Where the I Comes From. Ursula Kwong-Brown
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- Austin Morrison
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1 Where the I Comes From y Ursula Kongron A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate Division o the University o Caliornia, erkeley Committee in charge: Proessor Myra Melord, Chair Proessor Cindy Cox Proessor Aigail de Kosnik Proessor Ken Ueno Summer 2018
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3 Astract Where the I Comes From y Ursula Kongron Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate Division University o Caliornia, erkeley Proessor Myra Melord, Chair I irst read osh ell s oem Where the I Comes From in the atermath o the 2016 residential election, at a time hen it seemed like America as eing torn aart y class and racial conlict The oem soke to me ecause it so honestly descries the roensity or violence hich is hidden inside each o us It is easy to lame one another or our country s current state o xenohoia and the daily destruction o our democratic institutions, ut much harder to recognize the seeds o jealousy, narcissism and hatred ithin ourselves We must see our on aults clearly eore e can ind the common humanity rom hich e can address everyone even our enemies ith love and comassion 1
4 Where the I Comes From or sorano and orchestra Ursula Kongron 2017 Program Note I irst read osh ell s oem Where the I Comes From in the atermath o the 2016 residential election, at a time hen it seemed like America as eing torn aart y class and racial conlict The oem soke to me ecause it so honestly descries the roensity or violence hich is hidden inside each o us It is easy to lame one another or our country s current state o xenohoia and the daily destruction o our democratic institutions, ut much harder to recognize the seeds o jealousy, narcissism and hatred ithin ourselves We must see our on aults clearly eore e can ind the common humanity rom hich e can address everyone even our enemies ith love and comassion 1
5 Where the I Comes From Text y osh ell Our days oten ended and egan ith the sound o voices raised in song Even ater e murdered our riends and neighors Even ater e rought the attention o our knives to the neighors o our neighors, until at last the neighorhoods ell silent and the cities quiet and the city s city, the country then and next the country, until inally the moon, as i its on relection, looked uon an Earth that e had emtied nearly ack to Eden Even then, in that silence that seemed almost a silence, sadly e ere not alone All e ever anted as to e alone, to visit no one, to e visited y nothing ut even ater e d traveled to the neary lanets and relieved them o their voices, even ater and e all kne this as coming e ell amongst each other, rother and sister, until only I survived, still I heard it, the universe sutracted o its skin and hair, and yet the sound o a voice, like someone singing in the hold o a sinking shi, unidden and irrelevant, a athom and a athom dee, ut never ading osh ell, Where the I Comes From rom Alamo Theory Coyright 2016 y osh ell Used y ermission o the author and The Permissions Comany, Inc, on ehal o Coer Canyon Press, coercanyonressorg 2
