Sasparilla (2005) John Mackey
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- Amber Bailey
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1 Sasailla (005) ohn Mackey Commissioned y Lama Univesity; Calionia State Univesity, Stanislaus; Emoy Univesity; loida State Univesity; the Univesity o Kansas; Louisiana State Univesity; and Michigan State Univesity Consotium oganized y Scott Weiss o Lama Univesity Coyight 005 Osti Music, Inc WWWOSTIMUSICCOM
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3 Instumentation iccolo lute 1, Ooe 1, Bassoon Contaassoon * Clainet in E 3 Clainets in B Bass Clainet in B Contaass Clainet in B (model must have lo C) Alto Saxes Teno Sax Baitone Sax Tumets in B ench Hons Teno Tomones 1 Bass Tomone Euhonium Tuas iano (Can e an amliied uight iano, somehat out o tune Should sound "saloon-like") Accodion * ecussion (6 layes, lus timani) Doule Bass * indicates that the at it otional - ut eeed - and cued in othe instuments as needed ecussion Key Timani : dums, all tuned at and muted, so itch ecomes indistinct Use had ood ecussion 1 : Xylohone, Glockensiel (shaed ith ecussion ), 1 Cotale (itched ) ecussion : Viahone, Glockensiel (shaed ith ecussion 1), Steel Dums * ec ecussion 3 : Maima, Ratchet, Whi lage ass dum ~~~~~ y tam-tam (eate) tam-tam (scaed) guio y slash cymal y lage susended cymal ec 5 y y y kick dum to toms snae ta set cash cymal (susended) slash cymal ide cymal y hi-hat (oot) y hi-hat (sticks) y 1 cash cymals maacas y hi ec 6 x temle locks (lo, medium, high) cash cymals ongos
4 Aout the comose ohn Mackey (on 13) holds a Maste o Music degee om The uilliad School and a Bachelo o ine Ats degee om the Cleveland Institute o Music, hee he studied ith ohn Coigliano and Donald E, esectively M Mackey aticulaly enoys iting music o dance, and he has ocused on that medium o the ast e yeas His oks have een eomed at the Sydney Oea House; the Booklyn Academy o Music; Canegie Hall; the Kennedy Cente; Ne Yok s City Cente; Weill Recital Hall; aco's illo Dance estival; Italy's Soleto estival; Alice Tully Hall; the oyce Theate; Dance Theate Woksho; and thoughout Italy, Chile, aan, Colomia, Austia, Bazil, Gemany, England, Austalia, Ne Zealand, and the United States His music has een choeogahed y a divese gou o atists om David asons to Doug Vaone, and o oganizations om the Alvin Ailey Dance Comany to the US Olymic Synchonized Sim Team (The team on the Bonze medal - eoming to Mackey's music - at the Athens Olymics in 00) In euay 003, the Booklyn hilhamonic emieed M Mackey s ok Redline Tango at the BAM Oea House, ith Kistan avi conducting The Dallas Symhony, unde Ande Litton, eomed the iece in oth Dallas and Vail in 00 M Litton eomed the ok again in 005, this time ith the Minnesota Ochesta, and Main Also eomed the ok at the Caillo estival o Contemoay Music in the summe o 005 M Mackey made a ne vesion o the ok o ind ensemle in 00, and that vesion has since eceived dozens o eomances oldide M Mackey has eceived numeous commissions om the asons Dance Comany, as ell as commissions om the Cleveland Ochesta Youth Ochesta, Ne Yok City Ballet s Choeogahic Institute, the Dallas Theate Cente, the Alvin Ailey Dance Comany, the Ne Yok Youth Symhony, Ailey, the Vail Valley Music estival, the uilliad