Stars for large orchestra.
|
|
|
- Sabina Stanley
- 5 years ago
- Views:
Transcription
1 Univesity o ouisville ThinkIR: The Univesity o ouisville's Institutional Reositoy Electonic Theses and Dissetations Stas o lage ochesta Matt Wetmoe Univesity o ouisville ollo this and additional oks at: htts://iliaylouisvilleedu/etd at o the Comosition Commons Recommended Citation Wetmoe, Matt 1989-, "Stas o lage ochesta" (2015) Electonic Theses and Dissetations ae 2127 htts://doiog/ /etd/2127 This Maste's Thesis is ought to you o ee and oen access y ThinkIR: The Univesity o ouisville's Institutional Reositoy It has een acceted o inclusion in Electonic Theses and Dissetations y an authoized administato o ThinkIR: The Univesity o ouisville's Institutional Reositoy This title aeas hee coutesy o the autho, ho has etained all othe coyights o moe inomation, lease contact thinki@louisvilleedu
2 STARS o age Ochesta y Matt Wetmoe M, East Caolina Univesity, 2012 A Thesis Sumitted to the aculty o the School o Music o the Univesity o ouisville in atial ulillment o the Requiements o the Degee o Maste o Music in Music Comosition Deatment o Comosition Univesity o ouisville ouisville, Kentucky May 2015
3 Coyight 2015 y Matt Wetmoe All Rights Reseved
4
5 STARS y Matt Wetmoe M, East Caolina Univesity, 2012 A Thesis Aoved on May 1, 2015 y the olloing Thesis Committee: Kzyszto Wołek, Thesis Diecto Mac Sattehite ed Seck ii
6 ACKNOWEDGEMENTS I ould like to thank D Kzyszto Wołek, my ivate comosition teache, o his guidance on this thesis as ell as his instuction and encouagement ove the ast to yeas o my academic lie I ould also like to thank the memes o my thesis committee, D Mac Sattehite and D ed Seck iii
7 TAE O CONTENTS ACKNOWEDGEMENTSiii ROGRAM NOTESv INSTRUMENTATION AND DURATIONSvi STARS I Sol: A Sunise1 II Siius: The Dog Sta11 III olais: Nothad ound IV VY Canis Maois: The agest Knon Sta C V 9 iv
8 ROGRAM NOTES STARS is a ok o ull ochesta deicting ou o the knon stas in ou galaxy Each movement is a chaacte iece musically illustating a aticula sta y a seaate itch collection: the ist movement, Sol, deicts ou vey on sun ising in the moning sky, looming sloly om the loest egiste to the highest, and uses elements o the entatonic itch collection to do so The second movement, Siius, shos the un, layul, and unedictale side o the titula dog sta, also the ightest sta in ou night sky Hee, a vesion o the diatonic set that eely and equently sitches eteen mao and mino is used to kee the listene on thei toes Next, the hole tone scale and a hal ste-mino thid hexatonic scale comine to aint a ictue o sailing on the ocean at night, guided y the noth sta olais inally, e come to VY Canis Maois, a sta so teiyingly huge the only ay I could think to deict it accuately as y having the ochesta lay otissimo o the duation o the shot inal movement A aing octatonic cluste moves and tansoms thoughout the movement, evoking images o the shiting lood ed suace o this sta hich is so lage that, ee it in ou on sola system, its oute edge ould each ast Satun Each movement's itch collection is also eesented in cetain stuctual consideations o the movement itsel and o the ok as a hole, as ell as in a distinct hal-ste motive common to all movements, tansoming as it moves though this ouney among the stas ERORMANCE NOTES An ao ointing acoss emty measues indicates that the laye should continue an action, usually aleatoic, o the duation o the ao All extended techniques and altenative notation ae exlained in the scoe and ats next to the technique o notation in question Viahone itch end is executed y lacing a mallet on the node o a a, oing that a, then moving the mallet on the a aay om the node in eithe diection AOUT THE COMOSER MATT WETMORE ( 1989) has comosed oks acoss a vaiety o media, om solo and chame oks to lage ensemles and electonics He has eceived numeous commissions and has aanged oks o Danish comose ent Søensen He eaned his achelo's in Music Theoy and Comosition at East Caolina Univesity studying unde Ed acos, Mak Taggat, Mak Richadson and mac ais, and is cuently in usuit o his Maste's in Music Comosition at the Univesity o ouisville, studying unde Kzyszto Wołek ean moe, listen to samles, and contact him diectly at matt-etmoecom v
9 INSTRUMENTATION lutes [all dl icc] Ooes 2 Clainets in ass Clainet in 2 assoons Contaassoon Hons in Tumets in 2 Tomones ass Tomone Tua Timani ecussionists: I Cotales, Claves, Susended Cymal, Tamouine, loo Tom, Wood lock, Glockensiel, Maima, Almglocken, China Cymal, Cash Cymal, Sizzle Cymal II Viahone, Wood lock, Cash Cymal, Susended Cymal, Slastick, Hi-Hat, Cotales [shaed ith I], Tam-Tam, ell Tee, Tiangle, Snae Dum, Tamouine III Tiangle, Susended Cymal, og Dum, Snae Dum [shaed ith II], Viahone [shaed ith II], Chimes, Tam-Tam [shaed ith II], ass Dum IV Chimes [shaed ith III], ass Dum [shaed ith III], Maima [shaed ith I], Kick ass, og Dum [shaed ith III], Tiangle, Sleigh ells iano Stings DURATIONS I Sol ' II Siius ' III olais 8' IV VY Canis Maois 2' TOTA WORK: 20' vi
10 lute 1 lute 2 lute Ooe 1 Ooe 2 Ooe Clainet in 1 Clainet in 2 ass Clainet assoon 1 assoon 2 Contaassoon Hon in 1-2 Hon in - Tumet in 1 Tumet in 2 Tumet in Tomone 1 Tomone 2 ass Tomone Tua Timani ecussion 1 (Cotales, Claves) ecussion 2 (Viahone, Wood lock, Cash Cymal) ecussion (Tiangle, Susended Cymal, og Dum) ecussion (Chimes, ass Dum, Maima) Violin I Violin II Viola Cello Contaass iano 1 Sudued q = 0 Div, C, E, RÔ 1 Taingle lv n 1 7 I Sol Matt Wetmoe (2015) 2015 Matt Wetmoe Cosshatch ulications Tansosed Scoe A Sunise STARS STARS STARS STARS
11 2 8 l 1 R l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 I a2 I - Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 R lv ec 2 ec ec no Vln I R 1 * Susended Cymal scae / tgl eate lv x * ~~~~~ Vln II Vla Vc C 10 sul ont 11 sul ont od 12 1
12 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 a2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 tgl eates x Cotales Viahone oed ~~~~~ lv lv lv ec no Vln I ~~~~~~~ * ~~~~~~ sim sim n Chimes n lv Vln II Vla Vc C 1 sul ont sul ont od 15 sul od 1 17
13 l 1 18 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 quickly quickly quickly IV Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec lv Claves Wood lock og Dum ec Maima no n Vln I Vln II Vla Vc C R R 18 gliss 19 gliss 20
