Christopher Stark. with video by Andrew Lucia VELOCITY MEADOWS. for solo oboe, chamber winds, electronics & video (2015) Full Score
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1 Christoher Stark with video y Andrew Lucia VELOCITY MEADOWS F I V E D R E A M E P I S O D E S or solo ooe, chamer winds, electronics video (201) Full Score S O M M E R S O P B L I S H I N G
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3 INSTRMENTATION Piccolo Flute English Horn Bassoon Clarinet in Blat Bass Clarinet in Blat Alto Saxohone in Elat Trumet in Blat (with straight mute) 2 Horns in F (with straight mute) Tenor Tromone (with straight mute) Tua (with straight mute) Solo Ooe Electronics Video (availale rom the comoser and video artist see contact inormation elow) Har Piano Timani Percussion ( layers) Player 1: Virahone, Small Susended Cymal Player 2: Tamtam (or Gong), Bass Drum, Snare Drum, Glockensiel Player : Tamtam (or Gong), Crotales, HiHat, Chimes (shared with Perc. ) Player : Tamtam (or Gong), Marima, Small Large Susended Cymals, Chimes (shared with Perc. ) COMMISSION CONSORTIM * niversity o Montana ames Smart, conductor; ennier Gookin Cavanaugh, ooe Arizona State niversity Gary Hill, conductor; Martin Schuring, ooe Central Washington niversity Larry Gookin, conductor; ennier Gookin Cavanugh, ooe Cornell niversity ames Sinazzola, conductor; Emily DiAngelo, ooe Michigan State niversity Kevin Sedatole, conductor; an Eerle, ooe Montana State niversity Nathan Stark, conductor; Beth Antonoulos, ooe Oregon State niversity Christoher Chaman, conductor; Fred Korman, ooe St. Cloud State Catherine Bushman, conductor; Heather Peyton, ooe The College o New ersey David Vickerman, conductor; Kathleen Mitchell, sorano sax niversity o British Columia Roert Taylor, conductor; Beth Orson, ooe niversity o Georgia Cynthia ohnston Turner, conductor; Reid Messich, ooe niversity o Kansas Paul Poiel, conductor; Margaret Marco, ooe niversity o Puget Sound Gerard Morris, conductor; Dan Williams, ooe Western Washington niversity Chris Bianco, conductor; ennier Weeks, ooe * commission organizers SCORE IN C with the usual octave transositions DRATION 11 minutes 0 seconds CONTACT INFORMATION Music Coyright 201 y Christoher Stark starkca@gmail.com Video Coyright 201 y Andrew Lucia dau.alucia@gmail.com
4 PERFORMANCE NOTES rcresc. means to lay the crescendo exonentially (ellshaed) rather than linearly (smooth), the name is short or reverse crescendo, which is taken rom the enveloe a reversed cymal crash creates this iece requires that each individual erormer lay like a soloist, many o the musical textures rely heavily on long sustained itches that are staggered throughout the ensemle, at the aex o each individual erormers crescendo, they are the most imortant erson in the ensemle, and should lay out at that moment i the ooe is eing covered y the volume o the ensemle, then use the mics or reinorcement ADIO: ELECTRONIC REQIREMENTS INSTRCTIONS Lato with MaxMSP 7 Sotware (download at you can run the atch without urchasing the sotware, you just won t e ale to edit it, which is ine) Audio interace with two microhone inuts (with reams) and two line oututs Two owered seakers, laced to the let and right o the ensemle Mixer Two microhones (reeraly dynamic Shure SM8 to reduce the ossiility o eedack) Audio cales and stands or the seakers and mics The ooe microhones should e setu like this to cature the sound aove and elow the reak: Cues are triggered on the lato keyoard and will layack when the keys are deressed The sace ar will kill the audio at any time The electronics should e erormed with rhythmic recision and musicality VIDEO: ELECTRONIC REQIREMENTS INSTRCTIONS A searate lato with Max 7 Sotware (Preerred minimum: Intel i7 Quad Core rocessor) Proessional rojector suitale to the sace o the erormance (video iles are HD 1280 x 720) HDMI or DVI cales and adaters or connecting the lato to the rojector Cues are triggered on the lato keyoard and will advance when the keys are deressed The sace ar will sto the video at any time PROGRAM NOTE Velocity Meadows is an elevenminute concertino or solo ooe, chamer winds, electronics, and video. I was asked to comose this iece y ooist ennier Gookin Cavanaugh and conductor ames Smart who oth teach at the niversity o Montana where I studied as an undergraduate. I themed the iece around western landscaes ecause o the geograhical connection to the commissioners, and the title is taken rom a oem y the recently deceased American oet Mark Strand. For me, the title erectly encasulates the sound image I have in my head o western Montana: landscaes that ustle with natural lie and kinetic energy, set in stark relie to intimidatingly large exanses o glacially carved geologic ormations. In Strand s oem, he imressionistically descries an eerie dreamlike astorale, which immediately reositioned me into one o my recurring dreams: it is dusk, and I am standing ehind my childhood home in Montana as an ominous red light glows on the other side o the snowcaed Mission Mountains rom the east. The concet o dreaming insired the orm and content o the work, and it is constructed out o a series o ive short surrealist eisodes. I comined dierent inluences and insirations within each eisode with comlete disregard or whether they elonged together or not a technique I irst encountered during my studies with Montanaased comoser, David Maslanka. The exerimental video adds yet another dimension to the amience o the work made y designer and artist Andrew Lucia, and it is my hoe that through the comination o these dierent elements the work will, erhas unknowingly, exress the time and lace in which we live and dream. Christoher Stark
5 Video y Andrew Lucia VELOCITY MEADOWS F I V E D R E A M E P I S O D E S o r s o l o o o e, c h a m e r w i n d s, e l e c t r o n i c s v i d e o Music y Christoher Stark Piccolo Flute English Horn Bassoon B Clarinet Bass Clarinet Alto Sax B Trumet F Horn 1 F Horn 2 Tromone Tua I. Waves with Sectra Amient, seamless, dynamically exact, with extreme lend q = 80 con sord. j senza vi. con sord. amliied semre, use distance rom mics to alance throughout the iece (in general, the closer to the mics the etter) tremolo as ast as oss. m m j m m Audio Cues LAPTOP 1 when the conductor Video Cues LAPTOP 2 Har Piano Timani Percussion 1 Percussion 2 Percussion Percussion *SPACE BAR WILL STOP THE ADIO OTPT (FOR REHEARSAL PRPOSES) *SPACE BAR WILL STOP THE VIDEO OTPT (FOR REHEARSAL PRPOSES) l.v. l.v. l.v. l.v. semre 1 delay on ooe mics 1 2 starts I.mov lits hands semre sot mallets VIBRAPHONE medium yarn mallets BASS DRM B.D. mallet l.v. TAMTAM (or GONG) l.v. sot mallets TAMTAM (or GONG) sot mallets æ æ æ TAMTAM (or GONG) sot mallets æ æ l.v. l.v. Music Coyright 201 y Christoher Stark Video Coyright 201 y Andrew Lucia æ æ j æ j æ j
6 senza vi. < j B. j m j j j m j l.v. l.v. l.v. l.v. BASS DRM TAMGONG æ æ æ j l.v. l.v. Perc. æ æ æ j l.v. Perc. æ æ æ j l.v.
7 < j senza vi. senza vi. B. j (senza vi.) j m l.v. l.v. l.v. l.v. BASS DRM l.v. TAMGONG æ æ Perc. æ Perc. æ æ æ
8 < j < j B. < < < j m j < j (lay F i C won't seak) l.v. l.v. (three mallets) l.v. l.v. Perc. BASS DRM æ j l.v. l.v. æ æ j l.v. Perc. j l.v. æ
9 con vi. con vi. j con vi. j j B. < j j con vi. < j j j TAMGONG æ æ æ Perc. æ æ æ j l.v. Perc. æ æ j l.v.
