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1 This PDF cntains excerts rm the scre Fr the cmlete scre, lease cntact the cmser directly at wwwmark-ardencm Diese PDF enthält Auszüge aus der Partitur Für die vllständige Partitur, itte kntaktieren Sie den Kmnisten direkt üer seine Weseite wwwmark-ardencm

2 Mark arden a tearing visin (01)

3 a tearing visin r large chamer rchestra dedicated t Kimerly cmmissined y ensemle intercntemrain cmsed: duratin: remière: minutes ensemle intercntemrain, 1 anuary 01, Cité de la musique, Paris, France nstrumentatin: iccls (th als alt lute) clarinets in A (th als ass clarinet) es assns hrns trumets in C trmnes 1 tua ercussinists (instruments listed elw) 1 ian (grand ian with three edals) 1 har vilins vilas celli 1 dule ass ( strings) Perrmance Ntes General All layers require a hand-sized iece aluminum il and thum-sized scra aer Many exlanatins sunds and techniques aear directly in the scre arts Fr clarity a reerence rhythm is rvided ave sme cmlex assages (eg, inal ew ars in winds rass) / / / crescend dal niente / diminuend al niente exnential dynamics: cresc with sudden exlsin at end / dim with sudden imlsin at start exnential dynamics dal / al niente dynamics in qutatin marks crresnd t ert sunding result is smetimes given in arentheses vary dynamic within given range (+/- means small variatins within written dynamic) Hautstimme damed (varius means executin, deending n instrument) ctave-transsing cles: sunds 1ma, va, v, 1m dule ass cles: sunds an ctave lwer than written cancels revius ctave-transsing trele cle unitched cle quartertne ntatin: w lat lat lat natural shar shar w shar arrws indicate slight micrtnal deviatin itch may vary micrtnally in either directin unitched air sund (r as clse t unitched as ssile) timre rightness/darkness determined y layer t suit cntext "air sta": height crresnds t rightness timre add siilant (, sh, ss, ç) r chse ingerings t create timral cntur shwn a sund with indeinite itch r ther secial technique (varius means executin, exlanatins aear in scre) strings: deressed, winds (es lute): very airy tne varius meanings deending n instrument/cntext (exlanatins in scre) a sund with very lw indeinite itch multihnic (exlanatins in scre) cluster, always chrmatic smth transitin rm ne timre/technique t the next each layer requires a small scra aer with at least ne clean, shar edge (eg, cut with scissrs, nt trn) hld vertically near lis and lw a cused stream against the clean, shar edge r a very high itched, unstale whistle tne (like a teakettle) try t kee itch cnstant as ssile each layer requires a hand-sized iece new aluminum il this must e very slightly crumled and laced within easy reach (ssily taed t the li the music stand) in the last ar, gras the il with th hands and gently ull it lat withut tearing the il this rduces many very high itches that ecme less and less requent a resh iece il must e used r the errmance shadw H / LH very airy sund with aint hint itch varius techniques deending n instrument exlanatins given in scre right hand / let hand

