loco sub oss molto decesc u u sub loco l LV Vln izz as n IV molto cesc Vla izz b as b IV b molto cesc b Vlc ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ l Db µ b l

38 l b Cl C Tt Vln Vla Vlc Db no 9 non-decesc take C lute b b lz od od lots o bow lots o bow

39 l 101 b Cl b Clainet gowl voice/singing C Tt < < < b < b b seme b b - - b- - - no molto tenuto, sostenuto seme Vln b Vla Vlc T T lots o bow Db od as od

40 l 10 C lute - - molto tenuto, boad (soten attacks) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ µ b e b Cl C Tt b b b slash cmb b- - - b b no Vln Vla od od Vlc T T T T T T Db od as od

41 l µ molto tenuto, boad (soten attacks) Cl I < alando < < lz I < C Tt < b alando < < < b b b china cmb LV LV - b b- no Vln ic b nv gain, daw bow as slowl as ossible Vla as Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e od Vlc as Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e Db 6

42 l µ - - µ - b Cl < < < I lz cesc oss < I < I C Tt lz b < < lz < b cesc oss lz < b < b b b b * cesc cmbals onl - - b no od molto vib as nv molto vib Vln b S Vla od nv molto vib as Vlc od nv molto vib Db (od)

43 l 11 subito e = -6 w \ q Take no moe than -10" beoe beginning at II b Cl C Tt choke/mute -ˇ LV b - no * Vln nv ast n Vla ÿ S Vlc ÿ S Db

44 II e = 11-10, stident, beathless sub e = 60- e = 11-10, Temo 1 l 119 b C lute µ b b b Cl Clainet b b n C Tt staight mute b b / l metal blk metal ies ẏ take sueballs ẏ no H/LH - - LH ä take CD case Vln as \ ic as e izz Vla as \ Vlc as \ III Db 9

45 l 1 e = 0-69, Temo b Cl C Tt ä M M M ass D w sueballs oss Sz Kick D no scae lowe stings longitudinall as ast as oss VE EATIC, OT EGLA Sz oss Vln b Vla Vlc od b ( à la code l Db ( à la code l 0

46 e = 11-10, Temo 1 molto it l b q Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e < < < 1 1 b Cl gowl M gowl / b b sub as ast as oss in an ode od / w q u 1 C Tt b b l 1 1 w sueballs take dumsticks 1 sub 1 no sub l 1 Vln II e b izz as Ö S sub S 1 Vla 0 izz as Ö S sub S 1 Vlc as Ÿ~~~~~~~~~~~~~~~ e l 1 Db as 1 1

47 l 19 sub e = 60- CLOCKWOK 1 sub 1 b Cl gowl 1 b b Πsub C Tt oto-toms w dumsticks 1 no 1 Vln 1 - sub - - Vla 1 / / / / / / / / Vlc 1 izz as I secco Db 1 izz as III secco

48 l Πb Cl C Tt ( ) no Vln - sub sub Vla / / / \ / \ / Vlc Db

49 sub e = 0-69, Temo e = 11-10, Temo 1 10 " " " " [] [] l e Ÿ~~~~~~~ Ÿ~~~~~ b e e Ÿ~~~~~~~ µ wqwq < b Cl K \ Ÿ~~~ b e Ÿ~~~~ e b C Tt " " " " 1/-valve < Í no take had mallets take tiangle beate dulce, sostenuto - - Vibahone w had mallets ) ˇ Ỵ - - Vln cl tatto Vla Vlc od sub < as Db

50 molto it l 1 q e 6 b q b b b b Cl q w b b b C Tt b b b - ä b - - violent ) low metal blk " " ass D - no hit alm inside iano on the low stings 1/ edal b ull edal * Œ Vln " " " " cine sub / n " ""ilteed" longitudinal temolo (windshield wie) as ast as oss in an ode u Vla eoated sub / n " ""ilteed" longitudinal temolo (windshield wie) as ast as oss in an ode u Vlc sub od b Db izz od

51 a temo e = 11-10, Temo 1 l Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ e " " b Cl Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ e " " C Tt take had mallets w had mallets b b LV decesc take dumsticks oto-toms w dumsticks ḟ ass D - e-tune 1" oto-tom (tune u to "oginal" itch) ä ä - n b no b sub * Vln decesc u as ast Vla decesc u as b b ast Vlc as II S S / b Db ä S S as l S 6