School s Dance Division and ecussion Ensemle, Concet Atists Guild, eidance Ensemle, and eanne Ruddy Dance, among many othes Ucoming commissions include a ne ind ok o the SEC coneence, to e comleted in late 005, and a ne ok o the Ameican Bandmastes Association, to emiee at the ABA coneence in 006 M Mackey s ok has een ecognized ith numeous gants and aads om oganizations including ASCA (Concet Music Aads,1 though 003; Moton Gould Young Comose Aad, 00 and 003), the Ameican Music Cente (Magaet oy aianks Coying Assistance Gant, 000, 00), and the May lagle Cay Chaitale Tust (Live Music o Dance commissioning gants, 1, 1, and 000) He as a CalAts/Alet Aad nominee in 000 In , M Mackey as selected as a Meet-The-Comose/Ameican Symhony Ochesta League Music Alive! Comose In Residence ith the Geate Tin Cities Youth Symhony in Minneaolis He as Comose In Residence at the Vail Valley Music estival in Vail, Coloado, in the summe o 00 Most ecently, he as again selected as a Music Alive! Comose In Residence, a osition he egan in the all o 00 ith the Seattle Youth Symhony Ochesta M Mackey seved as Music Diecto o the asons Dance Comany om ohn Mackey cuently esides in Ne Yok City He encouages you to visit his esite to lean moe aout his music: ostimusiccom ogam note o "Sasailla" "Sasailla" is my ist "ully-oiginal" ok o ind ensemle I'd itten one othe ind iece io to this ("Redline Tango"), ut that as a tanscition o an ochesta ok With "Sasailla," the imay equest om the commissioning consotium as to ite something "ne o and," so I aoached the iece ith the goal o iting something that took advantage o the ondeul sounds that only a concet and can make "Sasailla" as a tye o liquo seved in saloons in the old est It has since ecome a non-alcoholic oot ee-like eveage, and i the listene haens to e unde the age o 1, I suggest you choose the latte descition Whethe it e om ad liquo o teily unky soda, "Sasailla" tells the tale o an Old West saloon, and the seciic tale seems to vay, deending on the listene Some hea a ony ho dinks om a emented tough and goes on a oyide to Tiuana Some hea a cooy ho can't hold his dink Some suggest the old est as vieed though the eyes o the old Wane Bothes catoons Regading the selling Although I ould neve e one to in a selling ee, I ealize that the "coect" selling is "sasaailla," ut thee ae to othe slangiied sellings -- "sasailla" and the one I've chosen, "sasailla" Although only one ould in you a selling ee, "sasailla" looked est in int!
5 iccolo h=60 Sasailla o Scott Weiss ohn Mackey lute 1- Ooe 1- Bassoon Contaassoon Clainet in E Clainet in B 1 Clainet in B -3 Bass Clainet Contaass Clainet Alto Sax 1- Teno Sax Baitone Sax Tumet in B 1- Accodion con sod - st mute solo n cesc Tumet in B 3- Hon 1- Hon 3- Teno Tomone 1 Teno Tomone B legato legato cesc cesc n Bass Tomone Euhonium Tuas 1- legato legato 1 legato cesc cesc cesc iano Accodion Timani h=60 a n cesc ecussion 1 ecussion ecussion 3 ecussion ecussion 5 ecussion 6 Doule Bass Coyight 005 Osti Music, Inc WWWOSTIMUSICCOM izz cesc
6 icc l O Bsn C Bn molto allag q=q A q=160 1 E Cl B Cl 1 B Cl -3 B Cl solo solo Ḟ solo ḟ n n Ṗ C Cl A Sx 3 3 T Sax 3 3 B Sx 3 3 Tt 1- Tt n 3 3 N Hn 1- Hn T Tn 1 B n 3 3 T Tn 3 3 B Tn 3 3 Euh Tuas no Acc 3 3 Tim 3 molto allag q=q 3 A q=160 ec 1 ec ec 3 ec ec 5 ec 6 Glock Vies oed 3 3 Maima had 3 mallets 3 X oed 3 N X to Xylo Xylohone X π DB 3 aco 3
