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1 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet 3rd B Trumet 4th B Trumet By Gordon Goodin ISTRUMETATIO 1st Tromone 2nd Tromone 3rd Tromone Tromone Guitar Chords Guitar iano (Eletri) Auxiliary erussion (Bongos, Congas, Small Shaer, Triangle) Otional/Alternate arts Samle Solos (C Conert, E Alto and Baritone Saxohones, B Tenor Saxohone, B Trumet, Tromone) C lute Virahone Tua (Doules ) Horn in (Doules 1st Tromone) 1st Baritone TC/B Tenor Saxohone (Doules 1st Tromone) 2nd Baritone TC/B Tenor Saxohone (Doules 2nd Tromone) 3rd Baritone TC/B Tenor Saxohone (Doules 3rd Tromone)
2 OTES TO THE CODUCTOR I youre lie me, then you areiate the amazing onnetive aility o our various soial netors But sometimes I need to disonnet and lose mysel in musi again Thats hat this hart is aout So, ut your hones don or a minute, and lets dig in We start ith the sax setion, in all its a aella glory I love hearing all the detail and lend hen the horns lay ithout the rhythm setion But that means you have to lay ith solid, orardmoving time And you must do this ithout overlaying dynamially, eause e start at, and dont get too loud throughout this oening setion So, ay lose attention to hrasing and dynamis to give the musi harater The rest o the and omes in at m 26 ith a strong, so lay ith rhythmi drive and a slight tongue in hee The horns should e aare o ho their art its into the orhestrational hole or instane, in m 34 the saxes have the melody and then ass it to the rass in m 38 This means the saxes sustained notes in m 38 an e loer in volume under the rass melody, though the art doesnt say that Exeriened musiians mae these inds o sutle deisions all the time, raising the quality o the musi ome on, dont mae me do all the or! I do try to e very seii hen riting artiulation and hrasing indiations in my harts In mm 59 64, the saxes and trumets have an eighthnote assage ith very seii indiations or hih notes are tongued and hih are slurred Do this all together, and your ensemle ill ome to lie The tromones have a e voiings that ontain a halste interval, as in m 59 and m 61, here tromone 1 has a B n and tromone 2 has a B This is intentional, and the roer alane ill have a little it less o the B than the B n, although this onsideration is more imortant hen you have a sustained hord ith this ind o halste grind than it is here ith those short eighth notes In m 65 there is a triangle solo i your and doesnt have a erussionist, then hand a triangle to someone else in the and and have them hit it! This is very imortant in onveying the ig and omedy I am so ell non or! The solo setion at m 67 should e good un or any and all o your est soloists At m 100, the saxes go a aella again, ut this time the hihat and the shaer roel you along Start things o sotly and lightly and resendo as you go At m 108, the saxes have a unison ountermelody that should e layed ith gusto The same goes or the assage in the guitar and the right hand o the iano All these elements should ome together and reate a ne imression o this setion o the song We hear the ridge o the song at m 116, and the melody is assed a and orth throughout the horns Mae sure all the setions are equally alaned here I ould reommend that your rhythm setion layers listen to the demo reording at alredom/donloads or style, so they an emulate the sounds o ertain instruments: the settings on the guitar am, the ossile use o a i on the eletri ass, the sound o the eletri iano you hoose, and even the tuning o the snare drum Learning aout the manner o musiians exeriened in a artiular style o musi an e quite valuale or your young layers and ring real authentiity to your erormane This hart should e a lot o un or your and Tell your ids to teet, teet aout your ands great erormane on this ool hart! See you on the Internet! Gordon Goodin Gordon Goodin Gordon Goodin started omosing at the age o three o masteriees at that time, ut he et at it and rote his irst ig and hart at age 13 It as good enough to onvine him that he ould ossily ee doing this lash ut 20 years later and Gordon is oring in Hollyood, riting or television and ilm, laying sessions on eyoards and oodinds, and oring ith artists lie Ray Charles, Christina Aguilera, Johnny Mathis, Toni Braxton, John Williams, atalie Cole, David oster, Sarah Vaughan, Mel Torme, Brian Mnight, and Quiny Jones, to name a e Goodins inemati soring and orhestration rat an e heard on suh ilms as The Sorerers Arentie, Esae to With Mountain, Get Smart, Glory Road, ational Treasure, The Inrediles, Rememer the Titans, Armageddon, The Majesti, Con Air, Gone In 60 Seonds, Enemy o the State, Star Tre emesis, and even the lassi ult ilm Atta o the iller Tomatoes In 2000, Goodin ormed The Big hat Band, an eighteeniee jazz ensemle, hih quily gained a reutation as one o the most exiting large jazz ensemles on the lanet To date, the BB has released ive reords, Singin or the enes (2000), XXL (2003), The hat a (2006), At Your Age (2008), and Thats Ho We Roll (2011) The alums have eatured stateotheart guest artists lie Arturo Sandoval, Eddie Daniels, Tae 6, Brian Mnight, Johnny Mathis, Mihael Breer, Dianne Reeves, David Sanorn, Chi Corea, Dave Grusin, Lee Ritenour, atti Austin, Art Tatum, Dave oz, Gerald Alright, and Marus Miller Goodins or has garnered him three Emmy Aards and eleven Grammy nominations, ith three Grammy ins or his or on the ixar ilm The Inrediles (2006) and his arrangements o Rhasody in Blue (2012) and On Green Dolhin Street (2014) His harts are layed all over the orld, and along ith his method oos and CDs, have een a roust soure o insiration and learning or thousands o young musiians
