Fan Jing. Chia-Yu Hsu. Department of Music Duke University. Date: Approved: Stephen Jaffe, Supervisor. Scott A Lindroth.

Size: px
Start display at page:

Download "Fan Jing. Chia-Yu Hsu. Department of Music Duke University. Date: Approved: Stephen Jaffe, Supervisor. Scott A Lindroth."

Transcription

1 an ng y ChaYu Hsu Deartment o Musc Duke Unversty Date: Aroved: tehen ae, uervsor cott A Lndroth hl urecht Guo un Hong Dssertaton sumtted n artal ulllment o the requrements or the degree o Doctor o hlosohy n the Deartment o Musc n the Graduate chool o Duke Unversty 00

2 ATACT an ng y ChaYu Hsu Deartment o Musc Duke Unversty Date: Aroved: tehen ae, uervsor cott A Lndroth hl urecht Guo un Hong An astract o a dssertaton sumtted n artal ulllment o the requrements or the degree o Doctor o hlosohy n the Deartment o Musc n the Graduate chool o Duke Unversty 00

3 Coyrght y ChaYu Hsu 00

4 Astract an ng (olk Images), an orchestral trlogy, s ased on olk elements o the three man ethnc grous n Taan: Mnnan, Hakka and aorgnal As each o these grous has ts on soken language, olk musc and muscal style, each movement o the trlogy has ts on character urthermore, derent asects o olk elements are oregrounded n each movement The rst movement, antasy on Wang ao Chuan, emhaszes Mnnan vocal musc and s manly ased on the Taanese oera melody 1, Wang ao Chuan Melodc gures derved rom the oera mx th orgnal melodes These melodes dect the tender qualty o Mnnan vocal musc th ts characterstc endng tches y contrast, Hakka musc, amous or ts mountan songs hch armers sng to each other hle ckng tea leaves, s usually sung n a more unadorned manner In ths second movement o an ng, the oen and sacous atmoshere o mountan songs s evoked; n ts harmonc shere, mnor trads, uqutous n the orgnal melody, are uxtaosed th entatonc chords The elements n the thrd movement, eng Nan, are derved rom the oenng hrases o a harvest song o the Ams, an aorgnal tre located manly n the eastern Taan The structure o ths movement ollos the events occurrng durng the harvest estval (), ncludng huntng, sngng n the anthonal style ( call and resonse ), dancng, and celeratng communally The musc evokes the mood o ths ld carnval 1 Taanese oera s tsel a relatvely recent dervaton o ekng oera In the 0 th century, t as dssemnated over the ar and s oularly assocated th televson v

5 On a theoretcal level, an ng loosely adats Chnese muscal elements to concets o telve tone tonalty and set theory Ths aroach ulds on the ork o Chnese comoser, Chen Y In ths ork and related musc, the comoser has develoed an dom hch s caale o gvng voce to Chnese thematc elements and hch emloys estern develomental technques an ng s scored or ccolo, lutes, ooes, Englsh horn, clarnets n lat, ass clarnet n lat, assoons, contraassoon, horns n, trumets n C, tenor tromones, ass tromone, tua, tman, ercussonsts, har, ano (doulng celesta), and strngs The ork s aroxmately thrty mnutes n duraton olk musc has o course een dely used y many successul comosers, such as artók, Lutoslask, and travnsky Hoever, not untl recent decades the attenton has allen on orks y Chnese comosers ho attemt to nuse Chnese olk elements, ncludng those heard on TV and rado, th estern comostonal aroaches My comoston adds to ths category reertore: concert musc rooted n Chnese olk doms Concets o Cultural uson n Chen Y s Golden lute and Chnese olk Dance ute, a mnor comonent o dssertaton, nvestgates ho Chen Y (1) ntegrates Chnese elements th estern technques n her recent orchestral orks Golden lute (1) and Chnese olk Dance ute (001) v

6 Contents Astractv Lst o Tales v Acknoledgements v Introducton1 an ng10 I antasy on Wang ao Chuan1 II han Ko III eng Nan AENDIX A: OU OLK ONG reerenced n an ng11 ograhy 1 v

7 Lst o Tales Tale 1: The ormal structure o antasy on Wang ao Chuan Tale : The ormal structure o han Ko Tale : The ormal structure o eng Nan v

8 Acknoledgements It ould not have een ossle to create ths dssertaton thout the assstance o many eole and organzatons rst, I ould lke to thank Carllo estval o Contemorary Musc, hose orchestra, under the lead o Maestro Marn Also, remered the thrd movement, eng Nan, n August 00 I also sh to thank the muscans and admnstraton o the North Carolna ymhony, and Maestro Wllam Henry Curry, or a readng o antasy on Wang ao Chuan n anuary 00 An earler verson o antasy on Wang ao Chuan as read at krall Center n NYU y the Amercan Comosers Orchestra, at the ACO s Whtaker eadngs n 00 I ant to exress my grattude to my advsor, tehen ae, ho has een an mortant mentor or me toard my comostons and le I also ant to thank memers o my dssertaton commttee, cott Lndroth, hl urecht, and Guo un Hong, or ther advce durng the rtng o an ng and the artcle, Concets o Cultural uson n Chen Y s Golden lute and Chnese olk Dance ute, and throughout my studes at Duke Unversty In addton, I ould lke to thank Chen Y or alays romtly resondng my emals and anserng my questons I sh to acknoledge the Graduate chool at Duke Unversty, hose Katherne Goodman tern ellosh and M Anne Hll ellosh suorted my last year o rtng, and also the Yaddo Cororaton and Wldacres etreat or suort The Deartment o Musc at Duke Unversty has also nancally asssted my muscal endeavors I also ant to thank my rends, haoyn Chen, Natale Zhu, CheHung Chen and Carolyn Kuan or ther encouragements and accomanes durng my studes nally, I ant to thank my arents or ther endless suort v

9 Introducton an ng, an orchestral trlogy, s ased on olk elements o the three man ethnc grous n Taan: Mnnan, Hakka and aorgnal As each o these grous has ts on soken language, olk musc and muscal style, each movement o my trlogy has ts on character The rst movement, antasy on Wang ao Chaun, s nsred y the Taanese oera Wang ao Chuan () Grong u n an envronment here Taanese oera as very oular and eatured on televson almost every nght, I as naturally attracted y the unque ay o sngng eatured n these resentatons derent rom the normal ay o sngng n Chnese olksongs and derent, too, rom Western oera sngng, esecally n slo temo songs The endng o melodc notes and the heterohonc accomanments thout harmony are very derent rom vocal musc n the Western classcal tradton In order to try to catch some essence o the muscal lavor o the orgnal oera and ts story hch dects a oor coule as searated ecause the husand ent to mltary, ut nally unted, I have ncororated melodc materal rom Wang ao Chuan n my ne orchestral score Melodc gures as heard esecally n Taanese Oera mx th my orgnal melodes These elements are develoed th Western muscal technques to lend a ersonal relecton on ths mortant comonent o my early muscal envronment han Ko, the second movement o an ng, emloys materal derved rom Hakka musc There are varous tyes o Hakka mountan songs, th an aundance o lyrcal content The songtye assocated th my ece s called Laoshanko (old mountan song), hch s the oldest and smlest o Hakka olk songtyes Laoshanko s the name o one such tune, hch I have reerenced 1

10 I am artcularly dran y ts use o the mnor trad and the lre eelng o the orgnal tune (Ex 1a) 1 As a result, mnor trads are uxtaosed th the redomnantly entatonc harmony are deloyed to exlore varous tmres eteen derent nstrumental grous n the ece (Ex 1) Many tmes, the melodc ragments are stretched and heavly decorated ometmes the echoes o those ragments are roduced eteen nstruments It s the srt o reedom and sacous acoustcs n the mountans that I have tred to cature 1 ee Aendx A or the entre melody

11

12 an ng s last movement, eng Nan, s ased on the tradtonal harvest estval o the Am, Taan s largest aorgnal tre, ho lve rmarly along Taan s east coast The estval egns th the young men gong out to sh Ater they return to the vllage, the communty dresses n tradtonal costumes and orms a crcle, dancng to the chants o a vllage elder Ths ntates a callandresonse erormance here all the men o the vllage anser the elder s chant Toard the end o the estval, the omen on the celeraton, hch culmnates th ther sngng erormance Ths lace o honor relects the status o omen n the Am s matrarchal socety My ece egns th a loud and aggressve ntroducton reresentng the Am arror style Ths leads to the man secton, hch conssts o alternatng susectons o ast and slo temo n an anthonal (call and resonse) style Ater the ece reaches ts clmax, a slo and eaceul secton ollos here melodes are heard n the hgher regsters, reresentng emale sngng The ece concludes th a omastc nale, th all communty voces sngng It s a estve event, ater all urther analytcal commentary In the oenng movement, antasy on Wang ao Chuan, the to man sectons (mm 10 and mm 1) are ased on to orgnal melodes derved rom the oera The oeratc melody ull Moon () s a slo temo melody n hch the text descres ho dcult t s to lve n a drought hen everythng des Wang ao Chuan, the emale rotagonst, sngs ths song hle atng or her husand to return home rom the mltary, here he has gone or years (Aendx A1) I use my orgnal melody (egnnng m n the cell), hch reresents ate, to nterrut the lo o the orgnal tune rom the oera n ths slo secton (mm10) The other orgnal melody rom the oera s called even ast Words () In contrast to ull Moon, the temo o ths

13 melody s quck The text dects the male rotagonst, Xue ng Gu, assng through mles and rushng home to meet hs e (Aendx A) The rst to measures rom the orgnal tune are most mortant, ecause the ast secton (mm1) n antasy on Wang ao Chuan s manly estalshed on ths motve Whle the harmonzaton n the slo secton emloys many entatonc chords, the small motve derved rom the orgnal melody n the ast secton nvolves tetrachordal dervaton Its threenote motve (m1) s harmonzed th tetrachords hch aggregate to telve notes (Ex ) Ths motve can e dscovered n derent transostons throughout ths assage (mm110) The entatonc scale s also an mortant element n the desgn o the second movement, han Ko ometmes entatony s deloyed n the horzontal moton, hle other tmes t s aggregated nto vertcal chords requently the entatonc scales as transosed nto dstnct key areas ll collde th each other Derent transostons o the scale are also layed y derent nstrumental grous The entatonc element oten s reduced nto tetrachords hch elong to asc entatonc susets, such as (0) and (0) In many occasons, one tetrachord nterlaces th another one and exands to a larger tch set (Ex a; )

14

15 an ng s desgned to e erormed as a trlogy, or as ndvdual movements, searately The ormal structure n the rst movement can e generally dvded nto ve sectons ased on the materal emloyed (Tale 1) ecton Introducton A (slo) Transton (ast) Coda Materal Measure numer Motve rom ast even Words and my orgnal theme (Theme 1) Melody rom ull Moon and my orgnal theme eeatng notes th motve rom ast even Words (Theme ) Motve and melody rom ast even Words Motve and melody rom ast even Words Tale 1: The ormal structure o antasy on Wang ao Chuan The second movement n general has a smler structure comarng to the rst and thrd movement (Tale ) ecton Introducton A Materal Chords ased on A edal tone Theme 1 (ased on mnor trad) and ragments o descendng scale melody (Theme ) Measure numer Tale : The ormal structure o han Ko Descendng scale melody (Theme ) and theme 1 Comarng to antasy on Wang ao Chun, sectons n eng Nan are more concse (Tale ), although secton A can stll e dvded nto three derent susectons (mm1, mm 11, and mm11) ecton Introducton A A Materal Motve accomaned y the ascendng gures Anthonal style: Theme 1 ased on the motve rom the orgnal melody Theme Measure numer Theme 1 and Theme Tale : The ormal structure o eng Nan

