Conjoined. For Two Double Basses. Music by Martin Ritter 2016/17

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1 Cnjined r Tw Duble Basses Music by Martin Ritter 2016/17

2

3 Legend: The tw layers shuld always errm asynchrnusly unless the arts are cnnected by a dtted line r ntes are stemmed acrss bth arts. In these situatins the errmers shuld crdinate but are nt required t be exactly synchrnized. Use en strings whenever ssible; use natural harmnics (see be; let ring whenever ssible. In errmance, the tw layers shuld stand back t back n stage, layer 1 acing the audience, layer 2 acing backstage. Oen strings are indicated by their rman numerals: (, (A, (D, I (G. Duble Bass 2 uses scrdatura t be slightly ut tune with layer 1. It shuld be detuned as ls: -1/8-1/4 +1/4 +1/8 Ñ Ü It is very imrtant that the layer is nt adjusting any ut tune-ness during the errmance. See Harmnics be r harmnic tunings. gradual change rm ne sund r ne way laying t anther nrmal/rdinary sul nticell, with sme itch (unless therwise indicated sul tast Beamed assages starting with a grace-nte slash are t be layed by buncing the hair the bw n the indicated string(s. The ti the bw shuld be used, but withut wd. All ntes, markings, indicatins thrughut the length the beamed gru are accumulative. r examle: in the excert t the let, the layer wuld start with the string nly, ater sme rrtinal time the D string is ADDD and the layer can use either string and switch between them. Shrtly ater the D string is added

4 an (accent mark is intrduced (a suggested sacing is shwn but need nt be led exactly. This means that at randm times a hit is t be layed with mre rce. inally, a harmnic n the string is added s that by the end the excert the layer will be switching (at will between 3 dierent ntes and tw articulatins (nrmal bunce and accent. A general indicatin r the desired density is given. The number attacks is t be taken ver an arximate timesan 4 at = 60: v. Very : 1-3 attacks/4 secs Lw: 2-5 attacks : 4-7 attacks : ( ( Ntes in arenthesis during beamed assages are t be layed arc and shuld be aled t ring i at all ssible. A suggested sacing is shwn, but need nt be led exactly. Bw lacement is anther imrtant cmnent t this iece. As mentined abve, S.,, and are used t shw bw lacement. Hwever, smetimes it will be required that the layers use a circular mtin, mving luidly between these states. r this the symbl n the let is used where the center is t be taken as, the est int as extreme and the est as extreme This technique is used r bth buncing and sectral trill assages:

5 «~~~~ ( «~~~~~~~~~~~~~~~~~~~ ( All trills are variable seed; layers shuld naturally seed u and s dwn at varius ints thrughut the trill; this may als be cmbined with slight, matching crescend and decrescend gestures. All trills are sectral trills. The nte, which is extended by a slid line, is the (usually en string t use. The nte shwn in arenthesis is the nte n which t trill. It is a raid alteratin between nrmal nte and harmnic nte (ressure alteratins in let hand. All harmnics are natural harmnics (see be. Unmeasured treml (see trill abve Harmnics: This iece relies heavily n harmnics. All harmnics are natural harmnics. The shwn itch is the intended sunding itch (minus ctave transsitin. Whenever ssible the rman numeral r the string is given (e.g. alng with the intended artial number (e.g. 4.

6 2 Here use the 2 nd artial the string 5 b Here use the 5 th artial the string Certain vertnes are naturally ut tune. The layer shuld try and kee these artials at their rer de-tunedness. r the string the detunings are as led (in cent: -14 # # # # n Timing: The iece is written in en/rrtinal ntatin, which means that the verall timing is very luid. ach system shuld last abut 40 secnds. Hwever, the 40 secnds is merely a suggested time and might need t be changed by the errmers deending n their interretatin and mst imrtantly deending n the size and reverberatin characteristics the errmance venue.

7 D.B. 1 D.B. 2 ach system shuld last abut 40 secnds; Always let ring, never damen sunds; D.B. 2 is back t back with layer 1; layers are nt synchrnized; Bunce with end bw, but withut wd a rhythmic nt synchrnized v. a rhythmic nt synchrnized v. Cnjined 1 Martin Ritter : 40 sim. sim. ( (. v. v. ( ( ( ( ( ( ( ( sim. 1:20 Ritter 2016/17 martin@martin-ritter.cm

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9 ( ( b # 3 5 «~~~~~~~~~~~~~~~~~~~~ ( ( 7 n «~~~~~~~~ ( 7 ( ( ( «~~~~~~~~~~~~~~~~ ( b 6 6 I 3 «~~~~~~~ ( I «~~ I 3 «~~ # n «~~~~~~~~~~~ ( ƒ I 3 ( 4 5 (l.r. I 2 «~~~~~~~~~~~~ ( «~~ «~~ b 3 «~~~~~ ƒ ƒ 6 6 I 3 5 ( 4 4:00 «~~~ 4:40 ( 4 5:20

10 4 ( 4 «~~~~~~~~~~~~~~~~~~ ( ( 8 «~~~~~~~~~~~~~~~~~~~~~~~~ ( b ( n ƒ 6:00 «~~~~~~~~~~~~~~~~~~~~~~~ ( ( # «~~~~~~~~~~~~~~~~ b n «~~~~~~~~~~~ Sz (# 9 # 9 8 «~~~~~~~~~~~~ ( 8. ƒ «~~~~~~~~~~~ (# # 5 I 4 b 6 I 4 b 6 5 Sz ƒ (I 3 ( 8 b # # # :20 6 I 4 7 # # «~~~~~~~~~~~~~~~~~~~ ( b ƒ I 4 b 6 n ƒ 6:40

11 ( n «~~~~~~~~~~~~~~ (# 11 # 7 ( 11 I 3 5 8:00 b ( 11 «~~~~~~~~~~~~~~ ( n 12 I n 5 «~~~~~~~~~~~~~~~~~~~ 8 ( 7 2 I 3 13 «~~~~~~~~~~~~~~~~~~~ ( 7 «~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( 8: :20 (n dim.

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