CHINESE FIRE DRILL BENJAMIN DEAN TAYLOR

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3 CHINESE IRE DRILL BENAMIN DEAN TAYLOR Commissioned the Colorado Mesa niversit Wind Smhon Calvin Hoer, conductor ith the generous suort o Karen Coms 20

4 Duration: ca 6:0 Music teset the comoser Music Coright 20 Benamin Dean Talor, Bloomington, Indiana rinted in Indiana, SA All Rights Reserved No art o this ulication ma e reroduced in an orm an electronic or mechanical means (including hotocoing, recording or inormation storage and retrieval) ithout ermission in riting rom the ulisher Cover art Benamin Talor Talor, Benamin Dean Chinese ire Drill, or ind and enamintalormusiccom

5 INSTRMENTATION TRANSOSED SCORE (Numer o laers douling each art is at discretion o conductor in keeing ith a alanced sound) iccolo lute, 2 Ooe *, 2 Blat Clarinet *, 2, Blat Bass Clarinet Bassoon Elat Alto Saxohone, 2 Blat Tenor Saxohone* Elat Baritone Saxohone Blat Trumet, 2, (straight mutes required or all, harmon mutes or Tt ) Horn, 2,, Tromone, 2 (straight mutes required) Bass Tromone Euhonium* Timani* 5 ercussion (*The irst chair laer ill e required to la on a noisemaker See erormance note) ERCSSION INVENTORY** snare drum, tomtoms (high, middle, lo), slash cmal, hihat, 2 oodlocks, tamourine, ongos, ride cmal china cmal, caasa (or shekere or shaker), triangle, susended cmal, electric drill (see erormance note) 2 small ass drum, triangle, tamtam, 5 marima, xlohone, (**ercussion and timani laers ill also require an assortment o small, nonseciied unusual instruments and ound oects or ire Drill #) Duration ca 6:0 rogram Note The stor ehind the music As a teenager, I as a illing articiant to man Chinese ire drills Interesting enough, in m exerience the usuall occurred on the a to or rom marching and rehearsal or those ho ma not kno, a Chinese ire drill is kind o like a game o vehicular musical chairs A car load o eole (usuall teenagers) come to a sto at a red light Everone ranticall gets out and runs around the vehicle (usuall hile laughing and/or screaming hstericall) and then ums ack in the car These are ildl un and generall seen as harmless, laul ranks While comosing this ork, I oten asked msel, What ould a Chinese ire drill sound like i it ere a iece o music What ou'll hear is m est anser! This comosition, Chinese ire Drill attemts to ortra the zan, himsical, and chaotic nature o a Chinese ire drill I didn't igure I could literall have all the erormers um u and run around and sitch seats onstage Hoever, I have tried to cature the adrenaline and excitement o the event incororating unusual extended techniques, a e unusual instruments, and even some slightl theatrical elements A lighthearted humor ervades much o this ork and smiling and laughing during the erormance is not onl admissile ut encouraged! It is m hoe that this comosition ill hel all o us connect ith the energ and sontaneit o our inner outh Benamin Dean Talor is a comoser o contemorar art music His energetic, adventurous music rovides a uniquel rereshing sonic exerience or erormers and audiences alike Trained as a trumet laer and ianist, he erorms ith and rites music or a variet o chamer ensemles, azz comos and ig ands, ind ands, orchestras, choirs, and exerimental ensemles He received degrees in music comosition rom Indiana niversit, Brigham Young niversit, and Boling Green State niversit Dr Talor's rizes and honors include inner in the rank Ticheli Comosition Cometition, a BMI Student Comosers Aard, three Barlo Endoment Commissions, and an ASCA Young azz Comoser Aard His music is requentl erormed in the nited States and aroad Dr Talor resides in Bloomington, Indiana ith his ie and ive sons and hen not comosing or erorming enos moing the lan, hiking, caming, knie throing, cooking, rock alancing, reading, and running enamintalormusiccom hoto Aleksandr Karaka karakacom

