Rock Discipline John Petrucci Rock Discipline Video
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1 Rock Discipline John Petrucci Rock Discipline Video Music by John Petrucci A C E C# G B F# = 20 = 10 fade in A.H. (8va) *Tonality implied by rhythm section throughout INTRO MUSIC 1 A.H. G 6 9 1/2 Page 1/48
2 --- semi harm 12 1 grad. release 1/ Page 2/48
3 2 hold------} Page /48
4 41 A.H. Harm. B /2 4 1/2 /4 1/2 /4 1/4 1/2 rall. = /4 /4 1/2 Page 4/48
5 "Hi, my name is John Petrucci..." w/bar (next 2 bars) = 10 tremolo bar -1/ Page /48
6 /2 Page 6/48
7 grad. release wide vibrato /2 Page /48
8 Fade 84 = 20 WARM UP EXERCISES (Left Hand) Example 1 (Part 1) Tempo = 20 (Descend pattern examples 1- chromatically down the neck) Example 1 (Part 2) 9 Example 1 (Part ) 96 Page 8/48
9 98 Example 1 (Part 4) Example 2 (Part 1) 101 Example 2 (Part 2) 10 Example 112 = 60 PART II WARM UP EXERCISES (Right Hand) Example A Page 9/48
10 C Increase Tempo As Confidence and Accuracy Increase E 118 C# G 122 B F# (Increase Tempo Each Repeat) 126 Picking: Variations 1-4 Alternate (Up,Down / Down,Up) Example (Variations) 4 11 Example (Variation 4 2) 16 Page 10/48
11 19 Example 4 (Variation ) Not in Book Example 4(Variation 4) Page 11/48
12 Not in Book Example 4 (Variation ) PART III WARM UP EXERCISES Exercise (Synchronization of Both Hands) 1 Page 12/48
13 Example (Part 2) 162 Example 6(Part 1) 16 Example 6 (Part 2) 11 PART IV TECHNIQUE (Speed and Accuracy) Example (A Major Scale) = 66 Tempo = 66 Example 8 (Part 1) 16 Example 8 (Part 2) 182 Page 1/48
14 Example 8 (Part ) 18 Example 8 (Part 4) Example 8 (Part ) Page 14/48
15 Example 8 (Part 6) 200 Example Accent on Beat Example 9(Development 1A) Page 1/48
16 = 16 Tempo = 16 Example 9(Development 1B) = 184 Tempo = 184 Example 9(Development 1C) = 200 Tempo = 200 Example 9(Development 1D) 226 Page 16/48
17 228 = 10 Tempo = 10 Example 9(Development 2) Page 1/48
18 = 10 Tempo = 10 Example 9(Development ) Page 18/48
19 /2 = 208 Tempo = 208 Example 9 (Development 4) Page 19/48
20 /2 2 = 100 Tempo = 100 Example 10 2 Page 20/48
21 = 60 Tempo = 60 Example 11 (Fragment 1) 281 Example 11 (Fragment 2) 28 Example 11 (Fragment ) Example 11 (Fragment 4) Page 21/48
22 289 Example 11 (Fragment ) Example 11 (Fragment 6) 29 Example 11 (Fragment ) Example 11 (Fragment 8) 29 Example 11 (Fragment 9) Example 11 (Fragment 10) Example 11 (Fragment 11) 00 Example 11 (Fragment 12) 04 Page 22/48
23 06 Example 11 (Fragment 1) 08 Example 11 (Fragment 14) 10 Example 11 (Fragment 1) Example 11 (Fragment 16) Example 11 (Fragment 1) 1 16 Example 11 (Fragment 18) Example 11 (Development 1) (chromatic) Page 2/48
24 19 (diatonic) = 8 Freely, Tempo = Example 11 (Development 2) 28 8x play free time slow, gradually increasing speed, and then backing off 9x 1 = 84 Tempo = 84 Example 11 (Development ) 4 jog, sprint, jog to build stamina... Page 24/48
25 8 40 Example 11 (Development 4) Freely Page 2/48
26 Page 26/48
27 64 Example Example 1 (Combines Fragments 10,11,1,16 ) 69 1 Page 2/48
28 9 82 Example 14 (Using Fragments 1,18) Page 28/48
29 88 A Major Scale (th Position) E not repeated when String Skipping 92 A Major Scale (th Position) String Skipping (Not in Book) Example 1 (one of the fragments used earlier) Page 29/48
30 Example = 100 Ab Dm 1/2 1/2 BbMaj /2 1/2 411 Gm /4 Asus 41 Page 0/48
31 A Dm 416 grad. release 418 BbMaj Page 1/48
