Preview Only. Legal Use Requires Purchase. Hark! The Herald Angels Sing JAZZ. TRADITIONAL Arranged by GORDON GOODWIN INSTRUMENTATION

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Kerry Greene
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Conductor B Sorano Saxohone 1st E Alto Saxohone (Alternate art) 2nd E Alto Saxohone (lute) 2nd E Alto Saxohone (Alternate art) 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B

1 Conductor B Sorano Saxohone 1st E Alto Saxohone (Alternate art) 2nd E Alto Saxohone (lute) 2nd E Alto Saxohone (Alternate art) 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet 3rd B Trumet 4th B Trumet TRADITIONAL Arranged y GORDON GOODWIN INSTRUMENTATION a division o Alred JAZZ 1st Tromone 2nd Tromone 3rd Tromone Tromone Guitar Chords Guitar iano Auxiliary ercussion (Vies) review Only Legal Use Requires urchase

NOTES TO THE CONDUCTOR One o the things we arrangers like to do sometimes is take an old song and dress it iew clothes My own oint o view is to leave the melody more or less as the original comoser

2 NOTES TO THE CONDUCTOR One o the things we arrangers like to do sometimes is take an old song and dress it iew clothes My own oint o view is to leave the melody more or less as the original comoser wrote it, and to e judicious with any harmonic changes I make to the song But when it comes to rhythm, there s where we can cut loose a it I enjoy seeing how a song works in a dierent time signature and/or a dierent groove than the original On this chart, I tried to turn the carol we all know into a gentle jazz waltz You should kee that in mind as you lay it kee the eel light and uoyant When the tromones state the melody at measure 11, kee the dynamic sot, and listen closely or intonation and lend Although the ensemle gets strong or a rie moment at 61, the next melodic statement y the saxes and muted trumet at 62 goes ack down to the soter dynamic It isn t until 78 that you can start uilding, culminating at 102 where the and should e lowing ull-out I you are soloing on this chart, you re going to love lowing on these chord changes Lots o juicy ii-v-i rogressions going on or you to dig in to O course, the etter you caegotiate those chords, the more un it is, so I d recommend taking the music home and lay through these chords, slowly at irst, and get them under your elt Imrovising on a song like this isn t like laying the lues where you can ound out the same scale or the entire solo There s a little more music to dig out here, ut your eorts will e rewarded, I romise, not only with a etter solo, ut also with a etter understanding o music like this in general I suggest that the ackground arts like saxes in 129, tromones in 137, and trumets in 143 lay nice and sotly ehind the soloists Listen to the soloists, and i you can t hear the solo, you are too loud! Ater the solos, there is a develoment section, starting at 165, ut you still don t want things to get loud yet The trumets have the melody, ut it shouldn t e too rassy Strive or a nice, round sound, aying attention to good intonation The saxes have a unison counter melody here, and they should go or a nice lend o the sorano, alto and tenors a comosite sound so that no single instrument sticks out ee this melody airly light; this will hel the lend and itch Things egin to uild (inally, you say!) at 181, and at 191, the entire ensemle comes together or the shout Make sure that the added weight o the ensemle sound does not og down the time even though you are laying louder, kee the time moving orward The rhythm section has a lot to deal with on this chart The drummer must lay the jazz waltz with the correct eel, as well as setting u the horn igures with accuracy The ass layer must content with a art that alternates rom a walking ass art with 3 notes to the ar, to a art in 2 with two dotted quarter notes in a ar, to a art in 1 with a single dotted hal note in each ar All o these rhythmic atterns are alicale to the jazz-waltz eel, and the ass layer must move rom one to another without hesitation The iano and the guitar arts require attention to some airly comlex chords, some o which have written-out voicings and some do not lus, there are a lot o key changes in the chart and several laces where the iano and guitar (and otional vies) have the rimary melodic ocus Don t elieve me Here s a list: Measure 1 iano has the melody 11 guitar lays the melody with the tromones iano/guitar lay with the (otional) lute and sorano 90 guitar lays with the saxes 181 iano/guitar lay with the trumets and saxes 212 iano/guitar/vies have a quick soli 233 guitar/vies lay with the lute guitar/iano/vies have another quick soli I m not kidding aout this stu don t try to get away with hiding ehind the horns and the drums and not nailing those arts! ut in a little time; learn these arts and each layer will ring some great color to the and s erormance Holiday music sometimes gets jammed into a school jazz and s schedule Most ands will roaly have to learn this chart retty quick, to lay it at a holiday concert Thereore, you will need to e eicient in your rearation, ut I know you are u to it! And when it all comes together, I hoe you and your audience enjoy laying Gordon Goodwin Gordon Goodwin review Only Legal Use Requires urchase Gordon Goodwin started comosing at the age o three No masterieces at that time, ut he ket at it and wrote his irst ig and chart at age 13 It was good enough to convince him that he could ossily kee doing this lash cut 20 years later and Gordon is working in Hollywood, writing or television and ilm, laying sessions on keyoards and woodwinds, and working with artists like Ray Charles, Christina Aguilera, Johnny Mathis, Toni Braxton, John Williams, Natalie Cole, David oster, Sarah Vaughan, Mel Torme, Brian Mcnight and Quincy Jones, to name a ew Goodwin s cinematic scoring and orchestration crat can e heard on such ilms as The Sorcerer s Arentice, Escae to Witch Mountain, Get Smart, Glory Road, National Treasure, The Incrediles, Rememer the Titans, Armageddon, The Majestic, Con Air, Gone In 60 Seconds, Enemy o the State, Star Trek Nemesis and even the classic cult ilm Attack O The iller Tomatoes In 2000, Goodwin ormed The Big hat Band, an eighteen iece jazz ensemle, which quickly gained a reutation as one o the most exciting large jazz ensemles on the lanet To date, the BB has released ive records, Swingin or The ences (2000), XXL (2003), The hat ack (2006), Act Your Age, (2008) and That s How We Roll (2011) The alums have eatured state-o-the-art guest artists like Arturo Sandoval, Eddie Daniels, Take 6, Brian Mcnight, Johnny Mathis, Michael Brecker, Dianne Reeves, David Sanorn, Chick Corea, Dave Grusin, Lee Ritenour, atti Austin, Art Tatum, Dave oz, Gerald Alright and Marcus Miller Goodwin s work has garnered him three Emmy Awards and eleven Grammy nominations, with a win or his work on the ixar ilm The Incrediles His charts are layed all over the world, and along with his method ooks and CDs, have een a roust source o insiration and learning or thousands o young musicians

