CONCERTO for Baritone Saxophone, Small Orchestra, and DJ
|
|
- Jacob French
- 6 years ago
- Views:
Transcription
1 oseh R OZICH CONCERTO or aritoe Saxohoe, Small Orchestra, ad D INSTRMENTATION Flutes (1st doules Picc) Clariet Alto Saxohoe (doules Sorao) Solo aritoe Saxohoe F Hor Trumet Tromoe Percussio I: Wid Chimes, Cymals Percussio II: Chimes, Marima, Triagle, Flexatoe Shared Percussio: Crotales, Tamtam, Xylohoe, Tomtoms (), Glockesiel, Avil Virahoe Piao (doules Celesta) Violi I (+ layers) Violi II (+ layers) Viola (+ layers) Violicello (+ layers) Cotraass (1+ layer(s)) D (ruig Native Istrumets MASCHINE /KOMPLETE 7 audio sotare ad Aleto Live uded y a grat or summer research i the Arts ad Humaities rom the iversity o Puget Soud, 011
2
3 PROGRAM NOTES This iece as ritte ith the hel o a grat rom the iversity o Puget Soud or summer research i the Arts ad Humaities, the ocus o this roect eig the itegratio o live electroic erormace ito the traditioally acoustic medium o the symhoy orchestra O mai iterest to this roect as the ork o comoser Maso ates, ho (at the time o this ritig) has ee greatly ivolved i usig the live electroic erormer i his symhoic ieces as comoseriresidece ith the Chicago Symhoy Orchestra Ater studyig a umer o his scores, I sythesized the koledge i the comositio o this Cocerto, although it should e oted that my use o the electroic erormer ad his are markedly dieret, esecially i regards to the equimet setu The reaso this iece is a cocerto ad ot a ork meat to merely shocase the orchestra is actually slightly couterituitive I chose the cocerto to attemt to move the D out o the aesthetic ocus o the ork y ritig a cocerto, I as ale to (hoeully) kee the ocus o attetio (or the most art) o the saxohoe soloist i rot o the orchestra, usig the D as a voice ithi the esemle ust as oe might use oodids or ercussio Whether or ot my cocers had much merit, or hether I actually succeeded i makig this led hae, are questios or aother time The most uusual eature to this iece, hoever, is roaly the use o the aritoe Saxohoe as the solo voice I selected it or to mai reasos: irstly, it is a istrumet that has to this oit ee uexlored i the cocerto settig, ad I elt that as log as I as takig the time to rite a cocerto I might as ell use that time tryig to get the aritoe Saxohoe to sig adequately as a solo voice Secodly, the aritoe Saxohoe is the erect istrumet to samle i real time ad loo ack as a ass lie, as this ork does i the third movemet, titled "DSTEP" The itererior three movemets to this ork, "HOSE," "DSTEP," ad "REAKEAT," are amed ater traditioal dace eats that I have "requisitioed" or the uroses o this ork It is imortat that a audiece ko that I do ot ited them to e authetic reresetatios o their origial orm! These are stylizatios ad iterretatios, laced ithi a settig here, i oe is ot greatly careul, such thigs ca ecome sterile, cheezy, ad otherise udesireale I elive (or the most art) I as ale to avoid such italls, ut oly y takig some lierties ith the orms ad structures o the electroic eats The outer to movemets, "recitatio ad imrovisatio" ad "aschied" are actually the slo, emotioal movemets, creatig a more traditioally symhoic gateay ito the exloratios o oular music Though it is a log iece, ecause o the ay the iece is samled y the live D it is ot ossile to lay i smaller chuks Ay erormace o the ork, thereore, must e i its etirety The ork as a hole lasts a little uder 5 miutes This ork as comleted i Setemer 011, at the egiig o my third year o studies at the iversity o Puget Soud, uder the advisig o Dr Roert Hutchiso, my comositio roessor at the school
4
5 Trasosed Score ca 5 mi CONCERTO or aritoe Saxohoe, Small Orchestra, ad D 5 Flute 1 I recitatio ad imrovisatio oseh R OZICH Free ( q ca 0 ) A Steadier Clariet i Alto Saxohoe Solo aritoe Saxohoe Hor i F,,,, m m su m m Trumet i Tromoe Crotales Chimes Piao Violi I Violi II Viola Crotales Free ( q ca 0 ) A Steadier Chimes ø ø ø ø ø ø ø ø Violocello Cotraass Fl 1 Solo Sax H T Crot Chim Po Vl I Vl II Vla Vc 1 m m Tamtam scrae /metal rod m ø ø ø ø ø m m m To Tt Solo I latt m / m C izz Coyright 011
6 Solo Sax 0 Tt / Chim Vl I Vl II Vla Vc C arco m Fl 1 Solo Sax O O a, et histle H co sord m Tt straight mute m T Tt / /eaters straight mute m m Chim Po Vl I Vl II Vla Vc C m m m Virahoe m m m
7 7 Fl 1 Solo Sax H Tt T Tt Vi Po Vl I Vl II Vla O 9 O O 9 m / ø To Crot m 9 Vc 9 C 9 Fl 1 Cl Alto Sax Solo Sax a a m m m m m m m m m H Tt T Tt Vi Po Vl I Vl II Vla Vc C Crotales / m To Chim ø ø ø ø ø ø ø ø
8 Fl 1 Cl Alto Sax Solo Sax 5 su m I II Semre Semre Semre H latt Tt T Crot latt latt Chim Po Vl I Vl II Vla Vc C ø ø ø ø ø ø ø ø ø ø ø ø ø ø m m Fl 1 Cl Alto Sax Solo Sax H Tt T Crot Chim Po Vl I Vl II Vla Vc C 59 m m m m m ø ø ø ø ø ø ø ø m sim To Tamtam ad Toms /
9 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomtoms Tamtam m m latt m Tomtoms Tamtam / Tamtam 1 as high as ossile 9 Chim Po Vl I Vl II Vla Vc C Fl 1 Solo Sax Tomtoms Tamtam Mar Po Vl II Vla Vc C Fl 1 Solo Sax Tomtoms Tamtam Mar Po Vl I Vl II Vla Vc C / 0 0 < / 0 0 < 0 s s ø ø ø ø Oe time m quasi cadeza, mostly i time Oe time To Mar R Ô RÔ R Ô a ø Tomtoms /mallets m ø O (scrae) O i
10 10 Fl 1 Solo Sax H Tt T 70 0 O accel Tomtoms Tamtam Mar Po Vl I / 0 0 < < ø Vl II Vla Vc C 0 0 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomtoms Tamtam Mar Po Vl I Vl II Vla Vc C / Cadeza 0, i i 0 i i i i ø Cadeza To Crot, Solo Sax 75 m R R R R
11 Solo Sax Mar Po Vl I Vl II Vla Vc Tomtoms Tamtam Crot Po Vl I Vl II Vla Vc Solo Sax Tomtoms Tamtam Crot Po Vl I 7 79 / m < ø ø ø ø ø ø ø ø ø / m / To Cel < ø ø ø all arco oco rit sudued To Xyl 1 oco rit Largo all co sord layers izz arco 1 layer co sord co sord Crotales oed Largo layers arco, 1 izz co sord 11 Vl II Vla all arco ẇ Vc Fl 1 Cl Alto Sax Solo Sax Tri Po Vl I Vl II 9 Fast House q ca 1 Solo I Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ / Celesta Ÿ~~~~~~~~ Fast House q ca 1 seza sord Ÿ~~~~~~~~ Ÿ~~~~~~~~ seza sord Ÿ~~~~~~~~ Ÿ~~~~~~~~ II HOSE
12 1 Fl 1 Cl Alto Sax Tri Cel Vl I Vl II Vc Fl 1 Cl Alto Sax Solo Sax H Tt T Vl I Vl II Vla Vc C Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Tri R 5 R To Av / 5 R 5 R seza sord 11 Cel Vl I Vl II Vla Vc C 1 s s s / / s s s s s s s s s s s s s s s s Avil s s s Piao s s s s s seza sord quick slide u to itch < a To Po