6 ERORMANCE NOTE This ork is unconventional in man as hen comared to a traditional and iece This is entirel on urose! I hoe that ou and I, as the director and comoser, ill e united in making this erormance a thrilling and comelling event that rovides a unique, concert music exerience or oth the erormers and the audience With that goal in mind, here are a e exlanations: CHINESE IRE DRILLS There are our sections in this ork hich are unmetered and unconducted reerred to in the score as Chinese ire Drills # Each o these events is asicall the same thing though ith some variation Each laer has a diagram in their arts like the one elo The diagram rovides a series o sonic and/or theatrical events hich the laer executes as ast as ossile This is a musical arallel to a real Chinese ire drill and as such should e quite chaotic and sontaneous Belo is an examle taken rom the Trumet art: SIREN WHISTLE A minimum o nine s are needed or this iece Siren histles are small, lastic tues that have a little sinner inside When ou lo through them the make a hizzing sound The ag I urchased on amazon as $5 and had 2 o them The olloing irst chair laers ill use them: Ooe, Clarinet, Tenor Sax, Euhonium, Timani, ercussion, ercussion 2, ercussion 5, and the conductor ELECTRIC DRILL ercussion uses an electric drill Mine is a corded am Black and Decker (like the one ictured aove) that I got or $0 at a an sho An standard drill should ork ine as long as it is reasonal loud and doesn't sto sinning immediatel hen ou release the trigger Rather, it should graduall ind don EXTENDED TECHNIQES Common extended techniques such as lutter tongue, tongue thunks, sla tongue, etc are used in this ork A rie exlanation ill e given uon their irst aearance I or an reason a laer is unale to erorm a articular technique, other sounds ma e sustituted at the conductor's discretion

7 TRANSOSED SCORE iccolo lute lute 2 Ooe Ooe 2 Clarinet in B Clarinet 2, in B laul q = 20 [one laer onl until m ] # [one laer onl until m ] n Chinese ire Drill Commissioned the Colorado Mesa niversit Wind Smhon, Calvin Hoer, conductor ith the generous suort o Karen Coms n Benamin Dean Talor (9) (ASCA) r Bass Clarinet Bassoon Alto Sax Alto Sax 2 Tenor Sax Baritone Sax Trumets in B 2,, Horns in 2, Tromone,2 Bass Tromone Euhonium Timani closed sla tongue closed sla tongue closed sla tongue closed sla tongue harmon mute (stem extended) ỵ ỵ straight mute ỵ tongue thunk* tongue thunk* tongue thunk * tongue thunk* tongue thunk* [one laer onl until m ] [one laer onl until m ] [one laer onl until m ] [one laer onl until m ] [one laer onl until m ] Ÿ~~~~~ # n Ÿ~~~~~~~~~~~~~ # Ÿ~~~~~ stoed n oen sla tongue n R (ord) r ercussion (sn dr, toms, slash cm, china cm, ) ercussion 2 (sm ass drum, tri, tamtam, ) ercussion (2 oodlocks, tamourine, ongos, hihat, ride cm) ercussion (caasa, tri, sm sus cm, elec drill) ercussion 5 (marima, xlohone, ) marima slash cm sticks oodlocks ẏ (hit ith stick and catch immediatel ith other hand) high ongo 2 sn dr æ π n lo ongo 5 high tom sticks # # R r 6 s dr lo tom secco high ongo 20 All Rights Reserved Benamin Dean Talor enamintalormusiccom *Tongue thunk quickl lo air through horn ithout virating lis and ram tongue into mouthiece to sto the air Also knon as a tongue sto, or tongue ram