14 5 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim R + Í + Í ec 1 ec 2 Cotales lv ec ec n n n no * Vln I Vln II Vla Vc C Div a Div 21 gliss gliss gliss 22 N N N 2 2
15 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 + Í + Í R R 28 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 lv ec 2 ec ec no n n ass Dum lv Vln I Vln II Vla Vc C n n 25 n 2 sul ont sul ont Unis sul ont od 27 od od Unis Div Div 28
16 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 n 7 n n n n n n n n n N sn 2 C n Hn 1-2 n Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 end R Í Í Í Í Í Í to G C to C ec 2 ec ec no Vln I Vln II Vla Vc C
17 l 1 l 2 l O 1 8 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 + Í + Í n n n I n n n III ec 2 ec ec no Vln I Vln II @ n n n n n 2
18 l 1 l 2 9 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n N n n n n Hn 1-2 Hn - Tt 1 Í Í II I Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim n n n n ec 1 ec 2 ec ec Maima no Vln I Vln II Vla Vc C 5 n n n n n n n n n n n n n 7
19 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I 8 10! O O ~~~~~~~~~~~~~~~~ sim quickly lv Cash Cymal Taingle ~~~~~~~ gliss om any lo note to any high note lv ~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~! O O ~~~~~~~ ~~~ ~~~ i ~ ~ ~ ~~~~ i ~~~~~~~ R R any notes R! O O choke choke choke * Vln II Vla O O O O O O O O O Vc C Unis R
20 lute 1 lute 2 lute Ooe 1 Ooe 2 Ooe Clainet in 1 Clainet in 2 ass Clainet assoon 1 assoon 2 Contaassoon Hon in 1-2 Hon in - Tumet in 1 Tumet in 2 Tumet in Tomone 1 Tomone 2 ass Tomone Tua Timani ecussion 1 (Tamouine, loo Tom, Woodlock, Sus Cymal) ecussion 2 (Slastick, Susended Cymal, Hi-Hat) ecussion (Snae Dum) ecussion (Maima, Kick ass) Violin I Violin II Viola Cello Contaass iano 1 layul q = 120 oest Note, A, D 2 5 Tamouine R II Siius The Dog Sta
21 l 1 l 2 12 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 N n n Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I Vln II Vla Vc C Div Div 10 N N Div Div 11
22 l 1 l l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 l l l l l l n l n l l l l l l l l l l l n l n l Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I O O Vln II Vla Vc C col legno attuto izz 1 17
23 1 l 1 l 2 l O 1 O 2 O Cl 1 n R Cl 2 Cl sn 1 sn 2 C n N,, n R,, Hn 1-2 Hn - Tt 1 IV II Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I O O O O O O O Vln II Vla Vc C
24 l 1 l 2 l O O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 loest note damened l l Woodlock l l l l l l l l l l l l l l l l ec ec Maima R no Vln I Vln II Vla Vc C O Div aco 25 Div OO 2 izz OO 27 OO R 28 OO n n 29 0
25 1 l 1 2 l 2 2 l 2 O 1 2 O 2 2 O 2 Cl 1 2 Cl 2 2 Cl 2 sn 1 sn 2 C n Hn Hn - 2 Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 l l l l l l l l l l l l l R l l l l l l ec 2 ec 2 2 Slastick ec n n R 2 2 no 2 Vln I OO OO OO OO OO ȮO O OO OO 2 Ȯ Ȯ Vln II Vla Vc C 1 2 aco
26 l l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec N N no Vln I OO OO OO OO OO OO Vln II Vla Vc C n 0 n 1 n n 2 Div n n n n Div n 5
27 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn n Tt Tt Tt 8 5 Tn Tn Tn 8 5 Tua 8 5 Tim 8 5 ec ec 2 ec ec no N ^ ^ ^ Snae Dum im shots Susended Cymal snae stick x ^ ^ ^ to kick dum ^ ~~~~~ n n n n Vln I Vln II Vla Vc C N OO Div a ȮȮ Ȯ ȮȮ Div n O O O O O O 8 OO O 9 OO O 50 OO O 51
28 l 1 l 2 l 2ˆ1 1 2ˆ1 1 2ˆ1 1 R 19 O 1 O 2 O 2ˆ1 1 2ˆ1 1 2ˆ1 1 Cl 1 Cl 2 2ˆ1 1 2ˆ1 1 Cl sn 1 2ˆ1 1 2ˆ1 1 sn 2 2ˆ1 1 C n 2ˆ1 1 Hn 1-2 2ˆ1 1 Hn - 2ˆ1 1 Tt 1 2ˆ1 1 Tt 2 2ˆ1 1 Tt 2ˆ1 1 Tn 1 2ˆ1 1 Tn 2 2ˆ1 1 Tn 2ˆ1 1 Tua 2ˆ1 1 Tim 2ˆ1 1 ec 1 2ˆ1 1 ec 2 2ˆ1 1 ec 2ˆ1 1 ec 2ˆ1 1 no Vln I Vln II Vla Vc C OO O N R 52 OO O ˆ1 1 2ˆ1 1 2ˆ1 1 2ˆ1 1 2ˆ1 1 2ˆ1 1 2ˆ1 1 ȮȮȮ n n O O O RR R R 5 ~~~~~ OO O n izz 55 OO O n n n 5
29 l 1 l 2 l O O 2 O Cl 1 Cl 2 Cl sn 1 n sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec Woodlock on ell Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ Rˆ ˆ ˆ R Ĵ ˆ ˆ Ĵ ˆ ˆ no n R n n R Vln I OO O OO O OO O OO O OO O OO O OO O Vln II Vla Vc C
30 l 1 l 2 R n R n n R n R 21 l O 1 O 2 O Cl 1 n n n n n Cl 2 n n n n n Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ Ĵ Ĵ ˆ ˆ ˆ ˆ ˆ ˆ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ Ĵ ˆ ˆ ec ec R no Vln I OO O OO O OO O OO O OO O OO O OO O OO O Vln II Vla Vc C
31 l l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 R C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 to loo tom ec 2 Ĵ ˆ ˆ Ĵ ˆ ˆ choke ec ^ ec Kick ass secco no Vln I Vln II Vla Vc C OO O 72 OO O 7 7 O O O aco Div 75 OO O 7 OO O 77 OO O 78 OO O Unis 79
32 2 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I Vln II Vla Vc C OO O Div 80 OO O n n n 81 OO O 82 OO O 8 OO O R R Unis R R 8 OO O 85 OO O N 8
33 l l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 n sn 2 C n Hn 1-2 n Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec Snae Dum no n n n Vln I Vln II Vla OO O OO O Div OO Div O O OO O O OO O O Vc C 87 R R N 90 91
34 25 l 1 2 l 2 2 l 2 O 1 2 O 2 2 O 2 Cl 1 2 Cl 2 2 Cl 2 sn 1 2 sn 2 2 C n 2 Hn Hn - 2 Tt 1 Tt 2 Tt Tn Tn 2 2 Tn 2 Tua 2 Tim 2 ec 1 2 ec 2 2 ec 2 ec 2 no n R n n 2 2 Vln I OO OO Ȯ Ȯ OO 2 ȮȮ Vln II O O O O Ȯ Ȯ O O 2 ȮȮ Vla 2 Vc C n N
35 l 1 l 2 l O 1 O 2 O Cl 1 Cl Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim n n n - - n n n n n ec 1 ec 2 loo Tom damened ec R R R R R R R ec no Vln I OO OO OO OO OO OO Vln II OO OO OO OO OO OO Vla Vc C 97 izz 98 n Div n n 99 n
36 l 1 l 2 27 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec R R ec no n N n n Vln I O O O O O O O O O O Vln II Vla Vc OO OO ẉ OO OO OO C
37 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n 28 n n n n n n 110 n n n n n n n n n n n n n n n n n n Hn 1-2 Hn - Tt 1 Tt 2 Tt n n n n n n n n n n n Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec R n n n n n n n n R Susended Cymal to oodlock lv no Vln I OO ȮO Ȯ OO OO Vln II O O O O O O O O Vla Vc C
38 l 1 l 2 n n n n n n n n n n n n n 29 l O 1 O 2 n n n n n n n n n n n n n n n n n n O n n n n n n n n Cl 1 n n Cl 2 n n n n Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 R R ec ec no Vln I OO OO OO ~~~~~ OO Vln II OO OO OO OO Vla Vc C
39 l 1 l 2 l O 1 0 n n n n n n n n n n n n n n n n n n n n n n n O 2 n n n n n n O n n n n n Cl 1 Cl 2 Cl sn 1 n n sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 to hi-hat ec ec no Vln I N N OO n OO OO n Vln II OO OO OO Vla Vc C 11 n aco