13 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Av 11 Po Vl I Vl II Vla Vc C / / s To Chim su Chimes s s su su su Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim Po Vl I 17 / s s s s s s s s s s s s s s a s s m Vl II Vla Vc C
14 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim Po Vl I Vl II Vla Vc C 1 / m m m m m Solo Sax Xyl Chim Po Vl I Vl II Vla Vc C ull legth all 19 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ û /
15 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim Po Vl I Vl II Vla Vc C 15 5 / 5 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s s s m 5 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s m 5 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s m s s s s s s s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To Av Avil 5 / su s s s 5 s s s 5 15 Fl 1 Solo Sax Vl I 11 Solo I Vl II Vla Vc C
16 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Av Po Vl I a 1 R s s R s s R s s / / m m s m m m s m s s s s R R s m m m R R r To Chim R R s s Chimes Vl II Vla Vc C Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim Po Vl I 17 a O O O O / Tamtam / To Glock Glockesiel To Mar Vl II Vla Vc C
17 Solo Sax Tt Glock Vl I Vl II Vla Vc C Fl 1 Cl Alto Sax Solo Sax H Tt T Tt Mar 1 q q q q 1 arco, 1 izz m 5 To Glock / 5 Marima Roll as ast as ossile; All otes eed ot e cotaied ithi the eat 5 To WCh arco, 1 izz 5 arco, 1 izz 5 1 arco, 1 izz 5 stoed Y co sord co sord / Y Wid Chimes ord m To Glock m m 17 Vl I Vl II Vla Vc C all arco all arco all arco all arco Fl 1 Cl Solo Sax 19 solo I m m H Tt WCh Po Vl I Vl II Vla Vc C / m Glockesiel m m m
18 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Glock Mar Po Vl I 07 Suseded Cymal Xylohoe m s m Glockesiel s m s m s m s m m izz m s m Vl II izz m s m Vla izz m s m Vc C Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Glock Po Vl I 15 s s s m m m m a m m m < R s m r R R R Vl II R s m Vla R s m Vc C
19 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Glock Po Piccolo (Flute tacet) Flute 1 to Picc 1,, m i i m m m m m azzy Crotales m oed To Xyl To Crot m m To Mar Marima m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ m Vl I m 19 tremolo, 1 o tremolo arco Vl II Vla Vc C Picc Cl Alto Sax Solo Sax H Tt T Crot Mar Po Vl I Vl II Vla Vc C m 9 m 1 tremolo, 1 o tremolo m 1 tremolo, 1 o tremolo tremolo, 1 o tremolo arco arco m m To Fl Xylohoe m m m < Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ a Flute a a m a co sord straight mute m straight mute a a a a a
20 0 Fl 1 Cl Alto Sax 7 Solo Sax H Tt T Xyl Mar Po Vl I Vl II Vla Vc C Fl 1 Cl 5 q q Alto Sax H Tt T Xyl Mar Po Vc q q C
21 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Mar 5 Po Vl I Vl II Vla Vc C Ÿ ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ s s s Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ s s s s s s To Av Avil / s s s s s s s s s 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Av Po Vl I Vl II Vla Vc C 1 5 / 5 5 5
22 Fl 1 Cl Alto Sax Solo Sax R s R s R s R H Tt T Xyl Av / Po R s R s R s R s To Chim Chimes r s R s r Vl I Vl II Vla Vc C R R R m m m m m Solo Sax 71 ull legth all Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ û Xyl Chim Po Vl I Vl II Vla Vc C
23 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim 5 5 Po Vl I Vl II Vla Vc C 7 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s s s 5 s s s su s s s 5 s s m 5 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s m 5 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s m s s s s To Av Avil / s s s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Fl 1 Solo Sax Vl I Solo I Vl II Vla Vc C
24 Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Av Po Vl I Vl II Vla Vc C 90 a R s s R s s R s s R s m m m R s m m m R m m s m R / s r s s s To Chim s R R s Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Chim Po Vl I Vl II Vla Vc C 95 R R R R R R r r r r R R To Crot R R R R R R R R r r r r r r r r r r R R To Av
25 5 Fl 1 Cl Alto Sax Solo Sax H Tt T 99 Po Vl I Vl II Vla Vc C Fl 1 Cl Alto Sax Solo Sax H Tt T Crot Vl I Vl II Vla Vc C 0 Suseded q 50 distatly Suseded q 50 div co sord div co sord III DSTEP Solo I R R co sord co sord co sord co sord
26 Fl 1 Cl 1 R Alto Sax Solo Sax H Tt T Po Vl I Vl II Vla Vc C solo m solo Fl 1 Cl Alto Sax Solo Sax H Crot Chim Po Vl I Vl II Vla Vc C < / Avil 17 m rit Duste q 1 rit Duste q 1 solo to So Sax To Tomt ide, olig virato chage rhythm o vi ad li, like a "ole ass" / Tomtoms
27 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt Av Po Vl I Vl II Vla Vc C < i / / 7 a a a azzy s Sorao Saxohoe i s s To Tt 7 Fl 1 Cl So Sax Solo Sax H Tt T Tomt Tt Po Vl I Vl II Vla Vc C Y / sizzle cymal To Flex Flexatoe arco To Av To Av ÍÍÍÍÍÍ Avil / / Avil
28 Fl 1 Cl So Sax Solo Sax H Tt T Tomt Av Po Vl I Vl II Vla Vc C a a a a a / / izz Fl 1 Cl So Sax Solo Sax H Tt T Tomt Av a 55 a a < / / Po Vl I Vl II Vla Vc C m To Xyl Tamtam To Av
29 Fl 1 Cl So Sax Solo Sax H Tt T Tomt Tt Po Vl I Vl II Vla Vc C 5 r r R R sz sz m R R sz sz m s m r sz sz m s m solo s s Xylohoe / sz sz s Avil To Mar Marima / To Tt sz sz s sz sz s < gliss to a lo ote gliss to a lo ote gliss to a lo ote m izz sz sz s izz sz sz s izz sz sz s 9 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Mar Po Vl I Vl II Vla Vc C 7 r R R s su m r r s m s dirty s dirty s s arco s arco s ~~~~~~~~~~~~~~~~~~~~~~~~~~~ s dirty s s ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ / Tamtam ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ Flexatoe To Av ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ arco uriosly, ehid ridge uriosly, ehid ridge uriosly, ehid ridge izz
30 0 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Flex Po Vl I Vl II Vla Vc C a 7 v s m s m s m / s s m s m s m m Avil s m s m m s m s m s m s izz s s s m s s s izz s m s s m s m izz s s Fl 1 Cl So Sax Solo Sax H Tt T Xyl Av Po Vl I Vl II Vla Vc C Flexatoe ÍÍÍÍÍÍÍÍÍÍÍ To Tt Tamtam To Mar Marima / / s su m s m a a s su m s s su m s su m s su m s su m s m m uriosly, ehid ridge arco ǣ s uriosly, ehid ridge arco ǣ s uriosly, ehid ridge arco izz ǣ s s