10 < j m < < j B. < j j m j < j j m < j m mute out j m arco j m j l.v. æ æ æ Perc. æ æ æ j l.v. Perc. æ æ æ j l.v.
11 L L A j < j m B. j j j j mute out < senza sord. senza sord. j sz sz j j m BASS DRM j l.v. l.v. Perc. scrae with metal eater j l.v. Perc. scrae with metal eater j l.v.
12 # n # n # n # n # n # B. < < < < j < j # # # alance with har ( semre) # n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# alance with har sot mallets # # n ( semre) # n # n # n # n # n # n # n # n # n # n # n # Perc. Perc.
13 9 n # n # n # n # j < j j < < j B. < j j < j j < j l.v. n# n# 10 n # n # n# n# n# n# Perc. Perc.
14 # n # n # n # n # n # # # # n n n j j B. < < j j # n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# # # n # n # n # n # n # n # n # n # n # n # n # n # n# n# Perc. Perc.
15 n # n# # 11 # # # m < n # n # n B. # m < j # n # m # # < j # j m m m m m l.v. # # n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# n# # # n # n # n # n # n # n # Perc. Perc.
16 12 B. # # m m 2 m # j m # n n # <# # n # n m # n# n # <# j # mute in Audio Cues Video Cues j m j m 2 Blat minor ulse, ade in cresc. l.v. crossades II.mov n# n # n# n# n# n# n# n# n# n# n# n# n # n # n # n # n # n # n# n# j V V V Perc. Perc.
17 As est as ossile try to lock in temo with electronic ulse B. mute in <# j j mute in < Audio Cues < j < n # # # n n # # # n ooe delay o Blat minor ulse, continued V V V V V V V V V V V V V V V V V V (cresc.) Perc. Perc.
18 1 II. Pulse with Collasing Phrases and Echoes Metronomic q = # w # B. sz sz sz rcresc. rcresc. Æ R Æ R Æ R Æ R sz r ' sz con sord., like an echo con sord., like an echo mute out mute out w # # senza sord. rcresc. (not muted) <n r ' sz con sord., like an echo <n <n mute out senza sord. rcresc. w # w # # Blat minor ulse, continued V V V V V V V V V V V V V V V V V V V V V V V V V V V V # Æ R sz secco <n r ' Æ R sz secco r <n ' Perc. Perc. arco ( semre) CROTALES arco # j MARIMBA hard mallets, like an echo # ' sz #
19 < w <# like an echo like an echo <n <n 1 B. < n w j rcresc. r ' Audio Cues Æ mute in R j w w like an echo sz senza sord. sz senza sord. sz sz r ' n n n V V V V V V V V V V V V n n Æ R # sz sz simile sz simile sz r r ' ' like an echo rcresc. mute in r ' r ' r sz ' sz R Æ w w j <# n n # g minor ulse, crossade mute in e minor ulse, crossade r ' Æ R n n n n # # r ' Perc. Perc. Æ n ' sz BASS DRM damen, like an echo < sz #
20 1 B < w # w j # Æ R sz <n rcresc. Æ rcresc. R # sz # <n Æ R w j sz Æ R sz con sord. con sord. mute out con sord. mute out rcresc. Æ mute in <n # # # R senza sord. rcresc. sz Audio Cues w w j # # sz secco sz secco elat7 ulse, crossade 7 ø a minor ulse, crossade V V V V V V V V V V V V n Æ R simile # r ' Æ <n R # Æ R w mallets simile Perc. Perc. <# j n j j ' sz
21 17 B. r ' rcresc. sz rcresc. sz m sz senza sord. sz con sord. n# n # n # n # n # <n # Æ R w sz # n # # # # # n r ' r # ' # n j r # ' <n <n # n # n <# # <n # # # n # n <# Audio Cues j w w w # # n # n # # w ø ø # # 8 shar minor ulse, crossade n# # n # n # n # n # n n V V V V V V V V V V V V # # n # # # # # # # # # n # n Perc. Perc. j # j Æ # ' sz sz