4 Perrmance Ntes Winds/rass varius mutes required see scre ü, i, e are German vwels (muth shae cntrls timre) rass: mute n (with wawa: clsed with hand), lute: key sla rass: unmuted (wawa: en hand) luttertngue (lz) r grwl assn: Please cnsult Pascal Gallis's k, The Techniques assn Playing r rlling tne ingerings and technical descritin multihnic: slit tne tw adacent itches in harmnic series: uer li aims r higher itch, lwer li r lwer itch resulting sund shuld have airly unclear itches with cnsiderale quiet nise and distrtin, a it like radi static Perrmance Ntes Flute N: thugh lutes are smetimes ntated in unisn, the rhythmic cmlexity is designed t reclude erect unisn laying the desired result in these rie assages is a near-unisn 'ghsting' eect see inal age legend r ingerings r alt lute dyads / / / inhale/exhale en (rd) muth sitin / clsed muth sitin (muth cvers hle) air sund with en muth sitin / air sund with clsed muth sitin very airy tne thrat luttertngue inhale away rm lute (sund cmes rm muth nly) 'a' as in ather (Germ Aachen, Fr Paris) rd, then sna lute away rm muth immediately result is a vilent and very airy accent with minimum itch et whistle (semre en muth sitin) Perrmance Ntes Percussin GLOCK st ass drum mallet w ingernail suerall snare sticks snare sticks n rim: transitin rm hilt stick t ti result: timral gliss rm dark t right instrument (all cas in x) needle hard yarn mallet hard timani mallet st timani mallet hard xylhne mallet (wd r ruer) hand imlement (lwercase in x) PEC meldica (inexensive mdel reerred, eg Hhner Student ) metal music stand aluminum il sheet (gently crumled ust nce rm initial latness) glckensiel thundersheet lin's rar tm (heavily muted) wlcks (as high as ssile, ca M aart) PEC meldica (inexensive mdel reerred, eg Hhner Student ) metal music stand aluminum il sheet (gently crumled ust nce rm initial latness) aluminum il alls (tightly crumled, then slightly ulled aart r "ire crackling" sund) wlcks (as high as ssile, ca M aart) ngs ell lates (lw = as lw as ssile, mid = M higher than lw, high = M higher than mid) 1 timan (-") PEC meldica (inexensive mdel reerred, eg Hhner Student ) metal music stand aluminum il sheet (gently crumled ust nce rm initial latness) xylhne 1 wlck (lw) Perrmance Ntes Pian grand ian with third edal (sstenut) t ur strings must e reared with extremely heavy muting est is lay-dh, since it can e ut n taken quickly ianist needs ews, suerall munted n stick, high wlck with hard mallet (wden r ruer), hard lastic lectrum (r hard lastic triangular ruler, which is easier t hld) LH lays inside with hard lastic lectrum r nearly entire iece (ins H n keyard r tremli) edal (r catch ttal resnance and hld with ull edal) edal (r catch ttal resnance and hld with ull edal) sst ed stm edal vilently and hld r duratin shwn Perrmance Ntes Har N har sunds ctaves higher than written thrughut! needs hard lastic lectrum (r ingernails) dam ca strings in mid-lw range with heavy elt wven etween strings ingernail

5 Perrmance Ntes Strings cells require wden mute this is laced sideways n the C-string s that it resses u rm underneath nt the G-string it is ssile t w the mute (the w must careully hld the mute in lace) r a lw tne r a multihnic sund it is als ssile t hld the mute with the LH and w the G-string r a multihnic sund dule ass must have strings the assist als needs several wden clthesins these are attached directly t the strings etween the ridge and the end the ingerard this enales th lud quiet multihnics and distrtin eects exeriment with the lacement and numer clthesins t get the est, mst reliale eects vilins require heavy ruer ractice mute virtusic writing shuld sund slistic ring ut individual climaxes and cntur, esecially in dense ensemle assages semre ruat esressiv! V V V N ST ST STx FLUTE / FL DGE / ehind DGE / N the strings = highest string r natural harmnics, the string and artial are smetimes given here, the th artial n and the th artial n V mlt sul nt (distrtin harmnics dminate cmletely), sul nt, c sul nt (clear itch with sme clr) nrmal laying sitin cancels revius r ST indicatin N r harmnics, 'nrmal laying sitin' may e interreted as c sul nt c sul tast, sul tast, mlt sul tast w exactly ne ctave ave ingered itch (STx) result is hllw, dull sund like a wden lute (quasi sine tne) w n ridge w ehind ridge, then suit N change w as necessary / mute n / mute LH izz vertical scrae scrae whair vertically alng strings r scratch tne, the mre cmlex the etter i ssile, hld w with th hands rd t wild virat (virating inger remains centered, ie, n glissand unless ntated) exressive virat ulse n eat mlt vi n eat, then suit nn vi egin tne with heavy w accent dee in the string always dwnw and usually unitched izz n all strings (let hand mutes all strings with light ressure and lat ingers) H tas strings vertically (LH mutes all with light ressure and lat ingers) multihnic n wed wden mute (cell nly) lw itches eatings eautiul, intimate, carnal white urst cmlex high artials very aggressive vilent heavy w accent and very ast, almst inaudile glissand maximum distrtin t scure itch th ingers n same string lwer inger deressed, higher inger with light harmnic ressure quiet nise eect with a shadw itch rm uer inger

