SETTINGS OF THE SABBATH. A THESIS IN Music Composition
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- Everett McBride
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1 EING O HE H HEI IN Music Comosition resented to the aculty o the niversity o MissouriKansas City in artial ulillment o the requirements or the degree MER O MIC by Katie ellman.m. niversity o outhern Caliornia, 2010 Kansas City, Missouri 2016
2 2016 KIE ELLMN LL RIGH REERED
3 EING O HE H Katie ellman, Candidate or the Master o Music Degree niversity o MissouriKansas City, 2016 RC ettings o the abbath is a iece ritten or large ensemble and choir. he abbath is a sacred time or es that starts sundon riday night and ends at sundon aturday night. It is a time or relection, rayer, and rest. er Hebraic tradition, the rayers are usually sung monohonically hich rovides a unity among the congregation. hese rayers are oten unveiled in strohic orm roviding an easy method to remember the melodies and lyrics to the rayer. or more comlicated rayers ith multilayered meaning, hoever, the same melody cannot convey all o the dierent meanings. choir and sinonietta instrumentation add deth to the timbral and textural sace available. he iece is in to movements. he irst movement is based on the rayer "Lecha Dodi," hich ushers in the abbath. It reers to meeting the bride, hich in this case is habbat. he rayer is in many verses. I have chosen those that are most signiicant ersonally and that orm the structure o the movement. he second movement is an interretation o the "h ma." rayer that says Hear o Israel the Lord is our God the Lord is one. he ord h ma means hear. his is an imortant ord o the rayer. I concetualized the ord to unveil over 5 minutes. he instruments reresent the sound o "sh" ith air like noises on the trings and bloing through the instruments. he choir reveals the "mm" and then the "" art o the h ma honetically. he iece becomes more rhythmic and more chaotic harmonically and rhythmically. It culminates in a cacohony commanding the listener to hear this rayer. iii
4 ROL GE he aculty listed belo, aointed by the Dean o the Conservatory o Music and Dance have examined a thesis titled "ettings o the abbath," resented by Katie ellman, candidate or the Master o Music degree, and certiy that in their oinion it is orthy o accetance. uervisory Committee Chen Yi, DM, Committee Chair Conservatory o Music and Dance ames Mobberley, DM Conservatory o Music and Dance Mara Gibson, h.d. Conservatory o Music and Dance
5 LE O CONEN RC INRMENION g. iii g. vi ERORMNCE NOE g. vi EX NOE EING O HE H: LECH DODI g. vii g. 1 EING O HE H: H'M g. 1 IOGRHICL I g. 5
6 INRMENION Large Ensemble lute oboe clarinet in b bassoon horn in trumet in C trombone iano sorano voice alto voice tenor voice bass voice violin viola cello double bass ERORMNCE NOE ettings o the abbath: Lecha Dodi he irst movement ushers in the abbath and should bring the listener through a ourney o emotions rom hainess, to disair, back through oy and ubilation. ettings o the abbath: h'ma he second movement is a slo unveiling o the ord sh'ma. he string noises at the beginning are meant to be sot airy sounds. he "ooooo" sound in the voices starting in measure 11, is meant to continue the eect o air or indlike noises beore the syllable "sh" is introduced. iolin and viola mm. 1: he desired eect is "airlike" noise, or a brushing sound o the hair o the bo moving back and orth, vertically rom the nut o the violin to the bridge. Eect desired on strings II and III, hoever i the layer can roduce sound more eectively by using other strings, this is ermissible. oices mm. 11 smooth transition beteen "oo" sound and "sh" sound rumet and trombone mm. 5, double tongue or duration o note. Evenness is not necessary, ust ill as many double tongues in the note duration as ossible. Measure 5, sitch to lutter tongue. vi
