Jarkko Hartikainen. Studies on Empathy. for Alto Flute, Bass Clarinet, Percussion and Harp

Transcription

1 1 9 Jarkk Hartikainen Studies n Emathy r Alt lute, Bass Clarinet, ercussin and Har 2016

2 Cyright by the Cmser All Rights Reserved N art this ublicatin may be cied r rerduced in any rm r by any means ithut the rir ermissin the cmser Distributin: Music inland Music Library Urh Kekksen katu 2 C, 6 th lr I Helsinki inland musiclibrarymusicinlandi musicinlandi Helsinki, 2016

3 Jarkk Hartikainen Studies n Emathy (2016) 12 min Cmmissined by Ensemble Adater ith unds rvided by Madetja-säätiö (Madetja undatin) Alt lute (in G) Bass Clarinet (in B ) ercussin (1 errmer) Har a sheet card + clthesin (r rearing the bell) Marimba ( ctaves), Gran Cassa, Large Small Sus Cymbal; b, varius mallets sticks (incl Reibestck) electric an (r a milk amer) reared ith a stri tae n the blade all extended laying techniques are exlained in the scre, un ccurrance questins, sund samles, and urther cmmissins: jhartikagmailcm The cmser uld like t exress his dee gratitude r the kindness and exertise musicians Carin Levine, Heather Rche, Harry Sarnaay, Maaria ulakka, Gunnhildur Einarsdóttir, and Tm De Cck, r they all ere invaluable hel and insiratin during the cmsitinal rcess, thrugh either ersnal cntact r insightul materials in rinted/nline media and sund recrdings It as yu and yur laying that I as listening t hen I as imagining h this iece music uld take shae Very secial thanks g t my gd riends, revered clleagues and real-lie suerheres Kristjana Helgadóttir, Gunnhildur Einarsdóttir, Ingólur Viljálmssn and Matthias Engler Ensemble Adater r their cntinuus belie and trust in my humble attemts at mdern cmsitin I am being siled beynd reasn r being able t dedicate yu anther rld remiere, yur cmmissin

4 Studies n Emathy the bdy in the vice as it sings, the hand as it rites, the limb as it errms (Rland Barthes, Le grain de la vix )* Studies n Emathy (2016) takes materiality as the medium musical exressin, ie the inrmatin that the sund carries its n immediate rductin: h much rce, resistance, rictin, sensitivity I exerience this kind listening as emathetic This is an imrtant asect, because, as even mdern neurscience** tells us, the site lving yur ell man is nt hating them it is indierence Written in sitive eelings cntinuity, trust, assin and riendshi, I rte this rk as my secnd Ensemble Adater cmmissin t date 2016 Jarkk Hartikainen * translatin rm the rench riginal by Stehen Heath; Image Music Text, 19 ** Interlandi, J (201, March 19) The Brain s Emathy Ga The Ne Yrk Times Retreived rm nytimescm jarkkhartikainennet 2016 Jarkk Hartikainen TEOSTO

5 Ü Transsing Scre cmmissined by Ensemble Adater ith unds rvided by Madetja undatin Studies n Emathy q = Jarkk HARTIKAINEN 2016 Alt lute Bass Clarinet Sla Tngue n # 2 2 Aelian (air sund) Ø b n n b ercussin 2 Marimba Har (standing u in rnt the instrument ) 2 ast Scraes (cnstant seed and lcatin n string, leave nail n the string, secc ) n 2 2 Reibestck LV b ast Scraes (cnstant seed and lcatin n string, leave nail n the string, secc ) match the bass clarinettist # n A l Bcl erc Mrb 6 # Ø ß n Aelian (air sund) LV # n Ø Ø # n # # ß LV # ß Large Cymbal (make 'scream' / a stick/mallet shat) Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) (chke ) H # bº 2016 by the cmser

6 Ü 2 / 16 Studies n Emathy (2016) [v 16102] A l Bcl erc 10 Ø 10 Aelian (air sund) n # # Air sund /clsed embuchure (sunds a ca majr th ler) ( ) n n b d 6 # ( ) ß 6 6 ler the l C a 1/ tne by cvering the vent hle (ith jint the big te etc) Air sund /clsed embuchure (sunds a ca majr th ler) Mrb 10 ast Scraes (cnstant seed and lcatin n string, leave nail n the string, secc ) / b b " " / b 6 6 " " Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) H Ü # b º 6 b A l Bcl erc Mrb / b " " ast Scraes (cnstant seed and lcatin n string, leave nail n the string, secc ) # # n ß b Large Cymbal (make 'scream' / a stick/mallet shat) Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) (chke ) Sla ( b ) Air sund /clsed embuchure (sunds a ca majr th ler) H º 16 b 2