40 l 1 l 2 n n n n n n n n n n 1 l O 1 n n n n n n n n n n n n O 2 n n n n n n O n n n n n Cl 1 Cl 2 n Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no n R Vln I OO OO OO Vln II O O O O O O Vla Vc C
41 l 1 l 2 l O 1 O 2 O 2 12 n n n Cl 1 Cl 2 Cl n sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 n n n Tt 2 Tt Tn 1 Tn 2 sim Tn Tua Tim sim ec 1 ec 2 to sus cym Hi-Hat + o + o + o + o + o o + o + o + o ec ec no n n R Snae Dum Kick ass R Vln I Vln II ȮȮ ȮȮ O O Div a O O O O O O O O O O O O O O O O O O O O O O O Vla Vc C
42 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 n n n Hn - Tt 1 N n n Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim n n n n ec 1 ec 2 ec + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o ec no Vln I O O O O O O O O O O O O Vln II OO O OO O OO O OO O OO O OO O Vla Vc n C n
43 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl 15 n n n n n sn 1 sn 2 C n Hn 1-2 n n n n n n Hn - Tt 1 n n n n n n n n n n Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim n n n n ec 1 ec 2 ec + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o ec no Vln I O O O O O O O O Vln II OO O OO O OO O OO O Vla Vc n C n
44 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 n n n R R R R R R R N R R R R R R R n n 5 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 n n Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o ec ec no Vln I O O O O O O O O O O Vln II OO O OO O OO O OO O OO O Vla Vc C
45 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 n n R R to iccolo sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim n n n n n n n n ec 1 ec 2 ec + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o + o ec no Vln I O O O O O O O O O O Vln II OO O OO O OO O OO O OO O Vla Vc Div a OO O C
46 l l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no + o + o + o + ee temolo on given notes Susended Cymal yan mallets lv + (hal-oen) + ^ + ^ Vln I Vln II Vla Vc C OO OO O OO O 18 OO OO O OO O 19 ȮȮ ȮȮȮ ȮȮȮ slo tem, accel 150 Ȯ Ȯ slo tem, accel Ȯ ȮȮ slo tem, accel Ȯ ȮȮ OO OO O OO O 151 OO OO O OO O 152 OO OO O Ȯ Ȯ Ȯ 15 gliss O O O Div OO N a O O O O 15 OO O OO O 155 Div
47 8 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt n n Tn 1 Tn 2 Tn Tua Tim ec 1 ec R snae stick lv ec ^ ^ ^ ^ ^ ^ ^ ec no Vln I O O O O O O O O O O O O O O O O O O O O O Vln II OO O OO O OO O OO O OO O OO O OO O Vla sul onticello izz od aco Vc C
48 l 1 l 2 l O 1 O 2 O R R R iccolo R R n n R n n R R R n n n n 9 Cl 1 Cl 2 n Cl sn 1 sn 2 C n n n Hn 1-2 Hn - Tt 1 n n n Tt 2 n n n Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec R + + ec ^ ^ ^ ^ ^ ec no Vln I O O O O O O O O O O O O O O O Vln II OO O OO O OO O OO O OO O Vla Vc C
49 icc l 2 l O 1 0 R R R n O 2 O Cl 1 n Cl 2 Cl sn 1 n sn 2 n n C n Hn 1-2 n n Hn - n n Tt 1 Tt 2 Tt Tn 1 n n n Tn 2 n n Tn n n Tua Tim ec 1 ec R + + ec ^ ^ ^ ^ ec no Vln I O O O O O O O O O O O O Vln II OO O OO O OO O OO O Vla Vc C
50 icc l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim 172 n n R R R R R R R R R R R R R 1 ec 1 ec 2 ec + ^ + R ^ + + ^ ^ ^ ^ ^ ec no Vln I O O O O O O O O O O O O Vln II OO O OO O OO O OO O Vla Vc C
51 2 icc l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I Vln II Vla O O O O O O O O O O O O slo tem, accel O O O slo tem, accel O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Ȯ O O O O O O O O O O O O O O O O O O O O O O Ȯ O O O O O O O O O O O O O O O O O O O O O O O O O O O O Vc C
52 lute 1 lute 2 lute Ooe 1 Sudued q = 72 III olais Nothad ound Ooe 2 Ooe Clainet in 1 Clainet in 2 ass Clainet assoon 1 assoon 2 Contaassoon Hon in 1-2 Hon in - Tumet in 1 cu mute in Tumet in 2 cu mute in Tumet in cu mute in Tomone 1 Tomone 2 ass Tomone Tua Timani ecussion 1 (Glockensiel, Maima, Almglocken, China Cymal, loo Tom, Cash Cymal) ecussion 2 (Cotales, Tam-Tam, ell Tee, Tiangle, Sus Cymal, Snae Dum, Tamouine) ecussion (Viahone, Chimes, Tam-Tam) Glockensiel lastic mallets as ast as ossile lv Cotales tgl eates lv Viahone ue mallets lv ecussion (og Dum, ass Dum, Sleigh ells, Tiangle) iano Violin I Violin II Viola Cello I Cello II Cello III Cello IV Contaass Div og Dum loest cluste (alm mute stings) + * to ass dum Div n n n Div
53 l 1 12 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 end end Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 cente o dum + any note ad li Glockensiel ec ec no ingenail scae high stings ad li any note in high octave Viahone ass Dum Vln I Vln II Vla Vc I n n n n n Vc II Vc III Vc IV C
54 l 1 l 2 icc 20 5 O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - I Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim cu mute cu mute cu mute cu mute out cu mute out cu mute out all all all all ec 1 lv to almglocken ec 2 ec lv to chimes ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C sim sim sim Div izz izz N N 19 Ȯ Ȯ Ȯ 20 O O O col legno attuto col legno attuto col legno attuto col legno attuto col legno attuto 21 O O O 22
55 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k key clicks ad li k k k k 0 sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sn 1 sing any note in lo egiste sn 2 C n sing any note in lo egiste sing any note in lo egiste Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ta on instument ad li k k k k k k k k ta on instument ad li ta on instument ad li k k k k ta on instument ad li k k k k ta on instument ad li k k k k loest dum gliss ad li in lo ange sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste sing any note in lo egiste ec 2 ec ec no Vln I Vln II Vla Vc I ( ) O O O O N O O O O O O O O edal hit O O O sot yan mallets andom lo stings Vc II Vc III Vc IV C aco aco aco
56 l l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 Almglocken yan mallets lv ec 2 ec ec Chimes lv lucked ad li sloly no Vln I Vln II Vla Vc I @ Div Div aco Vc III Vc IV C 1 aco sul 5 7
57 l 1 l 2 icc O 1 O 2 O 8 Cl 1 n n n Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec Cotales lv ass Dum n R n no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C 8 R Div Div
58 9 l 1 l 2 icc O 1 O 2 O Cl 1 n Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 N n Tt 2 n Tt n Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec to viahone * ec no * Vln I Vln II Vla Vc I Vc II Vc III Vc IV C 5 7