7 EX NOE honetic ranslation o Hebre "Lecha Dodi" Lecha dodi likrat kala, nei habbat n kabel donai echad ush'mo echad; Rav lach shevet b emek ha bacha; Hitna ari me aar kumi, Ki va orech, kumi uri. ri, uri, shir daberi; K vod donai alai yich nigla. nism cha v nagila Original Hebre "ל כ ה ד ו די" ל כ ה ד ו די ל ק רא ת כ ל ה. פ נ י ש ב ת נ קב ל ה: י י א ח ד וש מ ו א ח ד.. רב ל ש ב ת ב ע מ ק ה ב כ א. ה ת נ ע רי מ ע פ ר ק ומ י.. כ י ב א א ו ר ק ומ י א ו רי. ע ו רי ע ו רי ש יר דב ר י. כ ב וד י י ע ל י נ ג ל ה. ו נ ש מ ח ה ו נ ג יל ה: "ש מ ע" "h'ma" honetic ranslation o Hebre Lecha dodi likrat kala, nei habbat n kabel donai echad ush'mo echad; Rav lach shevet b emek ha bacha; Hitna ari me aar kumi, Ki va orech, kumi uri. ri, uri, shir dabeiri; K vod donai alai yich nigla. nism cha v nagila "h'ma" English translation Come, my riend, to meet the bride, and let us elcome the resence o habbat God is one and God's name is one; Long enough have you sat in the valley o tears; hake yoursel ree, rise rom the dust, Your light is coming, rise u and shine. aken aken utter a song; he glory o the Lord is revealed uon you. We ill reoice and sing haily Hear honetic guide ll "a" voels are ronounced like "" n "i" voel alone is ronounced like "ee" he aostrohe i olloed by a consonant is a sot voel beteen "eh" and "ih." hink o this like the German "sha" he aostrohe i in the middle o to voels, acts as a little break in the voel to reattack ith a glottal stroke. he sound "ch" is a sound roduced in the back o the throat, like a throat clearing noise. It is a strong "h" sound ith more o the throat involved. "ai" is ronounced like "eye" "e" voel is ronounced like "chevron" or I ɛ "o" voel is ronounced like "oh" "u" voel is ronounced like "oo" "ei" voel is ronounced beteen "bear" and "bay" vii
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9 core in C ettings o the abbath Lecha Dodi or sinonietta and Katie ellman lute Oboe Clarinet in b assoon q = Horn in rumet in C rombone iano orano q = lto enor, b 2 b Le cha dodi, b b, 2 b 5 Le cha do b 5 di,. b., b b b. Le cha do di, b n., 2 2 b Le cha b do 5 5. di, b. ass Le cha do di, Le cha 2 do 5 di, Le cha do di, 2 Le cha do 5 di, iolin iola Cello Double ass q = 56 sul tasto sul tasto sul tasto. ord.. ord ord. b b b. b by Katie ellman, C, ll rights reserved.
10 ettings o the abbath l. b Cl. sn. C t. ". >... >.. >... > Mute.. > q = 12 Mute o no. edal ad lib mostly dry n. >. q = 12 li krat ka la, n.. > li krat ka la, n. >. li krat ka la, D.. " ".... "... >. q = 12 2
11 ettings o the abbath l. b Cl. sn r. r. r. C t. 11 no > > > > so. solo ' D.. 11 < b < < b < b < n < < b< < b < n < < b< < b < < b < n < < < b< < b < < b < < n < < b< < izz. b < < b < < < b < < < b < <
12 ettings o the abbath l. 15 r. r. r. r. b Cl. r. r. sn.... C t. 15 r.... no. 15 > > > > nei habbat n' ka be l 15 r. r. arco sul ont. > > > b < < b< < b< < D.. b < < b< < b< <
13 ettings o the abbath l. 19 r. b Cl. sn. r. r. < < < < < < < < < < < < < < < < < < < < < < < < < 19 C t. no. 19 > > > 19 ' nei hab bat n' ka bel < < < <. n' kabel n' kabel n' kabel < < < <. < < < < < ' nei habbat ' nei habbat ' nei habbat ' ' nei 19 r. r... b < D.. b < 5
14 ettings o the abbath l. 2 < < < < < < < < < < < < < < < < < < < b Cl. < < < < < < < < < < < < < < < < < < < sn. 2 C t. 2 no < < < < n' ka be l n' ka bel < < < < < < < bel n' ka be l n' ka < < < < < < < < 2 nei habbat ' nei hab bat hab. bat ' nei hab..... ' nei hab bat ' nei habbat bat D
15 ettings o the abbath l. b Cl. sn. 2 < < n rit. b.. q = 6 C t. 2 2 no. 2 tutti rit. le cha do di hab bat < <. no edal q = 6 do nai e chad u sh' mo e chad. do bel n. do nai e chad u sh' mo e chad. do D.. 2 le cha do di hab bat do nai e chad u sh' mo e chad. do ' nei shab rit. b b. bat do nai e chad u sh' mo e chad. do q = 6 izz. izz.
