Michael Gandolfi. In America. Commissioned by the Tanglewood Music Center, with generous support from the Harriett Eckstein New Commissions Fund.

Transcription

1 Michael Gandli In America Cmmissined y the Tangled Music Center, ith generus surt rm the Harriett Eckstein Ne Cmmissins und irst errmance: uly, 018, The Tangled Music Center rchestra, Gemma Ne, cnductr, vcal slists: Elena Villalón, Olivia Csi, Katherine eck, Chance naso Tle, Edard Vgel, William Scl M51 Music, LLC (ASCA) michaelgandlicm

2 Instrumentatin 6 Vcal slists: Sran, Mezzsran, Alt, Tenr, aritne, assaritne lutes ( rd als iccl and Alt lute) Oes ( rd als English Hrn) Clarinets ass Clarinet (als E Clarinet) assns ( rd als Cntraassn) Hrns C Trumets Trmnes ass Trmne Tua Timani ercussinists Virahne, Xylhne, Glckensiel, Marima, Tuular Chimes, Celeste (may e layed y ianist) ass Drum, Snare Drum, Tmtms (small, medium, large) Crash Cymals, Susended Cymals (small, medium, and large), Slash Cymals (small, medium, and large) Triangle, Wind Machine, Maracas (see errmance ntes el), Metal Chimes Har ian/celeste Strings *Amliicatin (see errmance Ntes) errmance Ntes Scre is transsed Accidentals remain in eect r the duratin the measure, nly at the ctave in hich they ccur They are smetimes reritten ithin a measure r clarity Naturals are ten used acrss arline undaries t urther imrve readaility T t ur ercussinists (reeraly ur) are t stand at the rnt the stage, equally saced t san the stage, arms crssed, each hlding ur maracas (t er hand, crssed in the usual manner), lking dn at the stage As Rising Temest I devels, they ill, in synchrnicity, shake the maracas hile creating circles, irst small and increasingly larger exanding their arms in site directins hile eecting the circular mtins The ercussinists ill return t their usual sitins during Anthem They ill return t the rnt the stage and errm as ave during Rising Temest II at the end the iece, ut ill remain in lace, lking dn at the stage, ater cmleting their errmance Indicatins are in the scre r urther clariicatin these theatrics *Amliicatin r the vices is needed at the end My riends (ass sl) and r the cmlete setting A Shrt Rhyme r Amiri araka (mezzsran sl ith sran and alt accmaniment) These t settings run ithut ause The amliicatin r the assaritne ill cmmence in m 91 Arximate duratin:

3 rgram Listing In America (018) Michael Gandli ( 1956) art I: Whither the hrase Rising Temest I Anthem Histry Seaks (rm Mark Tain and HL Mencken) vcal ensemle / Tenr sl In America We Cin a hrase (cmiled) vcal ensemle ut that Sign Dn, lease vcal ensemle / Tenr Sl; Even in ur Slee (Aeschylus) vcal ensemle / Tenr Sl, Sran sl (rm Rert Kennedy n the eve Martin Luther King, r s assassinatin) N is the Time (rm Martin Luther King, r) vcal ensemle Demcratic Vistas (rm Walt Whitman) aritne sl art II: Illuminatin My riends (rm Cesar Chavez) ass sl A Shrt Rhyme r Amiri araka (renda Hillman) vcal ensemle / Mezzsran sl A Visin Rest (Alexander sey) Sran sl America (Claude McKay) Alt sl art III: Vices Strength Rising Temest II Seak Out! (cmiled) vcal ensemle atermath vcal ensemle All arts and sectins lay ithut ause rgram Ntes In America as cmmissined y the Tangled Music Center, and at their request, my charge as t rite a iece akin t Lenard ernstein s Sngest, hich as ritten in celeratin the 1976 icentennial the nited States America I imagined the strategy ernstein might have alied t Sngest had it een ritten tday, kning ull ell that he as very utsken aut his litical times It is in this sirit that I arached In America, as ell as channeling a e eatures American music, hich as clearly a lielng assin ernstein s In America suered several alse starts due t designs that quickly ell utste ith the tumultuus changes in ur resentday nescycle At times I thught I as secure in its directin, nly t e knckedtrack y an imssiletanticiate, litical m r t S, rudence dictated that a lnger vie ur natin as necessary in devising a rmal lan My research led ack t the 1800 s right u t resent times I culled essays, seeches, etry, and idimatic exressins, all hich relate t r exress asects the American exerience My guides ere Mark Tain (aers rm the Adams amily), HL Mencken (altimre Evening Sun), Walt Whitman (Demcratic Vistas), Rert Kennedy n the night Martin Luther King, r s assassinatin, Aeschylus (as quted y Rert Kennedy n that night), Martin Luther King, r, Cesar Chavez (Lessns Dr Martin Luther King, r) exunding n the light migrant arm rkers, a ithy cntemrary em y renda Hillman (A Shrt Rhyme r Amiri araka), a deely mving em y the native American et Alexander sey (A Visin Rest), a stunningly relevant accunt America y the 0th century amaicanamerican et Claude McKay (America), and erully succinct hrases y Rsa arks, Harvey Milk, and Emma Gnzález (Marry Stneman Duglas High Schl student), as ell as a cllectin amusing American hrases heard in art I: Whither the hrase that I elt uld e an arriate ay resenting a mment levity and unity t hich e can all relate While traveling alng the urney In America, I ecame mre keenly aare than ever that America has alays een and ill alays e a natin struggles Its luralistic culture cmels deate, disagreement, and cmrmise Thrughut ur histry e have endured erids extreme unrest and strie ut it is recisely these erids that rel us t actin, cmelling us t articiate in ur demcratic rcess We vice hat e elieve t e right, yet kning that e are living ith ell citizens h may stand strngly in avr an sing vie T qute residential histrian n Meacham in his ne k, The Sul America: The attle Our etter Angels, The gd nes is that e have cme thrugh such darkness ere T arahrase: Histry has shn that e d rgress as a natin, aleit ainully slly, as e struggle thrugh times discrdance The musical design In America is cmrised three anels that lay ithut ause: art I: Whither the hrase a title that alludes t ernstein s characterizing Charles Ives The nansered Questin, as asking Whither Music hich he sited at the start his 1977 Elit Nrtn lectures at Harvard niversity Whither the hrase egins ith a reing strm, cmsed as an verture that is reminiscent a mid/latetentieth century televisin theme sng, ith a e unusual tists (r etter r rse, ne asect America is its televisin culture, s I culdn t resist indulging in this) I as urseul in acknledging Americana in many eatures this anel art II: Illuminatin mves in a markedly dierent directin than art I and is characterized y its ra and stark uxtasitins md and emtin, th textually and musically There is a death scene and t resnses t it It cncludes ith Claude McKay s America, ritten in 191 ut uncannily relevant r tday s America art III: Vices Strength, a title that can equally ell aly t all sectins the iece, is rmally its clsing sectin, ith hrases that summarize the essence much the texts heard earlier Rsa arks takes center stage here, accmanied y Harvey Milk and Emma Gnzalez The strm returns under their eet, rises, and then asses, acquiescing in silence Michael Gandli

