azim . =50 & \ \ .#! 4 .## O -ªªªªªªªªªªª Q. - F # % \ \ . F ( \ HANGING 1 METAL SHEET h 1 ..., -# j O... # j. #. glissando lentissimo

Size: px
Start display at page:

Download "azim . =50 & \ \ .#! 4 .## O -ªªªªªªªªªªª Q. - F # % \ \ . F ( \ HANGING 1 METAL SHEET h 1 ..., -# j O... # j. #. glissando lentissimo"

Transcription

1 =50 1 HORN as sounds) \ \ TROMBON \ \ \ \ PIANO A k ậ 7 O P molto legato 7 O Q O Q P j ## azim cuivré sound # 4 i - gliss # - k d gurgling sound 5 : breath + rapid fingers O -ªªªªªªªªªªª - d sp 6 h # O P Q O P molto legato 1 \ \ \ HANGING 1 MTAL SHT P GONG h 1 LV woosh of high frequencies laissez vibrer VIOLIN 1 \ \ i senza vibr glissando lentissimo -# O # j O # VIOLIN \ \ VIOLA \ \ i senza vibr - j # glissando lentissimo Q - \ \ CLLO

2 7 Qh - # glissandi Q - O j j O # O 8 ## h n O - gliss h Q 4 O P k 4 P k Q O 9 d P O # k # j âë # O cuivré sound â Ö Ö - O # sempre glissando O O cut by horn O -# k cut by horn - Q - P O - k sempre glissandi

3 10 Q O Q Q O # â 11 P Ö P n sp Ö Ö O Ö Q Ö Ö O Ö P Ö O Ö 7: P Ö Ö â Ö O Ö Ö RH pluck string for C G # LH cluster B-# fast vertical scrape w card 8-10cm from bridge z i G Q =# <# G O P h Q # Ö Q Ö P O glissando O 1 slow P g O -# - j ªªªªªªªªªªª double tongue 11 Ö B glissandi with brushes on strings hold brushes c 5cm from tips SMALL SHT z 1 RH - = LH alternate fingers k cluster # to A# Q ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª = = = brush rapid movement across strings g Q = = = g ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª rapid movement serated edge on small hanging aluminium sheet with piano) O -# - i quick vertical scrape w card O sempre glissandi espressivo P - - i- -# d glissandi Q ī - - O - Q

4 j O Ö Ö# j O # # O Ö ªªªªªªªªªªªªªªªªªªªªªªªªªªªª = = = n = = = ªªªªªªªªªªªªªªªªªªªªªªªªªªª strike strings w steel c 5cm from bridge hold steel on strings: cluster Bb to j G O < < < cluster # to # beat strings with brushes irreg k ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª Q Q = = = = =# z =# strike sheet rapidly w metal allowing it to swing ie irreg sound # ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª # k trem -# Q # j plucked # O #f -# O -# glissandi #f -# -# d glissando trem -# # k - # # Q -# k trem -# # kq + pressure towards bridge -# arco normale f - # # -

5 0 1 j Ö O Ö j slow # alt fingers 5 O Q Q j z keyboard O # P P Q O P P Q O O P O 5 G Q Ö # j O P Q O P O Q # # H P Ö # PÖ # gliss { h O O P P O O z ) SNAR RUM light roll with max snare min drum sound - pizz k Q # O - Q k pizz # k pizz # O

6 6 4 =60 5 [ \ [ \ ) O Q P Q Q P P O P O O P G P O P Q O # i O P P O O P Q P O Q [ \ [ \ f [ \ [ \ [ \ [ \ arco normale glissando lento Q [ \

7 6 [ \ 7 slightly slower 8 a tempo \ 7 [ \ \ \ [ \ ) [ \ G Q O O O P P O O Q ## O Q P Q ậ [ \ -# # h O O BIG CYMBAL \ P \ Q O 1 \ \ 1 roll w beaters [ \ \ [ \ \ [ \ \ [ \ - -## # O \

8 Q P Q Q P O h P O O P P P P Q 1 1 i Ω Q O # O O P P Q P O O Q P Q h Q -# h Q -#

9 e -# O 46 O -# e O P # O O P P ## O O Q P O Q Q O O P Q O â ậ P -# rapid varied trem w k rubbing plastic card on strings cluster to G# j Q g Q :# : # : ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª keyboard g z ) Q RUM 1 close wide open 1 1 # HI-HAT CYM X-fade) -# -# j g -# ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª LV roll w beaters on 1/ open cymbals rub w fingernail as per tremolo Q -# tremolo # con ritmo irreg play inside sound butslight crescendo throughout i -# s ªªªªªªªª g molto g # changes of pitch unaccented trem molto irregolare - # Q # P glissando continuoso g -# trem molto irregolare i -# fade in and fade out each note g -# - rapid and varied rubbing fade in and fade out each note O - g

10 : : : : : : : ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª ) -# - # -# ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª Ö -# # # -# Q # P - # Q -# Q - -# Q P Q -# -# pochissimo crescendo -# - - -# -# - -# - # O Q - - O -# -

11 rub strings across ad lib w card w pressure c 1 cm from bridge : pluck # + flick card off O surrounding strings # O Q : Q P O h g ªªªªªªªªªª metallic squeaking w pitches indeterminate frequent changes of direction ) - O O Q Q # - -# # ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª # Q # P -#- # # Q # P -# # - -# - Q -# - - -# Q - - # # -# - O #

12 â # i 6 âë # k 6 # O Q P Q ) -# # O Q O damp strings pluck string -- i keyboard O Q # # Q # ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª pluck LV tremolo piu regolare glissando lento P Q -# - # P - - g # tremolo piu regolare eo -# -# crescendo lento # O - # Q O Q pizzicato # O O Q Q O - - g

13 64 âë # O 67 âë # π Ü â Ü Q P 1 # Ö O Ö O P keyboard pluck nr bridge and damp quick keyboard # Q # O O P -# -# - O - - O - # O -# arco espressivo -# # O -# pizz O Ö pizz k O O P flick strings w nails arco senza vibr 0 g -# poco -# pizz gliss with large vibrato ªªªªªªªªªª O -# O cut by horn -# O arco -# ậ j gliss sempre trem

14 âë # gliss down 1/4 flat -# O card across strings as br 55 i keyboard < O < P < z < O < pull corner of card across Ab O < < OPQO - -# # -- f ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª cluster # to A# as bar 15 Q= = = = keyboard brush rapid movement across strings O - - Q = = = = SMALL SHT rapid movement serrated edge on small hanging aluminium sheet as bar 15) f ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª -# fr pno gliss i -# arco normale senza tremolo espressivo d gliss d j -# arco normale senza trem O -# -# # pizz arco # k O - O gliss with large vibrato ªªªªªªªªªªªªªªªªªªªªªªªªªªª -# pizz Q O h gliss sempre trem arco normale Q -# senza trem fr pno i G Q - slight upwards glissando to /4 # au poc