16 l. b Cl. sn. ettings o the abbath.... C t. no. nai e chad u sh' mo e chad. do nai e chad u sh' mo e chad, u sh' nai e chad u sh' mo e chad. do nai e chad u sh' mo e chad, u sh' nai e chad u sh' mo e chad. do nai e chad u sh' mo e chad, u sh' nai e chad u sh' mo e chad. do nai e chad u sh' mo e chad, u sh' b ä â > >. ƒ. >.... D.. izz. izz. arco b b arco arco â ä arco
17 l. ä â ettings o the abbath q = 56. b Cl. sn. ä ä. >. C t. â ä â... ä ä no. ä ä ä > > b b q = 56 edal ad lib. mo e cha â mo e cha â mo e cha ä d > d > d >. Rav. lach she Rav lach she D.. mo e cha b b b d b. b. ä. b... q = 56 b. 9
18 ettings o the abbath l. b Cl b. b. sn. C t. no Rav vet b' em ek ha' ba cha b' em ek ha' ba cha, b' em ek ha' ba.. lach she b b... vet... ek b b. b.... b. cha,.. Mute.. ek ha' ba b b vet b' em ek ha' ba cha b' em ek ha' ba cha, b' em ek ha' ba b' em ek ba cha, b' em ek ha' ba 5 D
19 ettings o the abbath l. 51. b. b... b Cl. sn. b.. b. b..... C t. no b. b. b b.. Í... Mute o cha, cha, b' em ek ha' ba ek ha' ba b b cha. cha. b mm b cha, b' em ek ha' ba b. cha.. mm D.. 51 cha, b. ek b. cha.. b.. b. b.. b 11
20 ettings o the abbath l. 5 b q = 6 b Cl. sn. b 5. C t. 5 no. 5. q = 6. b.. b b b Hit b Hit b b na' a ri me 'a ar ku mi ku b b na' a ri me 'a ar ku mi ku b b b b b b b b b b mi, mi, Ki, b Ki, D.. 5. b b q = 6. izz. izz. b b b. b. arco b. n izz. 12
21 ettings o the abbath l. b Cl. sn. 6 b b C t. 6 no b b b b b cresc. n,, va orech, ku mi uri, u b b b b b ri cresc. n va orech, ku mi uri, u ri u u ri. ri., u u ri, u ri, da bei, ri, u ri, da bei shir shir cresc b b b b b b.. ri arco. shir. bei D.. b b n b arco... 1
22 ettings o the abbath l. 1 b Cl. sn..... C t. no ,., b ri u ri u ri u ri u ri u ri k' vod ado nai a lai' ri u ri u ri u ri k' vod ado nai a lai'..,,. shir shir da bei ri ri D
23 l.. b ettings o the abbath b b b Cl. sn.. C t. no... b.. b.. b.. b n. b yich yich nig b nig l, alai' yich nig l, a lai' yich nig b l, alai' yich nig l, a lai' yich nig b b b alai yich nig l, a lai' yich nig nig b. b b D.. 15
24 l. ettings o the abbath b b b Cl.. b b sn. C t. no. b b b l, l, nig b nig l l nig b nig l, a lai' b l, a lai' l, nig l nig l, a lai' l, nig l nig l,. D.. 16
25 l. 6 ettings o the abbath 2 2 b Cl. sn. b b b n b b b b b 2 2 n C t b no b b b b b 2 yich yich nig b nig l, a lai' yich nig l, nig l, nig b l, a lai' yich nig l, nig l, nig b b b 2 2 l. l. yich nig l, a lai' yich nig l, nig l, nig b n b 2 l. n D do b nai n shir shir b shir b b n 1
26 l. 92 ettings o the abbath 2 q = b Cl. 2 sn b b b 2 C t no q = marcato, ubilant < < ' nis m' cha v' na gi la ' 2 2 marcato, ubilant ' nis m' cha v' 92 2 q = D.. 2 1