4 Texts In America art I: Whither the hrase Histry Seaks (Mark Tain, rm aers rm the Adams amily, c 1909) Each yu, r himsel, y himsel and n his n resnsiility must seak [must seak, must seak!] I ray yu t ause and cnsider Our natin sld its hnr r a hrase It has sung itsel lse rm its anchrage and is driting (HL Mencken, altimre Evening Sun, uly 6, 190) On sme great and glrius day, the lain lks the land ill reach their heart's desire at last, and the White Huse ill e adrned y a dnright mrn In America We Cin a hrase (cllected American exressins) In America e cin a hrase: like reak a leg, r ilthy rich, The hle sheang, A hissy it (In America e cin a hrase) As easy as ie ie in the sky The hle nine yards A iece cake eg ut! ig ut eter ut uzz! N dice rime time Run a Mile Wellheeled Tuckered ut Wear the trusers Whs a daisy! My ad, my ad, my ad Hunky dry Hld yur hrses ny u (cascading duets) ined at the hi ancy ants ie dream On clud nine Red letter day Caught redhanded Gung h! A sacred c lay ast and lse ancy ree H n All Greek t me What s nt t like ace the music ie dn ace the music, ace the music, ace the music, etc

5 ut that Sign Dn lease (Rert Kennedy addressing a camaign rally un learning Martin Luther King r s assassinatin, Indianalis, Indiana, Aril, 1968) What e need in [America] the nited States is nt divisin; hat e need in [America] the nited States is nt hatred; hat e need in the nited States is nt vilence and [nt] lalessness, ut is lve, [ ] ut that sign dn lease Relace the vilence ith lve (Rert Kennedy then recites rm the intrductin Aeschylus' trilgy, Oresteia, 58 C) Even in ur slee, ain hich cannt rget alls dr y dr un the heart, until, in ur n desair, against ur ill, cmes isdm thrugh the aul grace Gd (sran sl: dr y dr) N is the Time (rds y Martin Luther King, r) 1 N is the timet make real the rmises N is the time t en the drs 1 License granted y Intellectual rerties Management, Atlanta Gergia, as exclusive licensr the King estate Demcratic Vistas (Walt Whitman rm Demcratic Vistas, 1871) I say e had est lk ur times and lands searchingly in the ace, like a hysician diagnsing [r] sme dee disease Never as there, erhas, mre hllness at heart than at resent, and here in the nited States Genuine elie seems t have let us art II: Illuminatin My riends (Cesar Chavez, rm Lessns Dr Martin Luther King, r, 1968) My riends, as e enter a ne decade, it shuld e clear t all us that there is an uninished agenda, that e have miles t g ere e reach the rmised land [My riends] The men h rule this cuntry tday never learned the lessns Dr King, they never learned that nnvilence is the nly ay t eace and ustice [My riends] The ers that e rule ver a racist sciety, illed ith hatred and ignrance They have imsed hungers n us, and n e hunger r ustice Our rkers [they] lar r many hurs every day under the ht sun, ten ithut sae drinking ater r tilet acilities Our rkers are cnstantly suected t incredile ressures and intimidatin t meet excessive qutas The men h rk in the ields are rutinely suected t sexual harassment and sexual assaults y the grer's thugs When ur rkers cmlain, r try t rganize, they are ired, assaulted, and even murdered TM/ 018 The Cesar Chavez undatin chavezundatinrg sed y ermissin reamle: red rickrack, checkcheckcheck red rickrack n a hill chachacha chattering A Shrt Rhyme r Amiri araka (renda Hillman, 018) A hak skims the exterir the interir hill iercing nnsyllales yu cannt dream ; its sund is extreme, red rickrack n a hill, red s arid shad n the ther side, chattering ith dead men in dead ks, shattering ith red men in red nks,

6 n mre anger than he s sused t d, ut angry enugh, checkcheckcheck, nt angry enugh t nt t, h are e t udge at the edges, here, h thr mney at death h thr mney at death h thr mney at death h thr mney at death h thr mney at death h thr mney at death A Shrt Rhyme r Amiri araka rm Extra Hidden Lie, amng the Days 018 y renda Hillman ulished y Wesleyan niversity ress sed y ermissin A Visin Rest (Alexander sey, c 1900) Sme day this quest Shall cease; Sme day, r aye, This heart shall rest In eace Smetimes ttimes I almst eel The calm un my senses steal, S st, and all ut hear The dead leaves rustle near And sign t e At rest ith me Thugh I ehld The ashen ranches tssing t and r, Smeh I nly vaguely kn The ind is rude and cld America (Claude McKay, 191) Althugh she eeds me read itterness, And sinks int my thrat her tiger s tth, Stealing my reath lie, I ill cness I lve this cultured hell that tests my yuth! Her vigr ls like tides int my ld, Giving me strength erect against her hate Her igness sees my eing like a ld Yet as a reel rnts a king in state, I stand ithin her alls ith nt a shred O terrr, malice, nt a rd eer Darkly I gaze int the days ahead, And see her might and granite nders there, eneath the tuch Time s unerring hand, Like riceless treasures sinking in the sand art III: Vices Strength Stand r smething, r yu ill all r anything Rsa arks He ill never e silent Harvey Milk ight r yur lie, ere it s (smedy) smene else s Emma Gnzalez, arkland High Schl student, in March r Our Lives seech, March, 018, Washingtn, DC

7 V lute 1, lute /icc/alt l Oe 1, English Hrn Clarinet 1, ass Clarinet/E Cl assn 1 assn Cntraassn/sn Hrn in 1, Hrn in, Trumet in C 1,, Trmne 1, ass Trmne Tua Tuular Chimes Wind Machine Sran MezzSran Alt Tenr aritne ass Vilin 1 Vilin Vila Vilncell Vilncell Cntraass Har ian Tu Chimes Misteris h = 60 Rising Temest I Wind machine Intens q = 10 izz In America Michael Gandli (018) Cyright 018 y Michael Gandli All Rights Reserved Internatinal Cyright Secured Cying r rerducing this dcument in hle r in art, vilates the ederal Cyright La Scre art I: Whither the hrase t the Tangled Music Center in celeratin Lenard ernstein's 100th irthday Stage directins: ater the rchestra has tuned and all singers and the cnductr are n stage, three t six maracas layers, reeraly dressed in lack, are t alk quietly t their sitins, equally saced acrss the rnt the stage They ill then lk dn (at their eet) ithut exressin, rists crssed at the aist As the verture rgresses, they need t ecme gradually mre animated in the shaking the maracas making demnstraly larger and larger circles, in sync ith the increasing dynamic the rchestra Their mvements ill acquiesce in sync ith rchestra as the verture cncludes They ill assume the same sitin as in the eginning: mtinless, heads dn, rists crssed They ill quietly alk the stageings during the 'Anthem' This entire rcess ill reeat at the end the iece, ith the excetin that the layers ill remain nstage t the (transsed) Rev a

