Sebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon
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1 1 84 Sebastian Hilli Parahrase III Soave dolore or Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon 2016
2 Coyright by the Comoser All Rights Reserved No art o this ublication may be coied or reroduced in any orm or by any means ithout the rior ermission o the comoser Distribution: Music Finland Music Library Urho Kekkosen katu 2 C, 6 th loor FI00100 Helsinki Finland musiclibrary@musicinlandi musicinlandi Helsinki, 2016
3 Parahrase III "Soave dolore" Sebastian Hilli 2016
4 2 INSTRUMENTATION Flute (+ Alto Flute) Clarinet in Bb (+Bass Clarinet) Oboe (+English Horn) Horn Bassoon Commissioned by Crusell Music Festival
5 PERFORMANCE NOTES GENERAL The score is transosing First erormance: Crusell Music Festival Perormed by Arktinen Hysteria Duration: 1 minutes ALL INSTRUMENTS QUARTER TONES Bb B Threequarters lat Onequarter lat Onequarter shar Threequarters shar sounds ith a shade o itch Use the indicated ingering (Horn ithout any itch!)
6 4 Inhale using the indicated ingering (Excet Horn) into the instrument, imitating the indicated consonants ing and lay simultaneously (Deending on the voice range o the layer it s ossible to alter the itch by transosing it by octaves u or don to make it more suitable or his/her voice) (only) into the instrument the uer itch hile laying the loer itches as tremolo ibrato From narro to ide vibrato Trembling vibrato An erratic and nervous luctuation o normal vibrato Waa vibrato A controlled diing beneath the notated itch, ith a changing timbre rom a clear to a distant quality
7 Rhythmic vibrato A alitation o the tone aecting the amlitude rather than the itch requencies Change in vibrato seed Degree o itch change remains the same hile the velocity is altered rom slo to ast and back to slo Trills A gradual decrease in the seed o the trill activity FLUTE/ALTO FLUTE Tongue izzicato Tongue the alette (TE) ithout bloing any air Tongue ram iolently close the hole o the mouthiece ith the tongue, ithout exiring any air This roduces a note o identiiable itch sounding a maor seventh belo the undamental requency o the used ingering Whistle tone This sound can be obtained by bloing on the mouthiece, turning the mouthiece ell aay rom the lis OBOE/ENGLISH HORN Sla tongue Is a comlementary tongue staccato, at irst blon then struck ith the tongue on the reed/or the aerture o the crook using the articulation la or t
8 6 CLARINET/BASS CLARINET Whistle into the instrument ith the mouth comletely covering the hole Sla tongue Is a comlementary tongue staccato, at irst blon then struck ith the tongue on the reed/or the aerture o the crook using the articulation la or t HORN Oen ¾ stoed Stoed A smooth slide to the subsequent note ith an obvious tone color change Unmeasured raid hand changes ith multile tonguing Quickly ork into and out a stoed osition ithout moving the horn and disturbing the aerture Simultaneously tongue as quickly as ossible Halvalve A chokedo and somehat unstable sounding o the notated itches Deress the keys as ar as needed to cause the suggested eect and centre the aerture and air on the given itch Halvalve oscillation An arbitrary obbling about a given itch ith the constricted quality o halvalve Attack the initial itch and bend around that itch by use o the aerture and tongue hile engaging an eective halvalved combination
9 7 Halvalved tremolo Sounds like a combination o a ulsation and a luttering on the single itch Use an enharmonic halvalve combination and quickly alternate beteen the to valve settings, keeing the itch constant hile alloing or the alteration i timbre sound using halvalve Buzz tone A clamedo quality ith a deinite itch Damened and somehat distant ith an additional buzz ( zzzz ) sound Clam the teeth tightly together and inch the lis slightly more than normal hile roducing the requested itch Sucked itch A kissing and squealing sound o obscure and indeinite itch(es) With the mouthiece and horn in lace, suck air inard through the aerture causing a vibration at the lis hich ill, in turn, be amliied by the horn Slit tongue attacks ery short, loud, sudden indiscriminate itch Purse lis together in a tight aerture (like the consonant ) and orce out hat little air is beteen the tongue and the aerture aroximating the double consonant t Breathy tone An uncentered though actual tone ith deinable itch and additional breathiness Oen the aerture to more o a circle, by uckering, and let the air lo reely through this less resistant setting hile attaining the given itch sound Simly the sound o air ith no tone or discernable itch BASSOON Sla tongue Is a comlementary tongue staccato, at irst blon then struck ith the tongue on the reed/or the aerture o the crook using the articulation la or t