27 l. 9 ettings o the abbath b Cl. sn. 9 C t. no. 9 9 < < ' nis m' cha v' na gi la ' marcato, ubilant < < < nis m' cha v' na gi la < ' nis m' cha v' na gi la ' nis m' cha v' na gi la ' marcato, ubilant < < nis m' cha v' na ga la ' nis m' cha v' na gi la ' < do nai e chad u sh' mo e chad. do na gi la ' nis m' cha v' na gi la ' nis m' cha v' < < < < < nis m' cha v' na gi la ' D.. 9 arco arco 19
28 l. 102 ettings o the abbath b Cl. sn. 102 C t. no < < nism' cha v' nagala ' < < nism' cha v' na gi la ' < < nism' cha v' na gi la ' nis m' cha v' na gi la ' < < nism' cha v' na gi la ' nai e chad u sh' mo e chad. do < < nagi la ' nism' cha v' na gi la ' nis m' cha v' < < nis m' cha v' na gi la ' nai e chad u sh' mo e chad. do nis m' cha v na gi la nis m' cha v na gi la 102 D.. 20
29 ettings o the abbath l. b Cl. sn C t. no. 106 edal ad lib 106 do nai, do nai, do nai, do nai. nai na gila do nai, do nai, 106 D.. 21
30 l. b Cl. sn ettings o the abbath Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) 6 6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) C t. 6 no Ÿ~~~~~~~~~~~~~ ( ) do nai. Ki b va b o rech, b ku b b n n mi u ri. Ki va b 6 6 do nai, do nai. u ri. Ki va 6 do nai. 109 b b b b b n n b D
31 l. b Cl. sn. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ). R 6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~. ( ).. R 6 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~.. ( ). R. 6 ettings o the abbath. C t. no b b b b b b b Le cha do b 6 o rech, o rech, Le cha do di, le cha do di, le cha do 6 o rech, o rech, Le cha do di, le cha do di, b le cha do b b b b Le cha do di, b le cha do b D.. 6 b b 2
32 l. 11 ettings o the abbath 6. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~. ( ) 6 b Cl. sn C t. 6 6 no b di li krat ka l, le cha do di b 6 b b di li krat 6 li krat ka l, le cha do di di li krat li krat ka l, le cha do di b 6 b b 11 di li krat 6 li krat ka l, le cha do di. b 6 b b 6 D.. b 6 b b 2
33 l. b Cl. sn ettings o the abbath 5 b b 6 b b b b b b b C t. no b b b b b b b b b 5 b b b 6 b 5 b b b do di 6 5 b. do di 6 5 do di D b b
34 l. b Cl. sn. 12 b b b b n n ettings o the abbath Ÿ~~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~~~ () Ÿ~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~~ ( ) Ÿ~~~~~~~~~~~ ( ) Ÿ~~~~~~ ( ). Ÿ~~~~~~~. ( ) Ÿ~~~~~~. ( ) C t. 12 b b 6 6. no. 12 b b b n n n b b 6 n sim. li krat ka l, le cha do di, u ri, u ri Lecha do di b b n li krat ka l, le cha do di, 6 6 u ri, u ri Lecha do di 6 u ri, u ri u ri, u ri Lecha do di Lecha do di 12 b b b b n D
35 l. b Cl. sn. ~~~~~ Ÿ~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~~~ ( ) ( ) ( ) ( ) ( ) ƒ ~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~. ( ) ( ) ( ) ƒ ~~~ Ÿ~~~~~~~ Ÿ~~~~~~ ( ) ( ). ƒ ƒ 12 ettings o the abbath C t. no ƒ ƒ. ƒ ƒ 12 ƒ li krat ka l, ' nei habbat n' ka be l Le cha do di li krat ka l, ' nei habbat n' ka be l Le cha do di ƒ ƒ D.. 12 li krat ka l, ' nei habbat n' ka be l Le cha do di li krat ka l, ' nei habbat n' ka be l Le cha do di ƒ ƒ Ÿ~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ ( ) ( ) Ÿ~~~~~~ ( ) Ÿ~~~ ( ).. ƒ Ÿ~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ ( ) ( ) ( ) ( ) Ÿ~~~~~~~~ ( ). ƒ ƒ 2