52 l 10 - b Cl bm / M M M b b u < b M C Tt ä / \ b oto-toms w dumsticks no b - b - Vln as Vla b b as b b b Vlc sub Db e e

53 l 1 q voice/singing < < q b b sub 6 sub e = 60- voice/singing < lz all < M - < M sub / M < b Cl M < < b M M M b < u b - wqwq bm M M C Tt \ / / b / b < emove staight mute edal tone sing aleatoicall in a wild manne dit l take double-bass bow (detuned) take tiangle beate china cmb " " Kick D Ỵ no ä b b b take CD case Catch w ed slowl daw CD Case longitudinall on low stings Vln - gain, daw bow as slowl as ossible Vla b b - gain, daw bow as slowl as ossible Vlc sub b cl batt e as µ - gain, daw bow as slowl as ossible Db sub n cl batt e as - gain, daw bow as slowl as ossible

54 l a temo e = 11-10, Temo 1 " " b b b q [si] [] / n Sz n u wqwq b Cl M M b 6 C Tt " " Ỵ M Sings hi metal blk sub no scae lowe stings longitudinall as ast as oss * Vln Ÿ~~~~~~~~~~~~~~~~~~~~~~~ b e Vla Vlc IV Ÿ~~~~~~~~~~~~~~~~~~~~~~~ e Db b b 9

55 10 l u b Cl C Tt $ no Vln Vla Vlc Db 0

56 l 1 b " " " " Ÿ~~~~~~~~~~~~~~~ e q [i] - e " " " " Ÿ~~~~~~~ e b Cl n b b " " b " " " " sub C Tt take double-bass bow no Vln od b Vla } T Vlc od Db od 1

57 e = -0, Temo quasi-alando all l " " b " " b Cl - " " C Tt [] " " take sot mallets no damen sting with LH - b - Vln izz I Vla izz Vlc Db Voice SOKE: ỵ ỵ ỵ esteda izz ỵ ỵ Istoed l b ỵ ỵ kil ling ỵ ỵ m sel od as Db II T T b od as

58 a temo e = -0, Temo l 0 SOKE: ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ To moow moning has been cancelled b Cl SOKE: ỵ ỵ ỵ ỵ ỵ In m bo d m ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ bo d ev e dahee in m bo d C Tt b - n ä A ä w sot mallets metal ies ẏ ẏ ẏ ẏ ẏ no ä - b ä Œ damen sting with H Vln izz Vla izz b Vlc Db

59 l SOKE: ỵ - with m l ỵ - bleeding hands bisbig w q w q oss w q b Cl " " C Tt [] " " " " ḟ china cmb l ȳ ẏ ẏ ẏ metal ies sub * no 6" oto 1" Tom-tom SOKE: - ỵ - ỵ ỵ ỵ ỵ I des to the battleield ỵ - ỵ - that was m home Vln Ö - cl ic cl tatto } - Vla Vlc Db Voice Œ SOKE: I ling o en the Db

60 oco all a temo e = -0, Temo l bisbig w q oss w q q ä w q w M sub q w q M M w sub w b Cl C Tt " " ỵ with ỵ m ỵ ỵ l bleeding hand [s] oss use hand to "mute" Œ b scae the ies w butt o mallet metal blk - - non-muted - no * Vln ä - - ȳ ȳ ȳ ȳ Vla Voice Vla Vlc Voice Vlc Db Voice ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ ỵ doos so that thewind in and the gets ỵ I ỵ sceam o the wold - < ỵ ỵ ỵ ỵ - tea the hotos o themen ỵ I loved l Ö Db

61 l q 10 b - " " M M b Cl C Tt SOKE: ỵ - ỵ ỵ ỵ ỵ I walk in to the steet - clothed in m ỵ - b china cmb choke/mute no SOKE: - ỵ o thing ỵ - ỵ ỵ ỵ will come o no thing Vln Voice Vln od b SOKE: ỵ - ỵ the i son that was - ỵ - < ỵ ỵ set ie to m heat ỵ Vla Vlc Voice l l Vlc izz S ea k a gain Db Voice Db SOKE: ỵ ỵ ỵ no thing will come o - ỵ l no ỵ thing 6

