TYLER TODD KIMMEL HERMES. Concerto for Violoncello and Orchestra
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1 TYLER TODD KIMMEL HERMES Conceto o Violoncello and Ochesta Comosed o thesis o the degee o Maste o Music loida Intenational nivesity 201
2 HERMES N Hemes, the meiest o Olymians, and god o taveles, mechants, thieves and it, as mischievous and caty He as knon o his uncanny ability to outit anyone Aollo ell unde the most amous o Hemes schemes When Hemes as just a toddle, he cet into Aollo s ield, stole ity o his cos, saciiced to, and hid the othes sing the guts o the saciiced cos, he made the ist seven-stinged lye When his mothe scolded him, he used the lye to lay he to slee The next moning Aollo discoveed his cos ee missing and accused Hemes, ho, o couse, denied eveything, and chased him to Mount Olymus In an audience ith Zeus, Aollo demanded Hemes etun the cos Hemes acquiesced and led Aollo to his hed, but hen Aollo sa that to ee missing he became enaged To sooth Aollo s ange, Hemes stummed his lye Aollo enjoyed the sound o the lye so much that he ageed to give Hemes his hole hed in exchange o it Cleve Hemes demanded Aollo s magic and as ell The exchange as made and om then on the bothes lived in eace Zeus as oud o Hemes and gave him a golden hat ith ings, a ai o inged sandals, and a cae o his ticks He on oulaity beteen the gods and mankind, heling eole ind thei ay and leading them to the undeold ate death His elentless cham and it ket laughte and amusement thoughout heaven and eath
3 INSTRMENTATION lute Oboe -lat Clainet (2) assoon Hon in (2) Tumet in C Tombone ecussion (2) 1- Xylohone, Timani (), Tiangle, Temleblocks (), 2" Cymbal, Lo Tom, Vibahone 2- Maimba, ass Dum, 2" Cymbal, Lage Tam Tam, iano/celesta (1 laye) Violoncello solo Stings
4 NOTES Insied by the Geek myth o same name, Hemes catues the himsical tale o this micheivous god though an eclectic jouny o comositional techniques, coloul ochestations, and dynamic hamonies This conceto is a combination beteen a tone oem and a Euoean movement called "imaginay musical theate" Though a conceto, Hemes does not eatue the cello exclusively; it is in act a conceto o cello and ochesta, teating both equally In addition to the cello solo, the tombone is also a ominant instument, as ell as the violin The iece utilizes tonal collections (identiied as set classes), seial techniques, and olytonality NOTATION AND RHYTHM The thick black line, olloing a igue, means to continue this igue o the length o the line A tiangle head tells the laye to lay the highest note ossible Seciic itches ae ielevant Angled beam notation, gadually shotening the value o the notes, tells the laye to gadually incease in seed The "double don-bo" indicates high bo essue