31 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Mar Po Vl I Vl II Vla Vc C a a 91 m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ < m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ m arco m m m m m m m m m 1 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Mar Po Vl I Vl II Vla Vc C a 9 a a s m s m R s s m s m To Tt m s s Tamtam / m
32 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Tt ucket mute / Po Vl I Vl II Vla Vc C 0 m m m m solo To WCh To Vi Wid Chimes / solo harmo mute m m m m Virahoe Y Y izz oed izz arco arco oed izz Fl 1 Cl So Sax Solo Sax H Tt T Vi Tt Po Vl I Vl II Vla Vc C / 1 m m m m m ø ø lautado m I m solo To Glock oed Y Glockesiel ø ø izz
33 Fl 1 Cl So Sax Solo Sax H Tt T Vi Glock Po Vl I Vl II Vla Vc C ø ø a To Alto Sax Alto Saxohoe ø ø Fl 1 Cl Alto Sax Solo Sax H Tt T Vi Glock Po Vl I Vl II Vla Vc C ø ø ø oe ø ø ø
34 Cl Alto Sax Solo Sax H Tt T < < < < Vi ø ø ø ø ø ø ø Glock Po Vl I Vl II Vla Vc C ø ø ø ø ø ø ø Fl 1 Cl Alto Sax Solo Sax H Tt T Vi Glock Po Vl I Vl II Vla Vc C < < 50 < To So Sax m m Sorao Saxohoe ø ø ø ø ø Xylohoe To Xyl ø ø ø ø ø < <
35 5 Fl 1 Cl So Sax Solo Sax H Tt T Vi Xyl Po Vl I Vl II Vla Vc C 5 ø ø ø ø ø ø ø ø ø ø ø ø ø ø m m m Fl 1 Cl So Sax Solo Sax H Tt T Vi Xyl Po Vl I Vl II Vla Vc C s ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s s s ø ø ø ø s ø ø ø ø To Av / Avil m m arco
36 Fl 1 Cl So Sax Solo Sax H Tt T Av Xyl Po Vl I / s s s s s 7 s s s s s s s s s s s s s s s s s s s s s s s s s Vl II Vla Vc C Fl 1 Cl So Sax Solo Sax H Tt T Av Xyl Po 1 < R / < R s s s s s s To Tomt s s To Mar Vl I Vl II Vla Vc C
37 7 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Po Vl I Vl II Vla Vc C 7 i m su m su m su m Marima To Glock arco gliss u ad li gliss u ad li gliss u ad li arco Fl 1 Cl So Sax Solo Sax H Tt T Mar Po Vl I Vl II Vla Vc C 500 a m m m m To Alto Sax Glockesiel
38 Fl 1 Cl So Sax Solo Sax H Tt T Av Glock Po Vl I Vl II Vla Vc C 51 m m m m arco Alto Saxohoe m m s s Tomtoms Y / To Tt Tamtam To Av Avil Flexatoe ÍÍÍÍÍ / sizzle cymal To Av Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt Flex Po Vl I Vl II Vla Vc C 5 s s s s s s / Avil / s s s s s a a izz
39 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt a a a a a 51 To So Sax Sorao Saxohoe / 9 Av / Po Vl I Vl II Vla Vc C Fl 1 Cl So Sax Solo Sax H Tt T Tomt Av a 50 To Alto Sax sla togue m m < < / / Po Vl I Vl II Vla Vc C < To Tt Tamtam To Xyl su m m m m m m m izz
40 0 Fl 1 Cl So Sax Solo Sax H Tt T Po Vl I Vl II Vla Vc C s 551 Very Fast reakeat q 15 s Alto Saxohoe s s IV REAKEAT layers arco, 1 izz Very Fast reakeat q 15 all arco s s s s s to izz; others arco s s izz s s s arco, 1 izz all arco arco, 1 izz arco arco s arco 1 arco, 1 izz Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt Xyl Po Vl I Vl II Vla Vc C a Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 55 s s harsh release s / Ÿ~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Ÿ~~~~~~~~~~~~~~~~~~~~~~ s all arco Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~ s s s s s s all arco Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~ s s s s s s all arco Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~ s s s s s s
41 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt Xyl Po Vl I Vl II Vla Vc C a Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ 571 s s s To Glock / Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~ s Ÿ~~~~~~~ arco, 1 izz all arco s Ÿ~~~~~~~ s s s s arco, 1 izz all arco Ÿ~~~~~~~ s Ÿ~~~~~~~ s s s s Ÿ~~~~~~~ 1 arco, 1 izz all arco Ÿ~~~~~~~ s s s s s 1 Fl 1 Cl Alto Sax Solo Sax H Tt T Tomt Xyl Po Vl I Vl II Vla Vc C a 57 s s R r r / s Glockesiel s Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~
42 Fl 1 Cl Alto Sax Solo Sax H Tt T Glock Xyl Po Vl I Vl II Vla Vc C 55 R R Ÿ~~~~ Ÿ~~ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~ Ÿ Ÿ Ÿ Ÿ~~ Ÿ~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~~ Ÿ Ÿ~~ Ÿ~~ Ÿ~~ Ÿ~~~~ Ÿ~~ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~ Ÿ Ÿ Ÿ Ÿ~~ Ÿ~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~~ Ÿ Ÿ~~ Ÿ~~ Ÿ~~ Fl 1 Cl Alto Sax Solo Sax H Tt T Glock Xyl Po Vl I Vl II Vla Vc C 591 a To Vi To Mar su izz
43 Fl 1 Cl Alto Sax Solo Sax H Tt T Vi Xyl Po Vl I Vl II Vla Vc C 59 harsh release harsh release s s harsh release s harsh release s s s s s s Virahoe Marima s s s s < s s slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot slide rom sul tasto to sul ot Fl 1 Cl Alto Sax Solo Sax H Tt T Vi Mar Po Vl I Vl II Vla Vc C 05 harsh release harsh release s harsh release s m harsh release s s m m Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ grol s su s su s su su s s s m s s m s su slide rom sul tasto to sul ot izz s s izz slide rom sul tasto to sul ot s s izz slide rom sul tasto to sul ot s s < < To Xyl
44 Fl 1 Fl Cl Alto Sax Solo Sax H Tt T Vi Mar Po Vl I Vl II Vla Vc C 1 Flute 1 R R R R s R s su m s su m su s su m s su m su s s su m s su m arco R R su m arco R R su m arco R R su m Piccolo 1 û û û s su m s su m su s Xylohoe To Glock R m s Picc Fl Cl Alto Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C 19 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
45 Picc Fl Cl Alto Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C 5 R R < R R To Tt 5 Picc Fl Cl 0 Ÿ~~~~~~~~~~~~~ To Flute Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Alto Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ grol / Ÿ~~~~~~~~~~~~~ To So Sax Tamtam m To Xyl su m su m m m secco m secco m secco izz
46 Fl 1 Cl Alto Sax Solo Sax H Tt T Tt Glock Po Vl I Vl II Vla Vc C 9 Sorao Saxohoe Patoal imrovisatio (add multihoics, latt, grols ad li) V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V m m m Xylohoe / m m m secco m m m m m m m m m Fl 1 Cl So Sax 51 molto accel Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V m molto accel