62 oco accel l 1 b n - b e " " b b " " [] q b - - b - - w [i] b b b Cl q " " b " " q C Tt b take tiangle beate oto-toms w sot mallets ḟ no - damen sting with LH b - - b sub - Vln ast Vla ast b Vlc cl tatto - b b µ Db (

63 sub e = 60- Accel l 1 [te] b b [] [te] ē SOKE: SOKE: sub ỵ ỵ ỵ ỵ out o mbeast ỵ - ỵ - I wench [] the clock [] b Cl C Tt w slash cmb 6" oto china cmb take double-bass bow SOKE: ỵ I w b l - b ỵ ỵ ỵ ỵ wat ch the clock out o m heat b / [] no b - - b b b - - b - - b - b b - b b - SOKE: ỵ ỵ - - b b ỵ ỵ ỵ - ỵ ỵ seak what we eel not what we ought to sa Vln b b b ä ÿ Vla T ÿ ÿ T T sub Vlc od b bt T as n b b Db Voice SOKE: - ỵ ỵ - ỵ ỵ ỵ ỵ ỵ - ỵ Db b b we that ae oung shall ne ve see somuch no

64 e = -0, Temo all {e = c 66} l 1 take ass lute wqwq b Cl gowl take ass Clainet C Tt o gowl no china cmb oss Œ " Tom-tom ass D b Î * b b take had mallets (take tiangle beate) Vln b b ÿ ÿ ÿ ( ) µ Í molto vib nv molto vib nv molto vib Vla ( ) Vlc b ( ) ä ä ä ä } Db Voice - ỵ ỵ Db live so long ä 9

65 sub e = 0-69, Temo 11 ỵ ȳ ỵ [] the mi[s] [E] a ble ỵ ỵ l ass lute Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ e b b n SOKE: the mis' a ble Cl ass Clainet w gowl C Tt [] " " hi metal blk ) " " no take CD case Vln \ " " "ilteed" longitudinal temolo (windshield wie) as ast as oss in an ode u Vla Vlc as b n as / od Db od as sub 60

66 1 ỵ l " "sub " " ỵ l ỵ sub " " " " childen o[] in [te] [s] ne [te] [] an [de] [] [ko] [] l Ÿ~~~~~~~~~~~~~~~~~~~~~~ e b b b b n b Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b e - o in te net - and co caine < < < < < < Cl M M C Tt 1/-valve " " / " " " " no Vln u Vla Vlc ast ä b ä Db 61

67 Accel 1 " " ȳ ỵ - ỵ ỵ ỵ ex qui [si] [te] and vi ginal l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b e b b n b ỵỵỵỵỵỵỵ Ù do ou want to eat m heat < µ 0 0 tight embouchue Cl M SOKE: ex - - qui si [te] and vi ginal C Tt " " SOKE: chil den 1/-valve / b no )ˇ Q slowl w CD case slowl ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sub oss / * SOKE: - a w had mallets metal ies - laud ou downing ỵ < ỵ Catch w ed ass D Vln 1/ edal ull edal as Vla Voice Vla SOKE: - a - ỵ < ỵ laud ou downing Vlc - µ Db izz 6

68 190 " " - ỵ ỵ ỵ - e = -0, Temo all [] whoe[s] o loneliness [E] l 0 Ÿ~~~~~~~~~~~~~~~~~~~~~~~ e SOKE: ȳ ẏ ẏ ẏ ẏ whoes o lone li ness Cl C Tt M M [] " " M no SOKE: ä - choke on ou o mises SOKE: ä - choke on ou o mises oto-toms " Tom-tom 6 b * WHISEED: Don't stae WHISEED: The Vln Voice SOKE: Vln ä b Do ouwantto eat mheat Vla Voice Sz SOKE: ẏ ẏ ȳ ẏ ȳ ẏ Vla Vlc Voice Vlc Db Voice Db ä izz IV sub od od b Sz n 6 as Do ou want to uck me ẏ ẏ ẏ ẏ ẏ WHISEED: Do ouwanttodance - Hoe SOKE: whises a 6