7 3 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl C Cl ṗ Ÿ~~~~ Ÿ~~~~ Ÿ~~~~ a Ÿ~~~~ Ÿ~~~~ tutti Ÿ~~~~ tutti N 1 10 ḟ ḟ Ḟ Ḟ Ḟ Ḟ Ḟ Ḟ A Sx T Sax B Sx Tt 1- Tt 3- Hn 1- Hn 3- n Ḟ Ḟ senza sod a N ḟ ḟ Accodion T Tn 1 T Tn B Tn Euh Tuas no B a gliss 5 a ḟ ḟ ḟ 1 Ṗ Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 16 X mallets X X temle locks, med had ue izz oed mallets
8 icc l 1 ḟ ḟ 5 5 n O Bsn C Bn Ḟ n E Cl ḟ 5 n B Cl 1 5 Ḟ B Cl -3 B Cl C Cl n n n Ḟ n n A Sx T Sax B Sx Ṗ Ṗ Ṗ n a Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc n n n n n n 1 Ṗ n a a 1 1 Tim ec 1 ec ec 3 ec n dums tuned at, muted layed ith had ood ec 5 5 ec 6 DB 5 5
9 5 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl C Cl n n n n 1 n N a N solo B A Sx n n T Sax B Sx n n Tt 1- Tt 3- Hn 1-3 n n ḟ Ḟ Hn 3- T Tn 1 T Tn B Tn Euh Tuas n n n n n 1 n ḟ ḟ ḟ n a ḟ Ḟ Ḟ Ḟ Ḟ 1 Ṗ no Acc n n n n Tim ec 1 ec Glock to Xylo Xylohone B to Glock ec 3 ec ec 5 ec 6 DB 31 x x choke
10 6 icc l O n n n a n Bsn C Bn E Cl B Cl 1 n n n n n tutti n n B Cl -3 ḟ B Cl ḟ C Cl A Sx T Sax 1 n n n n ḟ B Sx n ḟ Tt 1- a n Tt 3- Hn 1- a Hn 3- T Tn 1 T Tn B Tn Euh Tuas gliss Ḟ 1 gliss a ḟ no Acc N n n Tim ec 1 Glock ec ec 3 n n ec ec 5 choke ec 6 DB 3 ḟ
11 icc l O Bsn C Bn a a n n E Cl B Cl 1 B Cl -3 B Cl C Cl a n a n n n n A Sx T Sax B Sx n n a n n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc con sod - st mute a aa! n ḟ gliss 3 gliss 3 3 senza sod a N ut ut n n n n ut n n n n n n n N N Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 6 to Xylo n Xylohone sticks π n choke n n n n n n
12 icc l O Bsn C Bn solo solo ṗ n Accodion n a ḟ E Cl B Cl 1 B Cl -3 B Cl C Cl solo a tutti A Sx T Sax B Sx 1 n a Ÿ~~~~~~~~~~~~~ n Ÿ~~~~~~~~~~~~~~~~~~~~~~~ Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh solo ėsess 1 con sod - st mute con sod - st mute senza sod 1 a n senza sod senza sod n n gliss Tuas no Acc a Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 53 choke let ing
13 icc l O Bsn C Bn n n n n n n n n n E Cl B Cl 1 B Cl -3 B Cl n n n n n C Cl n n 3 A Sx T Sax B Sx n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc 1 ḟ a ḟ ḟ ḟ n n a gliss gliss gliss gliss n alm cluste ḟ a ḟ ḟ ḟ ḟ a ḟ Tim 3 ec 1 ec ec 3 ec ec 5 n n n n ec 6 3 DB 61 3
14 10 icc C 3 l O n n n n 3 3 Bsn C Bn 3 3 E Cl B Cl 1 B Cl -3 B Cl C Cl A Sx n n 3 T Sax 3 B Sx 3 Tt 1- Tt 3- n con sod - st mute con sod - st mute 3 3 (Tt 1 senza sod) 1 molto viato, "Maiachi-style" Hn 1-3 Hn 3-3 T Tn 1 3 T Tn 3 B Tn Euh 3 3 Tuas no Acc 3 C Tim ec ec ec 3 ec ec 5 ec 6 DB 6 (ith hands) Steel Dums (i availale) (otheise, tacet until lette "E") N ç
15 11 icc l O Bsn C Bn n E Cl B Cl 1 B Cl -3 B Cl n C Cl A Sx T Sax B Sx Tt 1- Tt 3- Hn Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc saloon/honkey-tonk N Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 6
16 1 icc l O Bsn C Bn 1 n a E Cl B Cl 1 B Cl -3 B Cl C Cl n n A Sx T Sax B Sx Tt 1- Tt 3- Hn 1-1 oco a oco cesc Hn 3- T Tn 1 T Tn B Tn Euh Tuas a n oco a oco cesc oco a oco cesc oco a oco cesc n oco a oco cesc oco a oco cesc n n n no Acc cesc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 5