3 CONDUCTOR 38710S B Sorano Saxohone 2nd EÑ Alto Saxohone (lute) 1st BÑ Tenor Saxohone 2nd BÑ Tenor Saxohone EÑ Baritone Saxohone 1st BÑ Trumet 2nd BÑ Trumet 3rd BÑ Trumet 4th BÑ Trumet 1st Tromone 2nd Tromone 3rd Tromone Tromone Guitar iano Auxiliary ercussion (Virahone) B H Solo Harmon mute B H 4 3 Jazz Waltz (c å = ) Brushes 1 D H D H 2 G H G H As erormed y Gordon Goodwin s Big hat Band TRADITIONAL Arranged y GORDON GOODWIN (ASCA) N N N HAR! THE HERALD ANGELS SING n 3 4 B H B H 5 D H D H 6 G H G H 7 n G ; review Only n N 8 vies Legal Use Requires urchase 2012 BELWIN-MILLS UBLISHING COR, a division o ALRED MUSIC All Rights Reserved including ulic erormance 9 10

4 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {11} to lute Soli Soli Soli (with Tromones) B 2/D (Tns) 15 E 9 E 6 16 CÍ ï review Only Legal Use Requires urchase 17 N B H 18

5 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {19} B H GÊ GÊ( 7) 21 N n Û Û 22 C N 23 E È/ 24 N n n 6/C review Only Legal Use Requires urchase 25 C n n 26

6 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {27} / Û CÌ/ B 6/ 29 n - n C; Cõ 7 Û Û Û / 31 CÈ/ / 32 CÈ/ B / review Only 33 Legal Use Requires urchase È B 9 34

7 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {35} E 2 35 n n DÍ Gú 36 n A CÈ Gï 37 CÈ n 9 E9 9/E n 39 Û Û Û 40 () n - () - () - - () n - CÈ E9 9 Û Û Û review Only Legal Use Requires urchase N - - B 9 42

8 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {43} E 6 43 N n n n N DÍ Gú Û Û 44 n A CÈ 45 Dμ E /E 47 N 48 review Only CÈ Legal Use Requires urchase 49 ï 50

9 So lute Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {51} Harmon mute B H 51 Sticks ready D H 52 G H B H 55 D H G H 57 (sticks) n to lute N n G ; Û 58 - n n - - n review Only n - 59 Hark! The Herald Angels - Sing n n - n - n - A - G: n n - Û 60 n Legal Use Requires urchase n - n - 61