10 8 Alto Flute Soave, dolore q = 67 TP r r TP r Commissioned by Crusell Music Festival Parahrase III "Soave dolore" b Whistle tone TP # r Sebastian Hilli (2016) # # English Horn Clarinet in Bb Horn in F Bassoon Without reed r O O O O r r Without mouthiece [] Without reed [sh] m m m m Sla Whistle Inhale # m Sla O O O O m 6 r so 6 6 Sla R r r r r R m a ve [] m m m bz o bz o r R R O O O O O O O O [i] [i] O O 8 TP r m b so a ve m m m Sla O O O O r Inhale 6 r r m Sla m r Whistle tone Inhale bz o bz o bz o r r R R O O r O O [] [] [] m m 6 6 Inhale 6 r Whistle 6 r O O no O O O r # Inhale b R m m Coyright Sebastian Hilli 2016
11 9 14 A m # r Whistle tone Sla r r [] m m Bass Clarinet in Bb # Without mouthiece r 6 r # # Inhale m # # r # r m r so a ve # # # 6 R # # Inhale 21 # B Whistle r # r # # # o bz bz # R [sh] Whistle r r Sla b r b b r R []
12 10 B 27 B TP r r O [sh] TP 6 r R OO O O O O r O O O O O r Inhale r Sla R bz o bz 6 r O O [] r O O O O O O R r r R r OO O O m Inhale Sla r Inhale 6 6 Sla r R Inhale O O O O O O r OO O O O O Sla B r R r # # 6 6 r R Sla Sla O O R R r [] r R O O O O r Inhale bz o bz 6 R O O O Put mouthiece on r R r R O r
13 11 C 9 r R b Put mouthiece on B bz Clarinet in Bb Put mouthiece on o bz + o r r r r R 6 4 b b n n r R # # r # r R n # R n # R R R # # # n
14 12 D 1 o o o b R b Sla r Sla # # r r 6 H H "Sucked notes" "Slit tongue attacks" # m m t t t t Sla b R "Sucked notes" "Slit tongue attacks" m m t t t Sla H [F: 0/ 12 ] "Slit tongue attacks" r # r # # o r R r R n # R b R o TP b R r b bo t Sla b t t t n t b b R b n # Sla H [F: 0/ 12 ] # r # r r r # r "Slit tongue attacks" r t Sla # R H # r
15 1 61 o b Bb # b # 6 # B # + o + o + o + o H o ± o + o + o + o + o # µ n n # b b b E 6 µ b µ µ n b r b R slo ast slo Ÿ µ b n r b r m m m m µ µ µ r µ r m m y Ÿ + o + o + o + o o ± y o ± o ± o ± o ± o b h g h h h h r r b h h h h h h r # # slo ast slo o ± H # r n # # m m m m m m m b b
16 14 71 b B b r R slo ast slo r # r m m m m m # m o h h h h h h µ r µ ± y [Bb: 2] [F: 1 ] o + o + 1 H + o + o + o + o + o + ọ + ọ y o ± ± o + o + o + o + o + o o ± o n r R m o + # h h h # h# o ± # r [F: 0 ] 12 H b # 76 F r r µ b Ÿ µ n m µ b R Ÿ r m # # # r r slo ast slo r o ± + ọ + ọ + ọ o ± b m m m m b
17 1 8 n Bb n b # # µ µ µ # r r # Ÿ Ÿ o ± # b n # y # h g h h h h r m m m m m # # 91 G Ÿ b Bb b b R R slo ast slo b m m m m m <# Ÿ Bb R Bb R n b b b m m m m m m m m r slo ast slo Ÿ m m m m m slo ast slo Ÿ b b slo ast slo Ÿ b R r b m m m m m H b B B slo ast slo m m m m m m m m m slo ast slo R R b b R b b
18 16 98 b µ b slo ast slo b r b n Bb b m m m 104 B b r b b R r m slo ast slo r r r slo ast slo m m m m m slo ast slo slo ast slo ± o ± o R b b b n R ± o b m m m slo ast slo slo ast slo b R m m m m H Flute b r b b R b R b # r Oboe # r
19 17 I Fl 110 <b b q = 82 B µ µ Bb B Bb B b n Ob r # # b b # b m b b b B # # n µ # b # B b Fl 120 b b b Ob <b b # b b b # # # # b R
20 18 Fl 127 b b Ob # # # <b + ọ + ọ + ọ + ọ r slo ast slo narro ide # # µ n Fl 14 b Ob r b # r r r r R
21 19 Fl 141 b Ob b r R µ n µ o ± o ± o ± o o ± o ± # # o slo ast slo # Fl 148 <b Alto Flute Bb µ n m Ob <b b b m # µ n r [sh] # m slo ast slo R b
22 20 1 n b b n b m Ob µ n narro ide Ÿ~~~~~~~~~~~~~~~ m narro ide r R slo ast slo # # narro ide <b # m 162 Ob English Horn # # #
23 q = 67 narro ide Bb Bb n r µ µ n r Bb r B b B m slo ast slo r B B B r µ n µ n r µ r sz m m Bb r µ r r r slo ast slo r narro ide m o o ± o ± µ n R ± narro ide Bb narro ide µ n µ narro ide narro ide r µ b m m n b µ r n R n r 177 b B r n r b µ µ b r b Bb r b m Bb r narro ide µ n µ n µ n r r m m r m m o ± o ± o ± o ± o r m m µ b b Bb R n R B B m m r B B B B µ n R narro ide narro
24 22 18 µ µ n n r r r µ r Bb r n r m Bb Bb Bb Bb Bb Bb ide n r µ n µ slo ast slo ± narro ide [Bb: 1] o o ± o ± o ± o ± r narro ide µ n narro ide r µ n r o + o + o + o + o + r r r narro ide Bb Bb R Bb n B R Bb Bb n r µ n R b b 190 b B µ Bb µ n m narro ide b r Bb b Bb b slo ast slo r µ µ n r Bb Bb µ r m narro ide narro ide narro ide µ n r m r r n µ n r µ Bb b µ slo ast slo R Bb Bb m m
25 2 196 slo ast slo b r r K b b b b b b b b m m slo ast slo Bass Clarinet in Bb # o o L o o L o o L o o L o o K o o K narro ide # R L 20 q = 7 TP b# b m TR b # # O r b# b m B b o o Sla K o o K o K m o Sla o o o o o o m K Sla r µ µ b R # r b µ b n b b Bb
26 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b# # b b # m m B <b # b b m m o o o o o o o o o o Sla n # B B B B B n n m m n m # b # 214 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ b TP r # m m m m TP Pitch # B o o Sla r K o o K Ÿ~~~~~~~~~~~~~~~~~~~~ # m m b
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