59 l 1 l 2 icc O 1 O sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste n n n O sing any note in middle egiste Cl 1 Cl 2 Cl sn 1 sn 2 C n sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste n n n n Hn 1-2 Hn - sing any note in middle egiste sing any note in middle egiste n Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste sing any note in middle egiste n N ec 1 ec 2 ec ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C O Ȯ Ȯ n Ȯ O Ȯ O O Ȯ R O n O n n O O n od od od od O O n n sul ont sul ont sul ont sul ont od od od od
60 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste histle any note in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste gliss eely in high egiste 51 ec 1 ec 2 ec ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C od sul ont n N N sim N 5 N 7
61 l 1 l 2 52 end U U 78 q = icc U 5 O 1 U 5 O 2 U 5 O U 5 Cl 1 U 5 Cl 2 U 5 Cl U 5 sn 1 U 5 sn 2 U 5 C n U 5 Hn 1-2 Hn - I U U n Tt 1 U 5 Tt 2 U 5 Tt U 5 Tn 1 U 5 Tn 2 U 5 Tn U 5 Tua Tim U U 5 5 ec 1 ec 2 ec ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C R Viahone oed 71 end N to chimes 72 7 O O O O 7 O O O O 75 N O O O O 7 U U U U U U N Ȯ Ȯ Ȯ Ȯ 77 U U U U U U U U Almglocken any notes k k k gliss ith tgl eates Chimes k k k 5 lv 5, lv lv
62 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec Vln I Vln II Vla Vc I Vc II Vc III Vc IV C no -, 79 - N n k k k k k k, 80 Í to tam-tam to maima -mallet - 81 to log dum 82 Tam-Tam scae ith tgl eate scae acoss as lv lv 8 og Dum Maima 8 to viahone to tiangle 85 to china cymal to sleigh ells n n 8 Viahone Tiangle China Cymal yan mallets lv lv lv ~~~~ ~~~~ 5
63 ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ l 1 l 2 icc O O 2 O Cl 1 Cl 2 Cl sn 1 n sn 2 n C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no to ell tee to tam-tam ell Tee lv ~~~~~~~ Sleigh ells shake M loo Tom yan mallets ~~~~~~~~~~~~~~~~~ to sus cymal ~~~~~~~ M to ass dum to maima -mallet Vln I Vln II Vla Vc I n Vc II Vc III Vc IV C
64 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 n n n n n n to icc 55 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 n n Tn Tua Tim ec 1 ec 2 ec Susended Cymal snae sticks lv Tam-Tam oed lv Maima ell k k k k k k k k to snae dum to chimes Snae Dum to almglocken to tamouine Chimes lv ec no n n n n ass Dum lv ee temolo on chod Í Vln I Vln II Vla Vc I Vc II Vc III Vc IV C sul ont sul ont O izz O O aco od od
65 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn iccolo sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim tutti 8 8 N N n n ec 1 ec 2 Almglocken ue mallets Tamouine to cash cymal to tam-tam 8 8 Tam-Tam lv to snae dum ec ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C N @
66 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim N N n N n 118 to icc to icc iccolo iccolo 57 ec 1 ec 2 ec Cash Cymals eely scae acoss as lv Snae Dum to glockensiel to cotales to viahone gliss Cotales Glockensiel lv gliss lv ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C to tiangle gliss 122 stum izz stum izz ~~~~~~~~ ~~~~~~~~ 12
67 ~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~~ 58 icc 1 icc 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I ~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~~~ Vln II Vla Vc I Vc II Vc III ~~~~~~~ ~~~~~~~~ stum izz ~~~~~~~~ ~~~~~~~~~ Vc IV C
68 l 1 l 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 11 sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste U U U U U U U U U U Receding q = R sn 2 U C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste sing any note in high egiste U U U U U U U U Tn U Tua U Tim U ec 1 ec 2 ec U U U Viahone lv lv oed lv ec no Vln I Vln II Vla sing any note in high egiste sing any note in high egiste sing any note in high egiste U U U U U U 1 Tiangle lv Vc I U Vc II U Vc III Vc IV C U U 1 U 1
69 icc 1 icc 2 0 icc R O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec no Vln I Vln II Vla Vc I Vc II Vc III Vc IV C
70 icc 1 1 icc 2 icc O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec ec 1 1 no * Vln I Vln II Vla Vc I Vc II Vc III Vc IV C 18 19
71 lute 1 lute 2 lute Ooe 1 Ooe 2 Ooe Clainet in 1 Clainet in 2 ass Clainet assoon 1 assoon 2 Contaassoon Hon in 1-2 Hon in - Tumet in 1 Tumet in 2 Tumet in Tomone 1 Tomone 2 ass Tomone Tua Timani ecussion 1 (China Cymal, Med Sus Cym, Sizzle Cym) ecussion 2 (Tam-Tam, Viahone) ecussion (ass Dum) iano Violin I Violin II Viola Cello Contaass Massive E, G Div Div Div a Div Div ass Dum 1 Sizzle Cymal Med Sus Cym / tgl eate x x x x x x x x x x x x x x x x x x x x x x x x China Cymal IV VY Canis Maois The agest Knon Sta 2 R R R R
72 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 end evenly Tt 2 end evenly R end evenly Tn 1 Tn 2 Tn Tua Tim E to ec 1 ec 2 ec no Vln Vln II Vla Vc C
73 l 1 l 2 l O O 2 O Cl 1 Cl 2 n Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 2 ec no Vln I Vln II eeat ad li eeat ad li Vla Vc C
74 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 21 n N Cl sn 1 sn 2 C n Hn 1-2 Hn - Tt 1 Tt 2 Tt Tn 1 Tn 2 Tn Tua Tim ec 1 ec 2 ec no Vln I Vln II K x x x x x x x x x x x x x x x x x x x x x x x x x x x x x Tam-Tam / timani mallets lv to viahone n 10 Vla Vc C
75 l 1 l 2 l O 1 O 2 7 O Cl 1 Cl 2 Cl sn 1 sn 2 C n Hn 1-2 ~~~ ~~~ Hn - Tt 1 @ ~~~ ~~~~ Tt @ Tt Tn 1 Tn 2 n Tn Tua Tim ec 1 ec 2 ec no Vln I x x x x x x x x x x x x x x x R x x x R Ô x Viahone ue mallets x x x xx x x n R x x R x R x x x x x x x x R x Vln II Vla n n Vc C
76 8 l 1 l 2 l O 1 O 2 O Cl 1 Cl 2 Cl U lunga sn 1 U lunga sn 2 U lunga C n U lunga Hn 1-2 Hn - Tt 1 ~~~~~~ ~ ~ ~ R ~ ~ ~ ~~~~ ~ ~ ~ ~~~~ R ~ ~ ~ ~ ~~~~~ ~~~~ ~~~ ~ ~ ~ ~~~~ ~ ~ ~ ~~~ ~~~ ~~~ ~~~~~~~ R U U U lunga lunga lunga Tt U lunga Tt n U lunga Tn 1 Tn 2 N U U lunga lunga Tn U lunga Tua U lunga Tim ec 1 x x x x x x x x x x x x x x x x x ec 2 ec no Vln I n n H + RH U lunga * Vln II U lunga Vla U lunga Vc U lunga C U lunga
77 CURRICUUM VITAE Matt Wetmoe on: Deceme 1, 1989; Chalotte, NC Contact: htt://matt-etmoecom EDUCATION Univesity o ouisville Maste o Music, Music Comosition imay Instucto: Kzyszto Wołek East Caolina Univesity achelo o Music, Music Theoy/Comosition (Comosition Concentation) imay Instuctos: Ed acos, Mak Taggat, Mak Richadson and mac ais SEECTED WORKS Stas, o lage ochesta ith iano Comleted Ail 2015 Invictus, o SSAATT a caella choi emiee eomance Noveme 201 at the Univesity o ouisville Ne Music estival, Kent Hatteeg di Intesesions, o lute, violin, and iano emiee eomance Ail 201 at the Univesity o ouisville May (the Sing Dan), o concet and emiee eomance anuay 201 at the Univesity o ouisville Invitational Hono and, Mak ynn di While We Ae At Home, o choi, ogan and ensemle Commissioned and emieed y the St Matin's Eiscoal Chuch choi Noveme 2012, udd Kiy, di 9