16 One o an ng s most mortant stylstc attrutes s uson, e a henomenon that ncororates synthess and syncretsm o muscal nluences rom derent cultures In an ng, I try to ntegrate Taanese olk elements th Western comostonal technques I have learned durng my studes oth n Taan and the U an ng loosely adats Chnese muscal elements ncludng scale, ornamentaton, nstrumental style, and orm to concets o telve tone tonalty and set theory Its harmonc rogressons and contrauntal rtng are nluenced y Western classcal musc, ut are not exemlary o the same style The concludng examle demonstrates ho, n the rst movement I have reused the tradtonal Chnese musc ractce o heterohony, n hch the hole ensemle lays rom a onelne melody, decorated derently y the layers, th heterohonc rtng (Ex a; ) I am develong an dom, hch s caale o gvng voce to Chnese thematc elements and estern develomental technques As dened y Kartom, ntercultural synthess o musc s the orkng out o contradctory elements eteen to or more mngng muscs through a dalectcal rocess nto a ne muscal hole ee Margaret Kartom, The rocesses and esults o Muscal Culture Contact: A dscusson o Termnology and Concets, Ethnomuscology (11): Everett denes syncretsm as a rocess o lendng cultural elements that ntates changes n oth value and orm ee Yayo Uno Everett, Intercultural ynthess n ostar Western Art Musc: Hstorcal Contexts, ersectves, and Taxonomy, n Locatng East Asa n Western Art Musc, ed Yayo Uno Everett and rederck Lau (Mddleton, CT: Wesleyan Unversty ress, 00), 1

17

18 an ng (olk Images) or Orchestra ChaYu Hsu 10

19 an ng (olk Images) ChaYu Hsu Instrumentaton lutes ccolo Ooes Englsh Horn Clarnets n ass Clarnet n assoons Contra assoon Horns n Trumets n C Tenor Tromones ass Tromone Tua Tman () ercusson (three layers see elo) Har ano Voln I Voln II Vola Voloncello Doule ass Duraton: ca 0 0 Note: an ng s a trlogy Each movement can e erormed searately an ng also can e erormed as a hole cycle erormance notes: 1 The score s transosed ccolo and Xylohone sound an octave hgher than rtten; Glockensel and Crotales sound to octaves hgher Doule ass and Contraassoon sound an octave loer than rtten Unless seced, the mute used or horn, trumet, tromone and tua s straght mute Accdentals carry through the ar n the regster n hch they rst occur 11

20 Dstruton o the ercusson art (Note: These are the nstruments and ther dstruton or the erormance o all three movements o an n Less ercusson s requred or erormance o ndvdual movements These requrements are lsted ror each movement ercusson I Tamtam, Medum Gong, ass Drum, Tomtoms (), mall usended Cymal, mall Chnese Gong (Xao Luo), mall Chnese ells (eng Lng), mall Chnese Drum (an Gu), lt Drum, amoo Wnd Chmes, lastck, Temle Gong, Temle locks (), Glass Wnd Chmes, and aer, Trangle, Coells (), lexatone, Tuular Chmes ercusson II Tamtam, Medum Wood lock, ass Drum, lastck, mall usended Cymal, mall Chnese Gong (Xao Luo), mall Chnese ells (eng Lng), Temle Gong, Water Gong, rake Drum, mall lastck, nare Drum, Co ells (), Tamourne, mall Chnese Drum (Tang Gu), legh ells, and aer, Crotales, Tuular Chme, Glass (), Xylohone, Vrahone, Glockensel 1

21 ercusson III mall usended Cymal, mall Gong, Claves, mall Chnese Drum (Tang Gu), Woodlocks (), Maracas, legh ells, and aer, lexatone, Glass (), Tuular Chmes, Marma, Xylohone, Vrahone, Glockensel 1

22 antasy on Wang ao Chuan ercusson nstrumentaton ercusson (three layers): ercusson I Medum Gong, ass Drum, Tomtoms(), mall Chnese Cymal, mall Chnese ells, amoo nd Chmes, lastck, Wood locks(), Temle Gong, Trangle ercusson II ass Drum, lastck, rake Drum, mall Chnese ells, mall usended Cymal, Temle Gong, nare Drum, mall Chnese Cymal, mall lastck, mall Chnese Drum, Tuular Chme, Xylohone, Glass (), Crotales ercusson III Glockensel, Vrahone, Xylohone, Tuular Chme, mall usended Cymal, mall Gong, Wood locks (), Glass (), lexatone 1

23 han Ko ercusson nstrumentaton ercusson (three layers): ercusson I Tamtam, ass Drum, mall usended Cymal, Co ells (), Temle locks (), Glass Wnd Chmes, Tuular Chmes ercusson II Medum Woodlock, Water Gong, mall usended Cymal, Crotales, Vrahone ercusson III mall usended Cymal, Wood locks (), Glockensel, Marma 1

24 eng Nan ercusson nstrumentaton ercusson (three layers) ercusson I ass Drum, Tomtoms (), mall Chnese Drum, lt Drum, Glass Wnd Chmes, Chnese ells, and aer, Trangle, lexatone ercusson II nare Drum, Co ells (), mall Chnese Gong, Tamtam, Water Gong, usended Cymal, legh ells, and aer, Tamourne, rake Drum, Trangle, Crotales, Glockensel ercusson III Woodlocks (), mall Chnese Drum, Claves, usended Cymal, legh ells, and aer, Maracas, Tuular Chmes, Xylohone, Vrahone, Glockensel 1

25 ccolo lute 1 lute Ooe 1 Ooe Englsh Horn Clarnet n 1 Clarnet n ass Clarnet assoon 1 assoon Contraassoon Horn n 1 Horn n Trumet n C 1 Trumet n C Trumet n C Tenor Tromone 1 Tenor Tromone ass Tromone Tua Tman ercusson 1 ercusson ercusson Voln II Vola Voloncello Doule ass Har mall Chnese Gong Moderato q» ºº Voln I Moderato ano Tomtoms nare Drum q» ºº oco zz (rng out accents as 1 I antasy on Wang ao Chuan ChaYu Hsu Coyrght 00 y ChaYu Hsu All rghts reserved (ACA) To YaHu Wang

26 1 10 Tm erc @ @ cresc cresc y y D Tm erc 1 erc 1 y y y * y y y x»x (+) 1 1! 1 y oco a oco accel cresc cresc y y x y y cresc y y y y ** 1 y D 1 Tm erc 1 erc (accel) y 1 y 1 y 1 y 1 y 1 (+) e»e y y y 1 y 1 y y y y y * ** ht the edge o the snare drum ht the drum stcks 1

27 (q» º) u lento q» º cc l 1 n l O 1 O E Hn Cl 1 Cl Cl sn 1 sn erc 1 erc erc (D,C,,E,,G,A) H no us Cymal C n Hn 1 Hn n C Tt 1 to Celesta Glockensel (+) e»e ass Drum n n n r r Tomtoms + Vln solo Vln I altr dv Vln II Vla Vc (q» º) u lento q» º Ÿ~~~ Ÿ~~~ Ÿ~~~ Ÿ~~ Ÿ~~ zz e»e (+) sola vola altre Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ D zz 1

28 cc l 1 l O 1 O rt E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 erc 1 erc Tomtoms us Cymal o o + o o + + o erc mall Gong Vln solo Vln I altr dv con sord con sord rt Vln II Vla sola vola altre dv zz tutt dv zz con sord Vc D 0

29 Mesto cc l 1 E Hn Hn 1 q» solo e»e Hn Tm erc 1 erc erc Cel Vrahone Crotales Ÿ~~~~~ Temle locks Medum Gong Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Temle locks Trangle Vln II dv Vla ola Mesto Vln solo Vln I altr dv Vla altre dv q» glss e»e Vc solo Vc alt dv D solo D altr 1

30 u mosso, esante cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn e»e a Tua Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tm erc 1 erc H Cel q» º (D,C,,E,,G,A) n!! n!! n r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lastck Temle locks n Glockensel rt n n n Vln II dv Vla ola Vc dv D solo D altr Vln solo Vln I altr dv Vla altre solo altr u mosso, esante q» º e»e uns rt n n n n n

31 D nuovo mesto q» cc l 1 l Ÿ~~~~~~~~~~~~~~~~~~~ more vrato ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~ oco glss O 1 O E Hn Cl 1 Cl n solo solo n n Cl sn 1 n sn n Hn 1 Hn Tm erc 1 erc erc H Cel Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Temle locks mall lastck ȯ us Cymal (th rush) o o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mall Chnese Gong Temle Gong o o amoo nd chmes o o o Temle locks Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ o o o o o Trangle o lv D nuovo mesto q» zz unta d' Vln I unta d' Vln unta d' zz Vla ola Vla altre dv solo r Vc dv altr tutt e dv a D solo D altr @

32 1 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 T Tn 1 solo 1 con sord (straght mute) esante r n r r n n q» º n r r r T Tn Tn Tua erc 1 erc mall Chnese ells us r ass Drum r n erc H no us Cymal to ano (D,C,,E,,G,A) r to Celesta Vln I dv Vln II dv Vla dv Vc dv D Ÿ~~~ Ÿ~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~~ Ÿ~~~~~ Ÿ~~~~~ n senza sord senza sord senza sord senza sord esante q» º r r r n n

33 cc l 1 l O 1 O E Hn Cl 1 Cl Cl rt (++) e»e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~ I n Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ sn 1 sn C n r Hn 1 r Hn C Tt 1 C Tt C Tt T Tn 1 T Tn senza sord n n n n Tn Tua erc 1 erc us ass Drum rt e»e (++) Vln I uns n n Vln II dv N n n Vla dv zz zz n n n Vc dv zz D zz

34 Mesto q» 1 cc l 1 l O 1 O Cl 1 Cl Cl Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm solo solo solo 1 n con sord (straght mute) n 1 n l ord n esante q» º r n r r (harmon mute) con sord stem n r out r r stem n out n n n n erc 1 erc erc ells mall Chnese Glockensel us Cymal Temle Gong Temle locks n lastck Mesto q» esante q» º Vln I Vln II dv Vla dv Vc dv D dv dv Vln II n n n n r uns r n l uns r l r l @ n

35 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn erc 1 erc erc Cel H Mesto q» ass Drum Temle Gong Woodlocks stem n out stem n out mall Chnese Gong stem n n out n n Trangle us Cymal 10 esante q» º n r l r n n Ÿ~~~~~~~~~~~~ r l r l senza sord senza sord Medum Gong to ano us Cymal ass Drum l l Vln I Vln II dv Vla dv Vc dv D Mesto q» zz 10 esante dv r l q» º n!!! n n!! n!!! r l!!!! n r n l!!!!