5 This soadic eect, knon as ootional notation, gives the laye libety to lay the itches "aoximately" in the given time ame These hythmic cells, konn as micoolyhony, hel disolve time It is not essential that these hythms ae layed eectly It is used mainly o eect TEMOS Temos ae not stict, but metonomic makings ae aoiate suggestions o smooth execution o hythms and o sonoities to sound DYNAMICS Dynamics ae elative The balance beteen the ochesta and the cello is essential The conducto has the libety to alte dynamics to ind a healthy balance ca 17 minutes
6 Scoe in C lute Oboe Clainet in b 1 Clainet in b 2 assoon SCENE I MISTERIOSO (q = 0) Ø Ø 8 Ø 8 8 HERMES Conceto o Violoncello and Ochesta Ø Ø 8 9 Ø 9 Tyle Todd Kimmel (b 1989) Hon in 1 Hon in 2 Tumet in C Tombone ecussion 1 ecussion 2 I Ø Maimba Celesta/Gand iano Celesta Violoncello solo Violin 1 Violin 2 Viola Cello Double ass MISTERIOSO (q = 0) Ø Ø Ø Do not allign o o o gliss o Continue glissandi iegulaly Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Do not allign o o gliss o o Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Continue glissandi iegulaly 201 Tyle Todd Kimmel Any unauthoized eoduction o this scoe is stictly ohibited
7 l Ob b Cl 1 b Cl 2 sn Ø Ø Ø Hemes 9 9 SITO ALLEGRO (q =120) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ 7 Hn 1 Hn 2 C Tt Tbn 7 + lt lt gliss ec 1 7 Xylohone ec 2 ass Dum Cel/no Ÿ È ~~~~~~~~~~ Vlc 7 Vln 1 Vln 2 Vla Vc D ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n n n Div 9 Div SITO ALLEGRO (q =120)
8 8 Hemes l Ob b Cl 1 b Cl 2 sn Hn 1 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hn 2 C Tt Tbn ec 1 10 ec 2 Cel/no Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ È ~~~~ Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ È ~~~~~~~~~~~~~~~~~~~~~ 10 Maimba Vlc 10 Vln 1 Vln 2 Vla 10 Vc D b b b b
9 Hemes 9 l Ob 1 Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ b Cl 1 b Cl 2 sn 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hn 1 Hn 2 C Tt Tbn 1 b b b ec 1 ec 2 Cel/no Vlc 1 1 (n)a 1 Timani (I, III) Î Ÿ È ~~~~~~~ Ÿ È ~~~~~~~~~~~ Ÿ È ~~~~~~~~~~ Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Molto Vibato ~~~~~~ Vln 1 Vln 2 Vla Vc D 1 Sul G Sul D Sul E Sul G ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ l l l
10 10 Hemes l TEMO RATO At the libtey o the soloist Ob b Cl 1 b Cl 2 sn 20 ~~~ Hn 1 Hn 2 C Tt 20 l Tbn l ec 1 ec 2 20 Timani III Lage Tam Tam D l Cel/no 20 Vlc h 20 quasi guitaa Temo ubato (izz) * * No e-aticulation lay this aticulation the same ay each time Sul C aco sul ont Molto all LH izz n Temo ubato Vln 1 Vln 2 Vla TEMO RATO At the libtey o the soloist Vc D l