7 Studies n Emathy (2016) [v 16102] / 16 A l 19 2 SE=ES Bcl 2 Sla # b ß Sla Tngue # n # Sla Tngue b Sla # b n erc 19 2 Mrb Hard mallet # ast Scraes (cnstant seed and lcatin n string, leave nail n the string, secc ) Dead strke (hard mallet) n h Reibestck H 2 n A l Bcl SE=ES 2 ( ) q = 60 (clsed embuchure) be nly slightly luder than the bass clarinettist n ( ) ( b ) ( b ) ( n ) ( ) n n n ( b ) ( n ) ( ) ( ) ( b ) n n ( b ) ( b ) ( n ) ( n ) erc 2 Mrb 2 ta / ingers Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) b " " H b (assume nrmal laying sitin)

8 / 16 Studies n Emathy (2016) [v 16102] (en embuchure) A l 2 # ( b ) n ( ) ( n ) n b n b b b n Bcl erc Mrb 2 n n n Hit a bass drum mallet, laced n the dead center the GC skin, ith anther mallet ("heartbeat") Gran Cassa O O H 2 Bartók izz # let all ther strings resnate thrughut Bartók izz let all ther strings resnate thrughut A l 2 n Bcl º º º erc 2 O O O O Mrb H 2 Bartók izz # let all ther strings resnate thrughut

9 Studies n Emathy (2016) [v 16102] / 16 A l n n (clsed embuchure) ( ) ( ) Bcl n Sla # n # erc Mrb H # Dead strke (hard mallet) # h ÿ sic! Bartók izz # nh ÿ # Dead strke (hard mallet) h Bartók izz h b A l 2 n ( b ) ( ) ( ) (en embuchure) 2 n (clsed embuchure) b b ( n ) 2 ( ) Bcl n # 2 n n # 2 n erc Mrb 2 # h # h ÿ 2 2 h ÿ nh ÿ b h nh ÿ 2 2 h ÿ H 2 b # 2 2 n b b 2 2 n

10 6 / 16 Studies n Emathy (2016) [v 16102] se=ea q = 0 A l ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) n b b b b ( b ) ( b ) ( n ) (# ) ( ) ( ) ( ) Bcl erc Mrb H Small Cymbal (chke immediately) n h ÿ n n h ÿ n n b h Gran Cassa Dead strke b Circular Whistling Sund (ith alm the let hand) A l Bcl erc Mrb # Harmnic Whiser (l, hisery, airy tnes, / high vertnes sliing ut) O Hit a bass drum mallet, laced n the dead center the GC skin, ith anther mallet ("heartbeat") Whistle Tnes O O O O O n O etc O O H b b b

11 Studies n Emathy (2016) [v 16102] / 16 A l Bcl erc O O O O O O O etc O # O reare the bell / sheet card O O O O O Mrb H 60 b b b b A l Bcl erc 6 6 O O O reeat as many times as needed (i at all) by the bass clarinettist reeat as many times as needed (i at all) by the bass clarinettist d reeat as many times as needed (i at all) by the bass clarinettist O O O vent hle cvered / te, and a sheet card, attached ith a clthesin, cvering the bell (rattling sund) O O (circular breathing) x x x circular mtin n the skin the drum / nails ^ ^ reeat as many times as needed (i at all) by the harist reeat as many times as needed (i at all) by the harist reeat as many times as needed (i at all) by the harist Mrb H 6 reeat as many times as needed (i at all) by the bass clarinettist b b b b b x ick u the electrnic an reeat as many times as needed (i at all) by the harist

12 / 16 Studies n Emathy (2016) [v 16102] A l Bcl erc Mrb ^ ^ ^ j ^ k e=e x x x # # q = 100 Brken L Tne (sectral multihnic gliss / embuchure) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Gran Cassa > > bisb lz n > H / electric an xylhnic mute strings / right hand x bl Thunder Glissand (strings rattle against each ther rceully) L bl A l Bcl erc Mrb 0 0 G G G lz bisb n Brken L Tne (sectral multihnic gliss / embuchure) ~~~~~~~~~~~~~~~~~~~~ Large Cymbal (make 'scream' / a stick/mallet shat) lz b bisb b b bisbigliandi ith dierent ingerings Ÿ~~~~~~~~~~~~~~~~~ # (# ) Ÿ~~~~~~~~~~~~~~~~~~~ n ( ) > > Gran Cassa > > b # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ ( ) > H 0 G bl Bartók izz # b bl L b bl b

13 Studies n Emathy (2016) [v 16102] 9 / 16 A l Bcl 6 n bisb lz 2 n # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n 2 # ( ) n ( n ) (# ) Aelian (air sund) li gliss lz + erc Mrb H A l Bcl erc Mrb () Small Cymbal b Gran Cassa > > > > bl Brken L Tne (sectral multihnic gliss / embuchure) # drag/rub / hard rubber mallets (n attack!) # # # # ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ # # edal Buzz E n /E # Î 6 n Î ta / ingers lz n º ~~~~~ > > > > > b rub / hard mallet " " H bl L edal Buzz B n /B # bl L bl L 2 Bartók izz # b 6