15 8 =90 5: O Q i P O P P Q # 8 -# 15 keyboard - bright sound O Q O Q P O P Q P Q P G Q P G Q O O 5 P O Q z Q # k # pizz Q i k Q O pizz Q arco O i pizz # O i k gliss trem k sim rhythm as before glissando sim

16 16 84 staccato #h O O O O P Q P O 85 O O Q O O Q O P P P O Q Q O Q P P P P 86â k hq as bar 1 glissandi with brushes on strings hold brushes c 5cm from tips z - RH LH k SMALL SHT arco pizz O # Q arcog Ö Q O pizz Q arco g Q Q O P # Q arco # trem h G -#

17 # i O 91 â Q Ö mute: open > closed > open h mute open >>>>>closed fltzg - Ö â ë n # i Q O d P cluster # to A# as bar 15 ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª g Q =# = h brush rapid movement across strings Q =# = g 1 rapid movement serated edge on small hanging aluminium sheet # 1 BIG GONG 1 1 #j Laissez vibrer O #h pizz O k h # O Q - Q arco k arco O i Q Q # harco gliss gliss gliss O gliss P pizz arco gliss # Ö -# i ) ad lib tremolo glissandi altissimi # h Q -# trem gliss - - #

18 18 9 poc k # k # Q # d# P O d P O P \` =60 grace notes stems down) are played as tied to the notes they follow as short second note of a triplet equal to time-value of main note \ ` \ ` C ç ó O Ö Ö O Q Q Ö O P Ö O Ö Ö accents are light in this section) Ö O Ö â Ö â 5 O Ö Ö Ö Ö Ö â Öâ Ö â Ö â 5 Ö Ö h O Ö Q Ö P Ö O Ö h Bb-C Ö Ö in Ö â eighth O Ö tone G steps Ö # Ö evenly slow down behind the beat to then evenly pick up again to Bb-C in fifth tone steps \` ) h RUM with brushes in slow uneven circular movement c once round per bar of 4/4 at this tempo) decrescendo e meno continuoso \ ` \ ` and continue at same speed ) ad lib tremolo glissandi altissimi \ ` decrescendo e meno continuoso \ ` \`

19 19 10 P Ö O P O Ö P Ö Ö d Ö O Ö Ö Q Ö â O i Ö Q P Ö O Q Ö P h Q Ö Q Ö O Ö O Ö Ö Q O Ö Ö O Ö O Ö Ö O Ö Ö Q Ö Ö Ö Ö Ö Ö Ö Ö Ö Ö G Ö # Ö Ö Ö â Q Ö P Ö Ö Ö Ö 5 Ö Ö Ö â rhythm as before pitch change from C to similar to before pitch change sim 7 7 ) flick brush off drum at end BIG CYMBAL roll w beaters # pluck rib of string w corner of card z i 5# 5 keyboard ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª )

20 Ö Ö Ö Ö Ö h Ö Ö 5 Ö Ö Ö Ö d Ö Ö Ö alt fingers ªªªªªªªªªªªªªªªªªª O - - i 11 Ö h Q Ö O Ö O Ö O #Ö Ö Q Ö Ö O Ö Ö Ö Ö Ö â Ö G Ö # Ö Ö Q Ö rhythm and pitch change from B to C# sim to before i 116 P Ö Ö â Ö â Ö Ö Ö 5 Ö Ö â B to C# sim Öâ Ö â Ö â Q Ö Ö pluck rib of string w corner of card keyboard ) 5 5# ªªªªªªªªªªªªªªªªªªªªªªªª ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª scrape across strings w plastic # box k G O Q j approx pitch ranges strike bass strings w hand k # G< # â â # z { z accents indicate + pressure) # ZIZZ CYMBAL roll w beaters ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª )

21 118 gingerly) 5 Q O Q Q Q à QÖ k Ö Ö Ö i alt fingers ªªªªªªªªªªª j 11 Q Q Ö Ö Q Ö Ö Ö G Ö # Q Ö Ö O Ö Ö Q Ö Ö Ö Ö 5 rhythm and pitch change sim mellow sound 15 5 i Ö Q Ö P O Ö Ö Q Ö 5 Ö Ö Ö 5 5 O Ö Ö Ö C# to b sim 5 ç Q Ö 1 i general pitch shape # j rub strings across ad lib w plastic box c 1 cm from bridge frequent changes of direction metallic squeaking w pitches indeterminate { z { z molto g h ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª i LARG TAMTAM ) arco glissando ad lib altissimo â roll w beaters gradual crescendo ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª O ) h ) arco glissando ad lib altissimo h O

22 16 ç Ö h QÖ Ö h 5 17 cuivré sound j QÖ O Ö Q Ö Ö 18 Q Ö Ö Ö Ö P Ö Ö O Ö 19 # j Ö Ö Ö Öâ rhythm and pitch change sim 7 more mellow Ö 10 G Q # Q Q O O 11 5: k G # Ö G # Ö Ö Ö QÖ PÖâ Öâ keyboard k 5 Ö Ö Ö Ö O # O Q P Öâ pith change sim O P O Q O P P k sempre crescendo ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª # # - O - ) { z LV ) # O

23 1 O O Q 7 1 Ö 5 Ö Ö Ö Ö Ö O QÖ PÖ Ö O O P Q G Q O P Q G O P slow 15 j scape across strings w card cuivré sound 8ve i i ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª 16 # 4: h =64 alt fingers # # # rhythm as written pitch change from C to in eighth tone steps Ö Ö keyboard Ö i z O Q O P O P P P P j with heel of bow # arco staccato semiquaver) # # j with heel of bow # arco staccato semiquaver) # # arco staccato semiquaver) ' j # raise pitch from C to in eighth tone steps G # G # hold) arco staccato semiquaver) j # raise pitch from C to in eighth tone steps G # G #

24 4 17 # 5 Q # ậ G # G O G # 19G â Q Q â 140 G P # # # Q G # G Ö Ö O O Q Q P O P P P P O P Q O P O Q keyboard # # O P Q O P Q O Q CYMBAL # 'ting' sound on dome with stick w violins) # g O P Q O O P O # # # # # # # # # # # # # # ' # # # G # G # G # Q # G P # # # # G # G # G # Q # P G #

25 5 141 Ö Ö# poch O Ö # Ö # O # â { j O Q P â O Q P 14 Ö O Ö Q à pitch C to in fifth tone steps # O â Q Q P Q O P P # i z O P O # Q ậ # hold) # Q O P O P P Q 14 P # â O O O # { O # # Q P Q P O j O Q O Q # # P P # # # j # # # ' j # pitch C to in fifth tone steps # j # pitch C to in fifth tone steps #