47 7 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Fl 1 Cl So Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C Oe Patoal Imrovisatio ( sec) die aay over imrov time to a lo ote; 71 last ote cued y coductor 0 V V V V V 0 V V V V 0 V V V V V 0 V V V V gliss ad li die aay over imrov time to a lo ote; 0 last ote cued y coductor reakeat Temo q 15 Oe Patoal Imrovisatio ( sec) reakeat Temo q 15 gliss ad li die aay over imrov time to a lo ote; layers arco, 1 izz last ote cued y coductor gliss ad li die aay over imrov time to a lo ote; last ote cued y coductor die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V V V V V 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor die aay over imrov time to a lo ote; last ote cued y coductor last ote cued y coductor 0 V V V V V 0 V V V V 0 V V V V die aay over imrov time to a lo ote; die aay over imrov time to a lo ote; last ote cued y coductor die aay over imrov time to a lo ote; last ote cued y coductor die aay over imrov time to a lo ote; last ote cued y coductor To Tomt die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V 0 V V V V V V to izz; others arco izz 0 V V V V V 0 V V V V 0 V V V V 0 V V V V V V V V V die aay over imrov time to a lo ote; last ote cued y coductor arco V die aay over imrov time to a lo ote; last ote cued y coductor V (Couti) arco
48 Fl 1 Cl So Sax Solo Sax H Tt T Xyl Glock Po Vl I Vl II Vla Vc C 0 all arco s all arco s arco s s s Alto Saxohoe s s s a s Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s s s Tomtoms / s Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Tomt Po Vl I 7 a a v R R < Ÿ / Vl II Vla Vc C
49 Fl 1 Cl Alto Sax Solo Sax a 9 9 H Tt T Xyl Tomt Po Vl I Vl II Vla Vc C r r r r r r r r / r r R R R R R R R R Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Tomt Po Vl I Vl II Vla Vc C 97 su m r r su m R r r su m r r su m r r su m / r r su m R R R
50 50 Fl 1 Cl Alto Sax 70 Solo Sax H r Tt T Xyl Tomt / Po Vl I Vl II Vla Vc C R R R R To Glock Ÿ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ Ÿ~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~ Ÿ~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ Ÿ Ÿ~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~ Ÿ~~~ Ÿ Fl 1 Cl Alto Sax Solo Sax H Tt T Xyl Tomt Po Vl I Vl II Vla Vc C 70 Glockesiel / Ÿ~~~~~ Ÿ Ÿ~~ Ÿ Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~ Ÿ Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~~ Ÿ Ÿ~~ Ÿ Ÿ~~~~ Ÿ~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~ Ÿ Ÿ~~~~~ Ÿ~~~~
51 Fl 1 Fl Cl Alto Sax Solo Sax H T Xyl Glock Po Vl I Vl II Vla Vc C Picc Fl Cl Alto Sax Solo Sax 71 Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ 70 accel accel Piccolo To Piccolo Ÿ~~~~~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ ~~~~~~ V V V V V V V V V V V V V V V V V V V V V V V V 51 H Tt T Xyl Glock Po Vl I Vl II Vla Vc C <
52 5 Picc 7 Oe Patoal Imrovisatio ( sec) 0 Moderately q 100 Fl die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V Cl die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V Alto Sax die aay over imrov time to a lo ote; last ote cued y coductor 0 V V V V V Solo Sax V V V V V V V V 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor V H 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor V Tt 0 V V V V V die aay over imrov time to a lo ote; last ote cued y coductor T 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor V Xyl 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor To Crot V Glock 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor To Tomt Tomtoms To Chim / V Po 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor V 0 V V V V V Vl I gliss ad li 0 Oe Patoal Imrovisatio ( sec) die aay over imrov time to a lo ote; Moderately q 100 last ote cued y coductor izz V V V V V Vl II gliss ad li 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor V izz Vla gliss ad li 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor izz V Vc 0 V V V V die aay over imrov time to a lo ote; last ote cued y coductor izz V C die aay over imrov time to a lo ote; last ote cued y coductor izz 0 V V V V V
53 Fl Po V aschied Molto Largo q molto rit A temo molto rit Adate co Molto Ruato q 7 Solo simly mourul, exressive semre legato ø ø ø ø ø semre ua corda 5 Vl I Molto Largo q molto rit A temo molto rit Adate co Molto Ruato q co sord, lautado Vl II co sord, lautado Vla co sord, lautado Vc co sord, lautado C Fl Cl Solo Sax Po Vl I Vl II Vla Vc C Fl Cl Alto Sax Solo Sax H T Po Vl I Vl II Vla Vc C 75 m 757 ø ø ø ø ø ø ø ø ø ø co sord, lautado i i i i i i i i i i i i i i i i i i i i i su i i i i i ø ø ø ø ø ø ø ø
54 5 Picc Fl Cl Alto Sax Solo Sax H T 7 oco rit m A temo solo Xyl Tomt Po Vl I Vl II Vla Vc C / ø oco rit Crotales Chimes ø A temo sim sim sim Picc Fl Cl Alto Sax H T Crot 771 m straight mute Chim Vl I Vl II Vla Vc C
55 55 Picc Fl Cl Alto Sax Solo Sax H Tt T Crot Chim Vl I Vl II Vla Vc C m 9 9 m 9 9 m m m m m m m m m m m Picc 779 oco rit Fl Solo II m Cl Solo Sax Crot Chim Po Vl I Vl II Vla Vc C m To Glock To Mar Marima Glockesiel oco rit
56 5 Fl Solo Sax 7 Largo q ca 50 Oe (o coducted measures util cued agai) Play each measure here oce through; rogress through ad li /slight reak i etee each cell; disregard hat the d is layig As cells rogress, go rom log reaks etee each to o reak at all i the ed Temo marks are aroximatios The last ote o each measure may e treated as a ermata, at the erormer's discretio q m q 15 q 15 q 15 q 1 q 1 Glock Mar Po Vl I Vl II Vla Vc To Crot Largo q ca 50 Oe (o coducted measures util cued agai) C Solo Sax 795 q 1 q q 1 q 1 q 0 q 15 q q 1 q 15 q 0 Mar Po Vla Vc C Fl 1 Cl Solo Sax Glock Mar Po Vl I Vla Vc C 05 Alterate /electroics (No alteratio) q 0 (electroics) (electroics) To Chim Adagio Solo I m Crotales Chimes ø ø ø ø ø ø ø co sord; lautado Adagio
57 57 Fl 1 Cl Solo Sax H Tt T Crot Chim Po Vl I Vl II Vla 1 Retreatig q 50 Retreatig q 50 rit (to ed), ø ø ø ø ø ø rit, sutoe,,,, Vc C,,
/ -1-1, The Vanishing Dark
-1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV
More informationLudic Suite: for Orchestra
Wester Washigto iversity Wester CEDAR WW Graduate School Collectio WW Graduate ad dergraduate Scholarshi Srig 01 Ludic Suite: or Orchestra o R ash Wester Washigto iversity, oashmusic@gmailcom Follo this
More informationA Candle in the Dark - Concerto for Clarinet and Wind Ensemble
Sa ose State Uiversity SSU ScholarWorks Master's Theses Master's Theses ad Graduate Research Srig 01 A Cadle i the Dark Cocerto or Clariet ad Wid Esemble aso Gary McChristia Sa ose State Uiversity Follo
More informationRay Jackendoff. Sonata. For basset horn and piano SCORE
Ray ackedo Soata For asset hor ad iao SCORE Comoser s ote Ray ackedo Soata or asset hor ad iao Gregory Tucker a isirig iaist comoser ad teacher served o the aculty o MIT or may years Whe I was a graduate