11 Hemes 11 l Ob 2 lt SCENE II IN TEMO (q = 90) b Cl b Cl 2 sn Hn 1 Hn 2 C Tt Tbn ec 1 2 Timani I ec 2 Lage Tam Tam Cel/no 2 (Celesta) Gand iano Vlc 2 IV g g n ~~~~ ~~~~ ~~~~~~~~~ ~~~~~~~~~ As high as ossible on C sting Legno at Vln 1 Vln 2 Vla 2 gliss gliss IN TEMO (q = 90) Vc D
12 12 Hemes l Ob b Cl b Cl 2 sn Hn 1 Hn 2 C Tt Tbn ec 1 9 Lo Temleblock ec 2 ass Dum 7 7 Cel/no Vlc 9 aco b!! b!! Molto Vibato o o Vln 1 9 gliss Vln 2 Vla Vc 7 gliss D 7 izz
13 Hemes 1 l 7 9 Ob b Cl 1 7 b Cl 2 sn Hn 1 7 Hn 2 C Tt Tbn ec 1 7 HT ec 2 D 7 Cel/no Vlc 7 Molto sul ont n sicatto gliss Vln 1 Vln 2 Vla Vc D Ø 7 Ø 9 izz izz izz izz izz
14 1 Hemes l Ob b Cl 1 9 Ÿ~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~ n 9 b Cl 2 sn Hn 1 Hn 2 C Tt hamon mute n n n Tbn ec 1 9 Ti n Lo Tom andom hythms (not on the beat) ec 2 D D andom hythms (not on the beat) Cel/no 9 Vlc 9 K KK T T T aco Molto sul ont Vln 1 Vln 2 Vla Vc D 9 aco aco aco n n n izz izz
15 Hemes 1 l 7 accel Ob b Cl 1 7 b Cl 2 sn Hn 1 7 Hn 2 C Tt Tbn ec 1 7 ec 2 7 Cel/no Vlc 7 accel III gliss Gadually aly ootional notation (aoxamate hythms) Vln 1 Legno at 7 accel Vln 2 Legno at Vla Vc j D Gadually aly ootional notation (aoxamate hythms)
16 1 Hemes l Ob b Cl TRATTENENDO (q = 80) b Cl 2 sn Hn 1 Hn 2 7 C Tt Tbn ec 1 7 n HT ec 2 n Maimba Legno at Cel/no 7 Celesta Vlc 7 b b b b o gliss Vln 1 7 b n TRATTENENDO (q = 80) Vln 2 b b n Vla b n b Vc b b D b b b
17 Hemes 17 l SCENE III Ob b Cl b Cl 2 sn 7 Hn 1 Hn C Tt Tbn Hamon Mute ec 1 8 Timani I ec 2 Lage Tam Tam D L Tam Cel/no 8 Vlc izz h 8 g aco o b b b l n Vln 1 Vln 2 Vla Vc D 8 Div Div 87 Sul D aco Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Sul D acoÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ aco Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ aco Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ aco Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
18 18 Hemes l Ob 89 accel (q = 108) Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~ b b b Cl 1 b Cl 2 89 Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~ J j sn Hn 1 Hn 2 C Tt Tbn 89 j ec 1 89 Ti ec 2 ass Dum Cel/no 89 Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ È ~~~~~~~~ n Vlc 89 Molto Vibato Vln 1 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 89 accel gliss Vln 2 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ gliss Vla Vc ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ D ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
19 Hemes 19 l Ob b Cl 1 b Cl 2 sn 9 9 n Ÿ È ~~~~~~~~~~~~ n Hn 1 Hn 2 C Tt 9 Tbn ec 1 9 ec 2 â â â â â â â â ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 Cel/no Vlc 9 b b b gliss b b b g Vln 1 9 b Vln 2 Vla Vc b D