26 6 144 # i # ậ 8:9 145 G j ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª alt fingers Q # P # Q Q O P O P P Q P O P P Q O Q â Q O O P P O P O P P Q O P O Q P O P P Q O P G O O â G P O Q P O P P O P P # P G P P Q â O O P # # G O Q O O P O P P Q P P O P O Q P O P Q Q Q P O P O P P Q # # # # ' # G Q # G P # G Q # G P

27 7 146 ªªªªªªª h O Ö Ö# Ö 147 Q Ö Ö # P Ö Ö # Ö O Ö 148 = O Ö # G G Q # # G O ## h G Q O # g Q P P O P O z P Q ## h G 5 5 # # # # # # ## # # # # # h # i arco normale # - - # pizzicato g G # G # G slight crescendo throuhout # # # i arco normale # - - arco staccato # breve h G # G # G slight decrescendo throughout # # ' finger B on A string and generate harmonics sul pont h Q Q â Q # Q â

28 G G G 5 # # G ## ## # # G # # # # # G # # G ## # # # G # # G # # # # G # # G # # # ' â # Q # Q Q Q â Q Q # O # Q

29 # G # # G Q # # Q Q # ## ## # # - # # # # SMALL RUM rub w speed 6 to quaver e - SMALL MTAL OBJCTS) RATTLING AGAINST HANGING MTAL PLAT - -h e ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª h # # # # G # # # # Q â Q â â

30 SMALL GONG ªªªªªªªªª 0 0 g fast roll w hard beaters j # SMALL RUM e - as before - -h - - OBJCTS as beforemore high frequencies) 0 e ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª # h finger A on G string and find harmonics near bridge arco legato i # finger lightly finger low A on G string high A on string sim but non legato # # â # sempre alla corda) + max pressure near bridge j # Ö

31 strike frame with mallet h 0 z i 0 clusters on strings with steel j Q held on) 6cm < z not sounding pitches) 0cm # < # O < { z Q< G 6cm and slide steel off towards bridge { z LARG CYMBAL g j fast roll w beaters Ö arco i Q Ö O O P Q Ö Ö â â # # Q # Q Q Q # # Ö

32 0 k âë Ö bright cuivré 0 # 04 j # # h O mute w growl n # H O Ö j # h Ö P Ö Ö O Ö Ö Ö Ö O Ö Ö # Q Ö 05 O O double tonguing O Ö # 6cm 16cm 0cm Q< < keyboard Q O Q < { z { O < z steel { z Ö h Ö H O # O Ö Q O O G # P Ö G O Ö # G # Q Q O P â arco Q pizz l H # i O k ) â â finger A on G string and find harmonics near bridge # arco legato # 0

33 06 fltzg ªªªªªªªªªªªªªªªªªªªªª n j fierce ªªªª Q # O k 07 O P Q O P O O Q O 08 P O - vibr + growl O # gliss O w cutting sound G k O P Q # G Q Ö# # H O Q O O Ö G O Ö# # P ) Q Q gliss cont + trem molto irregolare ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª O Q O P O P O P O h k h arco n pizz O O Ö arco gliss

34 # G O O Q O ## keyboard H 5 O Q z P Q pizz gliss â QÖ # P Ö P Ö# # H Q # # P # H Q O Q Ö# # pizz Q â # arco trem ) ậ # Q senza trem j Q Q ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª h Ö O O Ö # - gliss pizz ậ # arco gliss k O j l â < < < + max bow pressure # max bow noise min pitch grinding sound h # cont change angle of bow

35 1 # O O O P alt fingers P ªªªªªªªªªªªªªªªªªªªªªªª 1 fltzg 14 5 G O H Q P Q P Q 5 Q P G Ω O Q O P O Q abrupt slides w plastic box across strings j Ω < Ω < held on) z â INVRT CYMBAL ON PAL RUM roll on drum roll on cymbal # start w pedal up and do slow continuous glissando downwards h ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª i until bar use beaters O # j G O c1cm O O j O Q G arco normale i Q

36 << < # <# <# sim alternating upwards and downwards strokes â # â # â ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª Q O # O G O # G O Q O O # H # O O < < < < < < <## <## < <# < # < < < G Q Q O O G O Q Q P j O # # # O # # Q O

37 7 18 # cuivré sound i O 19 G Q H H G O O 0 cuivré sound i Ö Ö QÖ O Ö # QÖ Ö Ö <# <# < continue alternation of up and down strokes box not held on so strings freely resonate < k < j < <## <## O < cm < < held on strings: short strokes â â â # # # ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª O H O P O O H O H Q # P O H Q O H Q O # H O < O <## <## <## <## < <# < # < H < < not held on G O Q O Q G Q O O i # # O # # # arco normale O j # # Q

38 << 1cm < < < < ậ ậ ªªªªªªªªªªªªªªªªªªªªªªªªªªªªªª G O Q H G O O P O P G H Q O Q O < LV max) Ω < ) pluck string w fingernail close to bridge box downwards stroke not held decrescendo to zero G Q O O O Q - - Q P # # O # O Q - -

39 9 0 â 1 i h O O - k hold and end ad lib 50 i â i - - g ậ i z ) - Q - - # # g # - - Q Q - O hold to end --

A Shrinking Emptiness/ Entropic Pleasures III

A Shrinking Emptiness/ Entropic Pleasures III Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Commissioned y Ens MimitauLevande MusikKulturrådet 01 (Version 01, Version III 018) Anders Hultqvist A Shrinking

More information

Percussion for Apartments

Percussion for Apartments Percussion for Apartments for solo percussion + electronics Aaron Gervais Percussion for Apartments for solo percussion + electronics August 2016 Duration: 2 00 Aaron Gervais Dedicated to ustin DeHart

More information

Olli Virtaperko Usvapatsas

Olli Virtaperko Usvapatsas Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm

More information

Know your major scales

Know your major scales page 8 Know your major scales Major and minor scales use every note name (A B C D E F G), but start on different notes. The notes of a scale move stepwise by intervals of a tone or semitone. The pattern

More information

Still Sky Bells. For large ensemble. Stef Conner 2010

Still Sky Bells. For large ensemble. Stef Conner 2010 Still Sky Bells For large ensemble Ste Conner 1 Ste Conner Still Sky Bells 1 For large ensemble lutealto lute oboecor anglais clarinetbass clarinet ercussion vibrahonetam-tamglockensielrin C - CChinese

More information

Blue Knights Front Ensemble Technique Packet

Blue Knights Front Ensemble Technique Packet Blue Knights Front Ensemble Technique Packet Purpose: To play comfortably, naturally, and efficiently. Uniformity Our technique will be split into five large categories: Posture, Wrist, Fingers, Stroke