8 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 (s dr) erc erc erc 5 (mar) 7 Ÿ~~ i o Ÿ~~ i tri oodlocks 7 closed sla tongue high tom on rim tam (on tale; strike ith stick) oen 9 Chinese ire Drill Talor, g 2 6 ~~~~~~~~~~~~~~~ Solo lo tom A " " l " " l " " l " l l " " " l " " " " " " l " " l " " [one laer onl] " l edal gliss æ " æ " " " " " l 0 tutti tutti tutti oen tutti q = 6 # # # l l l l l l l # tutti l tutti tutti tutti sn dr elec drill æ # # # l l l l l l l # l slash cm (hold aove head; ull trigger during tremolo) æ 2 ẏ high ongo No Meter, (not conducted) ca 6" CHINESE IRE DRILL # ALL LAYERS SE DOOR # Each laer executes a series o events given in their art as ast as ossile indeendent o all other erormers The overall texture should e suddenl rantic and choatic, ut not loud Once everone has inished their ire drill the conductor rocedes

9 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 (Conducted) q = 20 # # B # # # # # # n n n n n # n n Chinese ire Drill Talor, g # T Sx B Sx Tts 2,, n n n n n n n n n # Hns 2, Tn,2 B Tn Euh n n # # # # straight mute # Tim erc erc 2 (s dr) # # # # erc 2 tam (still ith sticks) 2 erc erc 5 xlo 5 caasa

10 Chinese ire Drill Talor, g icc 22 C 2 D l 2 l 2 2 O 2 O 2 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2, # closed sla tongue closed sla tongue closed sla tongue # n # harmon mute (stem removed) R r r n n oen sla tongue # n # #, Hns 2, Tn,2 B Tn Euh Tim # ## n n # ## n n # # # erc erc 2 erc erc (caasa) erc 5 æ x x x x x x x Solo hihat sn dr tri X o Solo stick shot cross stick (rim knock) h h h h x x x x x o x x x x h tam

11 Chinese ire Drill Talor, g 5 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, 0 # n straight mute Solo Solo Solo E # # # # Hns 2, 2 Tn,2 B Tn Euh Tim erc erc 2 erc erc (caasa) erc 5 # h h h h hihat x x x x x o x x x x edal gliss æ (ord) æ x marima s dr tam lo tom Solo hihat x x x x x x o # sn dr cross stick (rim knock) # h h h x x x x x o x x # # h h x x x o # # # h h h x x x x o x x

12 Chinese ire Drill Talor, g 6 icc l 2 2 n n π π 2 2 l O O π 2 2 Clar Clar 2, 2 2 π 2 2 B Cl Bsn A Sx # n # # # # # # π # A Sx 2 T Sx B Sx Tts 2, n n # π , Hns 2, Tn,2 B Tn Euh # # # # # # # # # # # n # n # # n # # # # Tim 2 2 erc (sn dr toms) erc 2 erc (hihat) erc (caasa) erc 5 h h h x x x o x o x h h h x x x x o x x h h x x x x o h h h h x x x x x o x x x x mallets tamtam tam Yæ h h h hihat x x x x o x x h h x x x o 9 0 2

13 Chinese ire Drill Talor, g 7 icc 5 n # 2 G 2 l l O n # 2 2 O Clar Clar 2, n 2 2 n 2 2 B Cl # # # 2 # 2 # Bsn # 2 # # # 2 A Sx 2 n 2 A Sx 2 # 2 2 T Sx 2 2 B Sx 2 2 Tts 2, 2 2 n 2 2, Hns 2, Tn,2 # n # # # # B Tn # # 2 # 2 Euh # # # 2 # # # 2 # 2 # # # 2 Tim 2 2 erc (sn dr toms) erc 2 erc (hihat) h h h x x x x o x x h h h x x x o x o x h h h x x x x x o x x h h x x x o h h h x x x x o x x h h h x x x o sticks s dr x o x high tom on rim (ord) secco sn dr x x x x x o x x x x x o erc (caasa) 2 2 erc

14 Chinese ire Drill Talor, g icc 5 2 H 2 l 2 n n π 2 l O 2 2 O Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2, # # # # n # # n ## n n # n π # π , Hns 2, Tn,2 # # # B Tn # 2 # 2 Euh # 2 # 2 2 # # 2 Tim 2 2 erc erc 2 (s dr) erc (hihat) on rim (ord) x x x x x o x x x x x o cross stick (rim knock) h h h x x x x o x x h h h h x x x o x x x x tam erc (caasa) 2 2 erc