36 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 r n n n n n n n ass Drum n n n n n n n n n n n n r r l n n r l n n r Z Z Z Z n n n n n r r r Vln I n n n uns Vln II dv Vla dv Vc D r r uns dv!!!!! n n n!! n n n! n n n n uns n n

37 n n cc l 1 l O 1 O E Hn Cl 1 Cl 11 e»e Mesto q» e» º ( ) n n n n n r Cl sn 1 sn Hn 1 Hn T Tn 1 solo n con sord con sord Tm Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc no rake Drum Vln I dv Vln II Vla uns r r uns r e»e Mesto 11 q» e» º ( ) n n n n n n n n n n Vc solo Vc altr D con sord

38 n n 0 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 erc H no 0 0 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n n n rake Drum senza sord senza sord! r r ass Drum Tuular Chmes (D,C,,E,,G,A) rt n n n n n n n n n n n n!!!!!!!! rt Vln I dv Vln II Vla Vc 0 solo altr D tutt zz n n n n n n n n n zz n!!!! uns!!! senza sord! senza sord!!!!!! dv!!!!!!!!!!!! dv!!!!!!!!!! dv!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 0

39 1 esante q» º cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn T Tn 1 T Tn Tn Tua erc H no n n Glockensel g g g g n n n g g 1 esante q» º Vln I Vln II Vla Vc dv D dv zz zz zz dv a uns zz uns zz n dv 1

40 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc erc H no g n n n n n n Glockensel 1 n n n n n Xylohone to Celesta us Cymal n Vrahone n n @ Vln II dv!!! Vla Vc dv D n n @

41 10 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 10 n 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ I Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ accel con sord (straght mute) T Tn Tn Tua erc Cel Vrahone g to ano Xylohone 1 accel Vln I Vln II dv Vla zz zz zz Vc dv D n n zz

42 11 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tm erc H no ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ 11 con sord 11 (accel) Xylohone 1 (+) Marcato q» e»e n n n n n n n n n n n n n n n n n n n n n n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ mute) con sord (straght con sord con sord a a con sord n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ l ȯ + l l Xylohone ȯ l l (accel) 1 Marcato q» Vln I (+) e»e glss ord sul ont l Vln II Vla Vc dv uns Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n glss sul ont sul ont ord sul ont l D

43 11 l 1 l O 1 O Cl 1 Cl sn 1 sn 11 o Hn 1 Hn C Tt 1 C Tt T Tn 1 T Tn Tm erc 1 erc erc no 11 Temle locks mall Chnese Gong Xylohone l l + ȯ + l l + o + + o + l l o + o + o + o + o + l l 1 l l l l l l l o + + o + o + senza sord senza sord o o + o o o o + o o o l l l l l l 1 Vln I ord sul ont ord sul ont ord sul ont ord l l l l Vln II ord sul ont ord sul ont ord sul ont ord sul ont ord l l l l Vla ord sul ont ord sul ont ord sul ont ord Vc D uns ord l

44 n 1 cc l 1 l O 1 O E Hn Cl 1 l l l n l l 1 l (+) e»e n l Cl l l l l l l l l l l sn 1 sn C n 1 glss Hn 1 Hn C Tt 1 C Tt C Tt Tn glss senza sord Tua 1 Tm Xylohone erc ~~~~ Glss ~~~~ Glss senza sord l l l l a n a l l H (D,C,,E,,G,A) no l l l l l Vln I Vln II Vla Vc D dv a nn n uns dv dv uns l l l l dv a nn n dv 1 e»e uns l uns l l (+) dv a dv uns l l uns l l l

45 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 erc erc 1 1 q» º Allegro con ro 1 cc l 1 l O 1 O E Hn Cl 1 n Cl n Cl l sn 1 1 n n l n n l l senza n sord senza sord ~~~~~~~~~~~ Glssando ~~~~~~~~~~~ Glssando l Temle locks Xylohone n n n n n n (++) e»e n n n n n n n n n n n n n n Ÿ~~~~~~~~ I Ÿ~~~~~~~~~ I n Ÿ~~~~~~~~ I Ÿ~~~~~~~~~ I n l l Tomtoms ass Drum n a a e»e 1 Allegro con ro q» º Vln I Vln II Vla uns (++) e»e n n e»e Vc D n n n n

46 1 1 cc n l 1 n l n O 1 n O n E Hn I n Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Cl 1 n I Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Cl n Ÿ~~~~~~~~~~~~~~~~~~~~~~ I Cl I Ÿ~~~~~~~~~~~~~~~~~~~~~~ sn 1 l l Ÿ~~~~~~~~~~~~~~~~~~~~~~ I sn l l C n 1 n Hn 1 n l Hn n C Tt 1 l C Tt C Tt T Tn 1 T Tn Tn Tua erc 1 erc n Tomtoms ass Drum n l l n l l n n n ^ n ^ n ^ n n a e»e n l l a n n n e»e n n n n n n n n l l l l n n n n l l l l n n l l n l l n l l l l 1 Vln I dv Vln II dv Vla Vc D n n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~ I n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~ I n l l n l l n e»e n l l n n n n n n l l l l n l l e»e n l l

47 1 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt Tn Tua Tm n n n n n n n n (++) e»e n n n n 0 Vln I uns e»e (++) Vln II uns n n Vla n Vc dv a uns n D n zz

48 11 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Tm erc 1 1 oco a oco rt Temle locks oco meno mosso, msteroso q» º n n n n n n r n r r n r r n n n n n n n n erc lexatone 1 oco a oco rt oco meno mosso, msteroso q» º Vln I dv zz uns Vln II dv zz uns Vla dv zz uns Vc zz D zz 0

49 1 n cc n l 1 n l n O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Tm 1 n n n n n n n n r n n n r n n n Vln I Vln II Vla Vc D 1

50 1 n cc n l 1 n l n n O 1 n n O n n n n n n n n n n n (++) e»e E Hn Cl 1 Cl n n n n n n n n Cl n sn 1 n n sn C n n n 1 Tm erc lexatone (++) Vln I dv n n n n n e»e n Vln II dv n Vla n n n n r n r n n n n Vc zz D zz

51 10 cc n l 1 n l n n O 1 n O E Hn Cl 1 Cl Cl n sn 1 n sn C n C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 erc erc 10 r r r n r r n r con sord con sord r r n r n r r Marcato con sord ass Drum mall Chnese Drum Xylohone accel us Cymal Vln I Vln II Vla Vc D uns uns r Marcato accel

52 (accel) 1 Cl 1 q» Cl Cl 1 Hn 1 Hn mall Chnese Drum erc su erc us Cymal Vln I Vln II Vla Vc D sul G n 1 cc n l 1 l n O 1 n O Cl 1 Cl sn 1 sn n mall Chnese Drum erc n n n n n cresc Vln I Vln II Vla Vc D n n n n dv

53 1 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn erc 1 erc 1 senza sord senza sord senza sord r l mall Chnese Drum n l n ass Drum Vln I dv stands Vln II dv n stands Vla non dv Vc D

54 0 cc l 1 l O 1 O E Hn Cl 1 Cl sn 1 sn Tua erc 1 n ass Drum n n n n n n n Vln I stands Vln II stands cc l 1 l E Hn Cl 1 Cl Tua erc 1 0 ass Drum (++) e»e cresc cresc n n n n Vln I altr Vln I stands Vln II altr Vln II stands Vla Vc (++) e»e

55 1 cc l 1 l O 1 O Cl 1 Cl C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua ä ä l ä r ä n r erc erc Xylohone Xylohone Vln I Vln II Vla uns uns

56 0 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 0 l l C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 erc erc 0 Xylohone Xylohone resto suto l l l l ass Drum q» º l n n n l l n n l n l n n n l n l n l n n l l n n a n e»e a resto suto q» º Vln I dv Vln II dv Vla Vc D l l l n n n n n n n n n e»e

57 E Hn Cl 1 Cl Cl sn 1 l sn l C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua n cc l 1 l O 1 O l l n n n n n n n n n l l n l l l l e»e n l l l l n n l 0 n n n n n con sord con sord con sord l l e»e n n n ä n ä n n ä ä n l l n con sord n n con sord n n 0 Vln I dv Vln II dv Vla Vc D l l n n n n n n l l l l e»e l l n l l l dv l dv l e»e n n n uns n uns n

58 (++) cc l 1 n l n O 1 n n O E Hn n Cl 1 n Cl Cl sn 1 ä sn ä ^ C n ^ Hn 1 l Hn l n C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 erc erc ä 1 ^ ^ n n n n l l ^ ^ ^ ^ ^ ^ n l l ^ ^ ^ n n n n n n n n n n n n n n n n senza sord senza sord senza sord senza sord senza sord n n l l l ä ä ä ä l Ë Ë n ä ass Drum rake Drum Glockensel ä ä ä ä ä ä ä ä n l ä Ë Ë ä ä ^ ä ^ ä 1 Vln I dv Vln II dv Vla Vc D (++) n dv ä uns n ^ l n l l l n ^ ^ n n n n n n n n dv dv n uns uns n ä ä ä ä ä ^ ä ^ ä 0

59 0 cc l 1 l O 1 O Cl 1 Cl sn 1 sn C n Hn 1 Hn C Tt q» º (ox numers are conductor's sgns) oco a oco accel, q» ca '' ca 1'' accel q» * X X X Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ X U colla arte U colla arte U colla arte X X X X X X U U U I III C Tt C Tt T Tn 1 T Tn Tn Tua Tm erc 1 n 0 X X X X X U colla arte X X X U ass Drum Vln I dv Vln II dv 1 U U U U q» º oco a oco accel Everyone lays ths note th derent ong seed and occatonally add tremolo Everyone lays ths note th derent ong seed and occatonally add tremolo Everyone lays ths note th derent ong seed and occatonally add tremolo Everyone lays ths note th derent ong seed and occatonally add tremolo Everyone lays ths note th derent ong seed and occatonally add tremolo U Vla X X X X X q» ca '' q» accel ca 1'' Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~, Vc D Everyone lays ths note th derent ong seed and occatonally add tremolo u Everyone lays ths note th derent ong seed and occatonally add tremolo u X X * X: no tme sgnature 1

60 u lento cc l 1 l O 1 O E Hn Cl 1 Cl sn 1 sn Hn 1 h» ord solo more vrato oco glss lutter lutter ord ord rt Vvace h» º C Tt 1 C Tt Tm erc Glass erc no Glass Vln I Vln II Vla Vc solo Vc altr D uns uns u lento h» rt Vvace h» º

61 0 cc l 1 l O 1 O E Hn Cl 1 Cl n n n e»e Cl sn 1 sn C n 0 Hn 1 n Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn Tua Tm l l 0 l l l l l l l l Ë Ë Ë Ë Ë n Ë Ë Ë Ë Ë Ë Ë l Ë Ë l l l l l n erc 1 erc ass Drum us Cymal erc H (D,C,,E,,G,A) Glssando Tuular Chmes ~~~~~~~~~~~~~~~~~~ glss Glockensel Vln I Vln II dv Vla dv Vc D tutt l l l l l l n n n n n n n n l l l l e»e non dv non dv l l