More information

S ck Control. Mul ple Bounce Rolls

S ck Control. Mul ple Bounce Rolls Sck Control Mulple Bounce Rolls Marching Technique Concepts By Tohbias Juniel Grip: The Traveling Fulcrum - This technique requires constant contact with the stick and each digit of the hand in a match

More information

Sonova UC Unicode Glyph List

Sonova UC Unicode Glyph List Sonova UC Unicode Glyph List Release Date: 2016-05-06 These tables list the available glyphs for Aural Sonology contained in the Sonova font. They are located in the Private Use Area range E000 E500. Many

More information

Kansas State University

Kansas State University Kansas State University Bass Drum Handbook 2019-2020 Kansas State University Marching Band Dr. Frank Tracz Director: ftracz@ksu.edu Brett Butler Graduate Assistant: brett0912@gmail.com Band Office: (785)

More information

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one] Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto

More information

2. The grace-note groups, see illustration, have to be performed as fast as possible.

2. The grace-note groups, see illustration, have to be performed as fast as possible. 1 Perormance instructions 1 The instructions or the use o the pedal are indicated with a double line under the piano part I the double line is continued past the end o the staves, the pedal must be hold

More information

The Tango-A Secret Code

The Tango-A Secret Code Ex1 Kicho(Allegro bars 9-16) As Written 4 n The Tango-A Secret Code b b uan Pablo Navarro b Ex2 Ex3 Ex4 Piazzolla s Marcato style in Kicho n F F Marcato with short drag w/gliss As Kicho played Ó Arrastres(Drags)

More information

Rock Discipline John Petrucci Rock Discipline Video

Rock Discipline   John Petrucci Rock Discipline Video Rock Discipline www.amoog.ir John Petrucci Rock Discipline Video Music by John Petrucci A C E C# G B F# 8 12 9 1 4 2 1 1 1 4 2 1 1 1 4 2 1 1 1 4 2 1 1 1 4 2 1 1 1 4 2 1 1 1 4 2 1 1 = 20 = 10 fade in A.H.

More information

MR. DICKSON'S METHOD FOR BAND Book Two

MR. DICKSON'S METHOD FOR BAND Book Two Snare Drum MR. DICKSON'S METHOD FOR BAND Book Two www.justindickson.com/band revised February 18, 2017 "Strategies That Work When Learning New Music" Read before you play ---------------------- - Before

More information

PHY-2464 Physical Basis of Music

PHY-2464 Physical Basis of Music Physical Basis of Music Presentation 21 Percussion Instruments II Adapted from Sam Matteson s Unit 3 Session 34 Sam Trickey Mar. 27, 2005 Percussion = striking Percussion instruments divide nicely into

More information

NP Drumline Audition Packet. Marching Band 2016 Season

NP Drumline Audition Packet. Marching Band 2016 Season NP Drumline Audition Packet Marching Band 2016 Season Welcome! Thank you so much for your interest in becoming a part of North Pointe Prep s rapidly growing percussion program. We are excited at our rate

More information

on the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal

on the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal on the deconstruction o a cycle or 2 ianists and 2 ercussion layers Alberto C. Bernal PERFORMANCE NOTES General: The dynamic indications between hooks reer to the intention dynamic, that can be dierent

More information

Illinois State University PULSE Basketball Drumline Audition Requirements

Illinois State University PULSE Basketball Drumline Audition Requirements Illinois State University PULSE Basketball Drumline 018-19 Audition Requirements Members of the ISU Drumline who wish to play snare, tenors, or bass are required to perform an individual audition. (EXCEPTION:

More information

1 The diagram shows an object of weight W and an object of weight Z balanced on a uniform metre rule. object of weight W. object of weight Z

1 The diagram shows an object of weight W and an object of weight Z balanced on a uniform metre rule. object of weight W. object of weight Z 1 The diagram shows an object of weight W and an object of weight Z balanced on a uniform metre rule. object of weight W a b 50 cm mark object of weight Z metre rule Which equation relating to W, Z, a

More information

ELOQUENTIA espacio para flauta y orquesta

ELOQUENTIA espacio para flauta y orquesta Violin I 1 Manuel Sosa ELOQENTIA esacio aa lauta y oquesta MusikaSilentis New Yok 2010 The imay uose o the ba-lines is to seve as a device o synchonization. Ba-lines do not indicate accentuation o the

More information

2017 Drumline Audition Packet

2017 Drumline Audition Packet 2017 Drumline Audition Packet Thank you or expressing interest in the 2017-2018 edition o the Warrior Band Drumline! Included in this packet are materials required or the drumline audition workshop. The

More information

alexander sigman struwl-2 for solo electric guitar (2012)

alexander sigman struwl-2 for solo electric guitar (2012) alexander sigman strwl- or solo electric guitar (0) strwl- (0) erormance notes general remarks A -sta notation is utilised throughout he to sta reers to let hand (ms) ingerings and articulations (see below)

More information

Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION

Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION ntermediate String/ull ORCHESTRA Grade ½ Galileo s Vision 1 Conductor 2 lute 2 Oboe 1 1st b Clarinet 1 2nd b Clarinet 1 b ass Clarinet 2 assoon Horn RALH ORD (ASCA) NSTRUMENTATON 1 1st b Trumet 1 2nd b

More information

University of Missouri marching mizzou. drumline. audition packet

University of Missouri marching mizzou. drumline. audition packet University of Missouri marching mizzou drumline audition packet Congratulations! By downloading this packet you have taken your first step in becoming a member of the Marching Mizzou Drumline for the 2018

More information

Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS

Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS There Is No Greater Love Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone

More information

Henrik Denerin. seals II. for cello and soprano. full score

Henrik Denerin. seals II. for cello and soprano. full score Henik Denein seals II o and ull scoe Henik Denein seals II (2014-15) o and duation: 5 seconds Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical

More information

Golden Empire Drum & Bugle Corps 2017 Battery Audition Packet

Golden Empire Drum & Bugle Corps 2017 Battery Audition Packet Golden Empire Drum & Bugle Corps 2017 Battery Audition Packet Photo Pedro Rodriguez Dear Applicant, Congratulations on taking your first step towards being a part of the Golden Empire Drum & Bugle Corps

More information

Œ Œ Œ Œ. t bv. Œ bv. ŒŒŒŒ t. & 4 t ŒŒŒŒ bv "B FLAT" 1. Our First Note. 2. Our Second Note. 3. Three's a Crowd. 4. Four In a Row

Œ Œ Œ Œ. t bv. Œ bv. ŒŒŒŒ t. & 4 t ŒŒŒŒ bv B FLAT 1. Our First Note. 2. Our Second Note. 3. Three's a Crowd. 4. Four In a Row Welcome to the wonderful world of flute playing. Your teacher has shown you how to hold your instrument and make a sound on the mouthpiece. Let's play our first song! 1. Our First Note t Œ Œ Œ "G" Œ t