Dream Theater. Paul Richards
Commissioned y The niesity o loida Symhony Ochesta, Raymond Choaz, conducto, in celeation o thei 00 th anniesay season Deam Theate aul Richads Deam Theate aul Richads I Theshold II lace o Seeal Mysteies
PAUL HAYDEN. Clara. Magnolia Music Press. for orchestra
AL HAYDEN Claa o ochesta Magnolia Music ess OCHESTA iccolo 2 lutes 2 Ooes 2 - at Clainets - at ass Clainet (unavailale lo notes may e laye an octave highe) assoons ( ouling contaassoon) Hons C Tumets (1
Sasparilla (2005) John Mackey
Sasailla (005) ohn Mackey Commissioned y Lama Univesity; Calionia State Univesity, Stanislaus; Emoy Univesity; loida State Univesity; the Univesity o Kansas; Louisiana State Univesity; and Michigan State
干珠満珠. The Tide Jewels
干珠満珠 The Tide eels o Ochesta [201] Chistohe Laosa chislaosacom 干珠満珠 The Tide eels o Ochesta [201] Duatio: ' Chistohe Laosa chislaosacom 2 Istumetatio lutes ( d doules icc) 2 Ooes Eglish Ho 2 Claiets i
KJOS CONCERT BAND GRADE 4½ JB85F $8.00 SAMPLE TIMOTHY MAHR HEROIC VALOR NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE ½ B85 $8.00 TIMOTHY MAHR HEROIC VALOR C o n s e v a t o y E D I T I O N S SAMLE NEIL A. KOS MUSIC COMANY SAN DIEGO, CALIORNIA THE COMOSER Timothy Mah is a ell-knon and highly acclaimed
TYLER TODD KIMMEL HERMES. Concerto for Violoncello and Orchestra
TYLER TODD KIMMEL HERMES Conceto o Violoncello and Ochesta 201-201 Comosed o thesis o the degee o Maste o Music loida Intenational nivesity 201 HERMES N Hemes, the meiest o Olymians, and god o taveles,
Symphony for Percussion Ensemble
Symhony or ercussion Ensemble or our ercussionists (and an otional electronics art), in our movements By Aidan Gold I: Landscaes II: A Dance III: A Dream IV: A Song 2016 Aidan Gold Instrumentation and
ELOQUENTIA espacio para flauta y orquesta
Violin I 1 Manuel Sosa ELOQENTIA esacio aa lauta y oquesta MusikaSilentis New Yok 2010 The imay uose o the ba-lines is to seve as a device o synchonization. Ba-lines do not indicate accentuation o the
KJOS CONCERT BAND GRADE 5 WB410F $9.00 SAMPLE RYAN NOWLIN SYNERGY RISING NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE 5 WB0 $900 RYAN NOWLIN SYNERGY RISING C O N S E R V A T O R Y E D I T I O N S SAMLE NEIL A KOS MUSIC COMANY SAN DIEGO, CALIORNIA THE COMOSER A natie o Cleeland, Ohio, Ryan Nolin
Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements
1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any
Spectral colours. for Ensemble and tape. Javier Alejandro Garavaglia (1997)
Sectal clus Ensemble and tae avie Aleand Gaavaglia (997) Ntes the emance The iece can be layed ith ithut the tae In the secnd case thee must be a ntice n the gam that claiies it ( examle: " Vesin ithut
Henrik Denerin. seals II. for cello and soprano. full score
Henik Denein seals II o and ull scoe Henik Denein seals II (2014-15) o and duation: 5 seconds Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical
Preview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF
THE HGHLAND/ETLNG RT HLHARMONC ERE Grade Level: 2 Themes rom heherazade Nikolai Rimsky-Korsakov Arranged y Rihard Meyer (ACA) 1 Condutor ore 1 lute 1 Ooe 1 assoon 1 Clarinet 1 Clarinet 1 E Alto axohone
Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION
ntermediate String/ull ORCHESTRA Grade ½ Galileo s Vision 1 Conductor 2 lute 2 Oboe 1 1st b Clarinet 1 2nd b Clarinet 1 b ass Clarinet 2 assoon Horn RALH ORD (ASCA) NSTRUMENTATON 1 1st b Trumet 1 2nd b
Olli Virtaperko Usvapatsas
Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm
Shadows of the Pyramids
Duration: 1:00 GRADE CB1 $1500 Shados o the yramids David Marlatt (17 ) Instrumentation: lute 1 lute REVIEW iccolo 1 Ooe arinet 1 arinet arinet B Bass Clarinet 1 Bassoon E Alto Saxohone 1 E Alto Saxohone
Balázs HORVÁTH. kábé 10
Balázs HOVÁTH káé 10 in eoia E o Alto Saxohone in E-lat and Ha 016 to the Duo Sea AYING SCOE Balázs Hováth, 016 káé 10 (cica 10) was coosed in the eoy o the Hungaian wite éte Esteházy in 016 It is dedicated
STEVEN BRYANT. In This Broad Earth
STEVEN BRYANT In This Broad Earth STEVEN BRYANT In This Broad Earth Written or and dedicated to Kevin Sedatole and the Michigan State University Wind Symhony lute I-II-III (doules Picc)* Ooe I-II Bassoon
the silence that reigns... for large ensemble Heather Frasch A dissertation submitted in partial satisfaction of the requirements for the degree of
the silence that eigns fo lage ensemble b Heathe Fasch A dissetation submitted in atial satisfaction of the equiements fo the degee of Docto of hilosoh in Music and the Designated Emhasis in Ne Media in
Preview Only. Legal Use Requires Purchase. Spirit of the Age YOUNG BAND. Grade 2 VICTOR LÓPEZ (ASCAP) INSTRUMENTATION PROGRAM NOTES
YOUNG BAND Grade Sirit o the Age Conductor 8 lute Ooe Bassoon st B Clarinet nd B Clarinet B Bass Clarinet 5 E Alto Saxohone B Tenor Saxohone E Baritone Saxohone st B Trumet nd B Trumet Horn Tromone VICTOR
Preview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION
Recorda me 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet rd B Trumet th B Trumet JOE HENDERSON Arranged y RIS BERG INSTRUMENTATION
DIVINE SERVICE: A LUTHERAN MASS FOR MIXED CHORUS, CHAMBER ORCHESTRA AND ORGAN. Copyright 2014 David von Kampen
DIVINE SERVICE: A LTHERAN MASS OR MIXED CHORS, CHAMER ORCHESTRA AND ORGAN Y Coyright 201 David von Kamen Sumitted to the graduate degree rogram in the School o Music and the Graduate aculty o the niversity
Dedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone
ULL SCORE Grade 5 richard l saucedo along an english countryside Dedicated to the Memory o Sir Malcolm Arnold 121-2006 INSTRUMENTATION 1 ull Score 1 iccolo 4 lute 1 4 lute 2 1 Ooe 1 1 Ooe 2 1 Bassoon 1
Where the I Comes From. Ursula Kwong-Brown
Where the I Comes From y Ursula Kongron A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate
Five Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score.