22 18 B. B # # # # # # # # # # # # # j # # m # # # # # n # n # n # # # m # # # n # n # Audio Cues Perc. Perc. m m m m m m m elat minor ulse, no crossade ø sz su. ø mute out mute out <# j # # # (random accents ad li., like the elec. ulse) senza sord. senza sord. # # # (random accents ad li., like the elec. ulse) j j j m n... n. 9 V V V V V V V V n # # # # # # # j # # # # # # j # # # # # # # # # HIHAT (loosen clutch so hats lay naturally) Rutes # # # # # # # # # # # LARGE AND SMALL SSPENDED CYMBALS # # # MARIMBA simile ø
23 Æ næ # Æ # Æ # # # # Æ # Æ # # Æ # Æ n Æ Æ 19 B. m m m # # # # # # m # Audio Cues # Perc. m m m m m m m m m m m V V V V # n # n ## # # # sz sz sz sz sz sz sz sz j # # j j <n j j <n # j j # like an echo n n n # # #. n # n # # n # n # n # n # n # n. Q d7 ulse W alat minor ulse # # ## ## n # # # ø ø ø Æ Æ Æ Æ Æ Æ Æ Æ Æ # Æ # # # n # Perc. SS. CYM. MAR. # SS. CYM. m simile m simile MAR.
24 20 B n j m n m m m m n n j n j j j n n n Audio Cues m n n n # n Perc. Perc. ø sz sz n E minor ulse n n V V V V V V V V # # # # ø SS. CYM. MAR. n simile
25 næ # Æ Æ Æ Æ Æ Æ 2 Æ Æ Æ n # 2 21 B. 2 m 2 2 # 2 2 m 2 n j Audio Cues 2 n n n # n n # n. # n n n # n. R d minor ulse T dlat7 ulse 2 Perc. sz sz sz sz sz sz sz sz 2 ø ø ø 2 2 j j 2 # 2 n j n V V V V n n # # # n # 2 n Æ # Æ Æ Æ Æ Æ Æ 2 Æ Æ Æ 2 2 Perc. SS. CYM. MAR. n SS. CYM. 2 simile
26 22 B # j # # n # # # # n n # # n # # # n # # n # # # # n n # Audio Cues j j j j j n n # # # n n # Y g minor ulse e minor ulse Perc. Perc. n n V V V V n n # # # n n # # n # # # # # ø n # # n # # # 2 SS. CYM. MAR. SS. CYM. simile simile MAR. n
27 B # R senza vi. con vi. # w # R # # n n r n!! III. Nostalgic Slow Dance with Rewind Simle, steady, not slower q = # n R Æ # # n n n R n!! Æ # # n n n R n!! w # w n!! # # n R n!! # # r n!! 2 # # 1 2 R n!! n!! n # R n!! n!! 2 Audio Cues Video Cues Perc. Perc. i cshar minor ulse O c overtone areggio P record layer crackle # 1 2 # # # n n n n # n ade out starts IIIa.mov # R n!! legato # # # R n!! legato r # # ø # n æ n!! Æ æ æ æ æ R n!! n!! semre SS. CYM R gliss. su. n!! n!! (har should e slightly louder) SNARE DRM (snare o) wire rushes, swirl, like a jazz allad R
28 w # w n B. <# w # w w w m m # # # # # # n # # # # # n ø ø simile Perc. Perc.
29 w w w 2 w w w 2 B. w w w 2 < w w w m m 2 2 ø ø Perc. 2 Perc. 2
30 2 Douletime, very arut q = 120 Freeze! hold instruments As eore q = in laying osition R R Æ R n!! n!! n!! Æ 2 R B. Audio Cues Video Cues n!! # senza vi < # rcresc. semre j j j R n n!! rcresc. semre j j j j R n n!! rcresc. semre j j j j j # j j j # r n n!! rcresc. semre R n n!! rcresc. semre r n n!! A rewind sound eect S stos audio O c overtone areggio r Y Y Y starts IIImid.mov (rewind eect) SB stos video r SPACE BAR # R m n!! R r æ gliss. n!! n!! Perc. Perc Æ æ æ æ æ R n!! BASS DRM ass drum mallet n!! R R su. n!! n!!