More information

Foremost In Marching And Concert Percussion Literature P.O. Box Nashville, TN FAX

Foremost In Marching And Concert Percussion Literature P.O. Box Nashville, TN FAX oremost I Marchig Ad Cocert ercussio Literature O Box 292671 Nashville, TN 37229 1-800-62-8001 AX 1-615-885-0370 wwwrowlocom Dark light by James Campbell Advaced - 5:18-12 layers Istrumetatio Bells, Xylo,

More information

AsCent. Composed for the Key Stage Two or Key Stage Three Classroom by. Keir C. Crawley

AsCent. Composed for the Key Stage Two or Key Stage Three Classroom by. Keir C. Crawley AsCent Composed or the Key Stage To or Key Stage Three Classroom by Keir C Craley AsCent Notes rom the Composer AsCent is the culmination o a number o ideas and experiences, irst o hich as the need to

More information

Quarterly Progress and Status Report. On the kinematics of spiccato bowing

Quarterly Progress and Status Report. On the kinematics of spiccato bowing Dept. for Speech, Music and Hearing Quarterly Progress and Status Report On the kinematics of spiccato bowing Guettler, K. and Askenfelt, A. journal: TMH-QPSR volume: 38 number: 2-3 year: 1997 pages: 047-052

More information

MADE IN CHINA, MADE IN CALIFORNIA

MADE IN CHINA, MADE IN CALIFORNIA MADE IN CHINA, MADE IN CALIFORNIA or clarinet in b-lat, sorano saxohone, ercussion, viola, and contrabass Carolyn Chen 201 MADE IN CHINA, MADE IN CALIFORNIA Commissioned by Now Hear Ensemble Notes I was

More information

Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements

Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements 1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any

More information

Music Diary. for soprano, flute, clarinet, violin, and percussion

Music Diary. for soprano, flute, clarinet, violin, and percussion Music Diary or sorano, lute, clarinet, violin, and ercussion LI Qi 201 Program Notes This is a iece or entertainment Have some un! :) Movements 1 Gossi!!! Girls always love gossi!!! Gossi always loves

More information

CH 17. Waves II (Sound)

CH 17. Waves II (Sound) CH 17 Waves II (Sound) [SHIVOK SP211] November 1, 2015 I. Sound Waves A. Wavefronts are surfaces over which the oscillations due to the sound wave have the same value; such surfaces are represented by

More information

Vibrations of string. Henna Tahvanainen. November 8, ELEC-E5610 Acoustics and the Physics of Sound, Lecture 4

Vibrations of string. Henna Tahvanainen. November 8, ELEC-E5610 Acoustics and the Physics of Sound, Lecture 4 Vibrations of string EEC-E5610 Acoustics and the Physics of Sound, ecture 4 Henna Tahvanainen Department of Signal Processing and Acoustics Aalto University School of Electrical Engineering November 8,

More information

R 4 R 4 ŒŒŒŒ Œ Œ Œ Œ Œ Œ Œ ŒŒŒŒ "D" "E flat" 1. Our First Note. 2. Our Second Note. 3. Three's a Crowd. 4. Four In a Row. 4th Position.

R 4 R 4 ŒŒŒŒ Œ Œ Œ Œ Œ Œ Œ ŒŒŒŒ D E flat 1. Our First Note. 2. Our Second Note. 3. Three's a Crowd. 4. Four In a Row. 4th Position. Welcome to the wonderful world of trombone playing. Your teacher has shown you how to hold your instrument and make a sound on the mouthpiece. Let's play our first song! 1. Our First Note? R th Position

More information

Dedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone

Dedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone ULL SCORE Grade 5 richard l saucedo along an english countryside Dedicated to the Memory o Sir Malcolm Arnold 121-2006 INSTRUMENTATION 1 ull Score 1 iccolo 4 lute 1 4 lute 2 1 Ooe 1 1 Ooe 2 1 Bassoon 1

More information

Harmonic Motion: The Pendulum Lab Advanced Version

Harmonic Motion: The Pendulum Lab Advanced Version Harmonic Motion: The Pendulum Lab Advanced Version In this lab you will set up a pendulum using rulers, string, and small weights and measure how different variables affect the period of the pendulum.

More information

201 Notre Dame College Percussion Coursepack. Contents:

201 Notre Dame College Percussion Coursepack. Contents: DEPARTMENT OF BANDS 201 Notre Dame College Percussion Coursepack Contents: Front Ensemle Technique.. pg 1 6 Front Ensemle Exercises and Etudes. pg 7-25 Notre Dame College Percussion 201 Front Ensemle Technique

More information

due to striking, rubbing, Any vibration of matter spinning, plucking, etc. Find frequency first, then calculate period.

due to striking, rubbing, Any vibration of matter spinning, plucking, etc. Find frequency first, then calculate period. Equilibrium Position Disturbance Period (T in sec) # sec T = # cycles Frequency (f in Hz) f = # cycles # sec Amplitude (A in cm, m or degrees [θ]) Other Harmonic Motion Basics Basic Definitions Pendulums

More information

Gwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers

Gwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers Gyneth Walker Earth and Sky a trile concerto or Violin, Viola, Cello and Orchestra (or Piano) and Readers Oen Land grandeur and eace Rivers rushing ater, still ater nexected Moments the quirks o nature

More information

Concerto for Organ and Chamber Orchestra

Concerto for Organ and Chamber Orchestra University o Iowa Iowa Research Online Theses and Dissertations Fall 201 Concerto or Organ and Chamber Orchestra Stas Omelchenko University o Iowa Coyright 201 Stas Omelchenko This dissertation is available

More information

Suffolk County Music Service

Suffolk County Music Service Suolk County Music Service Drum Kit Exams (018) Ride Cymbal (RC) Drum Kit Key To Notation Crash Cymbal (CC) Hi-Hat (HH) Oen Hi-Hat o Hi-Hat with oot Snare Drum Rim Click High Tom Mid Tom Floor Tom Bass

More information

Michael Beil. exit to enter. for flute, clarinet, percussion, piano, violin and cello. with live-video and audio for Nadar

Michael Beil. exit to enter. for flute, clarinet, percussion, piano, violin and cello. with live-video and audio for Nadar Michae Bei exit to enter for ute, arinet, ussion, piano, ioin and ceo with ie-ideo and audio 213 for Nadar commissioned by Acht Brücken xit to enter is a composition for six instruments with ie-ideo and

More information

VERIFYING COULOMB S LAW

VERIFYING COULOMB S LAW Verifying Coulomb s Law 21 Name Date Partners VERIFYING COULOMB S LAW Materials: hanging metal coated pith ball stationary metal coated pith ball teflon rod silk Source: Fishbane, Gasiorowicz, and Thornton,