62 0 cc l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn C Tt 1 C Tt C Tt T Tn 1 T Tn Tn 0 Tua 0 Tm ass Drum erc 1 nare Drum erc Glockensel erc H no Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ N Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ n n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ï Ï Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ï Ÿ~~~~~~~~~~~~~ Ï ells u Ÿ~~~~~~~~~~~ Ï ells u Ÿ~~~~~~~~~~~ n Ÿ~~~~~~~~~~~ Ï n Ï Ï Ï ells u n Ï Ï Tomtoms (, C, D, E, G, A) * Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n ells u ells u Ï Ï Ï Vln I Vln II dv Vla dv Ï Ï Ï Ï Ï Vc D Ï Ï * cluster: ht the strngs around the area notated (ca 10' 0")

63 lute 1 ccolo Ooe 1 Englsh Horn Clarnet n 1 ass Clarnet assoon 1 Contraassoon Horn n 1 Horn n Trumet n C 1 Trumet n C Tenor Tromone 1 ass Tromone Tua Tman ercusson 1 ercusson ercusson Har ano Voln I 1 Voln I Voln II 1 Voln II Vola 1 Vola Voloncello 1 Voloncello Contraass a a a ord Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ç Ç roadly q» a Water Gong lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone roadly q» Ç olo out n lv * ndcates mortant melodc art ass Drum To Celesta Ç ord (, C, D, E,, G, A) II han Ko (Mountan ongs) lo ar through ord r nstrument thout Ÿ~~~~~ a roducng normal tone lo ar through nstrument thout roducng normal 1 r lo ar through nstrument thout roducng normal tone lo ar through nstrument thout ord a Ÿ~~~~~ roducng normal tone ord Ç ord Ç ord Ç ord Ç Ç lo ar through nstrument thout ord * roducng normal tone Ç Ç lo ar through nstrument thout ord roducng normal tone Ç Ç Ç us Cymal Glockensel legato II II I II I I o I o lv (th rush) a A II I II zz lv o o a o o o o Crotales (th o) I o o o o o o o o o o o o o o o I o o o o o o o o o o o o o o us Cymal Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I a A o smle I II o a II o smle o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o

64 l 1 cc O 1 E Hn Cl 1 Cl Hn 1 Hn n C Tt 1 C Tt T Tn 1 Tn q Ç erc Crotales erc us Cymal ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ H Cel no a A a a A a a A a Vln I 1 o o o o o o o o o o o o Vln I o o o o o Vln II 1 Vln II Vla 1 o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o Vla o o o Vc 1 o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o Vc I o o o o o o o o o o o o o o I o o o o o o o o o o o o o o I o o o o o o o o o o o o o o

65 l 1 cc O 1 E Hn Cl 1 (+) n n N n Cl Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc 1 erc erc H no Cel Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (th ells mallets) Co Crotales n a A n a legato + + Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o o us Cymal n (+) Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C n n O O O O n n O O n n O O zz n O O n n O O n O O O O zz n n o o o o o o o n n o o o O O O O O O o o o o o o o o o o o o o o o o o O ȯ ȯ O o o o o o o o o o o o o o o o o o o zz o o o o I o o o o o o o o o o o o o o o o o o zz o o o o o o O O O O O n n O O O O O O n n O O O O n O O O O O O n O O O O O O O O O O O O O zz zz O O

66 l 1 r 1 n cc O 1 n n E Hn Cl 1 Cl Hn 1 Hn C Tt 1 C Tt n + + ọ r T Tn 1 Tn Tua Tm H n (, C, D, E,, G, A) glss not too ast Cel no a A a a A a n To ano Vln I 1 Vln I Vln II 1 1 o o o o o dm dm dm o n n n Vln II Vla 1 Vla Vc 1 Vc o o o o o o ȯ o o o o o o o o o o o o o o o o o o dm dm dm dm dm o o o o o o o o zz zz C zz

67 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Tm 1 olo q 1 olo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~ 0 Cantale q» n olo olo n r Ÿ~ I olo olo erc us Cymal Ÿ~~~~~~~~~ erc Ÿ~~~ us Cymal 0 Cantale q» Vln II 1 Vln II Vla 1 Vla olo Tutt n r r r Vc 1 Vc C dv

68 E Hn Cl 1 Cl sn 1 C n Tm 1 roadly q» r r r r erc 1 erc ass Drum us Cymal Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc us Cymal ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ H lv no To Celesta 1 roadly q» Vln Vln I I 1 solo Vln II 1 Vln II olo Vln II Vla 1 Vla Vc 1 Vc C sul ont sul ont sul ont ord ord ord r uns zz dv a dv a 0

69 oco accel l 1 cc Cl 1 r Cl sn 1 Hn 1 Hn C Tt 1 C Tt T Tn 1 con sord olo q erc Vrahone (th o) oco accel Vln I I1 solo olo n Vln II 1 Vln II r r Vln II r Vla 1 Vla Vla r r Vc 1 Vc Vc C r 1

70 l 1 Trangullo q» olo r cc O 1 E Hn Cl 1 Cl sn 1 olo n r Hn 1 a Hn C Tt 1 C Tt T Tn 1 r senza sord a r con sord olo erc erc H Crotales o us Cymal (th mallets) lv (th o) lv Vrahone (th mallets) * Trangullo q» Vln Vln I 1 solo Vln I I 1 altr dv a Vln I Vln II 1 dv a Vln II Vla 1 dv a Vla Vc 1 dv a Vc C C 1 C o II Ȯ O ȯ Ȯ Ȯ Ȯ O O O O O O O O Ȯ Ȯ O O Ȯ Ȯ O O O Ȯ Ȯ o o o ȯ ȯ zz o O O ȯ Ȯ Ȯ ȯ Ȯ Ȯ Ȯ Ȯ Ȯ Ȯ o Ȯ Ȯ O Ȯ Ȯ O Ȯ Ȯ O O O Ȯ O O O

71 l 1 r O 1 Ô Cl 1 r sn 1 Hn 1 Hn C Tt 1 T Tn 1 1 olo con sord erc Vrahone n * n erc Marma (th mallets) n no Cel n n n * Vln I 1 tutt dv a Vln I Vln II 1 Vln II r Vla 1 Vla Vc 1 C uns

72 l 1 cc O 1 Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tm erc 1 erc erc H Cel no Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C Vrahone Marma Crotales (as ast as ossle, not coordnate eteen arts) (as ast as ossle, not coordnate eteen arts) n * * senza sord To ano (as ast as ossle, not coordnate eteen arts) (as ast as ossle, not coordnate eteen arts) (as ast as ossle, not coordnate eteen arts) u Mosso q» r (n tme) (n tme) (n tme) n n olo n u Mosso q» n n uns

73 l 1 O 1 E Hn Cl 1 sn 1 Hn 1 C Tt 1 erc Marma Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C

74 l 1 O 1 E Hn Cl 1 Cl sn 1 C n (+) r r Í Í a Hn 1 Hn C Tt 1 Tm erc olo Ÿ~~~~~~~~~~~~~ Vrahone H (+) Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C

75 l 1 cc O 1 Cl 1 n Cl sn 1 Hn 1 Hn erc 1 us Cymal Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc Vrahone * * erc Marma Vln I 1 uns Vln Vln II II 1 uns Vla 1 uns Vc 1 uns C

76 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc erc H no n n n n r n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~ Vrahone n n n cresc * * * * * Marma n n cresc (, C, D, E,, G, A) n cresc n Vln Vln I I1 Vln Vln II 1II Vla 1 Vc Vc 1 C n n dv dv dv dv

77 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc 1 erc ^ ^ ^ ^ ^ ^ ^ ^ ^ n ^ n TamTam u Mosso q» lv r r r r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r us Cymal n r n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Tranqullo q» º Crotales erc H no To Celesta Wood locks sglando Celesta u Mosso q» Tranqullo q» º Vln Vln I 1I Vln Vln II 1II Vla Vla 1 Vc 1 Vc C uns ^ uns ^ uns ^ ^ dv * * * * * * ( rst stands) O olo altr o o o o o o o o zz n * as hgh as ossle

78 cc O 1 Cl 1 Cl Hn 1 Hn erc 1 erc Crotales (th o) Vrahone olo olo erc h Marma n H no Cel h Vln I 1 Ȯ ( rst stands) O O O O O Ȯ O Vc Vc 1 olo Vc Vc altr h n o o o o o o o o ȯ C l 1 cc O 1 Cl 1 Cl sn 1 h n n n n n erc q h n h h erc q h n h n n n h h 0

79 l 1 cc O 1 Cl 1 Cl sn 1 Hn 1 Hn C Tt 1 T Tn 1 Tn Tua Tm n n n n oen oen con sord t 0 roadly q» erc 1 erc erc H Vrahone Marma us Cymal (th mallets) Cel no r To ano t 0 roadly q» Vln I 1 tutt dv a Vln I Vln II 1 Vla 1 uns Vc 1 C 1

80 1 l 1 n h h h r cc O 1 n h h h Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Cl 1 Cl sn 1 n ẇ n n n h h h h h h h h h r r r Hn 1 Hn C Tt 1 T Tn 1 con sord con sord erc 1 erc us Cymal Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ lv Wood locks h h 1 Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc

81 l 1 10 n cc r O 1 E Hn n Ÿ~~~~~~ n n Cl 1 Cl sn 1 Ÿ~~~~~~ Hn 1 Hn C Tt 1 C Tt senza sord senza sord harmon mute ȯ n T Tn 1 Tn Tua Tm Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vrahone erc erc Marma Ÿ~~~~~~~~~~~~~ n Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C 10 n n n n n n n n n n n n n n n n dv n

82 l 1 cc O 1 E Hn Cl 1 Cl 111 Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ Ÿ~~~~~ Ÿ~~~~~ Ÿ~~~~~~ Ÿ~~~~~ sn 1 Hn 1 Hn C Tt 1 C Tt T Tn 1 n n n Tn Tua erc 1 erc Vrahone Tuular Chmes erc Marma Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla 111 n n Vc 1 Vc C n

83 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc 1 erc erc H no Vln I 1 Vln I Vln II 1 Vc 1 Vc C 11 a Tuular Chmes * hal edal: hold edal halay eteen to notches to allo the strng to vrate aganst the tunng gear Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ us Cymal t Vln II n Vla 1 Vla A Temo Ç Ç n Ç n Ç n Ç Ç Ç n Ç n Ç Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ç olo q n Ç 1 olo n Ç Ç + o Ç Ç Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Í Glockensel * n n n l n l l uns n Ç + o To Celesta t A Temo Water Gong out n lv II O