20 20 Hemes l Ob b Cl (q = 90) J b Cl 2 sn J J Hn Hn 2 C Tt Tbn ec ec 2 â â â â D L Tam Cel/no 100 (Celesta) Continue andom itches o this collection Vlc 100 n n b Vln 1 Vln 2 Vla Vc D 100 b n J b J j n b j n j b Î Î Î b Î Î 10 Col legno batt (q = 90) gliss o Col legno batt Maintain E itch and continue iegula hythms (not on the beat) Col legno batt o Col legno batt dim Maintain E itch and continue iegula hythms (not on the beat) Maintain E itch and continue iegula hythms (not on the beat) Maintain E itch and continue iegula hythms (not on the beat) Col legno batt dim dim dim Maintain E itch and continue iegula hythms (not on the beat)
21 Hemes 21 l Ob b Cl b Cl 2 sn J 2 2 Hn Hn 2 2 C Tt 2 Tbn 2 ec 1 ec 2 Cel/no ass Dum (n)a Xylohone 2 2 Gand iano 2 2 gliss Cymbal edge, col legno use same mallets a a Maimba Legno a a Vlc 107 b b g 2 Molto sul ont n n II Vln 1 Vln 2 Vla Vc 107 n n n n izz izz izz izz D dim n 2
22 22 Hemes l 11 lt Ob 8 8 b Cl 1 11 b Cl 2 sn 8 8 Hn 1 Hn 2 C Tt 11 Tbn ec 1 11 a a ec 2 Cymbal edge, col legno Cel/no 11 gliss 7 7 Vlc 11 izz Vln 1 Vln 2 Vla Vc D 11 Div aco aco gliss aco izz
23 Hemes 2 l Ob b Cl lt 8 8 lt b Cl sn Hn 1 12 Hn 2 C Tt Tbn ec 1 12 Ti ec 2 12 Cel/no Vlc 12 g g g 12 Vln 1 12 Vln 2 Vla Vc D
24 2 Hemes SCENE IV l 12 1 (q = 0-70) IN TEMO (q = 90) Ob b Cl 1 b Cl 2 sn 12 aco j Hn 1 12 Hn 2 C Tt Tbn ec 1 12 Vibahone ec 2 12 Cel/no Vlc Vln 1 Vln 2 Vla hand temelo on body o cello H H 1 aco aco aco (q = 0-70) b b b b IN TEMO (q = 90) b b b Vc D aco aco b n b b
25 Hemes 2 SENZA MISRA l 19 Ob b Cl 1 19 b Cl 2 sn Hn 1 19 Hn 2 C Tt Tbn ec 1 19 ec 2 19 Cel/no Rythmic accuacy beteen solosits is not cucial Vlc SENZA MISRA Ÿ È aco ~~~~~~ 19 n n gliss Molto sul ont Do bo, let decay natually b izz Wide, exaggeated vibato o o o Vln 1 19 SENZA MISRA n Vln 2 Vla Vc D
26 2 Hemes l Ob b Cl 1 1 IN TEMO (q = 90) 1 b Cl 2 sn Hn 1 1 Hn 2 C Tt Tbn ec 1 1 ec 2 1 Cel/no Vlc 1 1 n H hand temelo on body o cello H T T T K K g H H H H izz Vln 1 Vln 2 1 IN TEMO (q = 90) izz Tutti j Vla izz Vc izz D
27 Hemes 27 l Ob b Cl 1 10 b Cl 2 sn Hn 1 10 Hn 2 C Tt Tbn ec 1 10 Vibahone I I I Model: Continue andom tulets keeing only, C, and D ec 2 10 Cel/no Vlc 10 izz 12 Quasi guitaa, ith ick J J Vln 1 Vln 2 10 Div izz Div gliss Tutti aco Ȯ Ȯ Ȯ Ȯ O O J O O O O O O O O O Vla Div ot Ȯ Ȯ Ȯ Ȯ Vc ot D
28 28 Hemes l 18 b 1 Ob b Cl 1 18 b Cl 2 sn Hn 1 18 Hn 2 C Tt Tbn ec 1 18 ec 2 Cel/no 18 Celesta b Wide, exaggeated vibato Vlc J J 18 inge izz g g 1 (izz) Vln 1 18 O O O O O O O O O O O O Ȯ O O Ȯ Ȯ (actual itches Div) b Vln 2 b Vla Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Vc con sod b b D b b b b b
29 l Ob b Cl 1 b Cl 2 sn Hn 1 Hn 2 C Tt Tbn ec 1 ec 2 Vlc Vln 1 Vln 2 Vla Vc D Cel/no b b b b Div n b b b b j b b b b b b b b b b b b b b b b b b g g b b b b g g b b b g g j j b b b g g j j j b 29 Hemes
30 0 Hemes l 182 Ob b Cl b Cl 2 sn Hn Hn 2 C Tt Tbn ec ec Cel/no Vlc 182 g g g g g g g g g g o o o o o o o o o Vln 1 Vln 2 Vla Vc 182 j n j sul ont sul ont n b sul ont b b sul ont j b b b b b b b b n b j j n j D