8 Cl sn 1 sn C n Hn 1, Hn, Wnd M 9 a a Mrcs H Maracas (th hands: maracas) Vln C ª ª Cl sn 1 sn C n 1 Hn 1, a Hn, a Mrcs H Vln C

9 Cl 1 Cl sn 1 sn C n 19 Hn 1, Hn, Mrcs H Vln C ª ª Cl 1 Cl Cl sn 1 sn C n Hn 1, Hn, Mrcs H 5 semre The accented ntes indicate the rard thrusts the hands The unaccented ntes arximate the natural reund the maracas a a RH LH Vln C semre semre

10 Cl 1 Cl Cl sn 1 sn C n Hn 1, 9 n n n n n n n Hn, Mrcs H Vln n n n C n n n n n n n ª ª O 1 O E Hn Cl 1 Cl Cl sn 1 sn 6 C n Hn 1, Hn, C Tt 1, Mrcs H Vln C

11 5 l 1 9 l O 1 O Cl 1 Cl Cl sn 1 n sn n C n Hn 1 n n Hn C Tt 1 n n C Tt n Tn 1 Tn Tua TCh erc Mrcs Vln n n n C

12 6 l 1 l O 1 7 O E Hn Cl 1 Cl Cl sn 1 sn C n n n n n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn Tua Mrcs Vln div div n n n C n

13 7 l 1 l l O 1 8 O Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn Tua Mrcs Vln C

14 8 l 1 5 n l n O 1 O Cl 1 Cl Cl sn 1 n n n sn n n C n n Hn 1 Hn Hn n Hn C Tt 1 n n C Tt n C Tt Tn n Tua Mrcs Vln n n n n n n n C n

15 l 1 l l O O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua Xyl Cym Mrcs Vln Lge Sus Cym (st sticks) Xyl C

16 10 l 1 l 60 l O 1 O Cl 1 Cl Cl sn 1 sn n n C n Hn 1 Hn Hn n Hn C Tt 1 n C Tt C Tt Tn 1 Tn Tn Tua Xyl Cym Mrcs Vln Lge Sus Cym (st sticks) n n n C

17 l 1 l l 6 n n n Ÿ i Ÿ i Ÿ i Ÿ Ÿ 11 O 1 O E Hn Cl 1 Cl Cl sn 1 sn n n n C n n Hn 1 Hn Hn Hn C Tt 1 n C Tt n C Tt Tn Tua Xyl n n n Ÿ i Ÿ Cym Mrcs Vln Lge Sus Cym (st sticks) n n n C n

18 1 l 1 68 Ÿ l Ÿ O 1 O E Hn Ÿ Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn Tn 1 Tn Tn Tua Xyl Ÿ (n trill/trem semre) Cym Mrcs Lge Sus Cym (st sticks) dim Vln C

19 81 1 l 1 7 rit Maestic q = 5 Anthem l O 1 O E Hn Cl 1 Cl al niente sn 1 sn C n Hn 1 Hn Hn Tn 1, Tn Tua Tim TC Tu Chimes (gliss) (gliss) Cym Mrcs Vln al niente unis div unis unis C (izz) div

20 1 l 1,, Tn 1, 8 n n n n n n n n n n n Tn n n Tim H Vln n (gliss) n n n (gliss) (gliss) n C n n n n arc unis ª ª l 1,, 90 n rit Mderat q = 88 9 Histry Seaks Tn 1, Tn Tim H n (gliss) (gliss) LV semre S MS re cresc snsi ility cresc must A Each yu, r him sel, y himsel and n his n re snsi ility cresc must T ar V Each yu, r him sel, y himsel and n his n re snsi ility cresc r him sel, y himsel and n his n re snsi ility cresc must must ass y himsel and n his n re snsi ility cresc must n n and n his n re snsi ility must Vln n n C

21 15 l 1 l icc O 1, E Hn Cl 1, sn 1 sn C n Hn 1, Hn, Tim icc n n n n n n n cresc cresc cresc cresc cresc cresc cresc cresc cresc n n a a n n n erc erc S n n Lge Sus Cym Crash Cym LV semre LV MS seak must seak must seak A T V seak seak must must seak must n seak must seak seak ar seak must seak must seak ass seak must seak must seak Vln C seak must seak must seak div < n n n n cresc cresc cresc cresc cresc unis div semre sim n n n

22 16 l 1 l icc O 1, E Hn Cl 1, sn 1, C n Hn 1, Hn, C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua Tim 107 a a n n n n n n nn n n n ŸI ŸI Ÿ Ÿ Ÿ I Ÿ I Ÿ I n n TCh Cym Tu Chimes n n n n Ÿ Ÿ I Vln n n n n n C n

23 l 1 l icc O 1, E Hn Cl 1, sn 1, C n Hn 1, Hn, C Tt 1 C Tt C Tt Tn 1, Tn Tua Tim TCh Cym c accel q=9610q= n Ÿi Allegr h = n Ÿi n Ÿi a nn Ÿi Ÿ i n Ÿi n n Ÿ Ÿ n Ÿi Ÿ i n t l Marima l 17 H Crash Cym n S MS T Vln C V nn Ÿi nÿi n Ÿi Ÿ i I ray yu t ause Our na tin sld its hn t ause and cn

24 18 l 1 l l Cl 1 Hn 1, Hn Mr H n S MS an em ty hrase an em ty T V si der r r a hrase It has sung it sel lse, izz ª ª l 1,, 10 Cl 1 Hn 1, Hn Mr H n S MS hrase h T V h Vln lse rm its an ch rage arc and is dri div

25 19 l 1,, 18 Mr H n S MS dri ting dri ting dri ting dri ting T V dri ting dri ting dri ting dri ting ting, dri ting, dri ting, dri ting, dri ting Vln ª ª l 1, O 1, E Hn Cl sn 1, C n C Tt 1, Tn 1 Tn Tn Xyl D n T 17 Xyl V ass Drum n n n n n n n n n a n n n n n n n n (gliss) a n n n n n n n n n n n n n n n n n n (gliss) 1 Vln unis O Ȯ izz izz izz n nȯ arc n arc n arc n O (ssia: divisi/alternate n each threente gruing) (ssia: divisi/alternate n each threente gruing) On sme O Ȯ izz izz izz n nȯ arc arc great n n arc n and glrius O (sim) (sim) day,