84 l 1 cc 11 a a ca 10'' O 1 a Cl 1 a Hn 1 lo ar through nstrument thout roducng normal tone Hn lo ar through nstrument thout roducng normal tone C Tt 1 lo ar through nstrument thout roducng normal tone C Tt T Tn 1 Tn Tua erc 1 erc TamTam ca '' ca '' ca 10' Temle locks Tuular Chmes lv lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone lo ar through nstrument thout roducng normal tone Ÿ~~~~~~~~~~~~~~~~~~ Crotales Glass nd chmes erc no Cel Wood locks ca 10'' Vln I 1 Vln I Vln II 1 Vln II Vla 1 Vla Vc 1 Vc C 11 I O O O Ȯ Ȯ II O reely move the o eteen the rdge and the ngeroard O O O O O reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard reely move the o eteen the rdge and the ngeroard Use the very t o the o to lay and change the ong reely Use the very t o the o to lay and change the ong reely Use the very t o the o to lay and change the ong reely Use the very t o the o to lay and change the ong reely O Use the very t o the o to lay and change the ong reely O Use the very t o the o to lay and change the ong reely O Use the very t o the o to lay and change the ong reely O Use the very t o the o to lay and change the ong reely O Use the very t o the o to lay and change the ong reely zz r zz r zz zz zz zz zz zz zz (ca ')

85 lute 1 ccolo Ooe 1 Englsh Horn Clarnet n 1 ass Clarnet assoon 1 Contraassoon Horn n 1 Horn n Trumet n C 1 Trumet n C Tenor Tromone 1 ass Tromone Tua Tman ercusson 1 ercusson ercusson Har ano Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Con uoco Con uoco q» º q» º Ç Ç Ç ass Drum ÿ Ç Xylohone (use tunng ork and key to end the tch) (remove aer) nare Drum Ç n n glss glss (D,C,,E,,G,A) Ç n n III eng Nan (ut aer on the strngs) Voln I dv Voln II dv Vola dv Voloncello dv Contraass dv

86 l 1 cc O 1 Cl 1 Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm n n n n n + o erc 1 erc erc ass Drum nare Drum Xylohone us Cymal H no o o o o (D,C,,E,,G,A) Vln I dv Vln II dv Vla dv Vc dv C zz zz n trem ord semre trem semre smle trem trem ord trem

87 l 1 cc O 1 E Hn Cl 1 sn 1 Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm n n n n n n erc 1 erc erc H ass Drum Xylohone us Cymal no Vln I dv Vln II dv Vla dv Vc dv C l l n n n n n n n n n r r

88 l 1 cc O 1 Cl 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm Ÿ~~~~~~~~~~~~~~ 1 Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~ glss n Ÿ~~~~~ glss Ÿ~~~~ Ÿ~~~ a erc 1 erc erc us Cymal Xylohone ass Drum ^ ^ ^ H no (D,C,,E,,G,A) r Vln I dv Vln II dv Vla dv Vc dv C r @ 0

89 l 1 cc O 1 Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 T Tn 1 Tn Tua Tm erc 1 erc erc H no 1 n a us Cymal Xylohone n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ o ass Drum Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ë Ë Ë + Vrahone Vln I dv Vln II dv Vla dv Vc dv C n n n I Ÿ~~~~~~~~ I I con sord Ÿ~~~~~~~~~ Ÿ~~~~~~~ r n n con sord Ÿ~~~~~~~~ I Ÿ~~~~~~~~~ I Ÿ~~~~~~ I r n n I I con sord Ÿ~~~~~~ Ÿ~~~~~ n n con sord Ÿ~~~~~~~ I I Ÿ~~~~~~ n n 1

90 l 1 cc O 1 Cl 1 Hn 1 Hn n n n o o C Tt 1 n C Tt Tn Tua Ç Tm Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc 1 ass Drum erc erc H us Cymal Vrahone no Vln I dv n n n n n n Vln II dv r r n n Vla dv mettez les sourdnes

91 l 1 cc O 1 Cl 1 C n Hn 1 Hn C Tt 1 o ȯ straght mute straght mute n n C Tt Tn Tua Ç Tm ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc us Cymal erc Vrahone H no n n Vln I uns n n n n n Vln II Vla dv mettez les sourdnes con sord

92 l 1 cc O 1 Cl 1 sn 1 C n 0 a a a a n n n n n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ senza sord Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ erc Crotales erc H no Xylohone n n (D,C,,E,,G,A) (X) * Vln I n n Vln II n n uns n n n Vc C n uns con sord * as hgh as ossle n n n

93 l 1 cc O 1 E Hn Cl 1 Cl sn 1 Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc 1 erc erc H no ~~~~~~~~~~~~~~~~~~~~~ Crotales Xylohone (D,C,,E,,G,A) n n n n n (X) ass Drum n n n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 1 n + Ç n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ o Vln I dv Vln II dv Vla dv Vc dv C n n n n n n n n n su zz su su su su su glss sul C o o o o o o o o o o o o o n n zz su su su su glss sul C su su o o o o o o glss sul C o o o o o o o o o o o o o o o o o o o

94 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Hn 1 Hn C Tt 1 C Tt T Tn 1 Tn Tua Tm erc 1 erc erc H no ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ass Drum n + Ç Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ (D,C,,E,,G,A) molto rt Msteroso con solenntà _ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~, n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ solo n r o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ n rake Drum Xylohone q» r r Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vln I dv Vln II dv Vla dv Vc dv C o o o o o o o o o o o o o o o o o o o o o o o o o o o n n molto rt, Msteroso con solenntà senza sord senza sord senza sord senza sord senza sord senza sord senza sord senza sord q» _

95 Cl 1 Cl Hn 1 C Tt 1 Tm erc 1 erc erc gradually accel stem n out Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r n n n n n Ÿ~~~ n n Ç solo + r harmon mute Ÿ~~~~~~~~~~~~~~ n us Cymal (th o) lv Tamtam and n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Vc uns C l 1 O 1 E Hn Cl 1 Cl C n Hn 1 Hn Tm erc 1 erc erc Ÿ~~~~~ n r n Ÿ~~~~~~~~~~~ n n n n n n n o Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Trangle lv Tamtam ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ legh ells 0 n n n n 0 Vln I Vc C uns zz

96 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n Hn 1 Hn T Tn 1 Tn Tm erc 1 erc no n ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n n n n Tomtoms l l l Claves l q» 1 Energco, ercussvo n n n n n n n n n n n 1 Energco, ercussvo q» Vln I n n Vln II Vla Vc C non dv col legno (th a long encl or ood stck) non dv col legno (th a long encl or ood stck) non dv col legno (th a long encl or ood stck) zz

97 l 1 cc O 1 E Hn Cl 1 Cl sn 1 T Tn 1 Tn Tm erc 1 erc l n l n n n l n n l n Tomtoms Claves n n n n n n n n n n n n n n n l l l n n l l n l n l l a l l l n l l n n n n Ÿ~~~~~~ Ÿ~~~~~ a Ÿ~~~~~~ Ÿ~~~~~ n n n l no l () n n n n n l n l l l Vln I n n n n n n n Vln II Vla Vc C n n

98 l 1 cc O 1 E Hn Cl 1 Cl sn 1 C n C Tt T Tn 1 Tn Tua Tm erc 1 erc erc H no Claves n n n () Tomtoms l n n l l l n n n l l (++) n n n n n l 1 l 1 l l l Energco, ercussvo q» con sord con sord n ass Drum 1 g Co ells g g g g g g g g g g g g g g g g g g g g g g g Vln I Vln II Vla Vc n take o n take o take o (++) Energco, ercussvo non dv zz n non dv zz n n q» n n n n n C n 1 zz 0

Fantasia on KANG DING LOVE SONG

Fantasia on KANG DING LOVE SONG antasia on KANG DING LOVE SONG ERIC RICHARDS 2008 (BMI) Written or the Shanghai Conservatory o Music azz Ensemle Zhang, Xiaolu - director Dr Gene Aitken - guest conductor Octoer 2008 INSTRMENTATION Solo

More information

Preview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION Recorda me 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet rd B Trumet th B Trumet JOE HENDERSON Arranged y RIS BERG INSTRUMENTATION

More information

Preview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF

Preview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF THE HGHLAND/ETLNG RT HLHARMONC ERE Grade Level: 2 Themes rom heherazade Nikolai Rimsky-Korsakov Arranged y Rihard Meyer (ACA) 1 Condutor ore 1 lute 1 Ooe 1 assoon 1 Clarinet 1 Clarinet 1 E Alto axohone

More information

Five Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score.

Five Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score. ive Loons LLC No. 102 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Text by Stehen Crane Comlete Score Comosed 2016 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Comosed 2015-2016

More information

Joseph Schwantner. To the memory of Martin Luther King. New Morning for the World Daybreak of Freedom. for Narrator and Wind Orchestra PERUSAL SCORE

Joseph Schwantner. To the memory of Martin Luther King. New Morning for the World Daybreak of Freedom. for Narrator and Wind Orchestra PERUSAL SCORE oseh Schantner To the memory o Martin Luther King Ne Morning or the orld Dayreak o reedom or Narrator and ind Orchestra Texts dran rom the ords o Martin Luther King r ESAL SCOE Transcried or inds y Nikk

More information

Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements

Olli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements 1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any

More information

Shadows of the Pyramids

Shadows of the Pyramids Duration: 1:00 GRADE CB1 $1500 Shados o the yramids David Marlatt (17 ) Instrumentation: lute 1 lute REVIEW iccolo 1 Ooe arinet 1 arinet arinet B Bass Clarinet 1 Bassoon E Alto Saxohone 1 E Alto Saxohone

More information

Olli Virtaperko Usvapatsas

Olli Virtaperko Usvapatsas Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm

More information

Symphony for Percussion Ensemble

Symphony for Percussion Ensemble Symhony or ercussion Ensemble or our ercussionists (and an otional electronics art), in our movements By Aidan Gold I: Landscaes II: A Dance III: A Dream IV: A Song 2016 Aidan Gold Instrumentation and

More information

Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION

Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION ntermediate String/ull ORCHESTRA Grade ½ Galileo s Vision 1 Conductor 2 lute 2 Oboe 1 1st b Clarinet 1 2nd b Clarinet 1 b ass Clarinet 2 assoon Horn RALH ORD (ASCA) NSTRUMENTATON 1 1st b Trumet 1 2nd b

More information

Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson.

Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson. ive Loons LLC No. 101 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR Text by Edin Arlington Robinson Score arts Comosed 2012, Revised 201 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR

More information

PERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC

PERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC P A L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (01) PAL DOOLEY MSIC Winner o the 01 Sousa / American Bandmasters Association / Ostald Aard Winner o the 01 National Band Association

More information

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone

Preview Only. Legal Use Requires Purchase. Thomas Fats WAller Arranged by Eric Richards. Conductor 2nd E% Alto Saxophone The Jitterug Waltz Thomas ats WAller Arranged y Eric Richards instrumentation Conductor 1st E% Alto Saxohone 2nd E% Alto Saxohone 1st B% Tenor Saxohone 2nd B% Tenor Saxohone E% Baritone Saxohone 1st B%

More information

golden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION

golden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION ennell edition Marches golden uilee MARCH Conductor C Piccolo st C lute nd C lute st Ooe nd Ooe E Clarinet st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet st Bassoon nd Bassoon

More information

STEVEN BRYANT. In This Broad Earth

STEVEN BRYANT. In This Broad Earth STEVEN BRYANT In This Broad Earth STEVEN BRYANT In This Broad Earth Written or and dedicated to Kevin Sedatole and the Michigan State University Wind Symhony lute I-II-III (doules Picc)* Ooe I-II Bassoon

More information

Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS

Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS There Is No Greater Love Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone

More information

Preview Only. Legal Use Requires Purchase. Spirit of the Age YOUNG BAND. Grade 2 VICTOR LÓPEZ (ASCAP) INSTRUMENTATION PROGRAM NOTES

Preview Only. Legal Use Requires Purchase. Spirit of the Age YOUNG BAND. Grade 2 VICTOR LÓPEZ (ASCAP) INSTRUMENTATION PROGRAM NOTES YOUNG BAND Grade Sirit o the Age Conductor 8 lute Ooe Bassoon st B Clarinet nd B Clarinet B Bass Clarinet 5 E Alto Saxohone B Tenor Saxohone E Baritone Saxohone st B Trumet nd B Trumet Horn Tromone VICTOR

More information

Dedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone

Dedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone ULL SCORE Grade 5 richard l saucedo along an english countryside Dedicated to the Memory o Sir Malcolm Arnold 121-2006 INSTRUMENTATION 1 ull Score 1 iccolo 4 lute 1 4 lute 2 1 Ooe 1 1 Ooe 2 1 Bassoon 1

More information

Where the I Comes From. Ursula Kwong-Brown

Where the I Comes From. Ursula Kwong-Brown Where the I Comes From y Ursula Kongron A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate

More information

Preview Only. Legal Use Requires Purchase

Preview Only. Legal Use Requires Purchase CONCERT BAND Grade The Wizard o Oz Meets The Wiz eaturing Ding! Dong! The Witch is Dead, We re O to See the Wizard, The Merry Old Land o Oz, So You Wanted to See the Wizard and A Brand Ne Day (Eeryody

More information

ANDREW DAVID PERKINS (ASCAP) GRADIENTS. For Concert Band. FULL SCORE / (+Bass) Alto, Tenor, Bari / / Timp Perc (6)

ANDREW DAVID PERKINS (ASCAP) GRADIENTS. For Concert Band. FULL SCORE / (+Bass) Alto, Tenor, Bari / / Timp Perc (6) ANDREW DAVID PERKINS (ASCAP) For Concert Band FULL SCORE 2 1 1 3 (+Bass) Alto, Tenor, Bari 2 1 2 1 1 Tim Perc (6) DURATION: Aroximately 3:10 GRADE: 25 Coyright 2017 APOLLO STUDIOS All Rights Reserved andredaviderkinscom

More information

KACHISORY - The Cry of Magpies -

KACHISORY - The Cry of Magpies - KACHISORY The Cry o Magies or Orchestra by Hyukjin Shin A comosition submitted in artial ulillment o the requirements or the degree o Doctor o Musical Arts Music: Comosition in The University o Michigan

More information

MMEA Central District - Jr. Jazz Audition Music. Quabbin Blues

MMEA Central District - Jr. Jazz Audition Music. Quabbin Blues r. azz Audition Music This iece has been commissioned by the or the exclusive use o district schools articiating in the 202 junior jazz auditions. Teachers o auditioning schools may rint and coy these

More information

DIVINE SERVICE: A LUTHERAN MASS FOR MIXED CHORUS, CHAMBER ORCHESTRA AND ORGAN. Copyright 2014 David von Kampen

DIVINE SERVICE: A LUTHERAN MASS FOR MIXED CHORUS, CHAMBER ORCHESTRA AND ORGAN. Copyright 2014 David von Kampen DIVINE SERVICE: A LTHERAN MASS OR MIXED CHORS, CHAMER ORCHESTRA AND ORGAN Y Coyright 201 David von Kamen Sumitted to the graduate degree rogram in the School o Music and the Graduate aculty o the niversity

More information

BENAMIN E DANIEL DREAMFLIGHT knightindmusiccom Ho Drealight Got Me Back Into Music Music has een a assion o mine since I as a child I gre u laying iano and started tromone in school and I tried my hand

More information

Music Diary. for soprano, flute, clarinet, violin, and percussion

Music Diary. for soprano, flute, clarinet, violin, and percussion Music Diary or sorano, lute, clarinet, violin, and ercussion LI Qi 201 Program Notes This is a iece or entertainment Have some un! :) Movements 1 Gossi!!! Girls always love gossi!!! Gossi always loves

More information

Translational Equations of Motion for A Body Translational equations of motion (centroidal) for a body are m r = f.

Translational Equations of Motion for A Body Translational equations of motion (centroidal) for a body are m r = f. Lesson 12: Equatons o Moton Newton s Laws Frst Law: A artcle remans at rest or contnues to move n a straght lne wth constant seed there s no orce actng on t Second Law: The acceleraton o a artcle s roortonal

More information

Miss Havisham am Spinnrade

Miss Havisham am Spinnrade erey Ryan Miss Havisham am Sinnrade or solo assoon erey Ryan Miss Havisham am Sinnrade or solo assoon Perormance notes Total erormance time ca 5 minutes ingering only (key noise) Key noise is an integral

More information

Neptunian Night for three retuned, computer-driven pianos

Neptunian Night for three retuned, computer-driven pianos for three retuned, comuter-driven ianos y Kyle Gann 20 Technical Secifications The 33-itch tuning of the three ianos (the same in every octave) is as follos, given first in the numer of cents aove E-flat,

More information

A Halloween Thriller Featuring Toccata and Fugue in D Minor, A Night on Bald Mountain, and Thriller. Preview Only INSTRUMENTATION

A Halloween Thriller Featuring Toccata and Fugue in D Minor, A Night on Bald Mountain, and Thriller. Preview Only INSTRUMENTATION CONCERT STRNG ORCHESTRA Grade A Halloeen Thriller eaturing Toccata and ugue in D Minor, A Night on ald Mountain, and Thriller Words and music y Rod Temerton, ohann Seastian ach, and Modest Mussorgsky Arranged

More information

Preview Only. Legal Use Requires Purchase. Too Close for Comfort JAZZ

Preview Only. Legal Use Requires Purchase. Too Close for Comfort JAZZ Too Close or Comort Words and Music y JERRY BOC, LARRY HOLOCENER and GEORGE DAVID WEISS Arranged y GORDON GOODWIN Conductor Solo 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor

More information

ZODIAC. For Orchestra. A Project. Presented to the faculty of the Department of Music. California State University, Sacramento

ZODIAC. For Orchestra. A Project. Presented to the faculty of the Department of Music. California State University, Sacramento ZODIAC or Orchestra A roect resented to the aculty o the Deartment o Music Caliornia State University, Sacramento Sumitted in artial satisaction o the requirements or the degree o MASTER O MUSIC in Comosition

More information

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers. Please note that not all ages ae ncluded. Ths s uosely done n ode to otect ou oety and the wok o ou esteemed comose you would lke to see ths wok n ts entety, lease ode onlne o call us at 80064717. Emly

More information

on the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal

on the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal on the deconstruction o a cycle or 2 ianists and 2 ercussion layers Alberto C. Bernal PERFORMANCE NOTES General: The dynamic indications between hooks reer to the intention dynamic, that can be dierent

More information

Gwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers

Gwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers Gyneth Walker Earth and Sky a trile concerto or Violin, Viola, Cello and Orchestra (or Piano) and Readers Oen Land grandeur and eace Rivers rushing ater, still ater nexected Moments the quirks o nature

More information

Hungarian Suite for Jazz Chamber Ensemble

Hungarian Suite for Jazz Chamber Ensemble University o Nebraska - Lincoln DigitalCommons@University o Nebraska - Lincoln Student Research, Creative Activity, and Perormance - School o Music Music, School o Fall 11-2015 Hungarian Suite or Jazz

More information

WELCOME TO THE MAJORS

WELCOME TO THE MAJORS Etra Conductor Score: 03265801 $800 Style: Shule Grade Level: 3 WELCOME TO THE MORS Ro Vuono, r or reerence only Not valid or perormance Instrumentation 1st lto Sa 2nd lto Sa 1st Tenor Sa 2nd Tenor Sa

More information

Prince Kaspar. Michael Matthews. Per Brask. a fable. in 13 scenes. music by. libretto by

Prince Kaspar. Michael Matthews. Per Brask. a fable. in 13 scenes. music by. libretto by rince Kasar a ale in 1 scenes music y Michael Matthes liret y er rask rince Kasar a chamer oera in 1 scenes, ased on the sry o Kasar Hauser or singers, acr and small ensemle Michael Matthes Liret y er

More information

DAVID MASLANKA. Illumination OVERTURE FOR BAND

DAVID MASLANKA. Illumination OVERTURE FOR BAND DAVID MASLANKA Illumination OVERTRE FOR BAND ILLMINATION Overture for Band selected orks for high school ind ensemle y david maslanka Rollo Takes a Walk 980 Prelude on a Gregorian Tune 98 Montana Music:

More information

SAMPLE. BRAD CIECHOMSKI Ascending the Crystal Hill. Correlated with TRADITION OF EXCELLENCE Book 3, Page 20 KJOS CONCERT BAND GRADE 3 WB487F $7.

SAMPLE. BRAD CIECHOMSKI Ascending the Crystal Hill. Correlated with TRADITION OF EXCELLENCE Book 3, Page 20 KJOS CONCERT BAND GRADE 3 WB487F $7. TRADITIN EXCELLENCE EXCELLENCE IN ERRMANCE KS CNCERT BAND GRADE 3 $700 BRAD CIECHMSKI Ascending the Crystal Hill Correlated ith TRADITIN EXCELLENCE Book 3, age 0 SAMLE NEIL A KS MUSIC CMANY UBLISHER Aout

More information

A Shrinking Emptiness/ Entropic Pleasures III

A Shrinking Emptiness/ Entropic Pleasures III Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Commissioned y Ens MimitauLevande MusikKulturrådet 01 (Version 01, Version III 018) Anders Hultqvist A Shrinking

More information

(T > w) F R = T - w. Going up. T - w = ma

(T > w) F R = T - w. Going up. T - w = ma ANSES Suspended Acceleratng-Objects A resultant orce causes a syste to accelerate. he drecton o the acceleraton s n the drecton o the resultant orce. As llustrated belo, hen suspended objects accelerate,

More information

/ -1-1, The Vanishing Dark

/ -1-1, The Vanishing Dark -1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV

More information

Symphonic Literature Excerpts

Symphonic Literature Excerpts Symhonic Literature Excerts CBW Symhonic Band Audition 017018 Perorm the ollowing excerts rom Symhonic Band literature in any order and include them in your recording The temos listed should be ollowed

More information

Ilari Kaila. Taonta. for piano

Ilari Kaila. Taonta. for piano 87 Ilari Kaila Taonta for iano 016 Coyright y the Comoser All Rights Reserved No art of this ulication may e coied or reroduced in any form or y any means ithout the rior ermission of the comoser Distriution:

More information

Complete Variance Decomposition Methods. Cédric J. Sallaberry

Complete Variance Decomposition Methods. Cédric J. Sallaberry Comlete Varance Decomoston Methods Cédrc J. allaberry enstvty Analyss y y [,,, ] [ y, y,, ] y ny s a vector o uncertan nuts s a vector o results s a comle uncton successon o derent codes, systems o de,