3 CODUCTOR 46174S 1st EÑ Alto Saxohone 2nd EÑ Alto Saxohone 1st BÑ Tenor Saxohone 2nd BÑ Tenor Saxohone EÑ Baritone Saxohone 1st BÑ Trumet 2nd BÑ Trumet 3rd BÑ Trumet 4th BÑ Trumet 1st Tromone 2nd Tromone 3rd Tromone Tromone Guitar iano (Eletri) Auxiliary erussion (Bongos, Congas, Small Shaer, Triangle) Soli n Soli Soli Soli Soli Straighteighth å = 120 Chord hanges shon in art n TWEET ATIGUE n n WIGOOD MUSIC RODUCTIOS, IC (ASCA) This Arrangement 2017 WIGOOD MUSIC RODUCTIOS, IC (ASCA) All Rights Administered y ALRED MUSIC All Rights Reserved inluding uli erormane n n n n Comosed and Arranged y Gordon Goodin (ASCA) n n n n 7 n n 8
4 n a Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n n n n n n n n n a 2 n n n n n n n n n n n Í Í Í Í Í
5 {18} n Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n 3 n n n n n n n a n n n n
6 {26} Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er unison Soli unison Soli unison Soli unison Soli Bongos n n n n n ò n ò n ò n ò n n n n n n n Solo n n n n n
7 {34} Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n n n n A9 D7 n n n n n n n n n n n A9 D7 n n 5 n n n n B! 7 n n n n n n n n ( ) n ( ) n ( ) n ( ) ( ) ( ) ( ) A n n n Û ; D ê 41 ill
8 {42} Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er C; n n n n n n n n n n G; n n n n n C; n n n n n n n A Dñ G; Û Û n C; 6 n n n Gñ E n Û Û Û A E! 9 n Û n n n n n n Û ê D
9 {51} Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n n A9 D7 n n n n n n n n n 7 n n n n n A9 D7 n n n n n n n n E! n n n n n n n a ê n n n n n n n n n Û Û Û D G; Û n n n 58
10 {59} Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er ross sti 59 n n n n n ò n ò n ò n ò n n n 62 SD ross sti 63 n n n n n n n n 64 SD n n n n Triangle o ê 65 n a n Gñ Û v v v v v v Congas 66 ê
11 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er C ñ {67} Bagrounds on ue ( G ñ ) E ñ Bagrounds on ue Bagrounds on ue Añ Bagrounds on ue Bagrounds on ue Bagrounds on ue Bagrounds on ue Añ Bagrounds on ue Bagrounds on ue Bagrounds on ue Gñ Bagrounds on ue Gñ Bagrounds on ue Bagrounds on ue ñ C ñ ñ 7 B E 7 B E D D D n ñ C ñ ñ C ñ 9 B n n B9 E n n 9 B n B9 E A9 D A9 D A9 D n n 9 n n C7 n C7 B! 7 B! 7 B! 7 n n n 2 «n n 7 7 D9 B G9 E D9 B G9 E n 9 D 9 D Û 9 D ê ill
12 {75} A9 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er D9 A9 D9 C9 C9 C9 75 n 76 A9 D9 A9 D9 C9 C9 C «õ B E; n Bõ E A; õ B E; Bõ E A; Aõ D G; Aõ D G; Aõ D G; 10 ~ ~ n n 78 A9 n D9 n A9 D9 C9 C9 C «ñ C ñ C ñ ñ 80 õ C Bõ 81 õ C Bõ Aõ Aõ E! E! Aõ E!
13 B n ß ß E n ß ß B Bari n Tt 1 ß ß E Tt 2 n ß Tt 3 n ß Tt 4 Tn 1 ß D ß D Tn 2 ß Tn 3 ß Tn ß Gtr no Aux er Û ê D 82 n 83 {84} C 7 7 C B E 7 B E D D D n C 7 7 C «7 n n n n 7 n D7 87 D7 D7 C9 9 n C9 n 9 n n n n n E! 9 E! 9 E!
14 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er a ê 7 B E; n n E A; n 7 B E; E A; D G; D G; Û Û Û D G; Û n n n {92} C n 7 7 C 7 7 n 12 7 C n 7 7 D7 D C 7 7 n 7 7 D7 D7 n n n C n 7 7 C 7 7 n D7 D7 7 7
15 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er 98 n Reeat or additional solos {100Ç n 99 ê n Small Shaer 13 n n 2 «n n n res res res res res res res 2 «2 « n
16 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n ê n n n Congas a ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 14 n n n n n a n n n n n n n n n a ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
17 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er ( ) n ( ) ( ) n ( ) Small Shaer ~ ~ n n n n n n {116Ç C; n n n n Bongos G; 15 n n n n n C; 2 «n n n n a n n A Dñ G; Û Û n n C; 2 «Teet n n atigue n n n n n n n n n n n n n n n n n Gñ E
18 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n n n n A E! 9 n n n Û ê D Congas {125Ç n n 16 n A9 D7 n n n n n n n n n n n n n n A9 D7 n n
19 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er n n n n n n E! 7 n n n n n n n a ê 17 n n n n n n n n n Û Û Û D G; Û n n n Bongos n n n n n ò n ò n ò n ò n n n
20 Bari Tt 1 Tt 2 Tt 3 Tt 4 Tn 1 Tn 2 Tn 3 Tn Gtr no Aux er 137 n n n n n n n n 138 n n n n n n n n ê n n n n n ê n n 142 n n n n n n n n n n Û Û Û lay D n n ê Congas a S US $1100 a a Û G; ê ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ U(a38081*MTLL(U
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