6 Instrumentation Sorano (Range: EC6) Flutes ( rd douling Piccolo) 2 Ooes + 1 English Horn 2 Clarinets + 1 ass Clarinet 2 assoons + 1 Contraassoon Horns in F Trumets in C 2 Tenor Tromones + 1ass Tromone 1 Tua Timani drums: 2, 29, 26 2 Percussion I Chimes Xylohone Susended Cymal (Sus Cym) ass Drum* (D) Percussion II Marima, ( octave) Sandaer locks ass Drum* Percussion III Virahone Flexatone ass Drum* Percussion IV Snare Drum (SD) Susended Cymal (ith o) Large Tam Tam (TT) ass Drum* * A single ass Drum can e shared y all layers Har Keyoard: Piano, Celesta Violin I Violin II Viola Violoncello Doule ass
7 Perormance Notes Duration: c 11 0 Piccolo sounds 1 octave higher than ritten Contraassoon sounds 1 octave loer than ritten Glockensiel sounds 2 octaves higher than ritten Celesta sounds 1 octave higher than ritten Doule ass sounds 1 octave loer than ritten General Accidentals ollo conventional rules: they aly throughout the ar to notes in the same octave All tremolo markings are unmeasured and ast as ossile Woodinds lutter tongue lt A tone that is raidly articulated, and roduced either y rolling the tongue or y using the uvula in the ack o the mouth rass All rass layers need straight mutes Trumet 1 also needs a harmon mute Strings sul tasto norm sul onticello: close to the ridge sul tasto: on the inger oard normale: used ith / sul tasto Gradual and continuous transition (eg, rom Norm to Sul Pont) Harmonic Fingered itch (not sounding) Har Harmonics sound 1 octave aove the notated itch
8 Poetry y osh ell Transosed Score Piccolo Ursula Kongron Aril 2018 Where the I Comes From Somer q = 60 Flute 1, 2 Ooe 1, 2 English Horn Clarinet in 1 Clarinet in 2 ass Clarinet in assoon 1, 2 Contraassoon Horn in F (1, 2) Horn in F (, ) Trumet in C (1) Trumet in C (2,) Tenor Tromones (1, 2) ass Tromone 1con sord con sord con sord Tua Timani Percussion 1 / Percussion 2 Percussion Percussion / Keyoard: Piano Celesta Sorano Solo Har / / ass Drum æ Piano ø ø ø ø ø æ æ Violin 1 Violin 2 Vla Somer q = 60 normale div a2 Vc normale div a2 Doule ass æ æ æ 5
9 Picc Fl 1, 2 O 1, 2 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, n n n n n C Tt 1 C Tt 2, Tn 1, 2 Tn Ta Tim nn æ m con sord con sord con sord Chim (Perc 1) Perc / H n n nn Pno Sorano Chimes m (D) m ø æ non div n n < 0 D < æ n n 6 æ gliss
10 7 Picc Fl 1, 2 O 1, 2 Cl sn 1 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta su Tim æ æ Chim (Perc 1) Mar (Perc 2) su su m lt æ æ æ æ æ æ æ æ n æ æ æ æ æ m m m 5 con sord a2 lt æ æ æ æ æ æ æ æ æ æ æ æ æ 5 a2 n n m 1 a2 hard mallets m j n n n Vi (Perc ) Perc / H Pno D motor o, hard mallets (D) D C E F G A m m æ æ j æ gliss j gliss j gliss j let virate su gliss n n < æ 7 < < æ æ æ æ æ æ æ
11 Picc Fl 1, 2 O 1, 2 Cl 1 Cl sn 1, 2 9 æ æ æ æ n æ n æ æ n nn æ æ < Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta m Tim Chim lv (Perc 1) Mar (Perc 2) n remove mutes remove mute remove mutes m n m n n n Change to Sus Cym Vi (Perc ) Perc / (D) æ Change to Tam Tam H Pno nn nn let virate nn nn æ æ æ æ æ æ æ æ let virate * n n 6 6 æ D gliss n n æ 8 6 m
12 Picc Fl 1 Fl 2 O 1, 2 A With anguish 11 Same temo æ æ æ Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, m Tn 1 Tn m m Ta m Tim Perc 1 / Susended Cym sot mallets æ Y æ m let virate Perc / Lg TamTam m let virate H Pno n n ø Sorano arm and velvety Our days Our With anguish A Same temo æ m div æ m D æ m 9
13 Picc Fl 2 O 1, 2 15 m Cl 1 m Cl 2 m Cl sn 1, 2 Csn F Hn, C Tt 1, 2, < remove mutes Tn 1 remove mute Tn < Ta Tim Perc 1 / (Cym) æ Y æ Change to Xyl remove mute remove mute Perc / (TT) Change to oed Cym H Pno n n n n ø ø Sorano days m Our days o ten æ æ æ D 10