More information

Preview Only. Richard Meyer (ASCAP) notes the conductor A DIVISION OF

Preview Only. Richard Meyer (ASCAP) notes the conductor A DIVISION OF (Correlates ith String Exlorer ook 1 nit 12) Grade Level: 1½ Once on a Time Signature Richard Meyer (ASCA) n s t r u m e n tat i o n Conductor Score... 1 Violin... 8 Violin... 8 Viola... 5 Violin (Viola

More information

ABSTRACT VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION. Joshua Davis, Doctor of Musical Arts, Department of Music

ABSTRACT VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION. Joshua Davis, Doctor of Musical Arts, Department of Music ABSTRACT Title of dissertation: X Y Z CHAMBER MUSIC COMPOSITION OR VIOLIN, VIOLONCELLO, DOUBLE BASS, MARIMBA, AND PERCUSSION oshua Davis, Doctor of Musical Arts, 007 Dissertation directed : Professor Thomas

More information

Dream Theater. Paul Richards

Dream Theater. Paul Richards Commissioned y The niesity o loida Symhony Ochesta, Raymond Choaz, conducto, in celeation o thei 00 th anniesay season Deam Theate aul Richads Deam Theate aul Richads I Theshold II lace o Seeal Mysteies

More information

Physics 207 Lecture 27

Physics 207 Lecture 27 hyscs 07 Lecture 7 hyscs 07, Lecture 7, Dec. 6 Agenda: h. 0, st Law o Thermodynamcs, h. st Law o thermodynamcs ( U Q + W du dq + dw ) Work done by an deal gas n a ston Introducton to thermodynamc cycles

More information

ELOQUENTIA espacio para flauta y orquesta

ELOQUENTIA espacio para flauta y orquesta Violin I 1 Manuel Sosa ELOQENTIA esacio aa lauta y oquesta MusikaSilentis New Yok 2010 The imay uose o the ba-lines is to seve as a device o synchonization. Ba-lines do not indicate accentuation o the

More information

High Water Mark: Suite for Jazz Octet

High Water Mark: Suite for Jazz Octet University o Neraska - Lincoln DigitalCommons@University o Neraska - Lincoln Student Research, Creative Activity, and erormance - School o Music Music, School o 5-011 High Water Mark: Suite or azz Octet

More information

TYLER TODD KIMMEL HERMES. Concerto for Violoncello and Orchestra

TYLER TODD KIMMEL HERMES. Concerto for Violoncello and Orchestra TYLER TODD KIMMEL HERMES Conceto o Violoncello and Ochesta 201-201 Comosed o thesis o the degee o Maste o Music loida Intenational nivesity 201 HERMES N Hemes, the meiest o Olymians, and god o taveles,

More information

alexander sigman struwl-2 for solo electric guitar (2012)

alexander sigman struwl-2 for solo electric guitar (2012) alexander sigman strwl- or solo electric guitar (0) strwl- (0) erormance notes general remarks A -sta notation is utilised throughout he to sta reers to let hand (ms) ingerings and articulations (see below)

More information

Spring Force and Power

Spring Force and Power Lecture 13 Chapter 9 Sprng Force and Power Yeah, energy s better than orces. What s net? Course webste: http://aculty.uml.edu/andry_danylov/teachng/physcsi IN THIS CHAPTER, you wll learn how to solve problems

More information

Research on Evaluation Method of Organization s Performance Based on Comparative Advantage Characteristics

Research on Evaluation Method of Organization s Performance Based on Comparative Advantage Characteristics Vol.1, No.10, Ar 01,.67-7 Research on Evaluation Method of Organization s Performance Based on Comarative Advantage Characteristics WEN Xin 1, JIA Jianfeng and ZHAO Xi nan 3 Abstract It as under the guidance

More information

Cecilia Damström. Op.27. Expressionen. Clarinet, Cello and Accordion 10'

Cecilia Damström. Op.27. Expressionen. Clarinet, Cello and Accordion 10' Cecilia Damström O7 Exressionen Clarinet, Cello and Accordion 10' 01 Exressionen O7 I Der Sechste Tag (Heinrich Camendonk) (clarinet, cello and accordion) II Einsamkeit (Alexe von Jalensky) (cello) IIIAquarelle

More information

and this position gives an indication of the tone in which the word is to be pronounced. Tones

and this position gives an indication of the tone in which the word is to be pronounced. Tones The symbols and sounds of the Ahmao scrpt Ths key to the Ahmao (Pollard) scrpt has been set out usng non-techncal terms, n order that the reader, unfamlar wth the Internatonal Phonetc Scrpt may be able

More information

Full Score. Gwyneth Walker. By Walden Pond. A celebration of the writings of Henry David Thoreau, for Orchestra and Narrator

Full Score. Gwyneth Walker. By Walden Pond. A celebration of the writings of Henry David Thoreau, for Orchestra and Narrator ull Score Gyneth Walker By Walden ond A celebration o the ritings o Henry David Thoreau, or Orchestra and Narrator remiered on October 5, 009 by the Carson City Symhony Carson City, Nevada David Bugli,

More information

azim . =50 & \ \ .#! 4 .## O -ªªªªªªªªªªª Q. - F # % \ \ . F ( \ HANGING 1 METAL SHEET h 1 ..., -# j O... # j. #. glissando lentissimo

azim . =50 & \ \ .#! 4 .## O -ªªªªªªªªªªª Q. - F # % \ \ . F ( \ HANGING 1 METAL SHEET h 1 ..., -# j O... # j. #. glissando lentissimo =50 1 HORN as sounds) \ \ TROMBON \ \ \ \ PIANO A k ậ 7 O P molto legato 7 O Q O Q P j ## azim cuivré sound # 4 i - gliss # - k d gurgling sound 5 : breath + rapid fingers O -ªªªªªªªªªªª - d sp 6 h # O

More information

Illinois (Honors) Digital IWU. Illinois Wesleyan University. Luke J. McLoughlin Recommended Citation

Illinois (Honors) Digital IWU. Illinois Wesleyan University. Luke J. McLoughlin Recommended Citation Illinois Wesleyan niversity Digital Commons @ IW Comositions Outstanding Student Works 015 Illinois (Honors) Luke J. McLoughlin lmclough@iwu.edu Recommended Citation McLoughlin, Luke J., "Illinois (Honors)"

More information

SOUTHEAST BY NORTHWEST

SOUTHEAST BY NORTHWEST Commissioned by my riends, Maestros Arnaud Caumeil o the Harmonie de Limonest Quentin Degeorges o the Soulants de St Priest, or their two cities ANDREW DAVID PERKINS (ASCAP) SOUTHEAST BY NORTHWEST (FOR

More information

SAMPLE FANFARE: A VISION AND A DREAM RYAN NOWLIN KJOS CONCERT BANDVVORKS NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA

SAMPLE FANFARE: A VISION AND A DREAM RYAN NOWLIN KJOS CONCERT BANDVVORKS NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA KOS CONCERT BAND GRADE WB $8.00 RYAN NOWLIN ANARE: A VISION AND A DREAM KOS CONCERT BANDVVORKS NEIL A. KOS MUSIC COMPANY SAN DIEGO, CALIORNIA THE COMPOSER A natie o Cleeland, Ohio, Ryan Nolin holds oth

More information

Work is the change in energy of a system (neglecting heat transfer). To examine what could

Work is the change in energy of a system (neglecting heat transfer). To examine what could Work Work s the change n energy o a system (neglectng heat transer). To eamne what could cause work, let s look at the dmensons o energy: L ML E M L F L so T T dmensonally energy s equal to a orce tmes

More information

MADE IN CHINA, MADE IN CALIFORNIA

MADE IN CHINA, MADE IN CALIFORNIA MADE IN CHINA, MADE IN CALIFORNIA or clarinet in b-lat, sorano saxohone, ercussion, viola, and contrabass Carolyn Chen 201 MADE IN CHINA, MADE IN CALIFORNIA Commissioned by Now Hear Ensemble Notes I was

More information

Stars for large orchestra.

Stars for large orchestra. Univesity o ouisville ThinkIR: The Univesity o ouisville's Institutional Reositoy Electonic Theses and Dissetations 5-2015 Stas o lage ochesta Matt Wetmoe 1989- Univesity o ouisville ollo this and additional

More information

QUADRUPLE QUARTET: FOR A CHAMBER ORCHESTRA OF 16 PLAYERS

QUADRUPLE QUARTET: FOR A CHAMBER ORCHESTRA OF 16 PLAYERS QUADRULE QUARTET: OR A CHAMER ORCHESTRA O 16 LAYERS by DIANA R ROSENLUM A THESIS resented to the School o Music and Dance and the Graduate School at the University o Oregon in artial ulillment o the requirements

More information

Pietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer

Pietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer Pietà Violin, Cello and Piano For the Longleash Trio - - 01 Duration: 1 Peter Kramer PROGRAM NOTE Pietà was written during the Sring and Summer of 01 for Pala Garcia, ohn Poham and Renate Rohlng for the

More information

CONCERTO for Baritone Saxophone, Small Orchestra, and DJ

CONCERTO for Baritone Saxophone, Small Orchestra, and DJ oseh R OZICH CONCERTO or aritoe Saxohoe, Small Orchestra, ad D INSTRMENTATION Flutes (1st doules Picc) Clariet Alto Saxohoe (doules Sorao) Solo aritoe Saxohoe F Hor Trumet Tromoe Percussio I: Wid Chimes,

More information

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers.