6 S T q=0 icc a tearing visin r ensemle intercntemrain Mark arden cl (in A) sn hn tt (in C) tn e r c u s s i n n (N: 1ma!) # nn (sustain edal, 1/ deressed m m t catch a shadw resnance) [silent] ì (ed stm) ian: reare t ur strings with lay-dh r cmletely unitched wden ercussive sund Ó - n # Ô nn # Ù Ù #n # O (sst ed) - - n Ó (diamnd nteheads = muted with lay-dh) (s) h q=0 vln E F G A # C# D# NNNOMMLL m semre lv m har: reare ca strings in lwer area with heavy elt, muting the itch cmletely 1 (N: 1ma!) Ó 1 1 cn srdin Ó Ó vln vln vc vc 01 Mark arden

7 icc cl sn hn tt tn h #n vln < ô vln G Ô # # n n # # n Ù ##n n #n n # # Ô Ù Ù (gliss) 1 < ô ì (staccat = release) # E# F# # # izz < ÿ semre secc (Øen strings) # ### + + æ vln izz < ÿ semre secc (Øen strings) vc vc

8 S icc air at reed (release) ) r " m" (=) - r cl air (release) - r sn air at reed Ó - r " m" (=) hn tt tn : n # n : Ó O T O Ô n # n n n æ # # Ô # Ó stand u use let t nly r edals ì LH n hard lastic h ## # # # Ó ## # vln < ô vln senza srd Ó semre E F < ÿ izz # semre secc (Øen strings) (rd) # # # # # Ó Ó vln Ó lw (int -hle) " " lw (int -hle) " " vc vc

9 icc cl sn hn tt tn air MELODCA n # n K r * semre (chr cluster) r # - : : ì Æ * vilent attack n shrt micrtnal rtin strings etween nut endin with thick lastic triangular ruler r lectrum resultant itches are in same range as ian H ring ut the itch mre than the ercussive attack avid ast glissandi MELODCA verlw with aslute minimum nger ressure r very high vertne # # # # # #n h vln < i vln vln vc MNNOMMNL s m arc Lc æ " " lw (int -hle) izz arclc F# G# lw (int -hle) lw (int -hle) lw lw æ " " # " " () - ## izz izz # D " " " s " gentle scratch tne n wund art G-string ehind ridge " " ST vertical scrae n F E F G# A # C# D arc # Ô # X take lectrum izz izz lw lw vc vertical scrae ST vertical scrae Ó s

10 icc cl cl sn hn hn tt tn tn a air at reed n h vln vln vln vc vc Ó " " 1 ã -- --Ò ã air (cver muth ver hle) Ó " " m semre " " " " m " " " " m " " " " " s " vary timre slightly : " " " " " s " : : su m arc ÿ Lc izz # + d æ æ æ æ : arc ÿ Lc izz # r w æ # arc V : izz # # d d r r æ s h H ta : arc LH Ø : lw s h : m " " " " " " () air : " " s m m " " vert scrae ST H ta LH Ø r s " " 1 " " " " " " 1 a air at reed air at reed air a dark Ó " " vary timre slightly : air at reed : dark a air Ó " " " " " " air a - Ó verlw with aslute minimum nger ressure r very high vertne MELODCA r verlw with aslute minimum nger ressure r very high vertne w w WOODLOCKS* * tw extremely high, lud instruments with slightly cntrasting itches lend with ian and xylhne (same tem as last tw ntes) # # # # n n Ó # # n# # Ù # n n n ## Ó ian LH: rm here, single attacks are ntated staccat, all ther attacks (including 1th ntes withut staccat articulatin) are irregular ursts that imitate H ring ut itch vilence the sund avid ast glissandi! r r Ó r # # F# Ó P vilent gliss with hard lastic n muted strings, nt t ast arc arc vert scrae G vert ST scrae ST vert scrae ST # n ì - A hard yarn r r #n arc r (semre Ø) - n n # H ta LH Ø : lw H ta LH Ø

