N.C.(E5) E7/0 (E5) A5 81>5 F5 Gtrs. I and 2 (clc-c. w/clcan tone) [07/C) [(05) ) [G5 Al>5 El>5] E7/0 (E5) A5 81>5 F5. [07/C) [(05)) [G5 Al>5 El>5]
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1 "A RE OF PASSAGE" DREAM HEAER As heard on BLACK CLOUDS & SLVER LNNGS ( ROADRUNNER ) Words b ohn Petrucci* Music b ohn Petrucci, Mike Portno, ohn Mung and ordan Rudess * ranscribed b eff Perrin G uitar s a re tuned down one whole step (low to hi gh, D G C F A D) Bass is a string with th e sixth strin g tuned up to D (low to hi gh, D E A D G C) [G5] [Al>5 [El>5 [) [05) [E5] (85) A5 8>5 G5 E5 F#5 c#5 t dff" m m m m r l 4 l 4 [Al lntro (0:00) Moderate l q = 08 [05) [8>5] (] (E5) [F#5 [A5) E5 C5 G5 F#5 G#5 85 fr, iffi [C5) 05 (Gl>5] Al>5 " iffifr *Chord smb ols in bra ckets ind icate concertpitch harmon (for bass) [El>5 Sfr 4, [(05 )) [0/C) [(05) ) [(G5) (Al>5)(El>5)) string Bass (w/l ight dis t and flanger effect) le t ring thr ough o ut i ""_;:;, = = 2, <=,=>< ""==:,, (E5) E/0 (E5) A5 8>5 Gtrs and 2 (clcc w/clcan tone) 5 ring, {w/ d l$t) PM, All gu itar music so unds in the ke of D, one whole srep lower titan wri en ((05) ) Sass [0/C) [(05) ) [G5 Al>5 El>5] (E5) PM, E/0 (E5) A5 8>5 PM, PM PM, PM, [(05)) BassFig [0/C) [(05)) [G5 Al>5 El>5] D (E5) E/0 (E5) G5 A5 8>5 Rh Fill, [(05)) Bass Fig [0) [(05)) [ G5 Al>5 El>5] trr ru trr 200 WB MUSC COP, Yst AM S, NC, WARNER AMl::<LAN PUBLSH NG CORP ANO K Y WZ MUS C ALL R GHS ON BE HALF OF S EL F AN D YS E AMS, NC ADM NS E RE D BY WB MU SC C ORP ALL RGHS ON nthalf or SELF AND KEY WZ MUSC ADMlNS R D BY WARNER AM RLANE PUBLSHNG CORP
2 RE OF PASSAGE" E/0 AS Bb5 2 AS Bb5 AS PM PM 8 === L (05) (0/C [05) [GS Abs El>5 [GS Ab5 GS Eb5] Bass Fig 2 _, Bass Fill 4 _!l st Ve r se (0:5) Since the new world order plaed upon our fears he brotherhood of wisdom strength and dignit ((05)) (E5) [0/C 05) E/0 [(GS)] (AS) Gtrs and 2 sligh t PM 22 [(Ab5) Eb5] (Bb5) PH PM, Bass plas Bass Fig twice (see bar ) o o o s s d c:::j L [(05)] () spreading ts rituals accusations and secrets (0/C ((05)) E/0 () slight 2 PM, PH PM, PM PM, PM PM of radical remain a mster ideas [] GS [GS] AS [Ab5]!,5 [Eb5] lfl Prechorus ( :2, :4) (F#5) Gtrs l and 2 0 PM _ Beneath an ever the angels of the PM _ watchful temple () ee fl PM_ F#5G5 Substitute Rh Fill 2 second time on 2nd Pre chorus (see below) PM (05) [()) (repeat previous two bars) 2 Substitut e Bass F ill 5 seco nd time on 2nd Prechorus (see below) Rh Fill 2 (:50) Gtrs l and2 (F#5) Bass Fill 5 (:50) [()) 2