31 l Ob b Cl SITO ALLEGRO (q = 108) SCENE V Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Hemes 1 b Cl 2 sn Hn 1 Hn 2 C Tt Tbn 19 n n n subito subito subito b n ec 1 19 Tim II ec 2 L Tam ass Dum Î 19 Cel/no Vlc 19 aco Molto Vibato Vln 1 Vln 2 Vla Vc D 19 j 197 Od Od Od b Od SITO ALLEGRO (q = 108) b
32 2 Hemes l 202 Ob b Cl b Cl 2 sn Hn 1 Hn 2 C Tt Tbn 202 b gliss n b b b b ec ec Cel/no Vlc 202 b b b b b gliss Vln 1 Vln 2 Vla Vc D 202 *
33 Hemes 207 l Ob n b b b b b Cl b Cl 2 sn Hn Hn 2 C Tt Tbn ec Ti ec 2 D 207 Cel/no Vlc 207 b n b b n b 207 Vln Vln 2 Vla Vc D b n b n b n b n b b b b b b n b n n b n n b n n b n n b *All chomatic uns ae o eect Rhythmic and itch accuacy ae not o imay imotance
34 Hemes l 209 REELY Ob b Cl b Cl 2 sn Hn Hn 2 C Tt Tbn b b ec ec Cel/no Vlc 209 H T K T T KH H H K Vln Vln 2 Vla Vc b b b b b n n n b b b b b n n n n n b b b b b n n n n n b b n D b n b n b b n b n b n b n b b n b n b n b n b  n
35 l Ob 21 b Hemes ALLEGRO VIVACE (q =120) b Cl 1 b Cl 2 sn Hn 1 Hn n n C Tt Tbn Ri 2 2 J ec 1 21 Vibahone h I I g I 2 Tim II ec 2 2 D Cel/no Gand iano Vlc 21 estissimo izz aco Molto Vibato 2 g g g aco Vln 1 Vln ALLEGRO VIVACE (q =120) Vla Vc 2 2 D 2
36 Hemes l Ob b Cl 1 b Cl sn Hn Hn 2 C Tt Tbn ec ec 2 â â â 221 Cel/no Vlc 221 gliss Vln Vln 2 Vla Vc b b b D
37 Hemes 7 l 22 2 Ob b Cl 1 b Cl 2 sn 22 b b Hn Hn 2 2 C Tt b 2 Tbn 2 ec ec 2 â â 2 Cel/no 22 Celesta 2 2 b b b Vlc 22 2 Vln Vln 2 Vla 2 2 Vc b b b 2 b D 2
38 8 Hemes 20 l b b Ob b Cl 1 b Cl 2 sn 20 b n b b b b Hn 1 20 Hn 2 C Tt Tbn ec 1 20 Ti ec 2 Cel/no 20 Celesta Vlc 20 KT (tem) T (hit on dieent ats o the body o dieent timbe/itch) aco Molto Vibato b g izz 20 Vln 1 20 b Vln 2 Vla b b Vc b b n b b D b
39 l Ob b Cl 1 b Cl 2 sn b b b b Hemes n b b n b b 9 Hn 1 Hn 2 C Tt Tbn 27 b b b b b n b b n b b b J J ec " Cymbal Vibahone Timani (I, III) b b ec 2 D L Tam J 27 Cel/no b Vlc 27 aco b b b b b n 27 Vln 1 27 Vln 2 Vla Vc D
40 0 Hemes l Ob b Cl 1 b Cl 2 sn 2 2 b b b b b b 20 b b b b Hn 1 2 b Hn 2 C Tt Tbn b b b b ec 1 2 b Xylohone Ti ec 2 D L Tam Cel/no 2 n (Celesta) b b Gand iano b b Vlc 2 n b n Vln b b b Vln 2 b b Vla Vc D b b izz b n
41 Hemes 1 l Ob 2 b b b b Cl 1 2 b Cl 2 sn Hn 1 2 b b j j j b Hn 2 b b j n j j b C Tt Tbn b b n j j ec 1 2 Tim II ec 2 D j j 2 b Cel/no Vlc 2 b n b Vln 1 2 b Vln 2 b b Vla izz Vc izz D b izz
42 2 Hemes l Ob b Cl 1 b Cl 2 28 b 28 b b b n b b b b sn b Hn 1 Hn 2 C Tt 28 Tbn b b ec 1 28 ec 2 D 28 Cel/no Vlc aco 28 b n b n b Vln 1 Vln 2 Vla Vc 28 n izz b b b b b b b b b b b aco b aco b D aco b
43 Hemes l Ob b Cl 1 b Cl 2 sn 2 2 b b b b b b b b b b b b b b b b Hn 1 Hn 2 2 b b b b b b b 2 2 C Tt Tbn b b b b 2 2 ec ec Cel/no 2 Vlc 2 b b b b b b b b b 2 Vln 1 Vln 2 Vla Vc D 2 b b b b b b b b b b b b b b b b n n b gliss gliss b b b n b n n n