11 icc a air ) 1 a whistle tnes (very high stale) X X X semre " " " " cl air ) sn hn right " " " " " " tt right " " tn æ Ó m æ XYLO n h vln vln vln n# # m () muted y elt u r dwn ad li unitched 1 ##n n n Ó n - ## ## # n # Ó ## # # # ## # E# m º Ô ngernail glissand n strings arc arc r Ó N - - ehind DGE Ṉ - ehind DGE Ó X Ó X n # n # n # n n ì : : " " vc vc " " arc lace wden mute n C-string (c ntes) arc s s s s vertical scrae ST lace wden mute n C-string (c ntes) ( eatings*: " " d : : * eatings match ian rhythm i ssile adust intnatin uer nte as needed )

12 icc 1 9 shadw (release n eat) whistle tnes a "" (=m) "" (=m) whistle tne (c ntes) PAPE X X X w cl sn sn hn hn tt tt tn tn n h vln vln vln PAPE ASS DUM ^A æ æ æ æ æ æw N: sunds 1ma! (lay ve higher than written thrughut) - ## Ó Ó : " " cn srd " " : ww m whistle tne (c ntes) whistle tne (c ntes) PAPE " " whistle tne (c ntes) PAPE " " whistle tne (c ntes) PAPE ## nn " " G# G izz Lc # # # izz Lc # # m m : : : m m rlling tne V 1 whistle tne (c ntes) whistle tne (c ntes) PAPE cn srd : : # # n n () m whistle tne (c ntes) PAPE whistle tne (c ntes) PAPE 1/ air #n (izz) # ## # # r ## # º # senza srd # # # # ## #n Ó Ó Lc vc a w mute r lw tne r _ " " (=) " m " (=) N

13 icc # "" (=m) shadw 1 cl sn multihnic (c ntes) Ó air (nn vi) hn tt tn # # n WOODLOCKS A # m n : : n n #nn # Ô K r h vln vln vln ## nn r Æ r Lc Lc Lc arc æ E E# D arc æ arc æ (release) æ (release) æ (release) æ # # 1 # ## vi + + # vi # d d n vi ## + d n n vc _ mute STx air (nn vi) < 9 tne

14 icc icc cl sn hn *rd, then suit sna ute away rm muth maximum attack, minimum itch very aggressive, ut almst all air # Æ m Æ * * m Æ Ó Æ 1 Æ Ô + Æ 1 tne Ó Ó tt tn n # # Ô n # Ô h vln vln vln æ : s m s m s () m n # m : r r r # n # # # Ô n m m m m m # # : nn ##n #n n # n : E s izz (LHØ) r # ## < ÿ (izz) muted (n itch) ## ## E# G# 1 n < ÿ muted (n itch) izz (LHØ) (izz) m K r r rv kv + t m m m < ÿ muted (n itch) izz (LHØ) (izz) K r tv l # m m m m FLUTE arc r Øizz air r K r r ## rv semre : ## r # # # # #n rd (itch) kv + t vc r Øizz K r K m m arc FLUTE air *FLUTE = w exactly ne ctave ave ngered itch r hllw ute-like timre Øizz r r cn srd vc < Øizz K r m r K r r K r r vi %% d + 10 nn vi m semre *shrt exressive vi n eat, then suit nn vi cn srd