26 0 l 1, 15 n n n n 159 O 1, n n n n a E Hn Cl sn 1 sn C n n n n n n n t sn Hn 1, Hn, C Tt 1 C Tt Tn 1 Tn Tn Tua Xyl en en n n n n n n n n (gliss) n n n CCym D n n n n Crash Cym ass Dr T V n n n n the lain lks the land ill reach their heart's de sire at last at last, and the izz n Vln izz n izz n C izz izz n n (izz)

27 l 1 icc Cl 1, Hn 1, Hn, C Tt 1 Tn 1, Tn Tua Xyl Cym 161 a 165 Ÿ I icc ŸI (gliss) Triangle ŸI ŸI cn srd 1 D n T V Vln C White Huse ill e a drned y a dnright mr n arc arc arc arc l 1, icc Cl 1, Hn 1 C Tt 1 C Tt Tua Tim Trgl Cym D n MS Vln C 170 n ~~~~~~~~~~~~ Ÿ Ÿ I ~~~~~~~~~~~~ cn srd izz Ÿ Ÿ n Ÿ Ÿ Ÿ Ÿ I Ÿ t l In America We Cin a hrase 176 ª ª ȯ (izz) In Amer i ca e cin a hrase ȯ

28 l Cl sn 1,, Hn 1 Hn, Tim H n S A T ar ass V In Amer i ca e cin a hrase In America e cin a hrase In Am er i ca e cin a hrase Like reak a leg, The C ȯ ȯ ȯ ȯ arc arc r il thy rich, ª ª Cl sn 1,, Hn Hn, H n S MS eg A T ar V hle she ang, A his sy it As easy as ie, The hle nine yards, A iece cake ass In Am er i ca e cin a hrase: C ie in the sky,

29 S 19 MS A T ar V ut! eter ut! Tuckered uzz! Run a mile ut Whsa daisy! My ad My ad My ad Hld yur hr ses ass N dice Well heeled n y ig ut! rime time Wear the tru sers Hunkey d ry ª ª S 0 n MS A ined ined at at the the hi hi ie ie dream dream Red let Red let ter n ter day day T V On clud nine ar On clud nine ass u an cy ants Vln C an cy ants n ª ª S 10 MS A Gung Gung h! h! lay lay ast ast and and lse lse H H n n T V A sac red c All ar A sac red c All ass Caught Caught red n red han n han ded ded an cy an cy ree ree Vln C n n

30 Cl H S What's nt t like ie dn MS A What's nt t like ie dn Greek t me T V ar Greek t me ass ace the n mu sic Vln n ace n the mu sic izz izz izz C n ª ª l 1 8 l Cl 1 S MS ace the mu sic ace the mu sic A T V ace the mu sic ace the music ace the music ar ace the mu sic ass ace the mu sic ace the music Vln

31 l 1 l Cl 1 Cl n S A T Vln 5 ut that Sign Dn, lease V In A me ri What e 8 ca need is nt di In vi sin What e need is nt hat A me ri ca ah red, 5 C arc ª ª l 1 O 1, E Hn Cl 1 Cl C Tt 1 H n S 7 cn srd T V In Vln nt vi lence, nt la less (izz) (izz) C izz

32 6 l 1 l 5 Cl 1 Cl H n S MS T ar V ness, A me ri ut that ca sign dn lease ut is lve Re lace the vi lence ith lve ut that sign dn lease Re lace the vi lence ith lve (izz) C l 1 l Cl 1 Cl C Tt 1 n S MS A T ar ª ª 60 V cn srd 6 Even in ur Slee E E ven ven in ur in ain ur hich slee, can nt r slee, get ain ass ain hich can nt r get Vln (izz) arc div div arc div div ain

33 l l Cl 1 Cl n MS T V alls dr y dr u n the heart ar hich can nt r get ass alls dr y dr u n the heart Vln l 1, O 1, E Hn Cl 1 Cl C Tt 1 n S MS A T ar ass Vln C hich 75 can Ah Ah V Ah n n Ah Ah Ah n cresc cresc cresc cresc cresc cresc n nt r get div a unis unis 79 div unis izz izz cn srd (izz) un un 8 ª ª N til, in ur til, in ur

34 8 H 8 n S MS T V un un til, in ur n de til, in ur n de sair, sair, a a gainst gainst ur ur ill, ill, ar n de sair, a gainst ur ill, cmes n de sair, a gainst ur ill, cmes C ª ª Cl 1 Cl 9 95 H n LV n S MS A T ar V n isdm thrugh the a ul grace cmes cmes isdm thrugh the a isdm thrugh the a Gd ul ul grace grace grace Gd Gd Gd grace grace grace grace Gd Gd Gd Gd grace ass isdm thrugh the a ul grace Gd grace Gd grace grace Gd grace C n

35 9 O 1 O E Hn Cl Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Cl n T V ar Gd ass Vln C Gd Gd arc arc Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ Ÿ ª ª l O 1 Cl 1 Cl sn 1, n S MS cannt alls dr ain hich rget y dr

36 0 l 1 sn 1, n S MS sn 1, n S MS A T ar ass Vln sn 1, erc n S MS A T ar ass Vln 17 V ain hich can nt r get alls dr y dr y dr dr y dr y dr u n the heart y dr ain hich can nt rget alls dr y dr u n the heart u 0 V n the heart dr y dr y dr y dr u Ah! er i ca e cin a hrase Ah! In America e cin a hrase Ah! Ah 1 sl n the heart y dr y Ah 1 sl arc 1 sl arc arc y dr y Ah! cresc Ah! Ah cresc cresc cresc cresc cresc cresc cresc cresc cresc Ah! dr dr y dr y dr y < dr y dr y dr y < < < < < < N is the Time Glck N is the N is the N is the N is the N is the N is the 1 sl ª ª time t time time time t t t time time t t In Amer i ca e cin a hrase dr < ª ª make real the make real the make real the make real the make real the make real the In Am rm i ses rm i ses rm i ses rm i ses rm i ses rm i ses

37 1 l 1,, O 1, E Hn Cl 1, sn 1, C n 8 a cresc cresc Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn 1, Tn Tua Glk senza srd senza srd cresc cresc cresc cresc cresc cresc cresc cresc H S MS N is the time t en the drs A N is the time t en the drs T V N is the time t en the drs ar N is the time t en the drs ass N is the time t en the drs N is the time t en the drs Vln C tutti tutti tutti cresc cresc tutti cresc cresc arc cresc

38 l 1, l O 1, E Hn Cl 1, Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua H Vln C 8 r (ernstein Nrtn Lecture: Chiasmus) div