69 l Cl 19 WHISEED: - {e = c 60-} Conducto: Cue the G ate a shot ause when the laes inish seaking senza misua/timeless senza misua/timeless senza misua/timeless G G G Conducto: Cue the next measue ate the last lae inishes his/he text; take a shot ause Valium is eective at 1 milligams e da divided into equal doses thoughout the da Additional studies ound it eective at 0, 1, and 6 milligams lesh likes to kee the coman o lesh M ees wide oen I see nothing but ed I see blood I am ang but all I can do is wee C Tt Hee, the glances last a lit tle longe senza misua/timeless G I onl ate ou but then me - too long he mathink ou wantsome thing senza misua/timeless ass D senza misua/timeless an emt oom, lage, with a chai in the cone G A sca, let dee in ou lesh Memo is an obect, a thing ou can oint to, touch, eel Some wounds heal and some neve do We ae bette o it Thee ows om the back, I lit m head meet the ees o m mothe and *His* ace m Lod and Savio, his bloodied ace, thowing shade; his ees ae ull o sueing, and I am ull o shame no Vln Voice ain ogavel in m lesh - on m knees senza misua/timeless The dug, eective at a dosage o 6, 0, and 60 milligams G G o ain, no thoughts, no ain, no thoughts, no ain, no thoughts, no ain, no thoughts Vla Voice do ou eel a n thing senza misua/timeless ut I can't emembe how G The ain o gavel in m lesh, on m knees Vlc Voice I wantto oget - senza misua/timeless ed ills, blue ills, glass bottle G Tomoow has been cancelled one ill ten ills Db Voice senza misua/timeless What ou killed, ou will love G His ees emoved, his sight ganted to the govenment to stud the weak, the disossessed sweet song omthe o a bell sleeing beast 6

70 e = 0-69, Temo molto stingendo a temo e = 0-69 molto stingendo l 19 I want to be a machine I want to be a machine cesc cesc Cl gowl w 6 / n n gowl w 6 / n n C Tt I want to be a machine take staight mute I want to be a machine no mute gowl / b bb staight mute gowl / b bb no I want to be a machine Kick D l " oto ḟ Tom-toms china cmb l " oto b take dumsticks l l * Vln I want to be a machine cesc oco a oco Vla I want to be a machine cesc oco a oco Vlc I want to be a machine od as / od od as / od Db I want to be a machine 6

71 a temo e = 0-69 Accel l 00 SHOTED: o ẏ ain o Thoughts SHOTED: o ẏ ain o Thoughts Cl SHOTED: o ẏ ain o Thoughts C Tt SHOTED: o ẏ ain o Thoughts oto-toms w dumsticks SHOTED: o ẏ ain o Thoughts no l * SHOTED: o ẏ ain l * l * o Thoughts l Vln ( ) loco as SHOTED: o ẏ ain o Thoughts Vla as SHOTED: o ẏ ain o Thoughts Vlc as SHOTED: o ẏ ain o Thoughts Db as b SHOTED: o ẏ ain b o Thoughts b 66

72 e = 11-10, leet-ooted, locomotive l 0 / \ \ sim Cl < q C Tt no loco - sub loco - sub Œ 1/ edal Vln izz as secco Ö izz + Ö izz + Ö Vla as b l izz as b sub b Vlc as b < od ast izz 1 secco izz as Db < III secco 6

73 l 0 \ / \ / - e \ b \ \ / Cl q b w C Tt no loco sub - loco - - sub - Vln izz Ö Ö izz Ö izz Vla b b izz l as b b b sub izz l as izz b b l sub Vlc ic e Ö l izz 1 ic e Ö l Db 6

74 l 10 ē \ b \ - Œ e \ \ - e \ b \ < µ match violin Cl C Tt q ( ) q / w M q no loco - - sub - loco - - sub ( ) ( ) - Vln Ö izz Ö izz + Vla as b l b l n l l l b l l b l b l Vlc ic Ö l izz 1 izz 1 Db T izz 69

75 l 1 / - e \ \ / ē bisbig wqwq wqwq µ Cl cesc oco a oco w C Tt / Œ / sim cesc oco a oco 6" oto w dumsticks e l Œ oto-toms: Quasi alando dums should etain thei elative itch to one anothe desite the e-tunings HI-MED-LOW " oto e 10" oto ḟ ḟ ḟ e e no ( ) - ( ) sub Vln izz sim Ö Ö Ö ( ) Ö izz + Vla b l b l n l ( ) l b b n b Vlc Ö l izz 1 ic e izz 1 Db T izz sub secco 0