15 icc 1 shadw cl sn hn hn tt tt tn tn Ó air sta: right dark K r " " + s air sta: right dark " " + s air sta: right Ô dark air sta: right dark air sta: right dark air sta: right dark air sta: right dark : " " K r " " " " : " " " " : " " " " : : cn srd n h vln : æ # nn n m ##n n n Ó #n ## ## ## ## ## ## Ô m 1 n F E r Ó r l # y h d e # # n vln vln vc rd (itch) semre rd (itch) arc r y tne semre semre legat tne r k + semre legat < ô ST d + d d + e t # r d d e : : : : : / m FLUTE FLUTE t l r k + t nn #d vc arc < ô n ST + - d - e n- t n- # r- y + - : : : / m nn < slw and gradual gliss + d su 11

16 icc icc cl cl sn sn hn hn tt tt tn tn + + erc h vln vln vln vc vc 1 9 ç : 1 1 ã Æ -- --Ò ã ç (et) PCC ( ã-- ã) ( nger cvers end) ~ V V V nv V V # # V #V n n n n + " " s # shadw Æ tss nv V Æ PCC k t k (lied dwn) Æ Æ d + # CD case Ø Ø METAL MUSC STAND distrt! ASS DUM ^A æ Ø Ø : n n # n æ æ suerall rll ## # 9 1 V lw semre lw + # # + t # : s s s m m m s N : m N vi lw N vi : m + d d + + r + d # slit tne (lc) METAL MUSC STAND < + N vi Lc : m distrt! ## + # + t- + - # # $% %% # $% %% # lace wden mute n C-string as ere* * st early in revius ar i mre time needed N vi w mute r multihnic M M - _ "m" (=) $% %% $% %% THUNDE scrae + + # + + # m + + m + + r # lw lw

17 h icc icc mlt rit c a c q= : q= q=0 (e=0) + + # # d + d d + + : : : + # + d : + # + = : : : n # d : : # + d : : + + cl : : d + # + + # + r + r # d cl + : # + d : : sn sn d # : d : : : : + + d hn hn tt tt tn tn n h vln vln vln vc vc XYLOPHONE A Ô # Ô n # n Ô () s : ##n n n# # Ô n # ##n ## ## ## # ## ## ## # : mlt rit c a c q= q= q=0 (e=0) N ST STx : : # d r + # + t # # + # + - = # # : sm s m N y # ## + h : : : s s s SṮ N ST N : : m s : : : : m s s : s : : s su s : : : : : : : : : : : : : tutti wind rass: (1) cresc c a c, () semre legatissim, () arximate quartertnes i ngerings dn't exist, () circular reathe i ssile, therwise reathe incnsicuusly when necessary rd MELODCA MELODCA rd : : s : m # #n n HGH WOODLOCK A rm here, ian LH lays high wlck with hard wden xylhne mallet (i nt ssile, cntinue as ere) : : s s s N N N : : ## + # + t + # # N # N < # ST nn r+ ++ : : :y : : s - nd # - h # e- d- h n + N = + d ST + = + # d d + + d d d # + = d # + d d # d d # # n d V + # :y : # semre + + nn N ST distrt + + N + + # + + d # d + = r N N %% + # n d d + d d # # d d + n # d h e # y + n r + # y d y t d d d # = + d : # : n- # d #

18 icc icc cl cl sn sn hn hn tt tt tn tn n h vln vln vln vc vc < N e= d m m m m m m m m m sm 1:10 9: 1:10 1:10 9: 1:10 1:10 9: 1:10 1:10 9: 1:10 1:10 9: 1:10 11:10 : 1:10 11:10 : 1:10 1:10 9: 1:10 11:10 : 1:10 1:10 9: 1:10 11:10 : 1:10 1:10 w edge r rugh nisy multihnic, change w as needed : m N : : m : : : :y s s : : : s m s m s : : : s s s s sm s : : : : s s N N N : su 1:10 s 1 9: e= e=0 (x=0) 11:10 : 1:10 1:10 9: 11:10 : LON'S OA METAL MUSC STAND e= e= e=0 (x=0) (STx!) N + aut n # # ST y N # n STx vi + # r # # # n# + : s s m 1:10 1:10 w edge r rugh nisy multihnic, change w as needed - # d n + # n n n # r ST "N" N ÿ N y + d # D ## ST : nd- # - N + d + # + + # + d # # d # # # d + d N + + # h n# +n d - N - - # + STx d $% %% < # + d + d + + d + + # + d + d d d + d # + + N Æ + + d N # n : N n d # + d + d + # # = + + d = # d d + d d + # d + # d + d d + # + + d d # # + + # # d n + tw # # # N # - + d # d + < d d + + d # nn +d : SṮ : n+ # = # d + # d # # # # + d r ASS DUM ^A METAL MUSC STAND æ æ n # n n #nn # Ô # # # nn # K r - K r r semre ## Æ + t # # + t # y # d + t d r + # # + t # + # y n y r d # d d d d + d + + #n r # n + d # + d + = d d # + k n# n d # n# n