44 Hemes l Ob b Cl 1 b Cl A TEMO (q =120) b b b b b b b b b b b sn Hn Hn 2 C Tt b b n n Tbn b ec Cymbal edge, col legno (No ing) ec Cel/no Vlc Molto sul ont 272 n Vln 1 Vln 2 Vla Vc D A TEMO (q =120) b b b b b n b b b b b b b b b b b b
45 l Ob b Cl 1 b Cl 2 sn n n 282 Hemes n n n Gadually aly ootional notation (aoxamate hythms) n Gadually aly ootional notation (aoxamate hythms) Hn Hn 2 C Tt Tbn b b ec ec Cel/no Vlc 279 n 282 Vln n Vln 2 Vla n Vc b b D b b
46 Hemes l 28 Ob b Cl 1 b Cl 2 28 Ÿ~~~~~~~~~~~~~~~~~~~~~~ sn Hn 1 28 Hn 2 C Tt Tbn ec 1 28 ec 2 28 Cel/no Vlc 28 T K K T T K T K K T K K K K izz Vln 1 28 n Vln 2 n Vla n n Vc b b b b b b b b b b D b b b b b
47 Hemes 7 l Ob b Cl 1 b Cl 2 sn 291 ~~~~~~~~~~~~~ 291 b b b b b n b b b b b n Hn 1 Hn 2 C Tt Tbn 291 b Ri ec ec Gand iano Cel/no gliss n Vlc 291 b b n aco b b b b b gliss Molto Vibato ± ± Vln 1 Vln 2 Vla n n n Vc D b b b b b b b b b b
48 8 Hemes l Ob b Cl 1 29 MAESTOSO (q = 108) 29 SCENE VI b Cl 2 sn 2 2 Hn Hn 2 C Tt Tbn b ä b â â l l ec 1 2" Cymbal 29 2 ec 2 2 Cel/no 29 Celesta 2 2 Vlc 29 2 Vln 1 Vln 2 Vla Vc MAESTOSO (q = 108) D 2
49 Hemes 9 l Ob b Cl 1 b Cl 2 sn 0 0 Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ Hn 1 0 Hn 2 C Tt Tbn b b b b ec 1 0 Ti ec 2 (Celesta) 7 7 Cel/no 0 Vlc 0 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b b b b Vln 1 Vln 2 Vla 0 izz izz izz Vc D
50 0 Hemes l Ob 08 ANDANTE MAESTOSO (q = 0) b b b b b Cl 1 08 b Cl 2 sn Hn 1 Hn 2 C Tt Staight Mute Tbn b ec 1 08 ec 2 Cel/no 08 (Celesta) b Vlc 08 b izz 08 ANDANTE MAESTOSO (q = 0) Vln 1 08 Vln 2 Vla Vc D
51 Hemes 1 l Ob 19 b Cl 1 19 b Cl 2 sn Hn Hn 2 + b b n b n b b b b b C Tt Staight Mute + j b b b b Tbn b b b ec 1 19 ec 2 Cel/no 19 Gand iano Vlc 19 Vln 1 19 Vln 2 Vla Vc izz D
52 2 Hemes l Ob b Cl 1 b Cl 2 sn b b Hn 1 Hn 2 C Tt Tbn 28 b n j b j b b n b b ȯ o ȯ ec 1 28 Timani III I I I I I I I ec 2 28 Cel/no Vlc 28 aco Vln 1 Vln 2 Vla Con sod aco - Con sod aco Vc D
53 l 8 9 SCENE VII (q = 108) b Hemes b 2 Ob b b 2 b Cl b Cl 2 2 sn 2 Hn 1 Hn 2 C Tt Tbn 8 b b b b ec 1 8 I Ti 2 ec 2 D Cel/no 2 Vlc 8 b n b b n b 2 Vln Senza sod 2 Vln 2 Senza sod 2 Vla 2 Vc D b n n n n n b b b b b n n n n n n n n n 2 2
54 Hemes l Ob b Cl 1 b Cl 2 sn lt (q = 0) b n n n b n n n n b n b n b n n n n 7 n b n b n b n b n b Hn 1 Hn 2 C Tt Tbn 2 ec Timani III ec 2 2 Cel/no Vlc 2 2 izz g g g g g g Vln 1 Vln 2 aco (q = 0) aco Vla 2 Vc D 2 2 n n n n n
55 Hemes l Ob b Cl 1 7 n 7 b n 7 b n 7 7 b Cl 2 sn n n n Hn 1 7 Hn 2 C Tt Tbn b ec 1 7 ec 2 Cel/no 7 Vlc 7 j g g j g g g Vln 1 7 b Vln 2 b Vla Vc b D n n n n n n n n n n