3 RE OF PASSAGE " [fi Chorus (:4, :52, :4) (,, s) urn the ke walk through the gate he great ascent to reach a higher state (2, 4) final stage a sacred home Unlock the door and la the cornerstone () seven stars the rising sun A perfect world where new life has begun (85) () (GS) (05) (AC#) Gtr 2 [(A5)] ((0 5)) [()] [(CS)) [{G/8)) 8ass,, _ 5"<cl (85) { ) (,, v v "; { )? ( v (GS) A rite of _, { ) " 5 v { ) " l passage () PM 0 PM PM !!l 0 PM 8 ; ((AS)] [()] ((05)] > f_ f_ f_ f_ f_ f_ f_ rl 4 > 8 " L he PM PM " :: 0 0 (F#5) Gtrs and 2 substitut e Fill, rd Choru s (see below) tr j l L 2 tr ; 8 ; l 0 L [()] f f t PM! rli i i>m, 0 0 [(Bo)) " :: r r 0+! 0 tr 2 ;: L [()] f f f_ tf _f_ Fill (:4) G tr 2 (F#) tr, 8 8 8!,,,::,2 20 r 8 Ctr tr 4 8 4, 4 4 n 5 5 : 8 "\ ]
4 RE OF PASSAGE" rd time, skip ahead to [R Outro 44 Gtrs and 2 let rlng _ +i= s == :r " a ir i 5 [C/Gb) Bass m (2:2 4:4) ((05)] (0/C [(05)] (} E? /0 () G trs and 2 slight Esottffirn o u:r@ wnrncr b [t_;:;::_;:p Bass plas Bass Fig (see bar ) o i (0/C E?/0 PH [(05)] () *Substitute note in paren thesis second time Bass substitu tes Bass Fill 2 (see below) 2nd time, skip ahead to Q] [FS GS [GS] AS [Ab5] [Eb5] sbs FS Substitute Rh Fill seco nd time (see bar ) t wm wrn D 55 (05] (H) D ffi U D t,i:ztf=f (0/C E?/0 [GS] [AbS][GS] [EbS AS Bb5 AS PM, Bass subslit es Bass Fifi firs t time (see below) K 2nd Verse (2:5) Men of wealth and power PM _ (repea t previous bar) 8 ff Bass plas Bass Fig 2 (see bar ) Bass plas Bass Fig twice (see bar ) Bass p las Bass Fill 4 (see bar 2 ) i nfluence and fame Philosophers and leaders are members of the trade P M a 0 a rn, a 0 a r r a , ,2 Bound b oath and honor like the rose and cross an M Bass Fill 2 (2:8, 4:4) ((05}] Bass Fill (2:48) ((05} (} (GS} (Ab5) (5)] > >= i a, 0? 4
5 "A RE OF PASSAGE" go back to ( Prechoru, enigmatic union of esoteric thought M t====: / 0 0 = :! ;,,; u 2 2 [Q] (4:52) Mod eratel Fast = 52 (E5) Gtr 5 PM c #50 5 E5 05 c#5c5 Gtr Gtrs and 2 p M Otrs and 2 _ tf?_ t=y Y_?_?_? 80 o o o o t??_ t i i! : L ((05)) Bass? (85 C5 Eb5 05) 8 [C5 85 8P5) 8 L c#5 os E5 M, C#505 E5 PM Wf ; \0 + o oo o o o o o o o o o o o0 0 oo o o o o t? (,l Q l!! \! Ll:::LL L (85 C5 Eb5 05] (85 C5 EP5 05) 8 s i s o o o ol t? _?_ (,l Q Q Q (,l Q Q ttt o o o o t?? Q Q L!::::LL L il!! L G5 F#5 c#5 05 G5 G#5 85 A#5 (E5) 8 P M Rh Fig PM p M l b > :: "\O,,,,< f " " bl L_ O+ L_j ++, "+ lllf!l::::::::: ==,""""",,,,_c l "?_?_ bll _ L _ [ EP5) (85 CS EP5 05 Gb5 AS Ab5 (05)) Bass Fig 8,, c +f i ll l, jy 5 :U? L?? f t:?_ A 2 c #5 05 E5 F#5 G5 A#5 A5 05 c#5 C5 c#s 05 8 PM PM PM , oi==ltt _:: "+ _,i ft+ + o o,, [8>5 C5 Eb5 05) [ AP5 GS) [C5 85 8P5) [85 CS Eb5 05) PM G5 F#5 end Rh Fig [ Eb5] end Bass Fig 5
6 A RE OF PASSAGE" [!!] G uitar Solo (5:) (A5) Gtr (e lee w/dist) 0 "< S!ll ; l<>_:,,,, v v L Gtrs and 2 Rh Fig 2 r r v r <rr vl(t>, [(G5)] Bass Bass Fig 4 t r r r(v r ii4t:=t ,_ 0 ( ",2!lllf ;: Y b:l f<) f < ) t 5i ) s i, f ) = 5=::: 4 == : 2 2,, = end Rh Fig 2, v end Bats Fig 4 i S=" 4 v [ (5:) C#5 05 E5 ((rem pick) 8 = 24 4 : : , , i,l L: 5 Rh Fig M == t "" "t """0 "<: " " 8""<"? t=? 0 0? u (85 C5 Eb5 05] Bass Fig 5 r? t=?