More informationTHREE LONDON MINIATURES
THREE LONDON MINIATRES or ad I Westmister Hym (:00) II or Eglad s Rose (:0) III Kesigto March (:00) y Mark Camhouse Commissioed y Regia B Stott or The Woodard Academy Bads (College ark Georgia) Marguerite
More informationAnders Hultqvist. Entropic Pleasures. [Delineations (a), version one]
Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto
More informationWhere the I Comes From. Ursula Kwong-Brown
Where the I Comes From y Ursula Kongron A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate
More informationThe Shores of Light. for orchestra. Kevin Lau. Duration: 12 minutes Score in C
The Shores o Light or orchestra by Kevi Lau Duratio: 12 miutes Score i C A thesis submitted i coormity with the requiremets or the degree o Doctor o Musical Arts i Comositio Faculty o Music Uiversity o
More informationFantasia on KANG DING LOVE SONG
antasia on KANG DING LOVE SONG ERIC RICHARDS 2008 (BMI) Written or the Shanghai Conservatory o Music azz Ensemle Zhang, Xiaolu - director Dr Gene Aitken - guest conductor Octoer 2008 INSTRMENTATION Solo
More informationPERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC
P A L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (01) PAL DOOLEY MSIC Winner o the 01 Sousa / American Bandmasters Association / Ostald Aard Winner o the 01 National Band Association
More informationfor Soprano, Tenor, and Orchestra Orchestration by Brian K. Shepard
ELEHANT LOVE MEDLEY or Sorao Teor ad Orchestra Orchestratio y Bria K. ard ELEHANT LOVE MEDLEY All You Need is Love Words ad Music y oh Leo ad aul McCartey Coyright 1967 Norther Sogs. I Was Made or Lovi
More informationYevgeniy Sharlat. Composed for Fifty for the Future: The Kronos Learning Repertoire
SCORE Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title
More informationDavid Dzubay. Kukulkan (2006) Violin, Horn, Piano
Daid Dzuay Kukulka (00) Violi Hor iao Kukulka (001 re 00) I II III IV V VI Kukulka s Ascet (El Castillo March equiox) Water Ru (roae Well) Celestial Determiatio (El Caracol) rocessioaloerig (Sacred Well)
More informationRay Jackendoff. Sonata. For bassoon and piano SCORE
! Ray ackedo! Soata!! For assoo ad iao!!!! SCORE ! Comoser s ote! Ray ackedo Soata or assoo ad Piao Gregory Tucker, a isirig iaist, comoser, ad teacher, served o the aculty o MIT or may years Whe I was
More informationTristan Xavier. Köster. too much ego. (before i am because you are)
Trista Xavier Köster too much ego. (eore i am ecause you are) or Orchestra, Setemer 017 INSTRMENTATION Piccolo (doulig Flute 1) Flutes, Ooes Eglish Hor (doulig Ooe ) Clariets i lat ass Clariet i lat (doulig
More informationOlli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements
1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any
More informationSymphony for Percussion Ensemble
Symhony or ercussion Ensemble or our ercussionists (and an otional electronics art), in our movements By Aidan Gold I: Landscaes II: A Dance III: A Dream IV: A Song 2016 Aidan Gold Instrumentation and
More informationMusic Diary. for soprano, flute, clarinet, violin, and percussion
Music Diary or sorano, lute, clarinet, violin, and ercussion LI Qi 201 Program Notes This is a iece or entertainment Have some un! :) Movements 1 Gossi!!! Girls always love gossi!!! Gossi always loves
More informationOlli Virtaperko Usvapatsas
Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm
More informationJoseph Schwantner. To the memory of Martin Luther King. New Morning for the World Daybreak of Freedom. for Narrator and Wind Orchestra PERUSAL SCORE
oseh Schantner To the memory o Martin Luther King Ne Morning or the orld Dayreak o reedom or Narrator and ind Orchestra Texts dran rom the ords o Martin Luther King r ESAL SCOE Transcried or inds y Nikk
More information干珠満珠. The Tide Jewels
干珠満珠 The Tide eels o Ochesta [201] Chistohe Laosa chislaosacom 干珠満珠 The Tide eels o Ochesta [201] Duatio: ' Chistohe Laosa chislaosacom 2 Istumetatio lutes ( d doules icc) 2 Ooes Eglish Ho 2 Claiets i
More informationA Halloween Thriller Featuring Toccata and Fugue in D Minor, A Night on Bald Mountain, and Thriller. Preview Only INSTRUMENTATION
CONCERT STRNG ORCHESTRA Grade A Halloeen Thriller eaturing Toccata and ugue in D Minor, A Night on ald Mountain, and Thriller Words and music y Rod Temerton, ohann Seastian ach, and Modest Mussorgsky Arranged
More informationPreview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION
Recorda me 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet rd B Trumet th B Trumet JOE HENDERSON Arranged y RIS BERG INSTRUMENTATION
More informationCecilia Damström. Op.27. Expressionen. Clarinet, Cello and Accordion 10'
Cecilia Damström O7 Exressionen Clarinet, Cello and Accordion 10' 01 Exressionen O7 I Der Sechste Tag (Heinrich Camendonk) (clarinet, cello and accordion) II Einsamkeit (Alexe von Jalensky) (cello) IIIAquarelle
More informationDIVINE SERVICE: A LUTHERAN MASS FOR MIXED CHORUS, CHAMBER ORCHESTRA AND ORGAN. Copyright 2014 David von Kampen
DIVINE SERVICE: A LTHERAN MASS OR MIXED CHORS, CHAMER ORCHESTRA AND ORGAN Y Coyright 201 David von Kamen Sumitted to the graduate degree rogram in the School o Music and the Graduate aculty o the niversity
More informationIlari Kaila. The Great Oak. for soprano and symphony orchestra
1 11 Ilari Kaila The Great Oak or sorao ad symhoy orchestra 201 Coyright y the Comoser All Rights Reserved No art o this ulicatio may e coied or reroduced i ay orm or y ay meas ithout the rior ermissio
More informationGwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers
Gyneth Walker Earth and Sky a trile concerto or Violin, Viola, Cello and Orchestra (or Piano) and Readers Oen Land grandeur and eace Rivers rushing ater, still ater nexected Moments the quirks o nature
More informationSaad Haddad T A K H T. for orchestra. Full Score -DIB PRESS-
Saad Haddad T A K H T r rcestra Full Scre DI PRESS.saadaddad.cm INSTRUMENTATION Flutes (rd Flute dules Piccl) 2 Oes Clariets i lat (rd Clariet i lat dules ass Clariet i lat) 2 asss Ctraass Hrs i F 2 Trumets
More informationFive Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score.