10 So lute Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {62} - N - N - N - N C 9-62 DÍ 63 CH/E Û Û n B 66 EÈ/A A7<! 9 5 Û Û N DÍ - review Only - Legal Use Requires urchase 68 Gï k k k C H 69

11 So lute Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {70} CH N N DÎ N N N N N N N N N - N AÈ - N - N D G 9/D N N N N N N N () () () () () () () n C 7/D - Û Û review Only - Dï 76 Legal Use Requires urchase n DÎ/G G; Û Û 77 To Alto Sax

12 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {78} (with Tromones) C 9 (Tns) 78 CH/G C6/G 79 Á/G C 9/G 80 k n n D9/G D G9 Û Û C 9/G 82 Aμ/G C 9/G 83 C6/G review Only /G C 7/G 84 Legal Use Requires urchase C; 85

13 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {86} Alto Sax H () () () () k - k k 86 N N N N EÈ Aï Eμ k - k k k k (with Saxes) GW Û Û (with Saxes) 90 G/ EÈ AÈ 91 review Only Gï Legal Use Requires urchase 92 n n n n n n Û Û 93 C9

14 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {94} Oen 6 (Ens) 94 n n n n n EÍ A Û Û EÍ A Û Û n - Aï Aï n n N k k k k k k k n k k k k oen k k /G C È/ /G C È/ EÈ Û EÈ Û a AÈ Û AÈ Û N review Only Legal Use Requires urchase Gï Gï

15 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {102Ç CH CH 102 n n n n n n n n n n E H E H 103 n n n n n n n n n n A H A 2 A H A a a a N N G G N n n CH su CH su su su 106 E H E H 107 n n n n A H A H 108 n (with Saxes) A G Û A G review Only ê Legal Use Requires urchase n n

16 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {113Ç n n Solos - Background on cue 2 C2 2 2 E 2 E 2 E 2 E È È È È 114 2/A C2/E 2/A 2/A E 2/G E 2/G E 2/G E 2/G 115 B H H B H B H A H A H A H A H AÈ EÈ AÈ AÈ 117 Dú Aú Dú Dú Cú Cú Cú Cú 118 DÍ C9 G9 C9 C9 Í B 9 Í B 9 Í B 9 Í B 9 review Only Legal Use Requires urchase C E 9 E 9 E 9 E 9 120

17 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {121Ç H CH H H E H E H E H E H 121 DÍ Í Í Í Í 122 2/A C2/E 2/A 2/A E 2/G E 2/G E 2/G E 2/G 123 G; D; G; G; ; ; ; ; /C C 7/G 7/C 7/C E 7/B E 7/B E 7/B E 7/B Gï Û Û AÈ Dï Û Û Gï Û Û Gï Û Û CÈ ï Û Û CÈ ï Û Û CÈ ï Û Û review Only CÈ ï Û Û Legal Use Requires urchase 127 CZ Û Û GZ Û Û CZ Û Û CZ Û Û Û Û Û Û Û Û C7 G7 C7 C7 B Z B 7 B Z B 7 B Z B 7 B Z B 7 Û Û 128

18 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {129Ç H - CH - H H E H E H E H E H (Saxes) 129 D A D D C C C DÍ Í Í Í C G C C B B B E B N E E D D D ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~ D A D D C C C N C Í B D C B Í B Í/E E 9 review Only CÍ CÍ CÍ B Í B Í B Í ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ Legal Use Requires urchase CÍ/ /C CÍ/ CÍ/ 9 C9 9 9 B È/E E 9 B È/E E 9 B È/E E 9

19 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {137Ç B 9 9 B 9 B 9 A A 9 A 9 A AÎ Dï Û Û EÎ Aï Û Û AÎ Dï Û Û AÎ Dï Û Û Cï GÎ n GÎ Cï Û Û GÎ Cï Û Û GÎ Cï Û Û 138 È È È È C9 G9 C9 C9 B 9 B 9 B 9 B AÈ EÈ AÈ AÈ 142 C; N DÍ G; N C; N N C; Í B ; Í B ; Í B ; Í B ; review Only 143 Legal Use Requires urchase ~~~~~~~ ~~~~~~~ ~~~~~~~ ~~~~~~~ C CÍ CÍ n CÍ B Í B Í Û Û B Í Û Û B Í Û Û 144 E E E E