7 A RE OF PASSAGE" 00 c#s os FS u _ 0 t; Y _!j,,, l,, PM M == :::w ; " b_ ===i [BS cs El>S 05] 5 " F 05 c#s cs c#s 05 FS 02 t 5 5; 8!j 8, <r r,, f 5 t;y f! f r PM! PM \O " _, t :;:;:::? L_ [CS BS BPS] [BS cs El>S 05],, i:=? 8 L_ r?? 04 c#s 05 FS > r l 4 2, r PM t: t:,,= 0, ==,,,= 5,,,,=s [BS cs El>S 05]?::? 0 0 l??? , 0 5 ) 4,) 8 ( " L, PM end Rh Fig GS t: r t=y??::?? t=y? v _;; [ Eb5 end Bass Fig 5 u "
8 RE OF PASSAGE" [] (5:4) 08 Rh Fig 4 0,:,_t 0 ȳ n, 0 ; 0 0 ; ; 0 _ L_ ) bbl l,) L_ bd c:::::: Bass Fig l i;i j j PM PM ; ;:, b:l L _l_ > 5 f f PM j j 2 5 b:::d::::: 5 5 PM, j j 5 PM AP5,, 20 i 5 j end Rh Fig 4 end Bass Fig Gtrs and 2 repeal Rh Fig 4 (see bar 08) Gtr 2 i Bass repeals Bass Fig (see bar 08) : 5 8,_ 5 4 li_ 5 i, , 4?" t L _ t t _l =::d l l,, AP5 [GP5) ; ( 22 rc [R(5:5) [85) [CS) [EP5) [D5] [] (GP5) [AS) c#s os E5 G5 G#s 85 Gtrs and 2 pla Rh Fig (see bar 84) r===terr Ell q== rr==r"r ( ah) Bass plas Bass Fig (see bar 84) [AP5) [(D5)) A#5 (E5), r rp 8
9 RE OF PASSAGE" [85) [C5) c#5 05 [El>S](05) FS 2 [E5] F#5 [] [Al>5][G5] G5 A#5 A5 [C5) (85) [Bl>S] os c#s cs r8" c/ + <,, 20 /t 22 =( ,:: ;_+ l , = 2 22 (85] [C5) [El>5 (05] [FS] [Gl>S] c#5 05 FS GS G#s 20 i;:_,,_ r 5 ;z,=,, 5, , [AS) [Al>S] BS A#5 ((05)] () # ; 22 [BS) c#s j 4 2 [CS) [El>S 4 2 (05] _;; 2( " v C [FS) [] [El>S] GS F#5!_ 2 flutter" effect created b jlickinff bar (floating bridge required fa r effect) Ke boar d So lo (:2) Gtrs and 2 pla Rh Fig 2 (see bar 0) Efs i (Gtr Bass plas Bass Fig 2 (see bar 0) [Ml (:05) out) = H O (F#5) 58 Gtrs and 2 GS Gtrs and 2 pla Rh Fig Gtrs and 2 pla Rh Fig 4 Gtrs and 2 pla Rh Fig {fee bar 8) twice (see bar 08) (see bar 84) Bass plas Bass Fig 5 (see bar 8) Bass plas Bass Fig twice (see bar 08) GS (F#S) GS E5 F#5 Bass plas Bass Fig (see bar 84) go back to!!) Chorus i i :+L L_,+bd f 2, [(E5)) Bass [FS 05 ()], [R O u tro (:5) ((05)] (E5) Gtrs and 2 (0/C E/D [G5 Al>5 El>5 A5 8>5 Bass plas Bass Fig (see bar ) ((05)) () (0/C] E/0 ((05)] (E5) [ G5 G5 AS Al>5 Bl>S El>S]
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