17 13 icc l O Bsn C Bn a ṗ cesc ċesc cesc cesc E Cl B Cl 1 B Cl -3 B Cl C Cl ṗ ṗ ċesc ċesc cesc cesc cesc cesc A Sx T Sax B Sx ṗ ċesc cesc cesc cesc cesc cesc cesc cesc Ÿ~~~ Ÿ~~ n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc 1 ṗ ṗ ṗ ṗ ṗ cesc cesc cesc cesc cesc N N N cesc cesc cesc cesc cesc cesc cesc N N N cesc cesc cesc cesc cesc n n n 3 n 3 3 Ÿ~~~~~~~~~~~~~~ 3 Ÿ~~~~~~~~~~~~~~~~ n n n n n n ut n Ÿ~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~ n loco n n n Tim ec 1 ṗ ċesc 3 3 n n n ec ec 3 ec ec 5 oco a oco cesc cesc ḟ X π n n X n ec 6 DB 3 cesc 3 3
18 1 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl C Cl A Sx T Sax B Sx Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 10 D n n n a n n 6 n n n n n n n n ells u! assy 6 n ells u! n ut n n n gliss X n D a n n n a a n n (nom) (nom) n n n n n n n n n n N n n n n n n n n n hit ims only n n n a n n n a n n n n senza sod a senza sod a shake m shake m assy gliss n m n m 5 gliss assy 5 m m loest note ossile - n - loest note ossile n alm cluste scae ~~~~~~~~~~~~~ n n n n n
19 15 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl n n n n n n n n n n n a n n N N a n n n a n E C Cl A Sx T Sax B Sx n n n n a n n n a n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB n n a 10 n n n n n n n Ṗ a n n n π n Ṗ n n n n n n n n n n n choke n choke n a a n gliss n n n n n n choke X n E oco a oco dim
20 16 icc l O Bsn C Bn oco a oco it n 1 n n Ḟ ḟ Ḟ Ḟ n n E Cl B Cl 1 B Cl -3 B Cl C Cl ḟ ḟ n n n n n n Ḟ Ḟ solo solo n n ḟ Contaassoon n A Sx T Sax B Sx a n Ḟ Ḟ Tt 1- Tt con sod - st mute Hn 1- Hn 3- a T Tn 1 T Tn B Tn Euh n n Ḟ 3 3 n 5 5 (quate-tones) B I Tuas no Acc Tim ec 1 ec oco a oco it 1 Ḟ N ec 3 ec 3 3 n ä ä ec ec 6 DB aco
21 1 icc molto allag! q= 1 l O Bsn ut A C Bn 1 E Cl 1 B Cl 1 B Cl -3 B Cl C Cl N Ḟ Ḟ Ḟ Accodion n A Sx Ḟ 1 T Sax Ḟ 1 B Sx Ḟ 1 Tt 1-1 Tt 3-1 Hn 1-1 Hn 3-1 T Tn 1 1 T Tn 1 B Tn 1 Euh 1 Tuas no Acc Tim saloon/honkey-tonk molto allag! ṗ q= 1 n n n ec 1 1 Cotale oed ec ec 3 Vies oed É 1 1 oed n mallets ec ec 5 X π scae mallets ~~~~~~ 1 1 Ṗ oed ec 6 DB 1 3 izz 1 1 n n
22 1 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 n n tutti B Cl C Cl ċesc A Sx T Sax B Sx Tt 1-1 con sod - st mute Tt 3- Hn 1- Hn 3- T Tn 1 T Tn con sod- staight esess scoo n a B Tn Euh con sod- staight A Tuas n ċesc no Acc n n Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 131 n
23 1 icc oco it G q=66 l O 1 n Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl C Cl n n solo ß ß solo ß ß shot iting A Sx T Sax B Sx n n n n n n ß heavy, nasty n ß a n n shot iting n Tt 1- Tt 3- n con sod - st mute n n 1 (1/ valve) shake ṁ Hn 1- Hn 3- T Tn 1 A T Tn B Tn Euh Tuas no Acc Tim n Ḟ oco it n n n n n n n n G q=66 n n ec 1 ec ec 3 Glock A ec ec 5 ec 6 had lues, oco ad li DB 13 n n
24 0 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl ß ß ß ß C Cl A Sx T Sax B Sx n ß ß n a n n solo had lues n n n a n n end u n n 5 n n a n n n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc n n n n n n n n n Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 15
25 1 icc l O Bsn C Bn n n E Cl B Cl 1 B Cl -3 B Cl C Cl n n A Sx T Sax B Sx n n n end u a n n n 5 n n n n n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 con sod - st mute T Tn con sod- staight B Tn Euh Tuas senza sod con sod ut no n n Acc n n n n n g N Tim ec 1 ec ec 3 ec ec 5 ec 6 DB 151 damen ass dum im shot mallets n sla ingeoad