14 Calmly 19 Picc Fl 1 O 1, 2 Cl 1 Cl 2 n Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano j m end ed and e gan ith the sound o Calmly n D 11
15 22 Picc Fl 1 m O 1, 2 m Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Ta Tim H Pno Sorano j voi ces rais'd m in song izz m izz m m D m 12
16 Picc C Dreamy 25 Fl 1 O 1, 2 Cl sn 1, 2 Csn F Hn, < C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) sot mallets motor on lo Perc / Sus Cym oed lv H m Pno Sorano C Dreamy lyrical Ah sul tasto Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m m j ort arco sul tasto m D < 1
17 Picc Fl 1, 2 O 1, 2 28 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) m Change to Flexatone Perc / (Cym) m Change to Snare Drum H Pno Sorano j Ah ort Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sul tasto æ D sul tasto æ 1
18 D With urgency 1 Faster q = 80 Picc Fl 1 O 1, 2 Cl sn 1 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano m telling a story E ven a ter E ven D j j j With urgency Faster q = 80 arco sul tasto æ gliss æ m gliss izz div m m D izz m 15
19 5 accel Picc Fl 1 m O 1, 2 m Cl sn 1 m Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano a ter E ven a ter accel gliss æ æ D 16 div
20 Picc Fl 1, 2 O 1, 2 Cl 1 Cl sn 1 Csn F Hn, E 9 Angry q = 92 a2 a2 senza sord senza sord j j m m m m j j C Tt 1, 2, Tn 1, 2 Tn Ta Tim Xyl (Perc 1) Mar (Perc 2) Perc / hard mallets hard mallets Snare Drum j j H senza sord m m m senza sord j j j j j j j j j j j j j j j j j j j j j Pno j j j j Sorano D declamatory e murder'd our Angry E q = 92 j j j j j j arco j j j j j j j j j j j j 17 unis arco
21 2 Picc Fl 1, 2 O 1, 2 Cl sn 1 m sn 2 Csn n n n F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta Tim Xyl (Perc 1) Mar (Perc 2) Perc / H Pno Sorano j j m m m 1 m riends a2 and senza sord senza sord neigh m ors e mur der'd our m m m intimate m 1 n n j 1 1 j j senza sord j j n j j j j j j (SD) j j j j j non div j non div j j j j j j j j j j div j j m D j j j j j j j j j j j j j j j j j j j j 18
22 Picc Fl 1, 2 6 rit O 1, 2 Cl 1 Cl sn 1, 2 r j Csn j j F Hn, C Tt 1 C Tt 2, Tn 1, 2 j j n j j Tn Ta Tim Perc / (SD) j H Pno Sorano riends and neigh rit ors div j j j j n j j D 19 j j
23 Insistent F q = 80 9 Picc Fl 1 O 1, 2 Cl sn 1 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano Solo Insistent F q = 80 m telling a story E ven a ter E sul tasto æ æ ven j gliss m j j n gliss gliss m izz div m unis izz m D 20 m
24 5 Picc Fl 1 m O 1, 2 m Cl sn 1 m Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim m H Pno Sorano a ter E semre ven a ter e Solo æ m gliss æ æ n gliss gliss arco arco n D n 21
25 Angry 57 G Faster q = 92 2 Picc Fl 1, 2 O 1, 2 Cl a2 sn 1, 2 Csn j Ta Perc / m 2 a2 H m m a2 a2 j j j j j m j F Hn, j j j j m + + C Tt 1, 2, Tn 1, 2 Tn Tim Xyl (Perc 1) m Mar (Perc 2) j (SD) j j j j j j j j j Pno j m Sorano 2 2 D rought the at ten tion o our knives e Angry G Faster q = 92 unis vindictive, ut ith irony (div) div 2 (inside chairs) div 1 (outside chairs) div 2 (inside chairs) 2 n j div 1 (outside chairs) j j j div a2 unis 22
26 61 2 Picc Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn j j j j m j n F Hn, j j m j j + C Tt 1 Tn 1, 2 Tn Mar (Perc 2) m j j Ta n 2 Tim Xyl (Perc 1) m Perc / (SD) j j j j j j j m j H m Pno Sorano 2 2 D rought the at ten tion o our knives j 2 n j div orceul e j j unis 2