ive Loons LLC No. 102 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Text by Stehen Crane Comlete Score Comosed 2016 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Comosed 2015-2016
/ -1-1, The Vanishing Dark
-1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV
High Voice Two Violins Viola & Accordion
CHISTOHE WILLIAM IECE ON A OEM O ADELAIE e t'adoe à l'égal de la voûte noctune om Les leus du Mal High Two Violins Viola Accodion 00 Chistohe William iece ASCA, All ights eseved o Katy e t'adoe à l'égal
Preview Only. Legal Use Requires Purchase. Too Close for Comfort JAZZ
Too Close or Comort Words and Music y JERRY BOC, LARRY HOLOCENER and GEORGE DAVID WEISS Arranged y GORDON GOODWIN Conductor Solo 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor
PERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC
P A L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (01) PAL DOOLEY MSIC Winner o the 01 Sousa / American Bandmasters Association / Ostald Aard Winner o the 01 National Band Association
Christopher Cerrone. Invisible Overture for small orchestra (2008) Version correct as of: 03/07/2013. Outburst-Inburst Musics s k Brooklyn, NY k
Chisthe Cene Invisible vetue small chesta (2008) Vesin cect as : 0/0/201 utbustinbust Musics s k klyn, NY k CHESTA 2 lutes ( = iccl) 1 be 1 c anglais ( = be 2) 2 clainets in lat ( = bass clainet in lat)
SAMPLE. BRAD CIECHOMSKI Ascending the Crystal Hill. Correlated with TRADITION OF EXCELLENCE Book 3, Page 20 KJOS CONCERT BAND GRADE 3 WB487F $7.
TRADITIN EXCELLENCE EXCELLENCE IN ERRMANCE KS CNCERT BAND GRADE 3 $700 BRAD CIECHMSKI Ascending the Crystal Hill Correlated ith TRADITIN EXCELLENCE Book 3, age 0 SAMLE NEIL A KS MUSIC CMANY UBLISHER Aout
Preview Only. Legal Use Requires Purchase
CONCERT BAND Grade The Wizard o Oz Meets The Wiz eaturing Ding! Dong! The Witch is Dead, We re O to See the Wizard, The Merry Old Land o Oz, So You Wanted to See the Wizard and A Brand Ne Day (Eeryody
Music Diary. for soprano, flute, clarinet, violin, and percussion
Music Diary or sorano, lute, clarinet, violin, and ercussion LI Qi 201 Program Notes This is a iece or entertainment Have some un! :) Movements 1 Gossi!!! Girls always love gossi!!! Gossi always loves
BENAMIN E DANIEL DREAMFLIGHT knightindmusiccom Ho Drealight Got Me Back Into Music Music has een a assion o mine since I as a child I gre u laying iano and started tromone in school and I tried my hand
CHINESE FIRE DRILL BENJAMIN DEAN TAYLOR
CHINESE IRE DRILL BENAMIN DEAN TAYLOR Commissioned the Colorado Mesa niversit Wind Smhon Calvin Hoer, conductor ith the generous suort o Karen Coms 20 Duration: ca 6:0 Music teset the comoser Music Coright
Full Score. Gwyneth Walker. By Walden Pond. A celebration of the writings of Henry David Thoreau, for Orchestra and Narrator
ull Score Gyneth Walker By Walden ond A celebration o the ritings o Henry David Thoreau, or Orchestra and Narrator remiered on October 5, 009 by the Carson City Symhony Carson City, Nevada David Bugli,
Fantasia on KANG DING LOVE SONG
antasia on KANG DING LOVE SONG ERIC RICHARDS 2008 (BMI) Written or the Shanghai Conservatory o Music azz Ensemle Zhang, Xiaolu - director Dr Gene Aitken - guest conductor Octoer 2008 INSTRMENTATION Solo
SYSTEMATIC COMPOSITION AND INTUITION IN A CONCERTO FOR ORGAN AND ORCHESTRA. James Timbrel Worlton, B.M., M.M. Dissertation Prepared for the Degree of
SYSTEMATIC COMOSITION AND INTUITION IN A CONCETO O OGAN AND OCHESTA ames Timel Wolton, BM, MM Dissetation eaed o the Degee o DOCTO O MUSICAL ATS UNIVESITY O NOTH TEXAS August 200 AOVED: oseh Klein, Mao
OPHELIA. Her heart is a clock. Amadeus Julian Regucera. A dissertation submitted in partial satisfaction of the. requirements for the degree of
OHELIA He heat is a clock Amadeus ulian egucea A dissetation submitted in atial satisaction o the equiements o the degee o Docto o hilosoh in Music in the Gaduate Division o the nivesit o Calionia, ekele
Gwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers
Gyneth Walker Earth and Sky a trile concerto or Violin, Viola, Cello and Orchestra (or Piano) and Readers Oen Land grandeur and eace Rivers rushing ater, still ater nexected Moments the quirks o nature
KACHISORY - The Cry of Magpies -
KACHISORY The Cry o Magies or Orchestra by Hyukjin Shin A comosition submitted in artial ulillment o the requirements or the degree o Doctor o Musical Arts Music: Comosition in The University o Michigan
Online-routing on the butterfly network: probabilistic analysis
Online-outing on the buttefly netwok: obabilistic analysis Andey Gubichev 19.09.008 Contents 1 Intoduction: definitions 1 Aveage case behavio of the geedy algoithm 3.1 Bounds on congestion................................
7.2. Coulomb s Law. The Electric Force
Coulomb s aw Recall that chaged objects attact some objects and epel othes at a distance, without making any contact with those objects Electic foce,, o the foce acting between two chaged objects, is somewhat
Joseph Schwantner. To the memory of Martin Luther King. New Morning for the World Daybreak of Freedom. for Narrator and Wind Orchestra PERUSAL SCORE
oseh Schantner To the memory o Martin Luther King Ne Morning or the orld Dayreak o reedom or Narrator and ind Orchestra Texts dran rom the ords o Martin Luther King r ESAL SCOE Transcried or inds y Nikk
Preview Only. Richard Meyer (ASCAP) notes the conductor A DIVISION OF
(Correlates ith String Exlorer ook 1 nit 12) Grade Level: 1½ Once on a Time Signature Richard Meyer (ASCA) n s t r u m e n tat i o n Conductor Score... 1 Violin... 8 Violin... 8 Viola... 5 Violin (Viola
QUADRUPLE QUARTET: FOR A CHAMBER ORCHESTRA OF 16 PLAYERS
QUADRULE QUARTET: OR A CHAMER ORCHESTRA O 16 LAYERS by DIANA R ROSENLUM A THESIS resented to the School o Music and Dance and the Graduate School at the University o Oregon in artial ulillment o the requirements
Physics 211: Newton s Second Law
Physics 211: Newton s Second Law Reading Assignment: Chapte 5, Sections 5-9 Chapte 6, Section 2-3 Si Isaac Newton Bon: Januay 4, 1643 Died: Mach 31, 1727 Intoduction: Kinematics is the study of how objects
TO PAINT THEIR MADNESS
IECE GADNE T AINT THEI MADNESS o telve musicias Coyight 01 amescest Music (ASCA) All ights eseved Istumetatio 1 lute (doulig iccolo) 1 oe (doulig Eglish Ho i ) 1 Claiet i -lat 1 Alto Saxohoe i E-lat (doulig
ABSTRACT VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION. Joshua Davis, Doctor of Musical Arts, Department of Music
ABSTRACT Title of dissertation: X Y Z CHAMBER MUSIC COMPOSITION OR VIOLIN, VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION oshua Davis, Doctor of Musical Arts, 007 Dissertation directed : Professor Thomas
Illinois (Honors) Digital IWU. Illinois Wesleyan University. Luke J. McLoughlin Recommended Citation
Illinois Wesleyan niversity Digital Commons @ IW Comositions Outstanding Student Works 015 Illinois (Honors) Luke J. McLoughlin lmclough@iwu.edu Recommended Citation McLoughlin, Luke J., "Illinois (Honors)"
A Collection of Three Pieces for Solo Instrument and Electronics
Weste Michiga Uivesity ScholaWoks at WMU Maste's Theses Gaduate College -208 A Collectio o Thee ieces o Solo Istumet ad Electoics Caoly Bochedig Weste Michiga Uivesity, cgbochedig@gmail.com ollo this ad
"Given time..." for soprano and orchestra.