76 l b \ \ \ \ ē - e b \ \ / wqwq µ wqwq µ Cl C Tt M M M / / n / b / / sim / e ( ) ḟ Œ ḟ e no l loco - - sub - ( ) ( ) - Vln Ö izz ( ) izz Ö + Vla b ( ) l b l b l n l ( ) Vlc ic e Ö l ic e izz 1 Db izz 1

77 l 19 \ - e Œ \ b \ - e b \ \ \ wqwq µ wqwq µ wqwq sim Cl b / / / / C Tt b / / / / no ( ) l - - sub / - loco sub ( ) ( ) l e \ sub - e loco - sub Vln as izz Ö izz Vla sub b l l b b l - l Vlc as sub ic sub Ö l izz 1 Db izz s b e

78 Accel l / ē - / / e b cesc oco a oco / / b / / : Cl / / b n cesc b w / b / C Tt / / \ b / / \ : < < < < l \ ( ) \ / e ( ) \ no sub : Vln ( ) ( ) izz izz Ö izz Ö izz Ö sim Ö sub izz : cl ic e e Vla b b l b l l l n b l M l izz : Vlc as b l : l l Db izz ä e b : l

79 subito e = 60-, sacious, esonant, eeie l - e sla tongue : - e - e - e take C lute Cl - e sla tongue : - e - e - e 10 C Tt : 10 med woodblock w had mallets take double-bass bow take sot mallet 10 : no oss l : l seme LV molto sostenuto 10 Vln izz : seme 10 Vla izz : 10 Vlc izz : 10 Db izz : 10

80 l Cl 10 C Tt Œ Œ Œ Œ Œ Œ ä - - ä no b b Vln 10 ast T T T Œ Œ Œ Œ T T T ast Vla 10 Œ IV T T T Œ Vlc 10 izz Œ Œ Œ Œ Db 10 Œ Œ b izz Œ Œ Œ Œ b Œ Œ

81 l 0 C lute Œ Œ Œ Cl C Tt Ó b Œ Ó - ä b - ä b- no - - b - Vln Œ Œ Œ Œ Vla Œ III T T T Vlc Œ Œ Œ ast Db Œ Œ Œ Œ Œ Œ b Œ 6

82 l b Cl C Tt stike - - stike stike - b ä - b ä - b ä - b - b ä - no Vln b bt T T T b bt T T T b bt T T T Vla T T T T T T T Vlc izz Db

83 l 6 Cl C Tt stike stike ä ä no ä b - ä b - Vln Vla IV T T T T T T T Vlc ast T T T Db b b

84 l 0 Cl C Tt sim ä ä no ä b - ä b- Vln Vla T T T T T T T T T T Vlc T Db b 9

85 l Cl C Tt Vln Vla Vlc Db no ä ä T take Clainet b - b ä - ä cesc b ä - ä 0

86 l e = 11-10, Temo 1 oss cesc w lz 1 µ oss cesc lz 1 Clainet b Cl no mute voice/singing gowl cesc 1 C Tt non-decesc 1 1 w had mallets tiangle beate 1 1 no b ä ä - - b ä ä ä 1 1 Vln µ od cesc 1 Vla od cesc 1 Vlc Î con tutta oza molto 1 Db Î con tutta oza molto 1 1

87 l 1 1 b < ä 1 ä < ä b b Cl 1 / b b b ä ä b S \ b b gowl C Tt 1 1 ˇ 1 1 china cmb Kick D ) no ä n 1 Catch w ed Vln 1 sub b} Vla 1 µ b sub } Vlc 1 Db 1

88 molto all l b Cl gowl C Tt M Sings metal blk metal ies ẏ ẏ no take CD case Sz ast Vln T T T T Vla as n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e n Vlc as Db Œ as od