14 Ü A l 10 / 16 Studies n Emathy (2016) [v 16102] 9 b n # Bcl () # # Quiet Multihnic Trill (multihnic ingering trilled ith the l undamental) + # # measured 16th ntes! d # b d # b erc 9 9 > > > ta / ingers # Mrb H A l Bcl erc # b b # rub / hard mallet " " # # bl bl L L d # b d # b d # b # ( ) Air sund /clsed embuchure (sunds a ca majr th ler) d # b # # Mrb 10 ta / ingers # n # n # rub / hard mallets # " " " " sunding ( # ) 6 H edal Buzz B n /B # Majr third harmnic # # # 6 b

15 Studies n Emathy (2016) [v 16102] 11 / 16 A l Bcl 110 d # b d # b d # b Air sund /clsed embuchure (sunds a ca majr th ler) # ( ) d # b 1 1 y Ü j y Ü j erc Mrb rub / hard mallets # " " " " > Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) ta / ingers b H # # # # 1 edal Buzz G n /G # A l Bcl erc Mrb b # b 11 r j # y Ü j b y # j b b b # " " # n # j + # # > 2 2 H b # # 2 bl

16 12 / 16 Studies n Emathy (2016) [v 16102] A l Bcl erc # # # # # # Mrb 12 rub / hard mallets n # 6 6 n # n # # H # # # A l Bcl 129 # # 6 6 r T j y # j # b j # b j ( b ) Air sund /clsed embuchure (sunds a ca majr th ler) erc Mrb rub / hard mallets # " " # # # # # b # H 6 # # #

17 A l Bcl 1 l l Studies n Emathy (2016) [v 16102] l l l 1 / 16 erc Mrb 1 ta / ingers 2 2 hit / alms # " " H luck ith nail 2 6 A l Bcl erc Mrb b ( b ) ( b ) ( " " (clsed embuchure) # # Gran Cassa O ) Hit a bass drum mallet, laced n the dead center the GC skin, ith anther mallet ("heartbeat") ( ) # # b b ( ) b( ) ( ) O x x x ( b ) # b b Air sund /clsed embuchure (sunds a ca majr th ler) ( b ) # b Large Cymbal (make 'scream' / a stick/mallet shat) b # b b H 12 b b x edal Buzz b D b/d n b b

18 Ü 1 / 16 Studies n Emathy (2016) [v 16102] A l Bcl 1 # Í Aelian (air sund) n r n r n r 6 6 raise the index inger the let hand t reach this air tne Ü l n + l # erc Mrb 1 1 ta / ingers b " " hit / alms # " " Dead strkes (hard mallets) h h h h h h h h h # h h h h h h h h h H 1 Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) b # # b # b # 6 6 n Scrae the string (as bere, but slightly sler, taking the nail the string, lv ) # n A l 12 raise the index inger the let hand t reach this air tne n b b b b n n 2 (clsed embuchure) ( ) Bcl y Ü j d # b d # b d # b 2 j erc Mrb 12 Gran Cassa O Hit a bass drum mallet, laced n the dead center the GC skin, ith anther mallet ("heartbeat") O O 2 2 O H 12 # b # # # # 2 2 b b

19 Studies n Emathy (2016) [v 16102] 1 / 16 A l 1 n (clsed embuchure) ( b ) ( b ) ( ) ( ) 6 n ( ) ( ) ( b ) n ( b ) ( n ) ( ) n ( b ) n ( ) ( ) ( b ) Bcl b b # l 6 d # b d # b erc Mrb 1 1 O Dead strkes (hard mallets) # h h h h nnhh h h hh h h # h nnhh 1 6 High harmnics / multihnics: uer stave indicates sunding result 12th harmnics b H # 6 b A l Bcl 162 d # # b Tngue Ram b n d # b b d # b n # n j j d # b d # b 6 6 erc Mrb sunding: 12th harmnic b 6 H () b 6

20 16 / 16 Studies n Emathy (2016) [v 16102] A l 16 6 # 9 Bcl 6 d # b d # b d # b d # b 9 erc Mrb rub / hard mallets b # th harmnic + d 1th harmnic 1th harmnic + 12th harmnic j 10th harmnic 9 H 6 b b () n b 9 A l Bcl 9 d # b d b # 6 2 d b # erc Mrb Scrae the string aim at the t-ctave nde, st inger n the string, let vertnes ring 6 2 H 9 # b b 6 2 Helsinki 2016 crrectins:

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