More information

PHY 103: Standing Waves and Harmonics. Segev BenZvi Department of Physics and Astronomy University of Rochester

PHY 103: Standing Waves and Harmonics. Segev BenZvi Department of Physics and Astronomy University of Rochester PHY 103: Standing Waves and Harmonics Segev BenZvi Department of Physics and Astronomy University of Rochester Sounds of the Universe NASA/JPL, September 2016 2 Properties of Waves Wavelength: λ, length

More information

SPRING 2004 Final Exam, Part A

SPRING 2004 Final Exam, Part A Physics 151 SPRING 2004 Final Exam, Part A Roster No.: Score: 23 pts. possible Exam time limit: 120 minutes. You may use calculators and both sides of 2 pages of notes, handwritten only. Closed book; no

More information

Fantasia on KANG DING LOVE SONG

Fantasia on KANG DING LOVE SONG antasia on KANG DING LOVE SONG ERIC RICHARDS 2008 (BMI) Written or the Shanghai Conservatory o Music azz Ensemle Zhang, Xiaolu - director Dr Gene Aitken - guest conductor Octoer 2008 INSTRMENTATION Solo

More information

TIME-DEPENDENT PARAMETRIC AND HARMONIC TEMPLATES IN NON-NEGATIVE MATRIX FACTORIZATION

TIME-DEPENDENT PARAMETRIC AND HARMONIC TEMPLATES IN NON-NEGATIVE MATRIX FACTORIZATION TIME-DEPENDENT PARAMETRIC AND HARMONIC TEMPLATES IN NON-NEGATIVE MATRIX FACTORIZATION 13 th International Conference on Digital Audio Effects Romain Hennequin, Roland Badeau and Bertrand David Telecom

More information

Symphony for Percussion Ensemble

Symphony for Percussion Ensemble Symhony or ercussion Ensemble or our ercussionists (and an otional electronics art), in our movements By Aidan Gold I: Landscaes II: A Dance III: A Dream IV: A Song 2016 Aidan Gold Instrumentation and

More information

Forces. A Force is a push or a pull on an object. Forces can cause a resting object to move

Forces. A Force is a push or a pull on an object. Forces can cause a resting object to move 13.2 Forces Forces A Force is a push or a pull on an object Forces can cause a resting object to move Forces can cause a moving object to accelerate by changing its speed or its direction Measuring Force

More information

KACHISORY - The Cry of Magpies -

KACHISORY - The Cry of Magpies - KACHISORY The Cry o Magies or Orchestra by Hyukjin Shin A comosition submitted in artial ulillment o the requirements or the degree o Doctor o Musical Arts Music: Comosition in The University o Michigan

More information

This Week. Waves transfer of energy and information. sound (needs an elastic medium)

This Week. Waves transfer of energy and information. sound (needs an elastic medium) This Week Waves transfer of energy and information sound (needs an elastic medium) Standing waves Musical instruments, guitars, pianos, organs Interference of two waves tuning a piano, color of oil films

More information

NAU Lumberjack Drumline 2013

NAU Lumberjack Drumline 2013 NU umberjack Drumline 2013 Thank you for your interest in the 2013 NU umberjack Drumline! We re excited to meet you at auditions on ugust 22. Please read this packet carefully as it contains important

More information

This Week. Waves transfer of energy and information. sound (needs an elastic medium)

This Week. Waves transfer of energy and information. sound (needs an elastic medium) This Week Waves transfer of energy and information sound (needs an elastic medium) Standing waves Musical instruments, guitars, pianos, organs Interference of two waves tuning a piano, color of oil films

More information

9.1 Harmonic Motion. Motion in cycles. linear motion - motion that goes from one place to another without repeating.

9.1 Harmonic Motion. Motion in cycles. linear motion - motion that goes from one place to another without repeating. 9.1 Harmonic Motion A bicyclist pedaling past you on the street moves in linear motion. Linear motion gets us from one place to another (Figure 9.1A). This chapter is about another kind of motion called

More information

Contents. Sacraments: Holy Baptism, Communion Tryggare kan ingen vara Schmücke dich General Dunstan St. Peter...

Contents. Sacraments: Holy Baptism, Communion Tryggare kan ingen vara Schmücke dich General Dunstan St. Peter... Contents Church Year: Festival Half Milwaukee (Advent) Setting A 2 Setting B 5 Vom Himmel hoch (Christmas) 8 Potsdam (Epiphany) Setting in D 12 Setting in E-flat 1 Der am Kreuz (Lent/Holy Week) 1 Orientis

More information

Physics 248 Spring 2009

Physics 248 Spring 2009 Physics 248 Spring 2009 Lab 1: Transverse standing waves on a string and speed of sound in air Your TA will use this sheet to score your lab. It is to be turned in at the end of the lab. You must use complete

More information

Lesson 1: How can you describe motion?

Lesson 1: How can you describe motion? Lesson 1 Summary Use with pp. 407 409 Lesson 1: How can you describe motion? Vocabulary velocity the speed and direction of an object s motion Types of Motion Motion is movement. When you see something

More information

The children have already done several experiments with gravity from Functional

The children have already done several experiments with gravity from Functional 1. Purpose of Experiments with Gravity The children have already done several experiments with gravity from Functional Geography and learned about its importance in the formation of the universe. This

More information

Name: Date: MIDTERM 1. Physics 2306 Fall 2012 BEFORE YOU BEGIN:

Name: Date: MIDTERM 1. Physics 2306 Fall 2012 BEFORE YOU BEGIN: Name: Date: MIDTERM 1 Physics 2306 Fall 2012 FORM A BEFORE YOU BEGIN: 1. Fill in CORRECTLY your ID number in the Scantron, as well as which FORM of the test you have. 2. Write the course number (2306)

More information

SAMBA BURROS GRIDS AND LEADING NOTES PRACTICE GRIDS & PLAYLIST

SAMBA BURROS GRIDS AND LEADING NOTES PRACTICE GRIDS & PLAYLIST SAMBA BURROS GRIDS AND LEADING NOTES PRACTICE GRIDS & PLAYLIST GRID TRAINING 6/8 SLING CONGO DAFT (SAMBA) FUNK FUNK IANSA IJEXA SAMBA ERALDO SCOFFBEAT XAXADO 6/8 Sling Get 12/8 feel, then Snares start

More information

T i t l e o f t h e w o r k : L a M a r e a Y o k o h a m a. A r t i s t : M a r i a n o P e n s o t t i ( P l a y w r i g h t, D i r e c t o r )

