The Tango-A Secret Code

Transcription

1 Ex1 Kicho(Allegro bars 9-16) As Written 4 n The Tango-A Secret Code b b uan Pablo Navarro b Ex2 Ex3 Ex4 Piazzolla s Marcato style in Kicho n F F Marcato with short drag w/gliss As Kicho played Ó Arrastres(Drags) Long arrastre A m G T1 F F n F F T2 F F Short arrastre Bow b b b etc b b b Long arrastre w/gliss T3 n Short Arrastre w/a little gliss T4 T5 Long Arrastre w/ art by inger Short Arrastre W/art by ing T6 Other arrastre With Quintuplet descending long Mixing gliss-ingering T7 T8 T9 5 5 Ex5 Marcato example in Recuerdo -Osvaldo Pugliese Orquesta Tipica(baista Alcides Rossi-1944)bars Ó ạrco p p n uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

2 2 Marcato in 2:Biyuya-Astor Piazzolla quinteto-( )bars1-8 Bass player:hector Console 45 Ó Ex6 b n n n n b n n n n Ó 50 Ex7 Marcato example en El Entrerriano-Horacio Salgán Orquesta Tipica-Bars 4-13( ) bass player Angel Alegre 55 Ó F F F simile b n b b Ó Ex8 Marcatto example en La cumparsita Matos Rodriguez-version orquesta uan Darienzo bars 1-4 b b bass player uan Puglisi-1972 simile Ó n n p Ex9 Marc:Michaelangelo 70-Piazzolla:The Central Park Concert(bars7-17) Bass Player Hector Console x4 80 Ó n n n uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

3 More equal accentuation More dierence in Accentuation 3 (1)On Tangos alike "Revirado","Michelangelo 70",etc (2)On Tangos Like "Biyuya","Zum",etc rom ulian Peralta s Book-"La Orquesta Tipica" Sincopas 1-A Tierra Sincopa(Old Sincopa) Dm T1 Arco or Pizz A m Ex10 T2 A m Arco Dm â â Em â Am â Em 2-Anticipated Syncopation-Sincopa +Arrastre(Modern sincopa) Am Arco As writted T2 â T4 â - Ó Í Ó F To be played p F - P p Am T3 AW â Ó Í T5 â Ó p TBP p F F p â Ó T7 p F P F 105 T6 Salgan s style Sincopa embellishment and variation Ex in Contrabaeando (Piazzolla- Troilo) (bars 19-26)Arranged by Bragato As writted E 7 A m Bm7b5 n Ex11 p Am7b5/Eb b D 7 G Salgán s Síncopa B 7 Ó uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

4 4 Eg with Embellishment and Variation n Ex12 Ó p 3 b b n b b n 3 Ex13 Ex14 More Sincopas Gm Eb b b n Cm b â n D 7 â â Exercises or Quick changes rom bow to pizz, and vv b Ó Ó Ó Ó Ó Ó Ó Ó b Ex15 Tango Bass lines combining Marcatto and with bow and D- As 1st A 7/C C-6 As 2nd b F F P P P b etc G/B n b G 0 n G-/B b D-/A A 7 Ex16 8th notes Rythmic Phrase b n b b n P P P P P simile b n b 1 n b n b b w n uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

5 Ex17 Contrabaeando s theme(piazzolla-troilo)on Fantasia ContraPiazzollisimo(Piazzolla-PNavarro) n P P P P P P Milonga Style Bordoneo in Milonga A- 4 2 Ex18 E 7/G Ex19 A- E 7 Marcato In Milonga D A 7 D simile 1 A 7 2 n Ex20 Var 2 Var 3 Var 4 Var 1 n n b b b Eb b b b 4 C m7 ma7 Dm7b5 G 7 or Var 4 b b b Var 5 Var 6 n b b 192 b b b 195 Var 1 Var 2 Var 3 uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

6 Ex21 6 Contemporary patterns A) b b n b n b n b b n n n n B) A m C B 7 E 7 Ex22 Ex23 Ex24 Ex25 Ex26 Yumba and percussive patterns Yumba Ó n Var 1 Ó Ó n 216 Var 2 ~~~~ With arrastre ~~~~ ~~~ ~~~~ Piazzolla s!! yumba!!!!!! 221!!!!!!!! 225 With rythmic variation ~ ~ ~ ~~~ ~~~ ~~~~ Percussive Eects 229 Strapatta (play a triplet 16th saltille with legno and play the next eigth note hitting the strings with the open let hand) Beat the top o the bass with the open let hand play with legno at the bottom o the tail piece 231 Beat the let rib with the open let hand Beat the back o the bass with the open let hand (Lia)sweeping the top o the bass with the open let hand toward and away rom the bridge Beat the strings with the bow between the bridge and the tailpiece uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro

7 Short strapatta Lia 6 Long strapatta r r r 4 R 240 Milonga Patt Patterns Ex1 Ex3 Ex2 251 Excombining all the elements o the tango :A Secret Code Ex b 259 b 263 b b b b b rit

8 meno mosso b 287 b b - b b b b b accelpoco a poco b b 297 b b rit tempo primo 299 A! m! Am+5 A! m6! Am+5 E 7 E 7/b!! E 7 E79!! FREE PERCUSSION 311 Lento molto accel b b b a tempo n rit n b n b 4 a uanpanavarro@gmailcom-wwwmyspacecom/uanpablonavarro