26 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl 6 5 y n n C Cl n A Sx n n n n T Sax n B Sx n n n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas A n ut no Acc N n n n n Tim ec 1 ec ec 3 A n n ec ec 5 ec 6 DB 156 n choke n
27 3 icc it q=6 l O Bsn C Bn n E Cl B Cl 1 B Cl -3 B Cl ß ß ß ß ß ß ß ß C Cl A Sx T Sax n ß ß ecoming velvety n a n n n ß ß a n n n B Sx n n n n Tt 1- Accodion Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas 1 A no Acc n n n n n n Tim it q=6 ec 1 ec ec 3 n n ec ec 5 choke ec 6 DB 161 aco
28 icc oco a oco it H n n q=66 oco a oco accel (like a ecod seeding u) l n n O Bsn U n n n n n ṗ n n n n - C Bn n n ṗ - E Cl n B Cl 1 ṗ B Cl -3 B Cl C Cl ṗ n lumeing n n - A Sx n T Sax B Sx n Tt 1- U Tt 3- Hn 1- Hn 3- T Tn 1 U A U U n n n n n ṗ ṗ ṗ ṗ senza sod - T Tn U n n senza sod - B Tn Euh Tuas no Acc Tim ec 1 A oco a oco it U U Glock U g U n n n n n n n n n n n n senza sod loest note ossile - H q=66 n n - senza sod ṗ loest note ossile oco a oco accel (like a ecod seeding u) - - ṗ ec ec 3 U U oed n n n n n ec scae ~~~~ scae ec 5 ec 6 U DB 16 U n n Ṗ
29 5 icc 3 (q=1), accel l 3 O 3 Bsn - 3 C Bn - n 3 n E Cl 3 B Cl 1 B Cl -3 B Cl C Cl N n n A Sx 3 T Sax 3 B Sx n 3 Tt 1-3 Tt 3-3 Hn 1- Hn 3- T Tn T Tn - n n 3 B Tn Euh Tuas n n n 3 no 3 Acc 3 Tim 3 (q=1), accel ec 1 3 ec ec oed ec ~~~ scae (mallet) - ec 5 3 ec 6 3 DB 1 - n n 3 n n
30 6 icc 3 3 q=q (accel) l 3 3 a O Bsn C Bn n n a E Cl B Cl 1 B Cl -3 B Cl n n n cesc cesc n C Cl n n 3 cesc 3 A Sx T Sax B Sx n n n a Tt con sod - st mute n Tt 3- Hn con sod - st mute con sod - st mute n n Hn n T Tn 1 T Tn B Tn Euh Tuas n n n n scoo n cesc cesc cesc n 3 3 no 3 3 Acc Tim ec 1 ec ec oed q=q (accel) Xylohone oco a oco cesc Glock ec ec 5 ec scae ~~~~~ X (mallet) oco a oco cesc DB 1 3 n 3
31 icc l n n n n n 6 O Bsn C Bn a n n n n n n n E Cl B Cl 1 B Cl -3 n n 6 B Cl cesc cesc n C Cl n n n A Sx T Sax n n B Sx n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB n n n 01 cesc cesc n n n n a n n n n n n n n n n n n n n n nd tt otional va th tt otional va any itch, each highe than the last end ith highest note ossile a any itch, each highe than the last end ith highest note ossile a X Ratchet n n n (aoximate itch) X scae ~~~~~~~~~~~~~~~~~~~~~~ X
32 icc l I h=150 molto allag! molto accel q=10 : Like a Kick Line \q=q, h=160, conduct in (ushing a little aste still) 1 n n O Bsn C Bn E Cl B Cl 1 B Cl -3 sleazy n n n B Cl C Cl A Sx T Sax B Sx n n n n n Tt 1- Tt 3-1 lunge mute aa! aa! aa! sleazy n n Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB ( ) () I 10 h=150 molto allag! choke choke scoo Vies oed scae ~~~~~ X 3 1 saloon/honkey-tonk q=10 : Like a Kick Line use oth hands, eally ang it out lh molto accel damen ass dum izz Y x sim x Y x ẋ sim n n \q=q, h=160, conduct in h X X (ushing a little aste still) ut n
33 icc l \h=q ( q=10 ) n n (notated hal as ast) n n a n n O Bsn C Bn E Cl B Cl 1 n n n n n n N n n B Cl -3 5 B Cl 5 n n C Cl A Sx 5 5 a n n n T Sax B Sx 5 5 n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh ells u! (nom) a a con sod - st mute con sod - st mute N n n n Tuas no Acc Tim ec 1 ec ec 3 ec ec 5 ec 6 DB n 1 Whi alm cluste n choke Y \h=q ( q=10 ) iano (i necess) (notated hal as ast) n l l l (o-eats ae the most imotant) ẋ l n a Glock Maima n n n n