27 Picc Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn 65 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ j j n n j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ j j j j j j m j j j m Ta j m j j j j j j Tim Xyl (Perc 1) Mar (Perc 2) Perc / m m m H Pno Sorano rought (SD) j j j j j j j the at ten tion o our knives to the neigh ors o our 2 2 D j 0 j j j n n n 0 j j 0 j 0 j j j n n n div 2
28 Picc Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim 68 Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n j j j j j Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j j j j j j j j Xyl (Perc 1) Mar (Perc 2) (SD) Perc / j j j j j j H Pno Sorano neigh ors the neigh ors 2 2 D j j j j j j n n j j j j j j n n 25
29 Picc Fl 1, 2 O 1, 2 71 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cl 1 Cl 2 C Tt 1, 2, Tn 1, 2 Tn Ta Tim Xyl (Perc 1) Mar (Perc 2) Perc H Pno Sorano 2 Cl j sn 1, 2 Csn + + Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j j m F Hn, + + Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j m j j j 2 D 26 ø darkly comical o our neigh Change to Vir Flexatonegliss / æ æ æ (SD) Perc / j j j j j j j j gliss æ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
30 Heavy 7 < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ rit < Picc Fl 1 Fl 2 O 1, 2 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta Tim æ æ Xyl (Perc 1) Mar (Perc 2) Perc / (SD) j H Pno Sorano 2 2 H H unis D ø ø Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ors Heavy () () () () () () () < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Change to Sus Cym Change to TT < 27 rit æ æ æ æ m intimate un take mutes take mutes take mute take mutes take mutes take mute take mute til at
31 77 q = 80 rit Picc Fl 1, 2 O 1, 2 Cl 1 Cl sn 1 m Csn F Hn, m C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano last the neigh or hoods ell q = 80 non div non div R m R rit m 0 j m 2 j m m 2 D 28 m
32 Picc Fl 1, 2 O 1, 2 Cl 2 Cl sn 1 Csn F Hn, I With longing 81 q = Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2con sord C Tt 1 C Tt 2, con sord Tn 1 con sord Tn Ta Tim Vi (Perc ) H Pno Sorano Solo I m si sul tasto ort With longing q = 60 lent æ 2 Solo D sul tasto sul tasto Solo esressivo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ div 1 ort
33 Picc Fl 1, 2 O 1, 2 Cl sn 1 Csn F Hn, C Tt 1 C Tt 2, Tn 1 Tn 77 esressivo con sord j j con sord Ta Tim Vi (Perc ) H Pno Sorano motor o medium mallets * andthe ci ties qui et andthe ci ty's ci ty the Solo æ m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Solo 2 D R R unis m m 0
34 Picc Fl 1, 2 O 1, 2 80 Cl sn 1 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn a2 con sord 1 Ta Tim Vi (Perc ) m * * H Pno Sorano oco coun unis m m try then and next the coun III r m r r m 6 2 R r r R m D 1
35 Picc Fl 1, 2 O 1, 2 8 Cl j sn 1 sn 2 Csn F Hn, m C Tt 1 m C Tt 2, Tn 1, 2 Tn m Ta Tim Vi (Perc ) < H Pno Sorano try, un til i nal ly the r r r r r 0 0 r r r 2 D 2
36 Picc Fl 1, 2 O 1, 2 85 Cl sn 1 sn 2 Csn j j remove mutes F Hn, C Tt 1 1 j remove straight mute, take harmon mute C Tt 2, Tn 1, 2 Tn con sord con sord Ta Tim Vi (Perc ) m * H Pno Sorano moon, m resigned as i its on re lec tion sul tasto m m n m m m m 2 sul tasto m m 2 D 0 0 r r r r r r r n r r r r r n m m m m
37 Picc Fl 1, 2 O 1, 2 88 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, 2 C Tt 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) H * * Pno Sorano 2 look'd u on an earth that e had em tied ort 2 D r r r r r r r r