T i t l e o f t h e w o r k : L a M a r e a Y o k o h a m a. A r t i s t : M a r i a n o P e n s o t t i ( P l a y w r i g h t, D i r e c t o r ) v e r. E N G O u t l i n e T i t l e o f t h e w o r k : L a M a r e a Y o k o h a m a A r t i s t : M a r i a n o P e n s o t t i ( P l a y w r i g h t, D i r e c t o r ) C o n t e n t s : T h i s w o

More information

Instrument Inventory Report

Instrument Inventory Report Instrument Inventory Report Serial# Make Description Price Baritone M35250 Jupiter Quantum Marching Baritone $795.00 Mostly good, some tarnish wear on valve casings, valve caps are very worn, some tarnish

More information

Suffolk County Music Service

Suffolk County Music Service Sulk Cunty Music Service Drum Kit Exams Grade 5 (018) Drum Kit Key T Ntatin Ride Cymbal (RC) Bell Cym Crash Cymbal (CC) Hi-Hat (HH) Open Hi-Hat 6 Hi-Hat with t Snare Drum Rim Click High Tm Mid Tm Flr Tm

More information

CHAPTER -11 FORCE AND PRESSURE

CHAPTER -11 FORCE AND PRESSURE CHAPTER -11 FORCE AND PRESSURE 1) Force :- Force is the push or pull on an object. Eg:- If an object has to be moved, it has to be pushed or pulled. 2) Forces are due to interaction :- An interaction of

More information

/ -1-1, The Vanishing Dark

/ -1-1, The Vanishing Dark -1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV

More information

Ilari Kaila. Taonta. for piano

Ilari Kaila. Taonta. for piano 87 Ilari Kaila Taonta for iano 016 Coyright y the Comoser All Rights Reserved No art of this ulication may e coied or reroduced in any form or y any means ithout the rior ermission of the comoser Distriution:

More information

Physics 11. Unit 7 (Part 2) The Physics of Sound

Physics 11. Unit 7 (Part 2) The Physics of Sound Physics 11 Unit 7 (Part 2) The Physics of Sound 1. Sound waves As introduced in the previous section, sound is one of the many types of waves we encounter in our daily lives. It possesses the properties

More information

Our Chorus Workbook

Our Chorus Workbook Our Chorus Workbook 2016-2017 1 An Introduction to Choral Music 2 Solfege Handsigns 3 An Introduction to Vocal Production The breathing muscles are located in the upper and lower abdomen. These control

More information

Magnetism and Electricity

Magnetism and Electricity Magnetism and Electricity UNIT 7 Student Reader E3 Student Reader v. 9 Unit 7 Page 1 2016 KnowAtom TM Front Cover: The front cover shows a photograph of a girl with her hair standing straight up. This

More information

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone The Jitterug Waltz Thomas ats WAller Arranged y Eric Richards instrumentation Conductor 1st E% Alto Saxohone 2nd E% Alto Saxohone 1st B% Tenor Saxohone 2nd B% Tenor Saxohone E% Baritone Saxohone 1st B%

More information

Work. Work and Energy Examples. Energy. To move an object we must do work Work is calculated as the force applied to the object through a distance or:

Work. Work and Energy Examples. Energy. To move an object we must do work Work is calculated as the force applied to the object through a distance or: Work To move an object we must do work Work is calculated as the force applied to the object through a distance or: W F( d) Work has the units Newton meters (N m) or Joules 1 Joule = 1 N m Energy Work

More information

University of California at Berkeley Department of Physics Physics 7A, Lecture Section 2, Fall 2017 Michael DeWeese

University of California at Berkeley Department of Physics Physics 7A, Lecture Section 2, Fall 2017 Michael DeWeese University of California at Berkeley Department of Physics Physics 7A, Lecture Section 2, Fall 2017 Michael DeWeese Final Exam 11:30 am, December 11, 2017 You will be given 180 minutes to work this exam.

More information

9.5 Making an Electric Motor. Grade 9 Activity Plan

9.5 Making an Electric Motor. Grade 9 Activity Plan 9.5 Making an Electric Motor Grade 9 Activity Plan Reviews and Updates 9.5 Electric Motor Objectives: 1. To know more about force fields and be able to outline the difference between field and contact

More information

The Quantizing functions

The Quantizing functions The Quantizing functions What is quantizing? Quantizing in its fundamental form is a function that automatically moves recorded notes, positioning them on exact note values: For example, if you record

More information

PH 2213 : Chapter 05 Homework Solutions

PH 2213 : Chapter 05 Homework Solutions PH 2213 : Chapter 05 Homework Solutions Problem 5.4 : The coefficient of static friction between hard rubber and normal street pavement is about 0.90. On how steep a hill (maximum angle) can you leave

More information

Pietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer

Pietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer Pietà Violin, Cello and Piano For the Longleash Trio - - 01 Duration: 1 Peter Kramer PROGRAM NOTE Pietà was written during the Sring and Summer of 01 for Pala Garcia, ohn Poham and Renate Rohlng for the

More information

Content of the course 3NAB0 (see study guide)

Content of the course 3NAB0 (see study guide) Content of the course 3NAB0 (see study guide) 17 November diagnostic test! Week 1 : 14 November Week 2 : 21 November Introduction, units (Ch1), Circuits (Ch25,26) Heat (Ch17), Kinematics (Ch2 3) Week 3:

More information

G r a d e 1 1 P h y s i c s ( 3 0 s ) Final Practice exam

G r a d e 1 1 P h y s i c s ( 3 0 s ) Final Practice exam G r a d e 1 1 P h y s i c s ( 3 0 s ) Final Practice exam G r a d e 1 1 P h y s i c s ( 3 0 s ) Final Practice Exam Instructions The final exam will be weighted as follows: Modules 1 6 15 20% Modules

More information

ETIKA V PROFESII PSYCHOLÓGA

ETIKA V PROFESII PSYCHOLÓGA P r a ž s k á v y s o k á š k o l a p s y c h o s o c i á l n í c h s t u d i í ETIKA V PROFESII PSYCHOLÓGA N a t á l i a S l o b o d n í k o v á v e d ú c i p r á c e : P h D r. M a r t i n S t r o u

More information

This is This is This is (for David Foster Wallace)

This is This is This is (for David Foster Wallace) This is This is This is (fo David Foste Wallace) fo two alto saxophones in unison and pepaed piano Eic Wubbels (200910) Compose's Note Wite David Wallace committed suicide in late 200 In addition to the

More information

Forces. A Force is a push or a pull on an object. Forces can cause a resting object to move

Forces. A Force is a push or a pull on an object. Forces can cause a resting object to move 13.2 Forces Forces A Force is a push or a pull on an object Forces can cause a resting object to move Forces can cause a moving object to accelerate by changing its speed or its direction Measuring Force

More information

Force and Motion 20 N. Force: Net Force on 2 kg mass = N. Net Force on 3 kg mass = = N. Motion: Mass Accel. of 2 kg mass = = kg m/s 2.