39 l 1, 57 l O 1, E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1, Hn, C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua Tim Glk R R R H Vln C

40 l 1, 6 71 l t Alt l O 1, E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1, Hn, C Tt 1 C Tt C Tt (senza srd) al niente cn srd Tn 1 Tn Tn Tua Tim Glk R LV H Vln C r

41 5 Cl 1 7 Cl C Tt 1 S senza srd MS In A mer i ca e cin a hrase C In A mer i ca e cin a hrase Hn 1 S ª ª Men Mss h = 8 Demcratic Vistas MS A T Vln V In Amer i ca e cin a hrase In America e cin a hrase cn srd cn srd C ª ª Hn Hn ar We had est, e had est, lk ur times Vln C cn srd cn srd

42 6 Hn 1 Hn ar 98 0 sear chingly, searchingly, searching ly, r sme dee di sease Ne ver as ne ver there mre hl l ness at Vln C cn srd ª ª Hn Hn ar heart Gen u ine e lie, e lie seems t have let us, seems t have let us dim Vln dim dim C sn 1 sn Tim n 17 RH 19 art II: Illuminatin Adagi h = 76 My riends Ÿ dim dim ª ª n LV semre sim n Ÿ LV n n n n ass LH al niente My riends, my riends, Vln C al niente al niente al niente hal sectin (the ther hal: remve mutes) senza srd hal sectin (the ther hal: remve mutes)

43 7 l 1 A l Cl sn 1 sn C n H 5 Alt l n n n n n ass C it shuld e clear t all us that e have n n miles t g e re e reach the rmised land n senza srd tutti (senza srd) ª ª O 1 E Hn Cl 1 sn 1 sn C n Hn 1 H n 5 n n ass n n n C senza srd n senza srd 1 sl 1 sl n My riends, my riends, n the men h

44 8 l 1 A l Cl sn 1 sn C n Hn, H n ass C 8 rule this cunt ry ne ver learned the les sns Dc tr King and ust ice n n n Alt l n n n n n n tutti c O 1 E Hn Cl 1, sn 1 sn C n Hn 1 Hn, H ª ª n c 7 n n n n n n ass Vln C n tutti senza srd n n My riends, my riends, the ers that

45 9 l 1 A l Cl 1, Cl sn 1 sn C n H 50 Alt l n n n n n n n ass n C e rule a ra cist s ci e ty illed ith hat red and ig n rance n n div n O 1 E Hn Cl 1, sn 1 sn C n Hn 1 H ª ª 56 n n n n 59 n n n n n n ass Vln C n div unis They have im div sed n us ma ny hun gers ma ny ẇ unis ẇ

46 0 l 1 l A l O 1 6 t l 67 6 O E Hn Cl 1 Cl n n n n n 6 Cl sn 1 sn C n n Hn 1 Hn Hn Hn C Tt 1 c c erc H n n n n ass n n Vln hun gers and n e hun ger e hun ger r us div unis n n n n n n tice unis C n

47 l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n n n 6 6 n Intens h = 5 71 (q = 10) n 6 n 6 n n 6 n n n t sn 1 Hn 1 Hn Hn Hn C Tt 1 Sus Cym n n n Med Sus Cym (st mallet) LV H n ass n n Vln C n n izz Our rkers,

48 Cel Cym 7 Celeste Med Sus Cym (st mallet) LV H n ass Vln they la (gliss) r r man y hurs, r man y hurs, every day under the ht sun ten ithut sae drink ing a ter (gliss) C ª ª Cel H 79 n ass n n Vln C r tilet a cil ities Our rkers are cnstant ly su ec ted t in credi leressures and in tim i da tin arc

49 l 1 8 cresc l l cresc n O 1, Cl 1, sn 1 cresc sn cresc sn sn cresc Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn Cel cresc H cresc n cresc ass t meet ex ces sive qu tas These men h rk in the ields are ru tinely suected t sex ual harassment and ass aults Vln cresc cresc cresc cresc C cresc

50 l 1 89 accel l l O 1 cresc l cresc O cresc E Hn Cl 1 Cl cresc n cresc n n sn 1 sn sn C Tt 1 Tn 1 Tn Cel Cym Med Sus Cym (st mallet) LV H n ass Vln y the gr er's thugs When ur r kers cm lain r try t rganize they are ired, assaul ted, C

51 l 1 l l O 1 O E Hn Cl 1 Cl sn 1 sn sn Hn 1, Hn, C Tt 1 C Tt, Tn 1 Tn Cel Cym H n MS ass Vln C 95 (cresc) (cresc) (cresc) and e ven mur cresc cresc Lge Sus Cym (gliss) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n t icc LV dered! 99 Vivace q = 19 A Shrt Rhyme r Amiri araka t Csn + + r mean, shrt, intense, artially sken Xyl red E rick rack 5

52 6 l 1 l icc O 1 O 50 icc 506 E Hn Cl 1 Cl Hn 1, + ( ) Hn, C Tt 1 + ( ) C Tt, Tn 1 Xyl H A n n n n n n n n S MS A checkcheck check red rickrack checkcheck check red rickrack red red red rick rick rick rack n a rack checkcheck check red rickrack checkcheck red rack n a Vln

53 l 1 l icc O 1 O Cl 1 Cl sn 1 sn Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Xyl H n n n n n S MS hill rick rack cha cha cha chatter ing cha cha cha chattering red rick rack checkcheck red rick rack checkcheck A hak skims the A Vln hill

54 8 l 1 l icc O 1 O Cl 1 Cl sn sn Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn (nn cresc) (nn cresc) + + (nn cresc) (nn cresc) Tn Xyl H n MS Vln C ex teri r hak skims the ex teri A hak skims the ex teri r the in teri r hill

55 l 1 l icc O 1 O Cl 1 Cl sn 1 sn C n Hn 1 n n n n Csn n n n Hn Hn, C Tt 1 C Tt cn srd n n n n n n C Tt Tn 1 Tn Xyl H n MS Vln C n n n n ier cing ier cing ier cing ier cing nn syl la les ier cing nn syl la les yu can nt n n n n n n n n n n n n cresc n cresc cresc cresc n n n n n n n n n n n n n n

56 50 l 1 l icc O 1 O Cl 1 Cl sn 1 sn C n C Tt 1 C Tt, Tn 1, Tn 50 n n n n n n n n n n n n n (senza srd) n n 55 Tua Xyl Cym Drums Ride y y y Tmtm (S) Tmtm (M) y y y Med Slash Sn Dr y Tmtm (L) y y y (dme hit) lge Slash Sn Dr H n MS Vln C n dream ; its n n n n sund n n, is ex n n n treme, n n n n div unis