Please note that not all pages are included. This is purposely done in order to protect our property and the work of our esteemed composers. Please note that not all ages are inclded This is rosely done in order to rotect or roerty and the work o or esteemed comosers yo wold like to see this work in its entirety, lease order online or call

More information

Robbery > J. œ œ. œ b œ. œ œ œ œ. œ œ œ œ œ œ œ. œ J. œ œ œ. b œ œ œ # œ ? 4. œ J. b œ œ œ # œ Ó. # b œœ. œ œ. œ J. œ Œ Ó & œ - œ - œ - œ - Kbds, Str

Robbery > J. œ œ. œ b œ. œ œ œ œ. œ œ œ œ œ œ œ. œ J. œ œ œ. b œ œ œ # œ ? 4. œ J. b œ œ œ # œ Ó. # b œœ. œ œ. œ J. œ Œ Ó & œ - œ - œ - œ - Kbds, Str IANO CONDCTOR 171 LES MISÉRABLES 10 Robbery e = q Allegro A b b Kbds, Str 8 e = e C 1 b b Ba - bet, b Claque-sous b b b pon - ine, Take care! b Andante {q = 8} Kbd1, Xylo 5 Ev - 'ry - one here b sim b

More information

Physics for Scientists and Engineers. Chapter 9 Impulse and Momentum

Physics for Scientists and Engineers. Chapter 9 Impulse and Momentum Physcs or Scentsts and Engneers Chapter 9 Impulse and Momentum Sprng, 008 Ho Jung Pak Lnear Momentum Lnear momentum o an object o mass m movng wth a velocty v s dened to be p mv Momentum and lnear momentum

More information

KJOS CONCERT BAND GRADE 5 WB410F $9.00 SAMPLE RYAN NOWLIN SYNERGY RISING NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA

KJOS CONCERT BAND GRADE 5 WB410F $9.00 SAMPLE RYAN NOWLIN SYNERGY RISING NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA KOS CONCERT BAND GRADE 5 WB0 $900 RYAN NOWLIN SYNERGY RISING C O N S E R V A T O R Y E D I T I O N S SAMLE NEIL A KOS MUSIC COMANY SAN DIEGO, CALIORNIA THE COMOSER A natie o Cleeland, Ohio, Ryan Nolin

More information

PAUL HAYDEN. Clara. Magnolia Music Press. for orchestra

PAUL HAYDEN. Clara. Magnolia Music Press. for orchestra AL HAYDEN Claa o ochesta Magnolia Music ess OCHESTA iccolo 2 lutes 2 Ooes 2 - at Clainets - at ass Clainet (unavailale lo notes may e laye an octave highe) assoons ( ouling contaassoon) Hons C Tumets (1

More information

Sebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon

Sebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon 1 84 Sebastian Hilli Parahrase III Soave dolore or Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon 2016 Coyright by the Comoser All Rights Reserved No art o

More information

Preview Only. Legal Use Requires Purchase. Hark! The Herald Angels Sing JAZZ. TRADITIONAL Arranged by GORDON GOODWIN INSTRUMENTATION

Preview Only. Legal Use Requires Purchase. Hark! The Herald Angels Sing JAZZ. TRADITIONAL Arranged by GORDON GOODWIN INSTRUMENTATION Conductor B Sorano Saxohone 1st E Alto Saxohone (Alternate art) 2nd E Alto Saxohone (lute) 2nd E Alto Saxohone (Alternate art) 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet

More information

euphonium concerto uphill Stan Nieuwenhuis

euphonium concerto uphill Stan Nieuwenhuis euhonium concerto uhill Stan Nieuwenhuis 2 Programme Notes This concerto or euhonium was commissioned by Glenn Van Looy. It is dedicated to Samia Yusu Omar, the Somalian athlete that died while taking

More information

Sola fides sufficit: Concerto for violin and ensemble

Sola fides sufficit: Concerto for violin and ensemble University o Ioa Ioa Research Online Theses and Dissertations Sring 01 Sola ides suicit: Concerto or violin and ensemble Daniel Patrick Houglum University o Ioa Coyright 01 Daniel Patrick Houglum This

More information

CHINESE FIRE DRILL BENJAMIN DEAN TAYLOR

CHINESE FIRE DRILL BENJAMIN DEAN TAYLOR CHINESE IRE DRILL BENAMIN DEAN TAYLOR Commissioned the Colorado Mesa niversit Wind Smhon Calvin Hoer, conductor ith the generous suort o Karen Coms 20 Duration: ca 6:0 Music teset the comoser Music Coright

More information

This work was commissioned by and dedicated to the Ventoso Winds, at the request of their clarinetist, Sara Stolt.

This work was commissioned by and dedicated to the Ventoso Winds, at the request of their clarinetist, Sara Stolt. FOREST BAGATELLES are a set o seven short movements or woodwind quintet reresenting various orest climates coosed in art because o the woodlike qualities o the ensemble The movements are tied together

More information

ESCI 341 Atmospheric Thermodynamics Lesson 6 Thermodynamic Processes

ESCI 341 Atmospheric Thermodynamics Lesson 6 Thermodynamic Processes ESCI 341 Atmosherc Thermodynamcs Lesson 6 Thermodynamc Processes Reerences: An Introducton to Atmosherc Thermodynamcs, Tsons Introducton to Theoretcal Meteorology, Hess Physcal Chemstry (4 th edton), Lene

More information

Physics 2A Chapter 3 HW Solutions

Physics 2A Chapter 3 HW Solutions Phscs A Chapter 3 HW Solutons Chapter 3 Conceptual Queston: 4, 6, 8, Problems: 5,, 8, 7, 3, 44, 46, 69, 70, 73 Q3.4. Reason: (a) C = A+ B onl A and B are n the same drecton. Sze does not matter. (b) C

More information

S S S A A A T T T B B B. Sa Silong ng Langit NILO B. ALCALA. (selected pages only)

S S S A A A T T T B B B. Sa Silong ng Langit NILO B. ALCALA. (selected pages only) S S S A A A T T T B B B Sa Slo Lat NILO ALCALA (selected ges only) SA SILONG NG LANGIT dedcated to the Mla Chamber Sers A y takda hun, slo lat... Pahon gbg, at hon gmuh; hon dgma, at hon ya. (Ecclessastes

More information

General Tips on How to Do Well in Physics Exams. 1. Establish a good habit in keeping track of your steps. For example, when you use the equation

General Tips on How to Do Well in Physics Exams. 1. Establish a good habit in keeping track of your steps. For example, when you use the equation General Tps on How to Do Well n Physcs Exams 1. Establsh a good habt n keepng track o your steps. For example when you use the equaton 1 1 1 + = d d to solve or d o you should rst rewrte t as 1 1 1 = d

More information

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one] Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto

More information

!"#$ (The Word) Version II (2011) For Countertenor, Piano, Resonant Gongs and Electronics. Dániel Péter Biro. Material Press!

!#$ (The Word) Version II (2011) For Countertenor, Piano, Resonant Gongs and Electronics. Dániel Péter Biro. Material Press! The Word Version II For Countertenor Piano Resonant s and Electronics ániel Péter iro 0 Material Press Hadavar The Word Version II ániel Péter iró For Countertenor Piano Resonant s and Live Electronics

More information

干珠満珠. The Tide Jewels

干珠満珠. The Tide Jewels 干珠満珠 The Tide eels o Ochesta [201] Chistohe Laosa chislaosacom 干珠満珠 The Tide eels o Ochesta [201] Duatio: ' Chistohe Laosa chislaosacom 2 Istumetatio lutes ( d doules icc) 2 Ooes Eglish Ho 2 Claiets i

More information

Henrik Denerin. seals II. for cello and soprano. full score

Henrik Denerin. seals II. for cello and soprano. full score Henik Denein seals II o and ull scoe Henik Denein seals II (2014-15) o and duation: 5 seconds Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical

More information

Still Sky Bells. For large ensemble. Stef Conner 2010

Still Sky Bells. For large ensemble. Stef Conner 2010 Still Sky Bells For large ensemble Ste Conner 1 Ste Conner Still Sky Bells 1 For large ensemble lutealto lute oboecor anglais clarinetbass clarinet ercussion vibrahonetam-tamglockensielrin C - CChinese

More information

Suite For The Forgotten

Suite For The Forgotten University o Neraska Lincoln DigitalCommons@University o Neraska Lincoln Student Research, Creative Activity, and Perormance School o Music Music, School o Sring 01 Suite For The Forgotten Masayoshi Ishikaa

More information

ANTIGONE Prologue and Parodos

ANTIGONE Prologue and Parodos DINOS CONSTANTINIDES ANTIGONE rologue and arodos IANO SCORE DINOS CONSTANTINIDES ANTIGONE rologue and arodos LRC 109cc IANO SCORE Text: Sohocles Duration: ar 20 minutes The comoser egan ork on his three-act

More information

EMU Physics Department.

EMU Physics Department. Physcs 0 Lecture 9 Lnear Momentum and Collsons Assst. Pro. Dr. Al ÖVGÜN EMU Physcs Department www.aogun.com Lnear Momentum q Conseraton o Energy q Momentum q Impulse q Conseraton o Momentum q -D Collsons

More information

A Quadratic Cumulative Production Model for the Material Balance of Abnormally-Pressured Gas Reservoirs F.E. Gonzalez M.S.

A Quadratic Cumulative Production Model for the Material Balance of Abnormally-Pressured Gas Reservoirs F.E. Gonzalez M.S. Natural as Engneerng A Quadratc Cumulatve Producton Model for the Materal Balance of Abnormally-Pressured as Reservors F.E. onale M.S. Thess (2003) T.A. Blasngame, Texas A&M U. Deartment of Petroleum Engneerng

More information

!! Woodwind'/'Brass'/'Percussion'Unified'Auditions'Spring'2013' (IWS,'UISO,'WO,'UIPO,'NME)' ' NOTE:''

!! Woodwind'/'Brass'/'Percussion'Unified'Auditions'Spring'2013' (IWS,'UISO,'WO,'UIPO,'NME)' ' NOTE:'' Woodwind'/'Brass'/'Percussion'Uniied'Auditions'Spring'203' (IWS,'UISO,'WO,'UIPO,'NME)' ' NOTE:'' Amusicstudentsstudyinginappiedstudiosmusttakethe advancedaudition whichconsistsotheseexcerpts Anynon

More information

Use these variables to select a formula. x = t Average speed = 100 m/s = distance / time t = x/v = ~2 m / 100 m/s = 0.02 s or 20 milliseconds

Use these variables to select a formula. x = t Average speed = 100 m/s = distance / time t = x/v = ~2 m / 100 m/s = 0.02 s or 20 milliseconds The speed o a nere mpulse n the human body s about 100 m/s. I you accdentally stub your toe n the dark, estmatethe tme t takes the nere mpulse to trael to your bran. Tps: pcture, poste drecton, and lst

More information

Page 1. Clicker Question 9: Physics 131: Lecture 15. Today s Agenda. Clicker Question 9: Energy. Energy is Conserved.

Page 1. Clicker Question 9: Physics 131: Lecture 15. Today s Agenda. Clicker Question 9: Energy. Energy is Conserved. Physcs 3: Lecture 5 Today s Agenda Intro to Conseraton o Energy Intro to some derent knds o energy Knetc Potental Denton o Mechancal Energy Conseraton o Mechancal Energy Conserate orces Examples Pendulum

More information

"Given time..." for soprano and orchestra.

Given time... for soprano and orchestra. University o Louisville ThinkIR: The University o Louisville's Institutional Reository Electronic Theses and Dissertations -017 "Given time..." or sorano and orchestra. Alex Isackson University o Louisville

More information

Concerto for Organ and Chamber Orchestra

Concerto for Organ and Chamber Orchestra University o Iowa Iowa Research Online Theses and Dissertations Fall 201 Concerto or Organ and Chamber Orchestra Stas Omelchenko University o Iowa Coyright 201 Stas Omelchenko This dissertation is available

More information

A Quadratic Cumulative Production Model for the Material Balance of Abnormally-Pressured Gas Reservoirs F.E. Gonzalez M.S.

A Quadratic Cumulative Production Model for the Material Balance of Abnormally-Pressured Gas Reservoirs F.E. Gonzalez M.S. Formaton Evaluaton and the Analyss of Reservor Performance A Quadratc Cumulatve Producton Model for the Materal Balance of Abnormally-Pressured as Reservors F.E. onale M.S. Thess (2003) T.A. Blasngame,

More information

Hopfield Training Rules 1 N

Hopfield Training Rules 1 N Hopfeld Tranng Rules To memorse a sngle pattern Suppose e set the eghts thus - = p p here, s the eght beteen nodes & s the number of nodes n the netor p s the value requred for the -th node What ll the

More information