56 Hemes l 0 Ob b Cl 1 b Cl 2 0 sn Hn 1 0 Hn 2 C Tt Tbn j ec 1 0 ec 2 0 Cel/no Vlc 0 Vln 1 0 b Vln 2 b Vla Vc D b b b b b n n n n n n n n n b b b b b n n n n n n n n n
57 Hemes 7 l 2 Ob b Cl 1 b Cl 2 2 Ø sn Hn 1 Hn C Tt Tbn + ec 1 2 ec 2 Cel/no Vlc 2 Vln 1 2 Vln 2 Vla Vc D aco
58 8 Hemes l Ob b Cl 1 b Cl 2 sn 7 SCENE VIII SITO ALLEGRO (q =120) Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Hn 1 Hn 2 C Tt Tbn ec 1 2" Cymbal ec 2 Cel/no Vlc aco Ÿ~~~~~~ izz Vln 1 7 SITO ALLEGRO (q =120) j Vln 2 Vla Vc aco D
59 Hemes 9 l Ob b Cl 1 b Cl 2 sn 1 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Hn 1 1 Hn 2 C Tt Tbn ec 1 1 Ti ec 2 L Tam D 1 Ÿ~~~~~~~~~~~~ Cel/no Vlc 1 aco LH izz aco LH izz K T K T K K K T K K T K K aco Vln 1 1 Vln 2 Vla Vc D
60 0 Hemes l ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 9 70 Ob b Cl 1 b Cl 2 sn 9 Â Hn 1 9 Hn 2 C Tt Tbn ec 1 9 ec 2 9 Cel/no Vlc 9 Vln 1 Vln 2 Vla 9 70 Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Vc D
61 l Ob b Cl Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Hemes Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ 2 Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ b Cl 2 2 sn 2 Hn Hn 2 2 C Tt 2 Tbn 2 ec ec Cel/no 2 Vlc 7 2 Vln aco 2 Vln 2 aco 2 Vla aco 2 Vc aco 2 D aco 2
62 2 Hemes l Ob b Cl 1 b Cl 2 sn Hn 1 Hn 2 C Tt Tbn 79 ec 1 2" Cymbal 79 ec 2 L Tam D Cel/no 79 Gand iano All black keys (gliss) Vlc 79 Vln 1 79 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 79 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vln 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vla Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vc D
63 Hemes l Ob 8 b Cl 1 8 b Cl 2 sn b b Hn 1 8 Hn 2 C Tt Tbn ec 1 8 Ti ec 2 8 n Cel/no Vlc 8 aco Molto sul ont l l l l n Vln 1 Vln 2 Vla 8 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~ Vc D
64 Hemes l Ob b Cl 1 b Cl 2 sn n n b Hn 1 89 Hn 2 C Tt Tbn ec 1 89 ec 2 89 Cel/no Vlc 89 Vln 1 Vln 2 Vla Vc D Ÿ~~~ Ÿ~~~~~~~~~~~~~ b b b b b n n n n
65 l Ob b Cl 1 b Cl Hemes 99 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ sn 2 Hn Hn 2 2 C Tt 2 Tbn b 2 b ec 1 9 2" Cymbal (choke) 2 ec 2 Cel/no 9 L Tam Ÿ~~~~~~~~~~~~~~~~~~~~~~ Celesta Vlc 9 b 2 Vln 1 Vln 2 Vla 9 n izz izz izz aco aco b b b b b b b b b b aco Vc izz 2 aco D izz 2 aco
66 Hemes Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 01 l Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ob ~~~~~~~~~~~~~~~~~~~~~ 01 b Cl 1 ~~~~~~~~~~~~~~~~~~~~~ b Cl 2 sn cesc cesc cesc cesc cesc l l Hn 1 Hn 2 C Tt 01 cesc cesc cesc l l l l Tbn cesc l l ec 1 01 Timani III 2" Cymbal cesc ec 2 cesc l l Cel/no Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 01 All black keys (gliss) Vlc senza vibato 01 oco a oco vib cesc Vln 1 Vln 2 Vla Vc D 01 cesc cesc cesc cesc cesc l l
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