57 l 1 l icc O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn Tua Tim Xyl 59 n n n n n n n n n 55 E Cl en en a senza srd 51 Cym Drums H n MS Vln C n n (dme hit) Tmtms Sn Dr y y y n semre sim y Med Sus Cym LV y y y y cha cha cha Ride chatter ing cha cha cha

58 5 l 1, icc O 1 O Cl 1 Cl sn 1 sn C n Hn 1, 558 n n Hn, C Tt 1, Tn 1 Tn Tn Tua Xyl Cym Drums y y y y y y y y y y y y y y y y y y y y y y y y y y lge Slash Tmtms H n MS Vln C chattering cha cha cha chattering cha cha cha chattering chattering checkcheck red rick rack n a hill,

59 5 l 1 l icc O 1 O E Hn Cl 1, E Cl sn 1 sn C n 567 n n n n n n n n n n n n a Hn 1, Hn, C Tt 1, C Tt Tn 1, Tn Tua Tim Xyl n n n n n n n n n n n a n Cym Small Slash Ride (dme) Ride y y y Med Slash y y y y y Lge Sus Cym LV Drums H Sn Dr Tmtms Sn Dr Tmtms Sn Dr n Vln C n n n n n n n n

60 5 l 1 l icc O 1 O Cl 1 Cl E Cl sn 1, C n 577 a n n Hn 1, Hn, C Tt 1, C Tt Tn 1, Tn Tua Tim Xyl a n n Cym Drums H n MS Vln C E n C n n n n n n D n LV y y y y red's y E ar id red's y ar y y y id sha d n the ther side, chattering cha cha cha chattering ith dead men y y y y y y y y y n

61 l 1 l icc O 1 O Cl 1 Cl 586 n n n E Cl sn 1 sn C n C Tt 1, Tn 1, Tn Tua Xyl Cym Drums y y y y y y y y y y y y y y y lge Slash Tmtms Small Slash Ride (dme) Ride Sn Dr Tmtms y y H n MS Vln C chattering in dead ks, shattering ith red men shattering in red nks, shat tering chat tering shat tering chat tering div n n n n n n n n n div n n n n n n

62 56 l 1 l icc O 1 O E Hn Cl 1 Cl E Cl sn 1 sn C n Hn 1, Hn, C Tt 1, C Tt Tn 1, Tn Tua Tim Xyl 59 n n n n n n n n n n n n a 600 n a n Cym Drums H y Sn Dr Med Slash lge Slash Small Slash Sn Dr Tmtms Ride y y y y y C D LV Lge Sus Cym n E n C n n D n LV n Vln C n n n n n unis n unis

63 l 1 l icc O 1 O Cl 1 Cl E Cl sn 1, C n Hn 1, Hn, C Tt 1, Tn 1, Tn Tua Xyl a a a Cym Drums lge Slash Tmtms H n MS Vln C n mre an ger than he's sused t d, ut an gry e nugh, an gry e nugh, check check check, check check check,

64 58 l 1 l icc O 1 O Cl 1 Cl E Cl sn 1, C n 61 a n n n n n n Hn 1, Hn, C Tt 1, C Tt Tn 1, Tn Tua n n n n n n Tim Xyl Cym Drums H n Vln C Small Slash Ride (dme) Ride Sn Dr n n Tmtms y y y Sn Dr Med Slash n n n n n n n n Sn Dr Tmtms y y y y n n y cresc n A cresc LV Lge Sus Cym

65 l 1, icc O 1, E Hn Cl 1, E Cl sn 1, C n Hn 1, 6 n n n a n n n n n n n n n n n n n n n n n n n n n n n n n n 67 a 59 Hn, C Tt 1, C Tt Tn 1, Tn Tua Tim Xyl Cym Drums H n S n n n n n n n n cresc n G D n cresc n n n n n (tt 1 dynamic) n n n A n cresc n n cresc n n n G n n a cresc y y Ride A cresc y y y y y y y y MS A Vln C n n n n n n n n n n n n n n n n n n n n n n n n n n n n n mre mre n mre cresc cresc cresc cresc cresc an an ger than he's sused t ger than he's sused t an ger than he's sused t d, ut d, ut d, ut

66 60 l 1, icc O 1, E Hn Cl 1 Cl E Cl sn 1, C n Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn Tua Xyl 61 a a cresc a cresc 65 Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n Cym Drums H n S y y y y y rim shts Small Sus (chke) Ride y y y y y Small Sus (chke) rim shts lge Slash Tmtms Small Slash Ride (dme) Sn Dr n Tmtms Ride y y y y Sn Dr Med Slash MS angry e nugh, checkcheck check, angry e nugh, check check check, A angry e nugh, check check check, angry e nugh, check check check, Vln C angry e nugh, checkcheck check, angry e nugh, checkcheck check, n

67 l 1, icc O 1, E Hn Cl 1, E Cl sn 1, 60 a n Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n n 6 61 C n n n n Hn 1, Hn, C Tt 1 C Tt, Tn 1, n n n n a a Tn Tua Tim n n n n n Cym Drums H Tmtms Sn Dr y y y y y y LV Lge Sus Cym cresc cresc cresc n Vln C n n n n n n n n n n n n n cresc cresc cresc

68 6 l 1, icc O 1, E Hn Cl 1, E Cl Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn 69 n n n n n n n n n n n n n n n ( hairin) (cl hairin) 65 cresc cresc a Tua Tim Xyl Cym LV Drums H n MS Vln C nt n n angry e nugh t nt t, h are e t udge, t udge at the ed ges, here,

69 l 1, icc O 1, E Hn Cl 1, E Cl sn 1, C n Hn 1, 659 a 6 Hn, C Tt 1 C Tt C Tt Tn 1, a Tn Tua Xyl Cym Drums Small Sus (chke) Lge Sus Cym rim sht semre sim semre sim H n MS h thr mney at death h thr mney at death h thr mney at death h thr mney at death Vln C

70 6 l 1, icc O 1, E Hn Cl 1, E Cl sn 1, C n Hn 1, 667 a a n 67 a a Hn, C Tt 1 C Tt C Tt Tn 1, Tn Tua Xyl a n Cym Drums rim shts Small Slash lge Slash Tmtms Sn Dr Ride (dme) Tmtms H n MS Vln h thr mney at death mn ey at death mney at death mn ey at death n C

71 l 1 l icc O 1, E Hn Cl 1, 67 a a n n n n n E Cl sn 1, C n n n n n n n n Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn Tua Tim Xyl Cym Drums H n Vln C Ride y y y Sn Dr Med Slash n n n n n n Tmtms Sn Dr n y y n n n n n n n n y y n y n LV Lge Sus Cym