31 And again, not too slow q = B. 2 #w w w 2 <# w w # w 2 con vi. <# w w w 2 mute in 2 mute in 2 mute in 2 mute in 2 mute in Audio Cues Video Cues 2 dolce # # P record layer crackle 2 7 starts III.mov 2 2 legato m 2 # # # # # # # 2 (har should e slightly louder) legato 2 # # # # # # ø 2 Perc. Perc. 2 æ SNARE DRM (snare o) 2 simile semre 2 semre wire rushes, swirl SMALL SSPENDED CYMBAL 2 sot yarn mallets
32 w <# n w B. w w # # m m # # # n n ø ø æ æ Perc. Perc.
33 C B. w w w w w w w w con sord. j con sord. j # m m ø ø æ æ Perc. Perc. TAMTAM tamtam mallet æ
34 0 < B. < < w m < w m w m w m < w m w w w w w con sord. <n j con sord. <n j con sord. j < < j w < m ø æ sot mallets æ m Perc. Perc. æ j
35 nw nw w # # B. nw w j <n j j # j m j j j m n n # # n n # ø # n ø æ æ Perc. Perc. æ æ j
36 2 B. Video Cues mute out < j j j molto crescendo! w w w w j # # w w w w w w j senza sord. mute out senza sord. mute out senza sord. # j crossades 8 IV.mov ø æ ø æ æ Perc. æ Perc. æw j æ æ
37 IV. Stiled Canon with Bells Precise, dynamic q = 10 (minimum) <# j <#.^ ^. j B. < j < j r r < j r r < j r r R < r r < j Audio Cues < j j senza sord. mute out < <# l.v. l.v. mute out Ÿ~~~~~~~~~~~~~~~~~~~~~ l.v. l.v. timre trill, use low B key ó stos record layer crackle D sound eect F delay on ooe mics j Perc. Perc. j r j ø... VIBES hard lastic mallets l.v. GLOCKENSPIEL rass mallets l.v. CROTALES metal mallets l.v.
38 ^ j.^ j # # R R R r # # r r B. r r # # r r r # # r r r r # j j # simile, low C# key ó low E key ó Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ # # l.v. l.v. # l.v. l.v. Perc. l.v. Perc.
39 j.^ r R # # # R R R R R B. r R r R R # # r r R j <# j j # <# low C key óÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~ l.v. l.v. low B key ó loco # low B key ó Ÿ~~~~~~~~~~ # l.v. l.v. Perc. l.v. Perc.
40 j.^.^ 18 # # j j.^ R R R < R R B. < R R R R j < j n < < low B key ó Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ l.v. l.v. l.v. l.v. l.v. l.v. loco medium yarn mallets l.v. j # l.v. l.v. l.v.... R Perc. Perc. l.v. l.v. l.v. MARIMBA medium yarn mallets n
41 .^ j 1 1 # 1 1.^ # j.^ j R R R accel. 7 R R R B. R R R R R R j j j < Audio Cues low B key low B key ó Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ ó Ÿ~~~~~~~~~~~~~~~~~~~ l.v. l.v. l.v. l.v. l.v. l.v. loco G reverse cymal samle rcresc. n Perc. Perc. R l.v. l.v. l.v. l.v. l.v. l.v. R
42 8 Con moto e energico q = 112 oss B j ' j ' oss. j j ' ' elllike s s # Æ Æ # # # elllike s s Æ Æ elllike s s j j j j ' ' j elllike s s elllike s elllike s s elllike s s elllike elllike s s s Æ Æ j j ' ' j ' j ' # Æ Æ # # # s s j j j j j j ' ' j elllike s s.^ sz gliss. oss. elllike j ' elllike s s semre j j ' Perc. Perc. j j l.v. semre j j l.v. semre ^. r sz j
43 B s s Precise q = 112 (minimum) s # Æ 2# s # Æ 2# s s 2 j ' ' s s. 2 2 R s 2 j ' ' s s 2 j s 2 s 2 j s 2 j 2 R Audio Cues H clear delay uers on ooe mics sz 2 sz 2 Æ Æ 2 s s ø... 2 j 2 sz... ø semre Perc. Perc. j 2 j CHIMES rawhide mallet 2 l.v.