15 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 (s dr) erc erc erc ẏ slash cm 60 lo ongo tri xlo 6 oen sn dr hihat oen oen # æ 62 x o x æ n # stick shot # # # # # # n n n n n # Chinese ire Drill Talor, g 9 n n n n n n n n n n n # x # 6 I # # # l l l l l l l # l tam # elec drill æ æ æ 6 # # # l l l l l l l l l l l l l l l l l l l l l # l l l æ æ # 65 slash cm ẏ high ongo No Meter, (not conducted) ca 6" CHINESE IRE DRILL #2 ALL LAYERS SE DOOR #2 Each laer executes a series o events given in their art as ast as ossile indeendent o all other erormers Once everone has inished their ire drill the conductor rocedes 66

16 Chinese ire Drill Talor, g 0 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx 67 (Conducted) q = 20 # # # # # # # # n n n n # n n n n n n n # # # # # Tts 2,, Hns 2, Tn,2 n n n n n n n n # # straight mute straight mute B Tn Euh # # 2 2 Tim erc erc 2 erc erc erc 5 Solo Solo Solo Solo 67 6 # caasa hihat x x x x x o x x # x x x o 70 # x x x x o x x x x 7 72 marima slash cm tri

17 Chinese ire Drill Talor, g icc 7 2 e= q q = 60 l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim # # # # # # # # n n # n n n n n n n n n n n n n n n n erc erc 2 erc (hihat) erc (caasa) erc 5 x x x x x o x x x x x o x x x x o x x x x toms x x x x x x sn dr x sticks s dr

18 Chinese ire Drill Talor, g 2 K icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx Y Y # # # # # â â â â â â A Sx 2 2 T Sx B Sx Tts 2, Y # â â â , Hns 2, Tn,2 B Tn Euh Tim erc (toms) erc 2 (s dr) erc erc erc 5 l l # tam high ongo Y elec drill æ Y l l # (edal gliss) æ æ æ l l # Y æ æ l l # â â â â â â

19 Chinese ire Drill Talor, g icc 2 L l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim Solo 2 oen oen n n n # # # # erc (toms) erc 2 (s dr) 2 2 æ erc erc (drill) 2 2 d lks tam æ æ æ hihat x x x x æ x x x x x x x x x x x x x x x x x x x x x x erc 5 2 xlo

20 Chinese ire Drill Talor, g icc 96 M l l 2 O O 2 Clar Clar 2, B Cl n n n (irst chair laer ma sto laing to reare or ) n n n Bsn A Sx A Sx 2 T Sx n n n B Sx Tts 2,, Hns 2, Tn,2 n n n n # B Tn Euh # Tim erc (toms) china cm slash cm china cm erc 2 (s dr) erc (hihat) x x x x x x x x x o x x x x x x x x x x x x x x x x x x x x x x x erc (drill) æ æ æ erc

21 Chinese ire Drill Talor, g 5 icc 0 N l l 2 O O 2 Clar Clar 2, quickl alternate exhale and inhale to create a sound like a D turntale scratch quickl alternate exhale and inhale to create a sound like a D turntale scratch (ord) (ord) B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc (toms) # # slash cm quickl alternate exhale and inhale to create a sound like a D turntale scratch quickl alternate exhale and inhale to create a sound like a D turntale scratch quickl alternate exhale and inhale to create a sound like a D turntale scratch tongue thunk tongue thunk mouthiece sla* mouthiece sla* mouthiece sla* mouthiece sla* closed sla tongue closed sla tongue closed sla tongue closed sla tongue lick ell lick ell lick ell lick ell lick ell lick ell lick ell lick ell (still D eect) erc 2 (s dr) erc (hihat) erc erc 5 x x x x 0 x x x x 0 xo 05 x x x x x su quickl alternate exhale and inhale to create a sound like a D turntale scratch 06 caasa tri 07 x x x x x 0 09 (still D eect) 0 *mouthiece sla using alm o hand thum mouthiece