72 66 l 1, icc O 1, E Hn Cl 1, E Cl sn 1, C n Hn 1, Hn, C Tt 1 C Tt, Tn 1, Tn Tua Tim Xyl Cym Drums H n Vln C a n n a n a n n a lge Slash Tmtms n n n n Sn Dr n n Small Slash Ride (dme) n n Tmtms n n n n Ride n n n n y y n n n n n n n n n y Sn Dr Med Slash n n n n n n n n n n n n n n n n n n n n n n n n n n n Tmtms Sn Dr

73 67 l 1, icc 69 t l 698 O 1, E Hn Cl 1, E Cl t ass Cl sn 1, a C n n Hn 1, Hn, C Tt 1, Tn 1, Tn Tua n Tim Xyl Cym Drums H n MS Vln C y y y y n n y LV Lge Sus Cym LV check check check (hisered, ith ad li sassy inlectin) er red rick rack

74 68 l 1 l l O 1, l t Alt l E Hn Cl 1 E Cl sn 1, C n Hn 1, + Hn, C Tt 1, Tn 1, Tn Tua Tim H cresc cresc cresc cresc n S MS A Vln C cresc check ah check ah red rick rack cresc red rick red rick red izz rick rack check red rick rack check red rick rack check red rick cresc rack rack rack checkcheck check, check check check, check check check, red rick red rick red rick rack check red rack check red rack check red

75 69 l 1 l 708 Cl 1 Hn 1, Tim + + H cresc nn cresc n S MS rick rack rick rack check check check, check check check, red rick red rick rack check red rick rack check red rick rack rack check check check, check check check, red rick red rick rack check red rack check red A C rick rack check check check, red rick rack check red rick rack check check check, red rick rack check red ª ª l 1 l l Cl 1 Hn 1, Alt l Tim H n S MS rick rack checkcheck check, red rick rack n a hill a hill a hill a hill red rick rack n a A C rick rack rick rack check check check, check check check, red rick rack n a hill a hill a hill a hill red rick red rick rack n a hill a hill a hill a

76 70 l l A l Tim H n S MS hill a hill a hill a hill rack n a hill a hill a hill a hill A C hill red rick rack n a hill a hill a hill a hill ª ª l l A l t icc Tim r D H rake Drum dim n dim MS C (hisered, ith ad li sassy inlectin) red rick rack check check check, red rickrack check check check, red rick rack check check check, red

77 l G 71 l Tim r D H LV until hlemeasure rest n LV until hlemeasure rest MS C rick rack checkcheckcheck, red rickrack check check check, red rick rack checkcheck, check red rick rack checkcheckcheck ª ª sn 1, C n C Tt 1 Tn 1, Tn Tua Tim Misteris q = Wnd M Wind machine ad li dynamically r D C rake Drum arc semre semre al niente

78 7 sn 1, C n C Tt 1 C Tt C Tt Tn 1, Tn Tua Tim Wnd M r D C 759 al niente ª ª al niente l 1 l Cl 1 Cl sn 1, C n C Tt 1 C Tt C Tt Tn 1, Tn Tua Wnd M 76 n n R R 6 6 R n R n n R 6 6 Vln n n n n 6 6 n C n

79 l 1 l icc O 1, E Hn Cl 1 Cl Cl sn 1, C n Hn 1, Hn, C Tt 1 C Tt C Tt Tn 1, Tn Tua Tim TamT Wnd M r D n Vln C R 6 6 n n n n n n n R R 6 R n 6 al niente Men Mss q = TamTam a en en LV semre ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ a ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ a ÿ ÿ ÿ ÿ ÿ ÿ icc ass Cl Crash Cym ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ 7

80 7 l 1, icc O 1, a 770 a ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ 77 E Hn Cl 1, a ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Cl ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ sn 1 ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ sn ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ C n Hn 1, Hn, C Tt 1 C Tt, a ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ Tn 1 ÿ ÿ ÿ ÿ Tn Tua Tim TamT Cym H n ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ,c,d E,,G,A S Vln C ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ O O O O (hal sectin)

81 H S A Visin Rest (Alexander sey) 776 Sme O day n no this quest O Shall cease; O n Sme day, r aye, This heart shall Ȯ Ȯ rest O In 75 O O O O Ȯ Ȯ O Vln N n ª ª H 78 S O eace O Sme times t O times I al mst O eel The Calm O O u n my sense O es O O n n O O O O O Vln ª ª Tim H S c n steal, O S st, O and all n no ut hear O O The dead leaves O O O O O Vln N n C

82 76 H S 796 rust le near And sign t e At rest ith me Thugh I e hld The ash en ranch es ts sing Ȯ Ȯ O O O O O t and r, O Ȯ Ȯ O O O nn O O O Vln ª ª Tim 80 H c S O I n ly vague ly kn O O The ind is rude O O and cld O n n O O O O O O Vln n C

83 l 1 l icc O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1, Hn, C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua Tim H Vln C 810 c rit Intens q = a a n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n t Alt l n n n n n n n n n n n n n n 77

84 78 l 1 l Cl 1 sn 1 C n Hns Tn 1 Tn Cym D A Vln C Hn 1, Hn, A Vln C A Vln C 819 a Lge Sus Cym (st mallet) mlt ass Drum 87 mlt rit Med Sus Cym q = Sm Sus Cym c q = 8 Larg q = 0, cn ruat America (Claude McKay) 8 q = 5 Al thugh she eeds me read it terness, And sinks in t my thrat her ti ger's q = 8 n n n tth, Stealing my reath lie, Iillcn ess I lve this cultured hell, this hell that tests my yuth! Her vig iu mss q = 8 85 accel cresc cresc cresc cresc cresc cresc n 8 a a div rit q = 0 accel n r ls like tides in t my ld, Giv ing me strength e rect a gainst her hate Her ig ness sees my e ing like a ld Yet as a re el rnts a king in state, I q = 5 ª ª ª ª 88 q = 8 n n n Men Mss q = accel n n

85 79 l 1 E Hn sn C n Hn 1, A Vln C q = 8 81 cresc cresc cresc cresc cresc n cresc accel q = 50 stand ithin her alls ith nt a shred O ter rr, mal ice, nt a rit q = rd eer a Mderat {q = 80} 85 ŸI R R R R Ÿ ~~~~ ª ª l 1 l A l E Hn 87 Ÿ Ÿ ~~~~~~ n n Alt l Cl sn 1 C n Vln ~~~~~~~~~~~ unis sna izz cl legn cl legn cl legn cl legn O O n n O O O izz (rd) C sna izz

86 80 l 1 l A l Cl 1 Cl A Vln 85 (rd) 85 Dark ly I gaze in t the days a head, And see her might and gran ite n ders there, e neath the tuch Time's un izz n n n ª ª l 1 l A l 859 n n n n n rit n t l 865 Men Mss q = 69 Cl 1 n Cl Hn H A Vln er ring hand, Like rice less trea sures sink ing in the (izz) n sand cn srd n n n cn srd ª ª 868 n 871 n n n n n n n n n n n n C (rd) cn srd n n n cn srd arc n n n n