44 j R R R R B. R Perc. Perc. MARIMBA medium yarn mallets
45 j # # # R R # # j B. # # # R < j j j # # # R like an echoing ell sz l.v. like an echoing ell sz j j # # # Perc. Perc. CHIMES rawhide mallet l.v. #
46 j # j R # R R B. <n j R < < < j j j <n j R simile sz l.v. < simile sz <n # # j # ø n # j Perc. Perc. <n l.v. # #
47 D j R R j j R B. < <n j j <n j j j j < <n j ^ R <# # sz l.v. # n sz # ø... semre # # # n Perc. Perc. l.v. CROTALES lastic mallets
48 B. R R j R R j j Audio Cues j 8v harmonizer and delay on ooe mics _ óïóï B "Major" Multihonic # 1 _ A E ï ó ï ïó E "Major" Multihonic # j # # # # # # Perc. Perc.
49 R R R R j # j R B. # j j <n j j # j B "Major" Multihonic # # j # # # # # # # # Perc. Perc.
50 B. Audio Cues V. Velocity Meadows With intensity q = ^ semre semre semre semre ^ R w j sz reedy ^ R # R E "Major" Multihonic rcresc. sz reedy semre R rassy w j sz rassy w j w j sz rassy K 8v harmonizer o (delay still on) rassy rassy <# j j Video Cues Perc. Perc. # # # R semre ^ semre ^ j ^ 9 crossades Va.mov
51 j 7 j j w j w sz reedy sz reedy j j B. w j w sz reedy sz reedy < r r rassy < r r rassy < r r sz rassy sz rassy rassy w j w w j w sz rassy sz rassy Perc. r Perc.
52 j < w j sz reedy j B. < j w j sz reedy < r rassy rassy < r rassy rassy < r rassy rassy < j < j w j sz rassy w j sz rassy Perc. Perc.
53 j j w w j B. w w j < R R < r r < r r w j sz w w j sz w æ Perc. Perc. LRG. SS. CYM. medium yarn mallets æ Y
54 0 Quasi cadenza, ollow the soloist (q = 809) < j < 11 8 B. 11 j 8 < < j 8 < < j 8 11 < j 8 < 11 8 < 11 8 w w w w j 11 8 Video Cues 0 crossades V.mov semre j semre like an echo m m 11 8 BASS DRM ass drum mallet like an echo 11 8 m m Perc Perc. 11 8
55 B. m m m m Perc. Perc.
56 Tutti, amient (q = 9) B w w w w w m m m timre trill, low B key ó Ÿ ~~~~~ m m m Perc. Perc SM. SS. CYM. medium yarn mallets TAMTAM tamtam mallet æ
57 j w w < <n B. < j w < < w <n < j < w j <n w < j <n < j <n < j < j w w n n n n n n n n n n n n Perc. Perc.
58 < # 2 j w 2 < j w w 2 < w 2 B. # 2 < w 2 2 j # 2 j 2 < 2 < j w w Perc. 2 Perc. 2
59 n 2<# w 2 2 j w w j B. 2 <# 2 n 2 2 w w 2 <# j j 2 j j 2 j 2 j w w j nn Perc. 2 Perc. 2
60 j j w < w w < j B. w w j w j j j j j j # w # w Perc. Perc.
61 # j # # w w w w < B. w j w w j < j j < j j < nw Perc. Perc.
62 8 B <# j j <# # w w # w w < j j # w n w w w Audio Cues Video Cues L ade out ooe delay Q ade out w morendo morendo w Perc. Perc.
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