22 Chinese ire Drill Talor, g 6 icc lick music stand O l lick music stand l 2 lick music stand O (still D eect) O 2 lick music stand Clar (still D eect) Clar 2, lick music stand B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 erc erc oen sla tongue lick music stand lick music stand oen sla tongue oen sla tongue oen sla tongue tongue thunk tongue thunk tongue thunk tongue thunk tongue thunk tongue thunk tongue thunk tongue thunk (still D eect) (still D eect) x x x (still D eect) elec drill æ æ s dr sticks x x x x china cm x x x x x x x x x x x x slash cm æ æ æ erc 5 (still D eect)

23 Chinese ire Drill Talor, g 7 icc l l 2 O O 2 Clar Clar 2, B Cl n Bsn A Sx n A Sx 2 n T Sx n B Sx n n Tts 2, n, Hns 2, Tn,2 n # # # B Tn Euh # # Tim erc (toms) china cm erc 2 (s dr) erc (hihat) x x x x x x x x x x x x x x x x x o x x x x x x x x x x x x x x x erc erc

24 Chinese ire Drill Talor, g icc l l 2 O O 2 Clar Clar 2, 25 B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc (toms) slash cm n n n n n n n n # # china cm # # # erc 2 (s dr) erc (hihat) x x x x x x x x x x x x x x x x x x x x x o xo x o erc erc 5 xlo

25 Chinese ire Drill Talor, g 9 icc l ritard Q q = 6 # # No Meter, (not conducted) ca 0" CHINESE IRE DRILL # 2 2 l 2 O O 2 Clar # # # # ALL LAYERS SE DOOR # (excet ercussion see elo) Clar 2, l l l l 2 B Cl l l l l 2 Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn l l l l l l l l l l l l l l l l l l l l As eore, each ind laer executes a series o events given in their art as ast as ossile indeendent o all other erormers Hoever, this time, the ire drill is executed as small grous, in the olloing order; Grou erc, tim* Grou 2 icc, l, o*, a sx Grou cl*, tt Grou cl, sn, hns, t sx* Grou 5 sx, tn, euh*, tua The drill should run smoothl ith as little silence as ossile eteen each grou When a grou has inished, the irst chair laer (indicated ith an asterisk aove) should so indicate loing their The next grou should egin their drill immediatel Each grou should last aout 56 seconds When Grou 5 has concluded and irst chair Euh has lon his/her siren histle, the conductor roceeds Euh # # 2 l l l l 2 Tim 2 erc (toms) erc 2 (s dr) erc (hihat) erc erc 5 (xlo) xo ongos tam elec drill æ æ stick shot ercussionists ill not ollo their usual ire drill routine Instead, the ill imrovise on unusual instruments, and/or ound oects hile running around in a disorganized manner This should still e rie lasting onl aout 56 seconds Suggested instruments and ound oects include car kes, slide histle, kazoo, harmonica, ike horn, ratchet and an other unique nontraditional ercussion instrument, eseciall i it relates in some a to a Chinese ire drill

26 Chinese ire Drill Talor, g 20 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx (Conducted) q = # # # # # # n n n n n n # n n R T Sx B Sx 2 2 n n n Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 (s dr) erc erc d lks china cm n n n n # # n n n n eater cross stick (rim knock) h h h hihat x x x x x x o x cresc cresc h h h cresc x x x x x x o x cresc n cresc cresc cresc h h h x x x x x x o x n h h h x x x x x x o x erc

27 Chinese ire Drill Talor, g 2 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 (s dr) erc erc erc 5 R # r n R # r R r R r R toms lo ongo high ongo R d lks marima S n 6 n 6 6 n n 6 6 n 6 6 # r n n # # r # r R æ æ tam (edal gliss) sticks mallets sus cm Y æ secco hihat x x x x x x x x x x o x sn dr x x x x x x x x x 2 5