Force and Motion 20 N. Force: Net Force on 2 kg mass = N. Net Force on 3 kg mass = = N. Motion: Mass Accel. of 2 kg mass = = kg m/s 2. Force and Motion Team In previous labs, you used a motion sensor to measure the position, velocity, and acceleration of moving objects. You were not concerned about the mechanism that caused the object

More information

physics Chapter 8 Lecture a strategic approach randall d. knight FOR SCIENTISTS AND ENGINEERS CHAPTER8_LECTURE8.1 THIRD EDITION

physics Chapter 8 Lecture a strategic approach randall d. knight FOR SCIENTISTS AND ENGINEERS CHAPTER8_LECTURE8.1 THIRD EDITION Chapter 8 Lecture physics FOR SCIENTISTS AND ENGINEERS a strategic approach THIRD EDITION randall d. knight CHAPTER8_LECTURE8.1 2013 Pearson Education, Inc. 1 Chapter 8. Newton s Laws for Circular Motion

More information

PHY131 Summer 2011 Class 5 Notes

PHY131 Summer 2011 Class 5 Notes PHY131 Summer 2011 Class 5 Notes 5/31/11 PHY131H1F Summer Class 5 Today: Equilibrium Mass, Weight, Gravity Friction, Drag Rolling without slipping Examples of Newton s Second Law Pre-class Reading Quiz.

More information

IMAGES FROM THE OLD GRINGO Eleven Little Pieces for Violin, Clarinet in Bb and Piano

IMAGES FROM THE OLD GRINGO Eleven Little Pieces for Violin, Clarinet in Bb and Piano Daid Maslanka IMAGES FROM THE OLD GRINGO Eleen Little Pieces for Violin, Clarinet in Bb and Piano Daid Maslanka Publications Missoula, Montana All rights resered No art of this ublication my be reroduced,

More information

A Short History of the Twentieth Century

A Short History of the Twentieth Century of the Twentieth Century For High Voice and Percussion 2009 / 2012 Lawrence Kramer lkramer@fordham.edu Percussion Ensemble (2 players): 1. Drum kit (two tom-toms and floor tom, snare drum, bass drum, ride

More information

FIGURE P13.5 FIGURE P13.6. Chapter 13 Problems

FIGURE P13.5 FIGURE P13.6. Chapter 13 Problems Chapter 13 Problems 1, 2, 3 = straightforward, intermediate, challenging Section 13.1 Hooke s Law 5. The springs 1 and 2 in Figure P13.5 have spring constants of 40.0 N/cm and 25.0 N/cm, respectively.

More information

Unit 4 Waves and Sound Waves and Their Properties

Unit 4 Waves and Sound Waves and Their Properties Lesson35.notebook May 27, 2013 Unit 4 Waves and Sound Waves and Their Properties Today's goal: I can explain the difference between transverse and longitudinal waves and their properties. Waves are a disturbances

More information

Review questions. Before the collision, 70 kg ball is stationary. Afterward, the 30 kg ball is stationary and 70 kg ball is moving to the right.

Review questions. Before the collision, 70 kg ball is stationary. Afterward, the 30 kg ball is stationary and 70 kg ball is moving to the right. Review questions Before the collision, 70 kg ball is stationary. Afterward, the 30 kg ball is stationary and 70 kg ball is moving to the right. 30 kg 70 kg v (a) Is this collision elastic? (b) Find the

More information

g E. An object whose weight on 6 Earth is 5.0 N is dropped from rest above the Moon s surface. What is its momentum after falling for 3.0s?

g E. An object whose weight on 6 Earth is 5.0 N is dropped from rest above the Moon s surface. What is its momentum after falling for 3.0s? PhysicsndMathsTutor.com 1 1. Take the acceleration due to gravity, g E, as 10 m s on the surface of the Earth. The acceleration due to gravity on the surface of the Moon is g E. n object whose weight on

More information

APRIL 2015 EXAMINATION version A PHY 132H1S Duration - 2 hours

APRIL 2015 EXAMINATION version A PHY 132H1S Duration - 2 hours Family Name Given Name(s) Student Number Practical Group (Please print in BLOCK LETTERS) as on student card Code as on student card UNIVERSITY OF TORONTO Faculty of Arts and Science APRIL 2015 EXAMINATION

More information

Million Dollar Band 2018 marching percussion packet/basic details snare drum, multi-tenors, bass drums, cymbals

Million Dollar Band 2018 marching percussion packet/basic details snare drum, multi-tenors, bass drums, cymbals Million Dollar Band 2018 marching percussion packetbasic details snare drum, multi-tenors, bass drums, cymbals We will hold our percussion camp on Friday, April 27 and Saturday, April 28. For more specific

More information

On my honor, I have neither given nor received unauthorized aid on this examination.

On my honor, I have neither given nor received unauthorized aid on this examination. Instructor(s): Field/inzler PHYSICS DEPATMENT PHY 2053 Final Exam April 27, 2013 Name (print, last first): Signature: On my honor, I have neither given nor received unauthorized aid on this examination.

More information

6: STANDING WAVES IN STRINGS

6: STANDING WAVES IN STRINGS 6: STANDING WAVES IN STRINGS 1. THE STANDING WAVE APPARATUS It is difficult to get accurate results for standing waves with the spring and stopwatch (first part of the lab). In contrast, very accurate

More information

8.012 Physics I: Classical Mechanics Fall 2008

8.012 Physics I: Classical Mechanics Fall 2008 IT OpenCourseWare http://ocw.mit.edu 8.012 Physics I: Classical echanics Fall 2008 For information about citing these materials or our Terms of Use, visit: http://ocw.mit.edu/terms. ASSACHUSETTS INSTITUTE

More information

PHYSICS. Chapter 8 Lecture FOR SCIENTISTS AND ENGINEERS A STRATEGIC APPROACH 4/E RANDALL D. KNIGHT Pearson Education, Inc.

PHYSICS. Chapter 8 Lecture FOR SCIENTISTS AND ENGINEERS A STRATEGIC APPROACH 4/E RANDALL D. KNIGHT Pearson Education, Inc. PHYSICS FOR SCIENTISTS AND ENGINEERS A STRATEGIC APPROACH 4/E Chapter 8 Lecture RANDALL D. KNIGHT Chapter 8. Dynamics II: Motion in a Plane IN THIS CHAPTER, you will learn to solve problems about motion

More information

Origin of Sound. Those vibrations compress and decompress the air (or other medium) around the vibrating object

Origin of Sound. Those vibrations compress and decompress the air (or other medium) around the vibrating object Sound Each celestial body, in fact each and every atom, produces a particular sound on account of its movement, its rhythm or vibration. All these sounds and vibrations form a universal harmony in which

More information