38 Picc Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, 90 remove mutes Tn 1, 2 Tn Ta Tim Mar (Perc 2) Vi (Perc ) remove mutes < * con sord sot mallets remove mute remove mute H Pno Sorano near ort ly ack to E m ort j j den r r r r r r r 2 2 D sul tasto r r r r 5
39 Picc Fl 1, 2 O 1, 2 Cl 1 K Moving orard 9 esressivo j j Cl 2 Cl j sn 1, 2 Csn F Hn, C Tt 1 harmon mute stemin "ahah" eect m m C Tt 2, Tn 1, 2 Tn m m Ta Tim Perc 1 / Sus Cym sot mallets æ æ Y æ æ Y m m Perc 2 / Change to Crash Cym Vi (Perc ) H motor o m ø ø m ø Pno ø ø ø K Moving orard D 6
40 Picc Fl 1, 2 O 1 Cl 1 Cl 2 Cl accel 95 m m j j m j j j j sn 1, 2 Csn F Hn, C Tt 1 1 senza sord C Tt 2, n n Tn 1, 2 Tn Ta Tim Perc 1 / (Sus Cym) æ Y æ Y Vi (Perc ) ø ø ø ø ø H m nn n Pno n n n m ø ø ø ø accel D 7
41 Picc Fl 1 O 1 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn 97 L oyul q = 72 m m m m m j < j j j m m n Ta Tim Perc 1 / (Sus Cym) lv æ Perc 2 Crash Cymals lv m / Change to D Vi (Perc ) ø ø ø ø H n n Pno n n ø ø ø ø oyul L q = D izz m æ æ æ æ æ æ æ æ izz div m 8
42 Picc Fl 1 O 1 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn 99 m m m j j j j remove mutes Ta Tim (Sus Cym) Perc 1 / æ æ Y æ æ Y m m Vi (Perc ) ø ø ø ø H Pno ø ø ø ø ø 2 æ æ æ æ æ æ æ æ D izz 9
43 Picc Fl 1 rit 101 æ lt æ O 1, 2 Cl 2 j Cl sn 1, 2 Csn F Hn, C Tt 1 Tn 1, 2 Tn Ta Tim senza sord 5 remove mute Vi (Perc ) Perc / H Lg TamTam lv m o o o o o j j o o * Pno Sorano 2 rit ø m telling a story Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ e ven D 0
44 Sorroul M q = Picc Fl 1 Fl 2 m O 1, 2 m Cl sn 1, 2 j n j m Csn F Hn, 2 senza sord m C Tt 1, 2, Tn 1, 2 Tn Ta Tim m H Pno Sorano then e ven then Sorroul M q = 60 izz div arco unis m D 1
45 106 Picc Fl 1 Fl 2 O 1, 2 m lt æ Cl sn 1, 2 m j j Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Pno Sorano m in that si lence that as al most a o D arco 2
46 Picc 109 Fl 1 lt æ æ Fl 2 æ æ O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Perc 1 / Vi (Perc ) Perc / motor on lo n (Lg Tam Tam) æ n æ (Sus Cym) æ Y n m * H Pno 1 m Sorano si oco lence sad ith anguish ly D j m
47 Picc Fl 1, 2 O 1, Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m m Cl sn 1, 2 Csn F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta Tim < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < æ æ æ m 1 Perc 1 / Perc 2 Vi (Perc ) Perc / H Pno Sorano (Sus Cym) æ Y / lv m lv Change to Mar m ø ø ø ø ø e ere not a lone Change to Xyl n (Lg Tam Tam) æ lv Change to SD D let virate æ æ * D arco unis æ div n div æ
48 Angry 11 Faster q = 92 Picc Fl 1, 2 O 1, 2 Cl sn 1 sn 2 Csn j n j n j m + + j m F Hn, j j j j m j j j m senza sord Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C Tt 1 j C Tt 2, Tn 1, 2 Tn Ta Tim Xyl (Perc 1) Mar (Perc 2) Perc / H Pno 2 2 N N a2 a2 div unis D m m hard mallets m m Angry Faster q = 92 div a2 j senza sord Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j < senza sord senza sord senza sord j j j n m j j j m div j n n n n j j j j j j SD j j j j j j j j j n m j j m j j j j j j 5 n j j j j n j j j n
49 117 Picc Fl 1, 2 O 1, 2 Cl sn 1 sn 2 C Tt 2, Tn 1, 2 Tn Ta Tim Xyl j (Perc 1) Mar (Perc 2) j Perc / H Pno Sorano 2 2 D O m O semre unis Change to Flute All 1 m m m m Csn + j 2 + m F Hn, j m C Tt 1, 2, C Tt 1 Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < 1 (SD) j j j j m m j j j j j j j e e ver anted as to n n j j j 6