20 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {145Ç B H H B H A B H A H A H A H A H 145 AÍ Dú EÍ Aú AÍ Dú n AÍ Dú Cú n 146 Cú Cú Cú Û Û Û Û Û Û N È Dï Aï Dï T k T k T k T Dï k T Cï - T - A - n k k È Cï Û Û È Cï Û Û È Cï Û Û 147 È A È È È C; B ; G; ; C; B ; C; B ; Û Û B ; A ; Û Û B ; A ; Û Û B ; A ; Û Û B ; A ; Û Û 149 A Dñ E Añ A Dñ A Dñ G Cñ G Cñ G Cñ G Cñ 150 N review Only Legal Use Requires urchase DÍ Í Í Í Í 151 C G C C B B B B 152 Reeat or solos

21 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {153Ç On cue ater solos E H E H 153 G H G H 154 n BH BH n 155 n n A A B B 156 E H E H 157 G H G H n BH BH n 159 n n B9 B Û B9 B Û n 160 k - k k review Only n n D ; C: Û D ; C: Û 162 k - k k - n Legal Use Requires urchase C C 163 n 164 n n n n n n n

22 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {165Ç GÎ GÎ 166 AÈ AÈ C/B B 2 Û Û C/B B 2 Û Û E A E A N N N N n n n n n Dú Dú a a a a a N N k - N - N N N - N - G; Cï G; Cï k k - review Only Legal Use Requires urchase n n n n n n n

23 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {173Ç A 2 A 2 (with Trumets) 173 B Î B Î A 2/C A 2/C 175 n n A /D DÌ A /D DÌ n n n n n E H/B E H/B 177 n B μ B μ 178 n n n n A n n review Only Í/B Í/B B ï B ï Legal Use Requires urchase 179 A A D /E E 7 D /E E 7 180

24 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {181Ç 181 (Tns) 182 n 183 N n A n A n N n B ñ Aõ n n n 187 n E È A n review Only 188 Û Û Û Legal Use Requires urchase - - n - n 189 n n n D9 D9 n 190

25 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc A {191Ç (Ens) D 9 Û D 9 Û Û Û 191 n n n N n n A A n C Û Û C Û Û ú ú k A B Í Û B Í Û n n 193 ï Û ï Û n A A B Í B Í 194 B Í/E B Í/E 195 n C È C È review Only 196 Legal Use Requires urchase n n n n E9 E9 E ï E ï n 197

26 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {198Ç N A N n E Í A E Í A 198 Û Û Û N - - N N k T - N T - T - T k T n - T n - T n - T n - D 9 C 9D 9 Û Û - Û D 9 C 9D 9 Û Û - Û n N - N - n - n n n n N N n n ï ï 200 n n n B È B È 201 ï/c ï/c A N A A D 6 D n D /E D Û Û D /E D Û Û 203 N N N N A n Cñ Û Û Cñ Û Û È È 204 n n Û Û A; B ; 205 Û A; B ; Û k n - N n - N n - review Only 206 Legal Use Requires urchase D To Cu Mute To Cu Mute To Cu Mute D n To Cu Mute n 207 N N N n n n n n n 208

27 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {209Ç walk D Í D Í D Í n - - n n k n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n review Only Legal Use Requires urchase 215 n n 216

28 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc k k k k D Í D Í 217 (with saxes) 218 n 219 ë ë ë ë ë n D Í {223Ç To Harmon To Harmon To Cu To Cu review Only n Legal Use Requires urchase 223 n n 224 To lute

29 So Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc Cu mute Cu mute Cu mute Cu mute A H A H 225 n BH BH n 226 n n E2 E2 n 227 ~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~ n N A E ô A E ô A H A H 229 n BH BH n 230 n n review Only E2 E2 n Legal Use Requires urchase 231 n N n n E9 E ; n Û E9 E ; Û 232 to lute

30 So lute Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc {233Ç lute Harmon mute (lighter) 233 n n 234 n n n n n n n n 235 n A A n n 238 n n n review Only n n n n Legal Use Requires urchase 239 n (with saxes) n n 240

31 So lute Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux erc k k k n n n k n 241 n n n n - n n - n n - n n - n n Cu mute Cu mute (Cu) (Cu) (Cu) (Cu) n n n n 244 n n A Harmon mute (Harmon) n n review Only Legal Use Requires urchase 248 B 2/A n U U 249 U U U U U U U U U U U U U U U U U 250

32 review Only Legal Use Requires urchase alredcom

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone The Jitterug Waltz Thomas ats WAller Arranged y Eric Richards instrumentation Conductor 1st E% Alto Saxohone 2nd E% Alto Saxohone 1st B% Tenor Saxohone 2nd B% Tenor Saxohone E% Baritone Saxohone 1st B%