28 Chinese ire Drill Talor, g 22 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx 6 n n n n n r r # r n B Sx Tts 2, n n # r, Hns 2, # r # r 2 2 n n Tn,2 # R 2 n B Tn Euh Tim exhale; tongue each note # r # r # r erc (sn dr toms) erc 2 (s dr) erc (hihat) x x x x x x x x x x o x x x x x x x exhale; tongue each note d lks x x x x x x x x x x o x x x x x x x x x x erc 2 elec drill æ æ æ erc 5 2 exhale; tongue each note

29 Chinese ire Drill Talor, g 2 icc l l 2 5 T O O 2 Clar Clar 2, 2 B Cl Bsn r # r 2 2 A Sx A Sx T Sx n 2 B Sx # r 2 Tts 2, 2 2, Hns 2, n n 2 2 Tn,2 n 2 B Tn # r 2 Euh # r 2 Tim erc (sn dr toms) erc 2 (s dr) erc (hihat) # r x x x x x x x x x x o x x x x x x x x x x Solo erc 2 erc

30 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc (toms) erc 2 (s dr) erc (hihat) erc erc 5 56 # n n n n n n x x x x cresc cresc cresc cresc cresc cresc cresc 56 n n n # # # r n r r Y æ x x x Chinese ire Drill Talor, g 2 57 sus cm mallets china cm Y æ xlo # R n R n n n n n n # # n n # n # n n ride cm (on ell) R n 5 # 59 slash cm

31 Chinese ire Drill Talor, g 25 icc l l 2 O 60 # n n n n # R n R n n n O 2 Clar n n n n Clar 2, n n B Cl Bsn A Sx A Sx 2 T Sx # n # n B Sx n n Tts 2, # n # n, Hns 2, Tn,2 n # # n n # # B Tn Euh Tim erc (toms) erc 2 (s dr) erc (ride cm) erc erc 5 (xlo) n R n

32 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc (toms) erc 2 (s dr) erc (ride cm) erc 6 # n n n n n # n n n n # n # n n # Chinese ire Drill Talor, g 26 exhale; tongue each note exhale; tongue each note lo ongo elec drill æ æ æ V n n n n # n n æ n n # n n # n # n h cross stick (rim knock) h h s dr hihat x x x x h erc 5 (xlo) n exhale; tongue each note (let ade naturall)

33 Chinese ire Drill Talor, g 27 icc 69 l l 2 O O 2 Clar Clar 2, B Cl Bsn r n r n n n A Sx n n A Sx 2 n n T Sx # r n # n B Sx # n r # n Tts 2,, Hns 2, n n n n Tn,2 # n R # n B Tn r n Euh # n R # n # r n Tim erc (sn dr toms) h h h h h h h h h h h erc 2 erc (hihat) x x x x x x x x x x x x x x x x erc erc 5 (siren )

34 Chinese ire Drill Talor, g 2 icc l W q = 6 # # ca 60" No Meter, (not conducted) CHINESE IRE DRILL # l 2 O O 2 Clar Clar 2, B Cl Bsn r n r n # # l l l # # l l l ALL LAYERS SE DOOR # A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 # n # n l l l l l l Each laer executes a series o events given in their art as ast as ossile indeendent o all other erormers Hoever, this time the laers sitting on the outside edge, those closest to the audience, literall get u and run around the conductor a e times hile all others are erorming ire drill # The conductor gets caught u in the commotion and egins to run around as ell In the conusion, the conductor sits don in one o the emt seats on the irst ro, leaving a student on the odium It ill likel e necessar to vam the ire drill All ma sto laing once the student is on the odium and takes u the aton roceed B Tn 2 l l Euh 2 # # 2 l l Tim 2 ẏ erc 2 sn dr slash cm erc 2 (s dr) erc (hihat) erc erc 5 (siren ) x x x x x x x x x x x x x x tam elec drill æ æ æ æ high ongo xlo