50 Picc Fl 1, 2 Fl O 1, 2 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1 Tn 120 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m m m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n n m n n n n Ta Tim Mar (Perc 2) Perc / H Pno Sorano (SD) j j j e a lone All æ j j j j e e ver div unis D 7
51 Picc Fl 1, 2 Fl O 1 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1 Tn 2 12 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n m m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n m m m m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a2 j + Tn Ta Tim Mar (Perc 2) n æ j Perc j j j j j j / (SD) H D C E F G A gliss gliss gliss Pno Sorano ant ed as to e a lone to hateul D 8
52 Fl 1, 2 Fl 126 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m m O 1, 2 + F Hn, C Tt 1 C Tt 2, Tn 1 Tn 2 Tn Ta Tim Xyl (Perc 1) Mar (Perc 2) Perc H Cl a2 sn 1, 2 n n Csn n n take straight mute / (SD) æ gliss gliss æ æ m m gliss Change to Sus Cym Change to Sandaer æ j j j j æ gliss gliss Pno laintive Sorano D vi sit no one to div n unis div j 9 e j
53 Fl 1, 2 Fl O 1, Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ P Groing calmer Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cl 1 n m m Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1 Tn Ta Tim n m æ æ m m 6 Perc / (SD) æ Change to oed Cym H Pno gliss let virate m Sorano vi sit ed y noth ing Groing calmer P m D j j j 50 m m m m
54 12 rit Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Fl 1 Fl 2 Fl O 1, 2 < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m lt m æ æ æ Cl 1 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim j m 6 < <n m m H Pno Change to Celesta Sorano rit unis div D < 51
55 Sorroul Q q = < Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Fl 1 O 1, 2 j Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Cel Sorano m telling a story ut e ven a ter e'd tra veled to the near y Q Sorroul q = 60 izz non div m 2 m D div 52
56 19 Fl 1, 2 Fl 1 O 1, 2 Cl m m sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Cel Sorano la ort nets and m re liev'd them o their voi ces m m m arco j m m 2 m m m D m m 5
57 11 Fl 1, 2 O 1, 2 Cl sn 1, 2 1 a2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Cel Sorano e ven a ter j m n n j non div n j j < 2 m D < < n 5
58 1 accel Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn 1 F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim H Cel Sorano directly to the audience and e all kne this as co ming telling a story We ell a mongst a noth er rother n accel m div j j j j n j j j n j j m m m m m D unis 55 div m
59 Imassioned 16 q = c 72 Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn m a2 m F Hn, C Tt 1, 2, Tn 1, 2 m Tn m Ta m Tim H Cel Sorano sis ter un til on deiant ly I sur viv'd Imassioned q = c 72 j j j j non div 2 2 D 56
60 19 rit Fl 1, 2 O 1, 2 Cl 1 Cl sn 1, 2 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim < n m < n m m Sorano H Cel suddenly horriied ort On ly I sur rit m j m æ m 0 æ 2 2 æ æ m 0 0 m m D m æ 57 æ
61 Fl 1, 2 O 1, 2 Cl 1 Cl sn 1, 2 sn 1 sn 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Resigned R q = < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < j < Vi (Perc ) semre * H Sorano motor on lo Cel m viv'd R Resigned q = 60 sul tasto n 2 sul tasto Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 0 0 æ 0 æ sul tasto sul tasto D unis æ 58