ive Loons LLC No. 102 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Text by Stehen Crane Comlete Score Comosed 2016 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Comosed 2015-2016
More informationKACHISORY - The Cry of Magpies -
KACHISORY The Cry o Magies or Orchestra by Hyukjin Shin A comosition submitted in artial ulillment o the requirements or the degree o Doctor o Musical Arts Music: Comosition in The University o Michigan
More informationSymphonic Literature Excerpts
Symhonic Literature Excerts CBW Symhonic Band Audition 017018 Perorm the ollowing excerts rom Symhonic Band literature in any order and include them in your recording The temos listed should be ollowed
More informationSTEVEN BRYANT. In This Broad Earth
STEVEN BRYANT In This Broad Earth STEVEN BRYANT In This Broad Earth Written or and dedicated to Kevin Sedatole and the Michigan State University Wind Symhony lute I-II-III (doules Picc)* Ooe I-II Bassoon
More informationDAVID MASLANKA. Illumination OVERTURE FOR BAND
DAVID MASLANKA Illumination OVERTRE FOR BAND ILLMINATION Overture for Band selected orks for high school ind ensemle y david maslanka Rollo Takes a Walk 980 Prelude on a Gregorian Tune 98 Montana Music:
More informationANDREW DAVID PERKINS (ASCAP) GRADIENTS. For Concert Band. FULL SCORE / (+Bass) Alto, Tenor, Bari / / Timp Perc (6)
ANDREW DAVID PERKINS (ASCAP) For Concert Band FULL SCORE 2 1 1 3 (+Bass) Alto, Tenor, Bari 2 1 2 1 1 Tim Perc (6) DURATION: Aroximately 3:10 GRADE: 25 Coyright 2017 APOLLO STUDIOS All Rights Reserved andredaviderkinscom
More informationMMEA Central District - Jr. Jazz Audition Music. Quabbin Blues
r. azz Audition Music This iece has been commissioned by the or the exclusive use o district schools articiating in the 202 junior jazz auditions. Teachers o auditioning schools may rint and coy these
More informationGalileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION
ntermediate String/ull ORCHESTRA Grade ½ Galileo s Vision 1 Conductor 2 lute 2 Oboe 1 1st b Clarinet 1 2nd b Clarinet 1 b ass Clarinet 2 assoon Horn RALH ORD (ASCA) NSTRUMENTATON 1 1st b Trumet 1 2nd b
More informationgolden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION
ennell edition Marches golden uilee MARCH Conductor C Piccolo st C lute nd C lute st Ooe nd Ooe E Clarinet st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet st Bassoon nd Bassoon
More informationBOUND FOR SOUTH AUSTRALIA
FULL SCOE $3.50 BUNDLED VESION BOUND FO SOUTH AUSTALIA or 3-5 oct. hadbells Traditioal sea shaty arr. Alex Guebert (2015) 2015 Alex Guebert. Distributed by The Golde Dace..HadbellMusic.com This ull score
More informationSelf-Perpetuum. [And other human afflictions] Ian Percy. For wind ensemble, string quartet and piano
Sel-Peretuum [Ad other huma alictios] For wid esemle, strig quartet ad iao Ia Percy Sel-Peretuum [Ad other huma alictios] For wid esemle, strig quartet ad iao Ia Percy 01/1 Sel-Peretuum [Ad other huma
More informationA Shrinking Emptiness/ Entropic Pleasures III
Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Commissioned y Ens MimitauLevande MusikKulturrådet 01 (Version 01, Version III 018) Anders Hultqvist A Shrinking
More informationKJOS CONCERT BAND GRADE 5 WB410F $9.00 SAMPLE RYAN NOWLIN SYNERGY RISING NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE 5 WB0 $900 RYAN NOWLIN SYNERGY RISING C O N S E R V A T O R Y E D I T I O N S SAMLE NEIL A KOS MUSIC COMANY SAN DIEGO, CALIORNIA THE COMOSER A natie o Cleeland, Ohio, Ryan Nolin
More informationPreview Only. Richard Meyer (ASCAP) notes the conductor A DIVISION OF
(Correlates ith String Exlorer ook 1 nit 12) Grade Level: 1½ Once on a Time Signature Richard Meyer (ASCA) n s t r u m e n tat i o n Conductor Score... 1 Violin... 8 Violin... 8 Viola... 5 Violin (Viola
More informationShadows of the Pyramids
Duration: 1:00 GRADE CB1 $1500 Shados o the yramids David Marlatt (17 ) Instrumentation: lute 1 lute REVIEW iccolo 1 Ooe arinet 1 arinet arinet B Bass Clarinet 1 Bassoon E Alto Saxohone 1 E Alto Saxohone
More informationSebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon
1 84 Sebastian Hilli Parahrase III Soave dolore or Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon 2016 Coyright by the Comoser All Rights Reserved No art o
More informationFive Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson.
ive Loons LLC No. 101 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR Text by Edin Arlington Robinson Score arts Comosed 2012, Revised 201 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR
More informationChristopher Stark. with video by Andrew Lucia VELOCITY MEADOWS. for solo oboe, chamber winds, electronics & video (2015) Full Score
Christoher Stark with video y Andrew Lucia VELOCITY MEADOWS F I V E D R E A M E P I S O D E S or solo ooe, chamer winds, electronics video (201) Full Score S O M M E R S O P B L I S H I N G INSTRMENTATION
More informationcomposed Composers Course Palendriai 2016 of accordion works
comosed at the Iteratioal Comosers Course Paledriai 01 The Collectio o accordio orks Pulished y The course as artly sosored y PI accoakademia A akšto str 9-18, LT-0110 Vilius, Lithuaia accoakademialt io@accoakademialt
More informationPreview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF
THE HGHLAND/ETLNG RT HLHARMONC ERE Grade Level: 2 Themes rom heherazade Nikolai Rimsky-Korsakov Arranged y Rihard Meyer (ACA) 1 Condutor ore 1 lute 1 Ooe 1 assoon 1 Clarinet 1 Clarinet 1 E Alto axohone
More informationConcerto for Organ and Chamber Orchestra
University o Iowa Iowa Research Online Theses and Dissertations Fall 201 Concerto or Organ and Chamber Orchestra Stas Omelchenko University o Iowa Coyright 201 Stas Omelchenko This dissertation is available
More informationPreview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV ALREADY HOME.
2 Arraged y JAY ALTHOUSE SOPRANO I SOPRANO II C C ALTO PIANO 5 ALREADY HOME for S.S.A. voices ad piao ith optioal SoudTrax CD* Music y ANDREW LLOYD WEBBER Lyrics y TIM RICE Moderately slo (h = ca.72),
More informationPietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer
Pietà Violin, Cello and Piano For the Longleash Trio - - 01 Duration: 1 Peter Kramer PROGRAM NOTE Pietà was written during the Sring and Summer of 01 for Pala Garcia, ohn Poham and Renate Rohlng for the
More informationeuphonium concerto uphill Stan Nieuwenhuis
euhonium concerto uhill Stan Nieuwenhuis 2 Programme Notes This concerto or euhonium was commissioned by Glenn Van Looy. It is dedicated to Samia Yusu Omar, the Somalian athlete that died while taking
More informationThe official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook
toy rook Uiversity The oicial electroic ile o this thesis or dissertatio is maitaied by the Uiversity Libraries o behal o The Graduate chool at toy rook Uiversity Alll Rigghht tss Reesseerrvveedd bbyy
More informationLast Wave Reached. and. Timothy Robert Hambourger. Department of Music Duke University. Date: Approved: John Supko, Supervisor.