35 Chinese ire Drill Talor, g 29 icc l l 2 O O 2 Clar 0 (Still no meter theatrical interlude) This is the motive rom measure 2, rovided in all arts that ma have laers sitting in the ront ro n * * * * n * * * * n * * * * n * * * * n * * * * * n * * * * * * * * * Clar 2, B Cl Bsn (The olloing is onl a rough sketch o one ossile version o hat might haen next This ma e altered as desired) A Sx A Sx 2 T Sx The student on the odium raises his/her aton and oints to each laer on the ront ro roceeding don the line so that the conductor ill end u eing last As the student oints to each laer ith the aton, the la a ragment o the melodic motive rom measure 2 (Divide u the motive ahead o time so that each o the ront ro laers las a art o the motive) The motive does not need to e laed in time Asterisks are rovided at sots that likel ould ork ell as dividing oints B Sx Tts 2,, Hns 2, Tn,2 B Tn When the student on the odium inall reaches the conductor, the conductor looks emarrassed and gestures that the do not have an instrument to la With increasing insistence and annoance, the student on the odium continues to oint to them demanding that the la their art The conductor gestures to orro another laer's instrument near ut the reuse inall, the student on the odium oints again and the exaserated conductor sings a single croaking note "la" All erormers immediatel sho disaroval throing u their hands and shaking their heads The student on the odium eseciall shos disaointment uring their ace in their hand Calming himsel/hersel, the student on the odium egins ane to oint at each laer on the ront ro and the delieratel la the melodic line again When the aton denotes the conductor s turn, the conductor suddenl looks hoeul, like a thought ust occurred to them, and the um u and reach in their ocket and dig out a! Enthusiasticall, the lo the histle and immediatel all the other and memers ith histles oin in, each imrovising ad li creating quite a raucous At this oint, the student on the odium and director trade laces so that the director is no ack on the odium The aton is ceremoniousl assed ack to the conductor The conductor ies the ersiration rom his/her ro ha to have the ordeal over ith Those that do not have s egin imrovising ith an event rom the revious ire drills as ell as an other extended technique the desire including multihonics, luttertongue, etc The texture should gro in densit and in volume, and laers ma egin to la an melodic material rom the iece ith increasing chaos Euh Once a everous climax has een reached, the conductor roceeds to Letter X Tim erc erc 2 erc erc erc 5 0

36 Chinese ire Drill Talor, g 0 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn X q = 20 # # # # # n n n n # su su su su ritard " " " " " # " " " " A Sx A Sx 2 n n " " T Sx B Sx n n n " " Tts 2,, n n n n n n " " " Hns 2, Tn,2 n # n " " B Tn Euh # # " " Tim erc erc 2 erc erc erc 5 toms # sn dr s dr x x x tri xlo x x tri caasa " " " " " " π " 6

37 icc l l 2 O O 2 Clar Clar 2, B Cl Bsn A Sx A Sx 2 T Sx B Sx Tts 2,, Hns 2, Tn,2 B Tn Euh Tim erc erc 2 erc erc erc 5 Y laul q = 20 closed sla tongue closed sla tongue closed sla tongue harmon mute (stem extended) tongue thunk ỵ tongue thunk ỵ straight mute tongue thunk ỵ oodlocks ẏ marima closed sla tongue tongue thunk tongue thunk slash cm high ongo (hit ith stick and catch immediatel ith other hand) n Chinese ire Drill Talor, g elec drill ca 5" Solo (imrovise ad li) sn dr Solo huge rimshot! Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ oen oen Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ # # # Imrovise chaotic ill on an instrument(s) Imrovise chaotic ill on an instrument(s) xlo Imrovise chaotic ill on an instrument(s) Imrovise chaotic ill on an instrument(s) ä ä ä ä ä ä â ä â â â â â ä â â â ä â â â â s dr (damen) ongos Û

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