32 Gm /2 Asus A 42 1/2 Dm /2 Page 2/48
33 BbMaj /2 Gm11 Asus 4 A Dm Bm PART VI RIGHT HAND 440 Page /48
34 (Alternate Inside Picking Arpeggios) TECHNIQUE GMaj(#11) A A#dim Bm CMaj(#11) 4 C#dim D B/D# Emin FMaj(#11) F#dim 460 E Am 46 Page 4/48
35 G Major Triad (difficult picking) Example 18 (Variation: G,Bm,Am,Em) 41 G Bm Am Em 4 = 80 PART VII LEFT HAND TECHNIQUE (Legato Playing) Example 19 (Fragments 1 & 2) 48 8x 8x 482 Example 19 (Fragment ) 8x 48 Example 19 (Fragment 4) 8x Example 19 (Fragment ) 8x Page /48
36 48 Example 19 (Fragment 6) x Example 20 (free time) 6x x 4x 490 4x 4x 492 4x x 494 4x 4x 496 4x Page 6/48
37 Example 21 (fragments studied in Example 19) 09 A Major scale (th position) note per string ascending A Major scale (th position) note per string descending 12 Page /48
38 Example 22 (Freely) P.H. Page 8/48
39 Em (E Aeolian Scale) Example 2A 28 1 T T T T T T 8 = 184 Tempo=184 Example 2B Page 9/48
40 T T T T T 4 4 hold...} = 100 PART VIII - RIGHT HAND TECHNIQUE Example24 (Sweep Picking) 48 0 Page 40/48
41 2 Example 2 = 16 Tempo = 16 Example 26 8 D Example 2A F# 61 E/G# A 6 Page 41/48
42 = 100 D/F# Example 2B F# E/G# A = 100 PART IX - CHORDAL TECHNIQUE (Building Chords) = 0 B A D/A G E Example 28A = 100 Example 28B(Variations) 1. B 2. B. B/F# (th in the Bass) Example 28C = 0 (Adding the 9th) Example 28D Understanding Scale/Chord Relation 86 Page 42/48
43 = 0 = 0 R R (8va) R R C major (Ionian) C Ionian (chord tones & extensions) = 0 R 2 b 4 b6 b R C minor Aeolian 9 = 0 R b b 9 11 b1 R C minor Aeolian (chord tones & extensions) = 0 = 0 R b R 1 b R C Mixolydian C Mixolydian (chordtones & extensions) 602 = 100 C (1,) Example CMajor (1,,) C minor (1,b,) Csus2 (1,2,) Csus (1,4,) Cmaj (1,,,) Example Cmin (1,b,,b) C (1,,,b) C (9) (1,,,,9) Example 1 Cm(9) (1,b,,b,9) 60 etc. C (11) Example 2 Cm11 Example A Example B Am9 Fsus2 Page 4/48
44 640 Gsus2 Example 4A Asus2 Bsus Cmaj C#m D(11) C(9) Am(9) 64 Gsus2 D(9)/F# F#m11 Fsus2 Esus E 649 F#(11) A(9) B(11) C#m Example 4B Fig1 A Asus2 Fig2 B 6 Bsus4 661 Fig C Cmaj Fig4 C# C#m Fig D/A D(11) Fig6 C C(9) Fig A Page 44/48
45 Am(9) Fig8 G Gsus2 Fig9 D D(9)/F# Fig10 F# F#m11 Fig11 F Fsus2 Fig12 E 61 Esus 681 Fg1 E E Fig14 F# F#(11) Fig1 A A(9) Fig16 B B(11) Fig1 C# C#m 691 = 1 Example Asus2 G/B C(9) D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) D(11) 01 C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) 0 Page 4/48
46 C#m9 E B(11) Asus2 G/B C(9) D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) 09 D(11) Asus2 G/B C(9) D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) 1 D(11) C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) 1 C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) Asus2 G/B C(9) 22 D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) D(11) Asus2 G/B C(9) 2 Page 46/48
47 D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) D(11) C#m A(9) C#m F#sus B 1 C#m A(9) C#m E B(11) 6 C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) 41 Asus2 G/B C(9) D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) D(11) Asus2 G/B C(9) D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) 4 D(11) C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) 49 Page 4/48
48 C#m A(9) C#m F#sus B C#m A(9) C#m E B(11) Asus2 G/B C(9) 4 D(9)/F# Gsus2 Fsus2 Asus2 G/B C(9) D(11) Asus2 G/B C(9) 9 Page 48/48
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