62 Fl 1, Fl 1 O 1, 2 Cl j sn 1 sn 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) < * ø H Cel r r r r R R R R R 2 D < 59
63 Fl 1 O 1, S j Cl sn 1 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) n ø semre ø H ø Cel Sorano intimate j the u ni verse su ø m S 2 sul tasto < R n r r r r r R 2 n D 60
64 Fl 1 O 1, j j Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) n ø ø ø ø H Cel m ø Sorano tract ed o its skin n and hair m m m 2 m < R R R R R R R R R R R R R R R R m 2 n m D m 61
65 Fl 1 16 O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) < ø ø H Cel ø Sorano and yet the sound o a voice 2 R R R R R R R R 2 D 62
66 Fl T Dreamy O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) ø n H m Cel ø ø Sorano m like some one sing ing T n Dreamy 2 < R r r r r 2 D 6
67 Fl 1 O 1, Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m Cl 1 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) < * Perc / Sus Cym oed lv m Change to TT H m Cel Change to Piano Sorano lyrical m Ah ort ort ort () m 2 () m () m () m () () D m 6
68 Fl 1, 2 O 1, Cl 1 Cl Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Vi (Perc ) < < * H R R R R R R R R R R R R R R R R Ô RÔ Ô Ô Ô Ô Ô RÔ Ô Ô Ô Ô Ô Ô Ô Ô Ô Ô Pno Sorano in the hold o a sink ing shi ort 2 D 65
69 175 Fl 1, 2 O 1, 2 Cl 1 Cl 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Perc 1 / Vi (Perc ) Perc / H Pno U < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Sus Cym sot mallets Lg TamTam Y æ < Y æ æ Solo Solo 2 2 D U m Solo ort Solo ort () () () æ 66 æ m m m æ m
70 Fl 1, 2 Fl O 1, 2 Cl 1 Cl 2 Cl sn 1, 2 Csn 177 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim æ æ æ Perc 1 / (Sus Y Cym) lv æ æ Y Vi (Perc ) Perc / (TT) æ æ H Pno < lv D C E F G A gliss 12 gliss gliss gliss 12 Solo Solo 2 2 D Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ m div 12 m m 12 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ æ æ æ 67 æ
71 Fl 1 O 1, 2 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn V Heavy 179 j m Ta Tim Perc 2 / Vi (Perc ) H Pno Sandaer locks: ru together let virate let virate * Change to D Change to Celesta * 5 lv Sorano Solo V Heavy < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ un m id den and ir rel le vant a m Solo izz let virate D izz 5 izz let virate
72 Fl 1 O 1, 2 18 j j rit Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim Perc 2 / (Sandaer) m Change to Sus Cym H 5 j 5 Cel Sorano ath om and a ath m j om dee rit D 69
73 Fl 1, 2 O 1, 2 Cl 1 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn W Mysterious 189 q = 50 Ta Tim Perc / H ass Drum æ lv æ æ m Sorano Cel W Mysterious q = 50 ut ne m j ver a 5 let virate ding ne m ver * 2 2 D emhasize harmonics div a 2 II III 0 OȮ O Ȯ O Ȯ m emhasize harmonic unis III arco arco o O m emhasize harmonic m emhasize harmonic m arco O O O O O O O O IV () II Ȯ () () () n O arco O O O 70
74 Fl 1, 2 O 1, 2 Cl 1 Cl sn 1, 2 Csn F Hn, C Tt 1, 2, Tn 1, 2 Tn Ta Tim 19 m m Perc / (D) æ m H Sorano Cel a ding m 5 O Ȯ Ȯ () O 0 III OȮ m n O n O m O O () m III () o O O 2 O O () IV m O 2 m m D 71
75 Fl 1, 2 O 1, 2 Cl sn 1, 2 Csn 196 j j j m F Hn, C Tt 1 C Tt 2, Tn 1, 2 Tn Ta Tim Chim (Perc 1) Perc 2 Perc Perc / H ne m ver a con sord (straight mute) / (D) / æ Lg Tam Tam æ æ æ m Sus Cym lv m lv m m 5 Cel * m 5 ø m Sorano æ æ æ æ II III 0 OȮ OȮ OȮ II 0 O O O III Ȯ Ȯ Ȯ () m 2 D I 0 emhasize harmonic O O O 72
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