University o Louisville ThinkIR: The University o Louisville's Institutional Reository Electronic Theses and Dissertations -017 "Given time..." or sorano and orchestra. Alex Isackson University o Louisville
A Shrinking Emptiness/ Entropic Pleasures III
Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Commissioned y Ens MimitauLevande MusikKulturrådet 01 (Version 01, Version III 018) Anders Hultqvist A Shrinking
SAMPLE FANFARE: A VISION AND A DREAM RYAN NOWLIN KJOS CONCERT BANDVVORKS NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE WB $8.00 RYAN NOWLIN ANARE: A VISION AND A DREAM KOS CONCERT BANDVVORKS NEIL A. KOS MUSIC COMPANY SAN DIEGO, CALIORNIA THE COMPOSER A natie o Cleeland, Ohio, Ryan Nolin holds oth
Neptunian Night for three retuned, computer-driven pianos
for three retuned, comuter-driven ianos y Kyle Gann 20 Technical Secifications The 33-itch tuning of the three ianos (the same in every octave) is as follos, given first in the numer of cents aove E-flat,
Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS
There Is No Greater Love Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone
golden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION
ennell edition Marches golden uilee MARCH Conductor C Piccolo st C lute nd C lute st Ooe nd Ooe E Clarinet st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet st Bassoon nd Bassoon
Lecture 3. Basic Physics of Astrophysics - Force and Energy. Forces
Foces Lectue 3 Basic Physics of Astophysics - Foce and Enegy http://apod.nasa.gov/apod/ Momentum is the poduct of mass and velocity - a vecto p = mv (geneally m is taken to be constant) An unbalanced foce
In many engineering and other applications, the. variable) will often depend on several other quantities (independent variables).
II PARTIAL DIFFERENTIATION FUNCTIONS OF SEVERAL VARIABLES In man engineeing and othe applications, the behaviou o a cetain quantit dependent vaiable will oten depend on seveal othe quantities independent
MICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS FOR 3 SOLO TRUMPETS & WIND ENSEMBLE SAMPLE SCORE - NOT FOR PERFORMANCE - NOT A PURCHASED COPY
MICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS FOR SOLO TRUMPETS WIND ENSEMBLE MICHAEL MARKOWSKI THE DIVINE RIGHT OF KINGS INSTRUMENTATION FOR SOLO TRUMPETS WIND ENSEMBLE WINDS Piccolo Flute Ooe Bassoon
History of Astronomy - Part II. Tycho Brahe - An Observer. Johannes Kepler - A Theorist
Histoy of Astonomy - Pat II Afte the Copenican Revolution, astonomes stived fo moe obsevations to help bette explain the univese aound them Duing this time (600-750) many majo advances in science and astonomy
Lab #4: Newton s Second Law
Lab #4: Newton s Second Law Si Isaac Newton Reading Assignment: bon: Januay 4, 1643 Chapte 5 died: Mach 31, 1727 Chapte 9, Section 9-7 Intoduction: Potait of Isaac Newton by Si Godfey Knelle http://www.newton.cam.ac.uk/at/potait.html
Jarkko Hartikainen. Habitus. for orchestra
2 80 Jakk Hatikainen Habitus chesta 201-2017 Cyight by the Cmse All Rights Reseve N at this ublicatin may be cie euce in any m by any means ithut the i emissin the cmse Distibutin: Music inlan Music Libay
Recap. Centripetal acceleration: v r. a = m/s 2 (towards center of curvature)
a = c v 2 Recap Centipetal acceleation: m/s 2 (towads cente of cuvatue) A centipetal foce F c is equied to keep a body in cicula motion: This foce poduces centipetal acceleation that continuously changes
HW 7 Help. 60 s t. (4.0 rev/s)(1 min) 240 rev 1 min Solving for the distance traveled, we ll need to convert to radians:
HW 7 Help 30. ORGANIZE AND PLAN We ae given the angula velocity and the time, and we ae asked to ind the distance that is coveed. We can ist solve o the angula displacement using Equation 8.3: t. The distance
,,,., r f r r I r f r 1 1 re r crr Er I FE r r cc cr I r r t rr re; 1 r f rr F 1 11
49 b b g,,, F F F L Ee F E H E F F F F e 55 (,,,., 1 1 e c E FE cc c t e; 1 F 1,-.(bl....... 3. Beakast Goove Goove =120 is u i s - :(' E : l= 1) = 1t, 67 l u E l - l b tl E ei.. E F l u l -, 73. b. E
Foremost In Marching And Concert Percussion Literature P.O. Box Nashville, TN FAX
oremost I Marchig Ad Cocert ercussio Literature O Box 292671 Nashville, TN 37229 1-800-62-8001 AX 1-615-885-0370 wwwrowlocom Dark light by James Campbell Advaced - 5:18-12 layers Istrumetatio Bells, Xylo,
Class 2. Lesson 1 Stationary Point Charges and Their Forces. Basic Rules of Electrostatics. Basic Rules of Electrostatics
Lesson 1 Stationay Point Chages and Thei Foces Class Today we will: lean the basic chaacteistics o the electostatic oce eview the popeties o conductos and insulatos lean what is meant by electostatic induction
KCET 2015 TEST PAPER WITH ANSWER KEY (HELD ON TUESDAY 12 th MAY, 2015) MATHEMATICS ALLEN Y (0, 14) (4) 14x + 5y ³ 70 y ³ 14and x - y ³ 5 (2) (3) (4)
KET 0 TEST PAPER WITH ANSWER KEY (HELD ON TUESDAY th MAY, 0). If a and b ae the oots of a + b = 0, then a +b is equal to a b () a b a b () a + b Ans:. If the nd and th tems of G.P. ae and esectively, then
Sample. The Jingle Parade. Dedicated to Mike Schofield and the Kingsburg High School Band Program, Kingsburg, California. Gary P.