36 l. b Cl. sn ettings o the abbath C t no. 12. li krat ka l, ' nei hab bat n' ka be l. li krat ka l, ' nei hab bat n' ka be l. li krat ka l, ' nei hab bat n' ka be l 12 li krat ka l, ' nei hab bat ~~~~~ Ÿ~~~~~~~ ( ) Ÿ~~~~~~~~~~~~~~~~~~ ( ). n' ka be l.,.... D.. 2
37 ettings o the abbath l b Cl. 6 6 sn C t no D
38 l. b Cl. sn. 12 ettings o the abbath molto rit. C t no. 12 molto rit. mm mm mm mm D molto rit. 0
39 lute Oboe Clarinet in b assoon Horn in rumet in C rombone orano lto enor ass iolin iola Cello Double ass iano II I "ir Noise" mute strings and bo lautando to roduce a hiserlike eect "ir Noise" mute strings and bo lautando to roduce a hiserlike eect I III q = 66 q = 66 q = 66 II III col legno sul ont. hal bo move bo back and orth on strings II and III beteen bridge and the nut to create a hiserlike eect blo air through instrument blo air through instrument blo air through instrument ettings o the abbath Katie ellman 2016 by Katie ellman, C, ll rigths reserved. core in C h'ma
40 l. b Cl. sn. C t. D.. no blo air through instrument blo air through instrument sim. sim. ettings o the abbath: h'ma 2
41 ettings o the abbath: h'ma l. 10 b Cl. sn. 10 C t. 10 no. 10 shae mouth like saying "oo"; let the air hit your teeth so that you are sounding the "" but let enough air through so you sound "indy"; stagger breath " oooooooooooooooo shae mouth like saying "oo"; let the air hit your teeth so that you are sounding the "" but let enough air through so you sound "indy"; stagger breath " oooooooooooooooo shae mouth like saying "oo"; let the air hit your teeth so that you are sounding the "" but let enough air through so you sound "indy"; stagger breath " oooooooooooooooo 10 D..
42 ettings o the abbath: h'ma l. 1 b Cl. sn. 1 C t. 1 no. 1 sh sh sh sh sh shae mouth like saying "oo"; let the air hit your teeth so that you are sounding the "" but let enough air through so you sound "indy"; stagger breath " oooooooooooooooo sh sh sh. 1 D.. sul ont. III o o I o o o o o o o o sim.
43 ettings o the abbath: h'ma l. 20 b Cl. sn. 20. C t. 20 no. 20 sh sh sh sh sh sh mm mm.... sh sh sh... sh sh sh sh 20 Ord. III o o o o o I o o o o o sim. D.. 5
44 ettings o the abbath: h'ma l b Cl.... sn C t. 2 no. 2 stagger breathe sh mm stagger breathe. stagger breathe sh.. mm b stagger breathe sh mm 2 D.. Ord. o o o o 6
45 ettings o the abbath: h'ma l. () R.. ().... b Cl.. () sn. () ()... C t. no. () () () () o o D.. o o
46 ettings o the abbath: h'ma l. 0 ().... (). b Cl.. (). sn. 0. () (). C t. 0 no. () 0 () () () 0 D..