19 h icc icc cl cl sn sn hn hn tt tt tn tn n h vln vln vln vc vc 1 x= x= 1:1 :10 1:1 :10 1:1 :10 1:10 : : 1:1 :10 : : 1:10 1:1 m (ast unmeasured tremel) : m # # # ST N ST s : s N : : m s ST N s N N : : Æ s ST h s s sm s ST su N ST su : : m s :10 :10 + s s + : : : : : : 1:1 1:1 ASS DUM ^A K r 1:1 : : METAL MUSC STAND w edge r rugh nisy multihnic # # # nn 1:10 1:10 1:10 :10 :10 :10 # - r r r x= x= N - - nd # :, vi $% N ST 1:10 n# n ## Ù - - # # # n + n# N # + n# < + d N : # d d # d + # + # d + d + # + d + d : ST : : d # n# e d n + # + + 1:1 = + # + + d # # d n# - () d + N # # = # d + d + # + + d + = + + d + + # d d + # + # # + d # + + d + d + + # d + d d + d + + # + + d + d d # + = d + = + d + d # # + + d # d # + d # d d = + + N y - # d d d d + + d d + # d + + d d + n # + + # # d # n d + r d # n d # æ # + + n 9 r + t æ nn + + # y nn + #n d + + # + # : d h + : # d d + + d + d d + + d æ æ æ d yr d ST n n r t + # æ + # + + +

20 icc icc cl cl sn sn hn hn tt tt tn tn erc n h vln vln vln vc vc m r # # # # nn n # nn #n n : Ô # edal r nisy metallic uzz (N: v!) Ô # # x=0 (y=0) 1 1 c c c c c c c c c harmn slit tne* c c c 1 19 r tutti ercussin, s s x=0 (y=0) N h : s : : m s : : : m :y s s : s s N ST N s s N N ST slw w, sul G* h : : : : 1: : s s s N () : : : : s m s nd n# N - n- ST < d + + 1: 1: + : 1: : 1: : : : $% %% n rd + d # n d N # + # d : nd- # n- + # d # # d + d Ù + # + # d d + + d + n + d Ù # = d + + d + + # + + n + + # + + # # # n + # # n N # d e n + # + d + d d + + d + d + n # + = d # + d + Ù + # + d d d d Ù + d d + + d # # d d + d d + : : : take il silently : tutti wdwinds: gently en y ulling edges aart (n tearing) U U r r r + : c harmn d slit tne* Ô tutti rass excet trumets: take il silently n r r *max distrtin, min itch + U U n # Ô n : : take il silently U gently en y ulling edges aart (n tearing) U U U ian, har: gently en y ulling edges aart (n tearing) U r tutti strings excet celli: gently en y ulling edges aart (n tearing) + take il silently U U r r # n n - - d # # nn : + + # d + d d + yd # V # # # + + r Ô # # + + # # n + U U d d d : r + d + h + # + # er + # n d e + t # n+ h # dd + n d + + n Kr n V 0 h d n d ST slw w, sul G* Kr U r U U U U V V V r *result: diuse, rich unstale nise with aint hint uer itch 'dirty' and audily yet quietly struggling U U U U V V V r