The Jingle Parade Dedicated to Mike Schoield and the Kingsburg High School Band Program, Kingsburg, Caliornia by Gary P Gilroy (ASCAP) Grade: 2 1/2 Duration: 3:03 1 Conductor Score 5 Flute 1 5 Flute 2
Robbery > J. œ œ. œ b œ. œ œ œ œ. œ œ œ œ œ œ œ. œ J. œ œ œ. b œ œ œ # œ ? 4. œ J. b œ œ œ # œ Ó. # b œœ. œ œ. œ J. œ Œ Ó & œ - œ - œ - œ - Kbds, Str
IANO CONDCTOR 171 LES MISÉRABLES 10 Robbery e = q Allegro A b b Kbds, Str 8 e = e C 1 b b Ba - bet, b Claque-sous b b b pon - ine, Take care! b Andante {q = 8} Kbd1, Xylo 5 Ev - 'ry - one here b sim b
AP Physics - Coulomb's Law
AP Physics - oulomb's Law We ve leaned that electons have a minus one chage and potons have a positive one chage. This plus and minus one business doesn t wok vey well when we go in and ty to do the old
Δt The textbook chooses to say that the average velocity is
1-D Motion Basic I Definitions: One dimensional motion (staight line) is a special case of motion whee all but one vecto component is zeo We will aange ou coodinate axis so that the x-axis lies along the
Analysis of Arithmetic. Analysis of Arithmetic. Analysis of Arithmetic Round-Off Errors. Analysis of Arithmetic. Analysis of Arithmetic
In the fixed-oint imlementation of a digital filte only the esult of the multilication oeation is quantied The eesentation of a actical multilie with the quantie at its outut is shown below u v Q ^v The
Still Sky Bells. For large ensemble. Stef Conner 2010
Still Sky Bells For large ensemble Ste Conner 1 Ste Conner Still Sky Bells 1 For large ensemble lutealto lute oboecor anglais clarinetbass clarinet ercussion vibrahonetam-tamglockensielrin C - CChinese
Physics 235 Chapter 5. Chapter 5 Gravitation
Chapte 5 Gavitation In this Chapte we will eview the popeties of the gavitational foce. The gavitational foce has been discussed in geat detail in you intoductoy physics couses, and we will pimaily focus
Physics 11 Chapter 3: Vectors and Motion in Two Dimensions. Problem Solving
Physics 11 Chapte 3: Vectos and Motion in Two Dimensions The only thing in life that is achieved without effot is failue. Souce unknown "We ae what we epeatedly do. Excellence, theefoe, is not an act,
FZX: Personal Lecture Notes from Daniel W. Koon St. Lawrence University Physics Department CHAPTER 7
FZX: Pesonal Lectue Notes fom Daniel W. Koon St. Lawence Univesity Physics Depatment CHAPTER 7 Please epot any glitches, bugs o eos to the autho: dkoon at stlawu.edu. 7. Momentum and Impulse Impulse page
Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]
![Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]](/thumbs/94/119278765.jpg "Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]")
Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto
Notes on McCall s Model of Job Search. Timothy J. Kehoe March if job offer has been accepted. b if searching
Notes on McCall s Model of Job Seach Timothy J Kehoe Mach Fv ( ) pob( v), [, ] Choice: accept age offe o eceive b and seach again next peiod An unemployed oke solves hee max E t t y t y t if job offe has
La Petite Maria de Normandie
Western Washington University Western CEDAR WWU Masters Thesis Collection WWU Graduate and Undergraduate Scholarshi Sring 2017 La Petite Maria de Normandie Charles-ohn Fontillas Western Washington University,
Lecture 3. Basic Physics of Astrophysics - Force and Energy. Forces
Lectue 3 Basic Physics of Astophysics - Foce and Enegy http://apod.nasa.gov/apod/ Foces Momentum is the poduct of mass and velocity - a vecto p = mv (geneally m is taken to be constant) An unbalanced foce
DAVID MASLANKA. Illumination OVERTURE FOR BAND
DAVID MASLANKA Illumination OVERTRE FOR BAND ILLMINATION Overture for Band selected orks for high school ind ensemle y david maslanka Rollo Takes a Walk 980 Prelude on a Gregorian Tune 98 Montana Music:
Physics: Work & Energy Beyond Earth Guided Inquiry
Physics: Wok & Enegy Beyond Eath Guided Inquiy Elliptical Obits Keple s Fist Law states that all planets move in an elliptical path aound the Sun. This concept can be extended to celestial bodies beyond
Between any two masses, there exists a mutual attractive force.
YEAR 12 PHYSICS: GRAVITATION PAST EXAM QUESTIONS Name: QUESTION 1 (1995 EXAM) (a) State Newton s Univesal Law of Gavitation in wods Between any two masses, thee exists a mutual attactive foce. This foce
on the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal
on the deconstruction o a cycle or 2 ianists and 2 ercussion layers Alberto C. Bernal PERFORMANCE NOTES General: The dynamic indications between hooks reer to the intention dynamic, that can be dierent
MADE IN CHINA, MADE IN CALIFORNIA
MADE IN CHINA, MADE IN CALIFORNIA or clarinet in b-lat, sorano saxohone, ercussion, viola, and contrabass Carolyn Chen 201 MADE IN CHINA, MADE IN CALIFORNIA Commissioned by Now Hear Ensemble Notes I was
Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone
The Jitterug Waltz Thomas ats WAller Arranged y Eric Richards instrumentation Conductor 1st E% Alto Saxohone 2nd E% Alto Saxohone 1st B% Tenor Saxohone 2nd B% Tenor Saxohone E% Baritone Saxohone 1st B%
Uniform Circular Motion
Unifom Cicula Motion constant speed Pick a point in the objects motion... What diection is the velocity? HINT Think about what diection the object would tavel if the sting wee cut Unifom Cicula Motion
PHYSICS 272 Electric & Magnetic Interactions. Prof. Andrew Hirsch Room: 178, Phone: 42218
PHYSICS 7 Electic & Magnetic Inteactions Pof. Andew Hisch Hisch@pudue.edu Room: 78, Phone: 48 Couse Content This couse deals with electic and magnetic inteactions, which ae cental to the stuctue of matte,
Electromagnetic Waves
Chapte 32 Electomagnetic Waves PowePoint Lectues fo Univesity Physics, Twelfth Edition Hugh D. Young and Roge A. Feedman Lectues by James Pazun Modified P. Lam 8_11_2008 Topics fo Chapte 32 Maxwell s equations
Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.
Please note that not all ages ae ncluded. Ths s uosely done n ode to otect ou oety and the wok o ou esteemed comose you would lke to see ths wok n ts entety, lease ode onlne o call us at 80064717. Emly
High Water Mark: Suite for Jazz Octet
University o Neraska - Lincoln DigitalCommons@University o Neraska - Lincoln Student Research, Creative Activity, and erormance - School o Music Music, School o 5-011 High Water Mark: Suite or azz Octet
KEPLER S LAWS OF PLANETARY MOTION
EPER S AWS OF PANETARY MOTION 1. Intoduction We ae now in a position to apply what we have leaned about the coss poduct and vecto valued functions to deive eple s aws of planetay motion. These laws wee
PHYSICS 272 Electric & Magnetic Interactions. Prof. Andrew Hirsch Room: 178, Phone: 42218
PHYSICS 7 Electic & Magnetic Inteactions Pof. Andew Hisch Hisch@pudue.edu Room: 78, Phone: 48 Couse Content This couse deals with electic and magnetic inteactions, which ae cental to the stuctue of matte,
Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson.
ive Loons LLC No. 101 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR Text by Edin Arlington Robinson Score arts Comosed 2012, Revised 201 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR
Pietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer
Pietà Violin, Cello and Piano For the Longleash Trio - - 01 Duration: 1 Peter Kramer PROGRAM NOTE Pietà was written during the Sring and Summer of 01 for Pala Garcia, ohn Poham and Renate Rohlng for the
Preview Only. Legal Use Requires Purchase. Hark! The Herald Angels Sing JAZZ. TRADITIONAL Arranged by GORDON GOODWIN INSTRUMENTATION
Conductor B Sorano Saxohone 1st E Alto Saxohone (Alternate art) 2nd E Alto Saxohone (lute) 2nd E Alto Saxohone (Alternate art) 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet
The Silence: Overture and Two Scenes from an Opera in Two Acts
University o Kentucky UKnoledge Theses and Dissertations--Music Music 2013 The Silence: Overture and To Scenes rom an Oera in To Acts Eric urgens University o Kentucky, musicandscoresbyeric@gmailcom Click
AP Physics C: Electricity and Magnetism 2003 Scoring Guidelines
AP Physics C: Electicity and Magnetism 3 Scoing Guidelines The mateials included in these files ae intended fo use by AP teaches fo couse and exam pepaation; pemission fo any othe use must be sought fom