Last Wave Reached ad Register, Harmoy, ad hrase Desig i Weber s O ad O 7 by Timothy Robert Hambourger Deartmet o Music Duke iversity Date: Aroved: oh Suko, Suervisor Scott Lidroth hili Rurecht elix Woerer
More informationPreview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV ALREADY HOME. &b b b b C.
2 Arraged y JAY ALTHOUSE SOPRANO ALTO TENOR BASS PIANO 5 C C ALREADY HOME for S.A.T.B. voices ad piao ith optioal SoudTrax CD* Music y ANDREW LLOYD WEBBER Lyrics y TIM RICE Moderately slo (h = ca.72),
More informationHungarian Suite for Jazz Chamber Ensemble
University o Nebraska - Lincoln DigitalCommons@University o Nebraska - Lincoln Student Research, Creative Activity, and Perormance - School o Music Music, School o Fall 11-2015 Hungarian Suite or Jazz
More informationPlease note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.
Please ote that ot all ages are icluded. his is urosely doe i order to rotect our roerty ad the work o our esteemed comosers. I you would like to see this work i its etirety, lease order olie or call us
More informationSample. The Jingle Parade. Dedicated to Mike Schofield and the Kingsburg High School Band Program, Kingsburg, California. Gary P.
The Jingle Parade Dedicated to Mike Schoield and the Kingsburg High School Band Program, Kingsburg, Caliornia by Gary P Gilroy (ASCAP) Grade: 2 1/2 Duration: 3:03 1 Conductor Score 5 Flute 1 5 Flute 2
More informationPreview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS
There Is No Greater Love Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone
More informationWEIGHTED LEAST SQUARES - used to give more emphasis to selected points in the analysis. Recall, in OLS we minimize Q =! % =!
WEIGHTED LEAST SQUARES - used to give more emphasis to selected poits i the aalysis What are eighted least squares?! " i=1 i=1 Recall, i OLS e miimize Q =! % =!(Y - " - " X ) or Q = (Y_ - X "_) (Y_ - X
More informationMADE IN CHINA, MADE IN CALIFORNIA
MADE IN CHINA, MADE IN CALIFORNIA or clarinet in b-lat, sorano saxohone, ercussion, viola, and contrabass Carolyn Chen 201 MADE IN CHINA, MADE IN CALIFORNIA Commissioned by Now Hear Ensemble Notes I was
More informationBENAMIN E DANIEL DREAMFLIGHT knightindmusiccom Ho Drealight Got Me Back Into Music Music has een a assion o mine since I as a child I gre u laying iano and started tromone in school and I tried my hand
More informationPreview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone
The Jitterug Waltz Thomas ats WAller Arranged y Eric Richards instrumentation Conductor 1st E% Alto Saxohone 2nd E% Alto Saxohone 1st B% Tenor Saxohone 2nd B% Tenor Saxohone E% Baritone Saxohone 1st B%
More informationABSTRACT VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION. Joshua Davis, Doctor of Musical Arts, Department of Music
ABSTRACT Title of dissertation: X Y Z CHAMBER MUSIC COMPOSITION OR VIOLIN, VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION oshua Davis, Doctor of Musical Arts, 007 Dissertation directed : Professor Thomas
More informationStill Sky Bells. For large ensemble. Stef Conner 2010
Still Sky Bells For large ensemble Ste Conner 1 Ste Conner Still Sky Bells 1 For large ensemble lutealto lute oboecor anglais clarinetbass clarinet ercussion vibrahonetam-tamglockensielrin C - CChinese
More informationPreview Only. Legal Use Requires Purchase. Spirit of the Age YOUNG BAND. Grade 2 VICTOR LÓPEZ (ASCAP) INSTRUMENTATION PROGRAM NOTES
YOUNG BAND Grade Sirit o the Age Conductor 8 lute Ooe Bassoon st B Clarinet nd B Clarinet B Bass Clarinet 5 E Alto Saxohone B Tenor Saxohone E Baritone Saxohone st B Trumet nd B Trumet Horn Tromone VICTOR
More informationDedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone
ULL SCORE Grade 5 richard l saucedo along an english countryside Dedicated to the Memory o Sir Malcolm Arnold 121-2006 INSTRUMENTATION 1 ull Score 1 iccolo 4 lute 1 4 lute 2 1 Ooe 1 1 Ooe 2 1 Bassoon 1
More informationLa Petite Maria de Normandie
Western Washington University Western CEDAR WWU Masters Thesis Collection WWU Graduate and Undergraduate Scholarshi Sring 2017 La Petite Maria de Normandie Charles-ohn Fontillas Western Washington University,
More informationSOUTHEAST BY NORTHWEST
Commissioned by my riends, Maestros Arnaud Caumeil o the Harmonie de Limonest Quentin Degeorges o the Soulants de St Priest, or their two cities ANDREW DAVID PERKINS (ASCAP) SOUTHEAST BY NORTHWEST (FOR
More informationPreview Only. Legal Use Requires Purchase
CONCERT BAND Grade The Wizard o Oz Meets The Wiz eaturing Ding! Dong! The Witch is Dead, We re O to See the Wizard, The Merry Old Land o Oz, So You Wanted to See the Wizard and A Brand Ne Day (Eeryody
More informationGolden Empire Drum & Bugle Corps 2018 Front Ensemble Audition Packet
Golde Emire Drum Bugle Cors 2018 Frot Esemle Auditio Packet Photo Steve Rya Dear Alicat, Cogratulatios o takig your irst ste toards eig a art o the Golde Emire Drum Bugle Cors! I m very excited that you
More informationIlari Kaila. Taonta. for piano
87 Ilari Kaila Taonta for iano 016 Coyright y the Comoser All Rights Reserved No art of this ulication may e coied or reroduced in any form or y any means ithout the rior ermission of the comoser Distriution:
More information"Given time..." for soprano and orchestra.
University o Louisville ThinkIR: The University o Louisville's Institutional Reository Electronic Theses and Dissertations -017 "Given time..." or sorano and orchestra. Alex Isackson University o Louisville
More informationPreview Only. Legal Use Requires Purchase. Too Close for Comfort JAZZ
Too Close or Comort Words and Music y JERRY BOC, LARRY HOLOCENER and GEORGE DAVID WEISS Arranged y GORDON GOODWIN Conductor Solo 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor
More informationIllinois (Honors) Digital IWU. Illinois Wesleyan University. Luke J. McLoughlin Recommended Citation
Illinois Wesleyan niversity Digital Commons @ IW Comositions Outstanding Student Works 015 Illinois (Honors) Luke J. McLoughlin lmclough@iwu.edu Recommended Citation McLoughlin, Luke J., "Illinois (Honors)"
More informationFull Score. Gwyneth Walker. By Walden Pond. A celebration of the writings of Henry David Thoreau, for Orchestra and Narrator
ull Score Gyneth Walker By Walden ond A celebration o the ritings o Henry David Thoreau, or Orchestra and Narrator remiered on October 5, 009 by the Carson City Symhony Carson City, Nevada David Bugli,
More informationFor the Plymouth Choir, with gratitude to Susan Stuart. Will You Come and Follow Me The Summons. SATB and Piano, with opt.
or lymouth Choir with gratitude to Susan Stuart Will You Come ollow Me The Summons SATB iano with ot Congregation John L Bell Graham Maule Sorano Alto Tenor Bass iano 8 hî = 56 nis Come hî = 56 u Come
More informationSAMPLE. BRAD CIECHOMSKI Ascending the Crystal Hill. Correlated with TRADITION OF EXCELLENCE Book 3, Page 20 KJOS CONCERT BAND GRADE 3 WB487F $7.