87 81 art III: Vices Strength Vln 877 iu Mss q = Rising Temest II arc senza srd (gliss ad li) sul D senza srd (gliss ad li) sul D (gliss ad li) sul D (8va) senza srd (gliss ad li) sul D (8va) C n n ª ª Glk H 88 Vln ª ª Glk 88 accel Andante q = 108 H Vln (hal sectin)

88 8 Glk 886 H Vln ª ª Glk 888 H Vln (hal sectin) ª ª Glk 890 Seak Out! H S Stand r sme thing r Vln (hal sectin) (hal sectin)

89 8 Glk 89 accel iu mss q = 11 erc H S MS T V yu ill all r an y thing Stand r sme thing r yu ill all r an y thing He ill ne Vln n n C n n senza srd n ª ª Glk 900 accel erc H S MS T V Stand r sme ver e si n thing r yu ill all r an y thing lent Stand r sme Stand thing r yu ill all r an y r sme thing r yu ill all Vln n n n C n n n n n

90 8 sn 1 sn C n Glk Vi iu mss q = Vir (nn trem) (mtr ) n H (edal ith each change itches) MS A T ass Vln C V thing r an y thing (ull sectin) ight r yur lie, ight r n n n n (ull sectin) e re it's sme ne els ses yur lie, e re it's ª ª sn 1 sn C n 91 n n Glk Vi H S A T ar ass V Stand r sme He ill ne thing r yu ill all r an y thing ver e si ight r yur lie, e lent re it's sme ne sme ne els ses n Vln C n n n n n n n

91 85 l l O 1, Cl 1 Cl sn 1 sn C n n n Hn 1 Hn Glk erc Vi H n S MS A Stand r sme ight r yur thing r yu ill all r an y lie, e re it's sme ne an y thing T ar V Stand r ight r yur sme thing r yu ill all r an y thing lie, e re it's sme ne ass el ses Vln (ull sectin) n C n n n n

92 86 l 1 9 accel Intens q = 10 l O 1, Cl 1 Cl sn 1 sn C n Hn 1 Hn Glk n n Wnd M Vi Wind machine H n S MS A T ar ass Vln V el ses el ses ight r yur ight r yur (ull sectin) e Stand r sme lie, e lie, e re it's sme ne el ses thing r yu ill all r an y thing re it's sme ne el ses re it's sme ne el ses He He ill ill ne ne ver ver C izz

93 87 l 1 97 l O 1, Cl 1 Cl sn 1 sn C n Hn 1 Hn Glk Wnd M Wind machine Vi H n S MS A T ar ass V Stand r sme e e si si Stand r sme thing r yu ill all r an y thing thing r yu ill all r an y thing lent lent Stand r sme thing r Vln Stand r sme thing (ull sectin) r C

94 88 l 1 9 l O 1, Cl 1 Cl sn 1 sn C n Hn 1 Hn Hn Hn Wnd M H n S MS A ight r yur lie, e re it's sme ne el ses Stand r sme thing T V yu ill all r an y thing Stand r sme ar ight r yur lie, e re it's sme ne el ses ass Stand r sme thing yu ill all r an y thing Stand r sme Vln C

95 89 l 1 96 Maracas layers reenter the stage l O 1, Cl 1 Cl sn 1 sn C n Hn 1 Hn Hn Hn Wnd M H n S MS Stand r A Stand r sme thing r yu ill all r an y thing T V thing Stand r sme thing r yu ill all r ar Stand r ass Stand r sme thing r yu ill all r an y thing thing Stand r sme thing r yu ill all r Vln C

96 90 l 1 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n 90 Hn 1 Hn Hn Hn Wnd M H n S MS sme thing r yu ill all r an y thing A r yu ill all r an y thing T V an y thing r yu ill all r an y thing ar sme thing r yu ill all r an y thing ass r yu ill all r an y thing Vln C an y thing r yu ill all r an y thing

97 91 l 1 95 l O 1 O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt Wnd M Mrcs n Maracas Vln C

98 9 l l l l O 1 O E Hn Cl 1 Cl Cl n sn 1 n n sn n n C n n Hn 1 n n Hn Hn Hn C Tt 1 n n C Tt Mrcs div Vln n n n n n n C n

99 l 1 l l O O E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn Tua Mrcs Vln div C

100 9 l 1 l 959 n n l O 1 O Cl 1 Cl Cl sn 1 n sn n C n Hn 1 Hn Hn n Hn C Tt 1 n C Tt n C Tt Tn Tua Mrcs Vln n n n C

101 95 l 1 96 l O 1 O E Hn Cl 1 Cl Cl sn 1 n n sn n C n n Hn 1 Hn Hn Hn n C Tt 1 C Tt C Tt Tn n Tua n Cym Mrcs Lge Sus Cym (st sticks) Vln n n n C n

102 96 l 1 l l O 1 O 967 E Hn Cl 1 Cl Cl sn 1 sn C n Hn 1 Hn Hn Hn C Tt 1 C Tt C Tt Tn 1 Tn Tn Tua Xyl Cym Mrcs Vln Xyl Lge Sus Cym (st sticks) C

103 l 1 l l 971 n n n n n n n n n 97 O 1 O Cl 1 Cl Cl sn 1 n sn n C n Hn 1 Hn Hn n Hn C Tt 1 n C Tt n C Tt Tn 1 Tn Tn Tua Xyl n n n n Cym Mrcs Vln n Lge Sus Cym (st sticks) n n C

104 98 l 1, l 975Ÿi a Ÿ i Ÿ Ÿ a tem O 1 O E Hn Cl 1 Ÿ Cl Cl sn 1 n n sn n C n Hn 1 n Hn Hn Hn C Tt 1 n C Tt C Tt Tn 1 Tn Tn Tua Xyl n n Ÿ i Ÿ Ÿ (n trill/trem semre) Cym Mrcs Lge Sus Cym (st sticks) Vln n n n C n

105 99 l rit l O E Hn Cl 1 Cl al niente Cl sn 1 sn C n Hn 1 Hn Hn Hn Tn 1 Tn Tn Tua Xyl Cym Mrcs dim Vln al niente C

106 100 TCh H S 987 Tu Chimes Mderat {q = 66} as it asses y 997 MS ah ah ah ah ah A T ar V Ah ah ah ah ah ah ah ah ah ah ah ass ah ah Vln C cn srd (izz) div div cn srd arc unis div unis ah cn srd div cn srd div cn srd div n n ª ª H 1000 rit n 1005 Larg q = 8 S MS A ah ah n ah ah ah ah ah n ah n ah ah ah ah ar ass Vln C n n n n n n n n n N n n n n n n n n N N N N