47 ettings o the abbath: h'ma l. 6 (). accel. (). b Cl. (). sn. (). C t. no. 6 6 () double tongue as ast as ossible double tongue as ast as ossible. stagger breathe stagger breathe. () 6 accel. () () () 6 ǣ.. ǣ ǣ.... accel. sim. sim..... D.. 9
48 l. 52 q = ettings o the abbath: h'ma Ÿ~~~~~~~~~~~~ ( ) R R b Cl. sn. Ÿ~~~~~~~~~~~~ ( ) C t. 52 lutter tongue 52 lutter tongue no. 52 q = 52 q = R D.. 0
49 l. b Cl. sn. 56 ~~ R. ettings o the abbath: h'ma b b b b b b 5 56 C t no D.. 1
50 ettings o the abbath: h'ma l. 59 b Cl. sn. R. b. R b b R. 59 C t. no. 59 edal ad lib D.. 2
51 l. b Cl. sn. 62 ( ) ( ) b ( ) ( ) b. R ettings o the abbath: h'ma b b b b 62 C t. no. 62 ( ) 62 ( ) ( ) ( ) 62 ( ) ( ) D..
52 l. b Cl. sn. 65 b R b R. ettings o the abbath: h'ma Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) b b. R n 65 C t. no r r n n 65 D..
53 l. 6 ettings o the abbath: h'ma ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) b Cl. R. stagger breathe stagger breathe sn. 6 C t. no. 6 n n n n n 6 n n n n 6 b b b b b b b b b b b D.. 5
54 l. b Cl. sn. 2 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ettings o the abbath: h'ma Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) 2 b b b b b C t. no. 2 n n b b b b n n n n n n b b b b n n n n 2 n n... D.. 2 b b b b b b b b b b 6
55 ettings o the abbath: h'ma l. ~~~~~~~~~~~~~~~~~~~~~ 6 b Cl. n n sn. n n n n 6 n b b C t. b 6 no D..
56 ettings o the abbath: h'ma l. 0 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) 5 5 b Cl. sn. n n n n n n n n n 0 r. r. r. r. r. r. C t. R. R. R. R 0 no R. R. R. sul tasto 5 5 R. R. D..
57 ettings o the abbath: h'ma l. b Cl. sn. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 5 n n n b b n b n b b r. r. r. r. r. r. C t. R. R. R. R. n n n no.. stagger breathe. stagger breathe R. R. R. R. D.. 9
58 l. b Cl. sn. C t. no Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) lutter tongue lutter tongue n stagger breathe stagger breathe ettings o the abbath: h'ma D.. 6 < < < < < < < < < < < < < < < 50
59 l. b Cl. sn. C t. no Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) Ï Ï Ï Ï Ï Ï Ï ettings o the abbath: h'ma Ï Ï Ï Ï Ï D.. 90 Ï Ï Ï Ï 51
60 ettings o the abbath: h'ma 52
61 IOGRHICL I Katie ellman is comoser born in Dallas, X. ter graduating rom he Interlochen rts cademy High chool in Michigan, she attended the C hornton chool o music. In 2010 she graduated cum laude ith a M in comosition, and received the Choir Leadershi ard under conductor and mentor Lesley Leighton. Katie attended the coring or Motion ictures and elevision rogram at the C hornton chool o music and received he lice and oe Harnell cholarshi or coring or Motion ictures and elevision in In 2016 Katie received an MM in comosition rom the Conservatory o Music and Dance at the niversity o MissouriKansas City here she as a ello in the Comosers in the chools rogram. ast Instructors: Dr. Chen Yi, Dr ames Mobberley, Dr. Zhou Long, Dr. Mara Gibson, Dr. Erica Muhl, Dr. rank icheli, rian Head, Dr. Robert ldridge, Dr. David Dzubay, oel McNeely, ack malley, Eric chmidt. 5
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