TRADITIN EXCELLENCE EXCELLENCE IN ERRMANCE KS CNCERT BAND GRADE 3 $700 BRAD CIECHMSKI Ascending the Crystal Hill Correlated ith TRADITIN EXCELLENCE Book 3, age 0 SAMLE NEIL A KS MUSIC CMANY UBLISHER Aout
More informationSTRING ORCHESTRA INTERMEDIATE LEVEL. From the Broadway Show. Chitty Chitty Bang Bang. Preview Only. Featuring Chitty Chitty Bang Bang,
STRN ORHESTRA NTERMEATE LEVEL rom the roaday Sho hitty hitty ag ag eaturig hitty hitty ag ag, chu-chi ace, You To ad Me Ol am-oo y Richard M Sherma ad Robert Sherma Arraged by victor lopez NSTRUMENTATON
More informationNeptunian Night for three retuned, computer-driven pianos
for three retuned, comuter-driven ianos y Kyle Gann 20 Technical Secifications The 33-itch tuning of the three ianos (the same in every octave) is as follos, given first in the numer of cents aove E-flat,
More informationPERUSAL USE ONLY. To Purchase a Copy. Go to
Onsy C Rose (ASCAP) Symhony No 1 Heroes 1 From the Sea From Aove From Land For the Fallen Duration: 1 0 Instrumentation Piccolo Flutes 1 Ooes 1 Bassoons 1 Clarinet in B lat 1 Bass Clarinet in B lat Alto
More informationTO PAINT THEIR MADNESS
IECE GADNE T AINT THEI MADNESS o telve musicias Coyight 01 amescest Music (ASCA) All ights eseved Istumetatio 1 lute (doulig iccolo) 1 oe (doulig Eglish Ho i ) 1 Claiet i -lat 1 Alto Saxohoe i E-lat (doulig
More informationDream Theater. Paul Richards
Commissioned y The niesity o loida Symhony Ochesta, Raymond Choaz, conducto, in celeation o thei 00 th anniesay season Deam Theate aul Richads Deam Theate aul Richads I Theshold II lace o Seeal Mysteies
More informationStars for large orchestra.
Univesity o ouisville ThinkIR: The Univesity o ouisville's Institutional Reositoy Electonic Theses and Dissetations 5-2015 Stas o lage ochesta Matt Wetmoe 1989- Univesity o ouisville ollo this and additional
More informationMiss Havisham am Spinnrade
erey Ryan Miss Havisham am Sinnrade or solo assoon erey Ryan Miss Havisham am Sinnrade or solo assoon Perormance notes Total erormance time ca 5 minutes ingering only (key noise) Key noise is an integral
More informationPlease note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.
Please note that not all ages are inclded This is rosely done in order to rotect or roerty and the work o or esteemed comosers yo wold like to see this work in its entirety, lease order online or call
More informationCHINESE FIRE DRILL BENJAMIN DEAN TAYLOR
CHINESE IRE DRILL BENAMIN DEAN TAYLOR Commissioned the Colorado Mesa niversit Wind Smhon Calvin Hoer, conductor ith the generous suort o Karen Coms 20 Duration: ca 6:0 Music teset the comoser Music Coright
More informationalexander sigman struwl-2 for solo electric guitar (2012)
alexander sigman strwl- or solo electric guitar (0) strwl- (0) erormance notes general remarks A -sta notation is utilised throughout he to sta reers to let hand (ms) ingerings and articulations (see below)
More informationPreview Only. Legal Use Requires Purchase. Maynard & Waynard. 1st Trombone 2nd Trombone 3rd Trombone Bass Trombone Guitar Chords Guitar Piano Bass
Cover Photography y Rex Bullington GORDON GOODWIN 1st E% Alto Saxophone 2nd E% Alto Saxophone 1st B% Tenor Saxophone 2nd B% Tenor Saxophone E% Baritone Saxophone 1st B% Trumpet (Solo) 2nd B% Trumpet rd
More informationLyrical Interval of Time - poetry
F P Ubertelli Lyrical Interval o Time - oetry er iccolo insieme, sorano e narratore MMXVI 2 INSTRUMENTATION Flauto in C / Piccolo Clarinetto in Bb / Basso Sassoono tenore in Bb / Alto in Eb (F) in C Percussione
More information201 Notre Dame College Percussion Coursepack. Contents:
DEPARTMENT OF BANDS 201 Notre Dame College Percussion Coursepack Contents: Front Ensemle Technique.. pg 1 6 Front Ensemle Exercises and Etudes. pg 7-25 Notre Dame College Percussion 201 Front Ensemle Technique
More informationMICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS FOR 3 SOLO TRUMPETS & WIND ENSEMBLE SAMPLE SCORE - NOT FOR PERFORMANCE - NOT A PURCHASED COPY
MICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS FOR SOLO TRUMPETS WIND ENSEMBLE MICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS INSTRUMENTATION FOR SOLO TRUMPETS WIND ENSEMBLE WINDS Piccolo Flute Ooe Bassoon
More informationForemost In Marching And Concert Percussion Literature P.O. Box Nashville, TN FAX
oremost I Marchig Ad Cocert ercussio Literature O Box 292671 Nashville, TN 37229 1-800-62-8001 AX 1-615-885-0370 wwwrowlocom Dark light by James Campbell Advaced - 5:18-12 layers Istrumetatio Bells, Xylo,
More informationIMAGES FROM THE OLD GRINGO Eleven Little Pieces for Violin, Clarinet in Bb and Piano
Daid Maslanka IMAGES FROM THE OLD GRINGO Eleen Little Pieces for Violin, Clarinet in Bb and Piano Daid Maslanka Publications Missoula, Montana All rights resered No art of this ublication my be reroduced,
More informationSuite For The Forgotten
University o Neraska Lincoln DigitalCommons@University o Neraska Lincoln Student Research, Creative Activity, and Perormance School o Music Music, School o Sring 01 Suite For The Forgotten Masayoshi Ishikaa
More informationSongs from the End of the World
Songs rom the End o the World (2015) I A long time alone II Raveling III At sea ohn Mackey text y A E aques Commissioned y University o North Carolina at Greensoro Arizona State University Eastman School
More informationon the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal
on the deconstruction o a cycle or 2 ianists and 2 ercussion layers Alberto C. Bernal PERFORMANCE NOTES General: The dynamic indications between hooks reer to the intention dynamic, that can be dierent
More informationThe Gathering. A Winter s Tale in Six Songs. For string band, chorus and orchestra
The Gathering A Winter s Tale in Six Songs For string band, chorus and orchestra Music and Lyrics by Laurelyn Dossett Arranged and Orchestrated by Aaron Grad ommissioned by the North arolina Symhony Gathering
More information( ) = is larger than. the variance of X V
Stat 400, sectio 6. Methods of Poit Estimatio otes by Tim Pilachoski A oit estimate of a arameter is a sigle umber that ca be regarded as a sesible value for The selected statistic is called the oit estimator
More information