89 l Ÿ~~~~~~~~~~~~~~~~~~~~ e a temo e = " " " " molto all tight embouchue 0 oss 0 0 b Cl b b " " " " C Tt [] lz b " " Vibahone w had mallets metal ies ẏ ẏ low metal blk ass D no sub - ȳ ȳ u ianist/conducto: while the temo luctuates (all o Accel o subito), this note emains at a constant temo (e = 11-10) until the ist beat o m 1 Vln Vla Ó $ b $ as as b b Vlc T T T sub Db as Œ od ( decesc

90 a temo e = 11-10, uioso l 61 / ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ / " " " " tight embouchue 0 0 b Cl M M M M M M C Tt edal tone scae the ies w butt o mallet ( ) u no b b Vln ÿ ÿ Vla ÿ Vlc T T cl ic } sub od b e Ÿ~~~~~~~~~~~~~~~~~~~~ Í Db izz sub od Í

91 molto all l ~~~~~~~~~~~~~~~~~~~ 6 " " 10" " b Cl / M b w q u take ass Clainet 10" C Tt take hamon mute 10" 10" ass D w stooam block slowl cescendo though emata Q molto no ( ) b u - 10" Continue laing though the 10" emata Vln b 10" Vla 10" Vlc ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 10" Db ( 10" 6

92 a temo e = l 6 " " q b [i] q [] " " 6 n n b " " [] b b n q b " " Cl ass Clainet " " l M " " b Ÿ~~~~~~~~~~~~~~~~ b e n b C Tt hamon mute (stem out) ) low metal blk " " ẏ ẏ ẏ metal ies hi metal blk " " no ä sub b loco damen sting with LH Vln cl tatto izz Vla cl tatto izz e Vlc cl tatto izz e Db cl tatto izz e

93 l 1 / [] / / " " b sub Cl - b e n ē C Tt sub emove hamon mute [] " " take sueballs w sueballs no damen sting with LH b l b take CD case Vln cl tatto $ izz $ $ izz Vla cl tatto $ izz $ $ izz Vlc e Ö as b izz Db e Ö ä as

94 oco all a temo e = l / [te] " " l [ht] ē - e [ht] 0 0 oss 0 Cl " " b C Tt take CD w CD b oss decesc al niente ( ) no Vln izz I oss Vla izz s 1 b izz I oss Vlc izz s I 1 III izz Db 9

95 all l [] " " " " w mouth awa om eed [] " " " " Cl " " " " C Tt take hamon mute hamon mute (stem out) decesc al niente no w CD case Vln as Vla as ä b \ Vlc µ \ Db umbling oco 90

96 a temo e = l 0 lunga ä b b oss n lunga [] ä " " Cl b b < lunga b ä C Tt b b n take tiangle beates < w Sings Tam-tam Kick D M metal blk lunga i M e take dumsticks no b lunga l Catch w ed Vln cl batt l lunga izz M M Vla cl batt lunga e izz M M Vlc lunga e izz M M Db e lunga izz M M 91

97 l b b b take ass lute b b 1 oss Cl b Œ - e M b M / emove mouthiece C Tt b b hamon mute (stem in) 1 oss M w dumsticks ḟ no b Vln Vla as Vlc as b detune IV sting ~vb Db 9

98 l Cl C Tt Vln Vla Vlc Db no b Œ umbling, nois, eoated timbe oss Î Î Î take Tibetan bowl molto all decesc decesc 1 1 oco decesc 9

99 e = 60- l Cl C Tt ˇ Q w Tibetan bowl oss slowl scae the suace o the Tam-tam in a cicula motion ceating a glass, metal timbe no Vln Vla Vlc umbling, nois, eoated timbe decesc Db detune IV sting ~vb decesc 9

100 l 9 ass lute [s] b " " " " " " Cl without mouthiece " " C Tt decesc no ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ Vln Vla Vlc eoated, daw bow as slowl as ossible! decesc al niente Db eoated, daw bow as slowl as ossible! decesc al niente 9

101 l 9 b b b " " b b [s] b " " " " [s] [s] " " Cl C Tt ( ) no ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ ẏ ȳ Vln Vla Vlc Db 96

102 l 9 ỵ - ou'll know [] the Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e l tu th Cl C Tt no ( ) ẏ ȳ ẏ ȳ Vln Vla Vlc Db Amadeus ulian egucea Ma - August, 01 Oakland, CA, SA Setembe 1 Octobe, 01 Stasboug, ance 9