34 30 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 ut ut n n n n n n n n n n n n n 5 6 n n n ạ Ÿ~~ Ÿ~~~ Ÿ~~ B Cl C Cl n n A Sx T Sax B Sx n n Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc n n n Tumet 1 only senza sod a ells u! n n Tt - ells u! n n senza sod n ells u! n n n Tim ec 1 ec ec 3 ec ec 5 ec 6 DB n Whi hit tam-tam ith had xylohone mallet (xylohone mallet) x n 6 n im shots x
35 31 icc l O Bsn C Bn n n n n n n n n n n n n n n n 6 n n n n E Cl B Cl 1 n 3 3 B Cl -3 B Cl C Cl A Sx T Sax B Sx n n n n a n n Ṗ Ṗ Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 n n n n n n n n n n Tt 1 Tt 3 1 n n T Tn B Tn Euh Tuas n n n n (nom) Ṗ 1 Ṗ n n no Acc () n n n n n n n n Tim ec 1 ec ec 3 ec ec 5 ec 6 DB n n n x n n Y n choke n x x x x x x x x n x Y choke
36 3 icc l O Bsn C Bn E Cl B Cl 1 B Cl -3 B Cl C Cl A Sx T Sax B Sx Tt 1- Tt 3- Hn 1- Hn 3- T Tn 1 T Tn B Tn Euh Tuas no a cesc cesc n n i! cesc cesc cesc ~~~~~~~~ cesc n n n n n n n n n n 5 6 n n n a i! ~~~~~~~~~~~~~~~~~~~ n n 6 n cesc cesc 6 n n cesc a i! n N a ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ n n n n n n 6 6 hose hinny (a la "Sleigh Ride") a h ~~~~~ ~~~~~~~~~~~~~ 1 n n a Acc Tim ec 1 n ec ec 3 ec ec 5 cesc ec 6 DB 0
37 33 icc l O Bsn C Bn n n a n n a E Cl B Cl 1 B Cl -3 n B Cl C Cl A Sx n n T Sax n n B Sx 5 Tt 1- Tt 3- Hn 1-1 n n Hn 3- T Tn 1 T Tn B Tn Euh Tuas no Acc n n n ells u! ells u! ells u! N Tim ec 1 ec ec 3 n n ec ec 5 choke (xylohone mallet) à ec 6 DB 5 Mach 10, 005 Ne Yok, Ne Yok Revised une 005
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You d Be So Nie to Come Home To (rom Something to Shout About) Words and Musi by Cole orter Arranged by aul Baer INSTRUMENTATION Condutor C lute (Optional) 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st
March, The Fairest of the Fair (1908) Editorial Notes
March, The Fairest o the Fair (1908) The Fairest o the Fair is generally regarded as one o Sousa s inest and most melodic marches, and its insirations came rom the sight o a retty girl with whom he was
2. The grace-note groups, see illustration, have to be performed as fast as possible.
1 Perormance instructions 1 The instructions or the use o the pedal are indicated with a double line under the piano part I the double line is continued past the end o the staves, the pedal must be hold
Rumpelstiltskin. a fairytale for children of any age. music by. Arie van Hoek. after tales from the Grimm brothers
Rumelstiltskin a airytale or children o any age music y Arie van Hoek ater tales rom the Grimm rothers Arie van Hoek, Andelst, Holland, 2010 1 Hello everyody, We will resent you a musical airy tale That
Robbery > J. œ œ. œ b œ. œ œ œ œ. œ œ œ œ œ œ œ. œ J. œ œ œ. b œ œ œ # œ ? 4. œ J. b œ œ œ # œ Ó. # b œœ. œ œ. œ J. œ Œ Ó & œ - œ - œ - œ - Kbds, Str
IANO CONDCTOR 171 LES MISÉRABLES 10 Robbery e = q Allegro A b b Kbds, Str 8 e = e C 1 b b Ba - bet, b Claque-sous b b b pon - ine, Take care! b Andante {q = 8} Kbd1, Xylo 5 Ev - 'ry - one here b sim b
for Cody and Emily (Lapisardi) Knotts O How Faithful (A Hymn for St. Joseph) Assembly, SATB Choir with Solos, and Piano or Organ œ œ œ. poco rit.
horal Series iano or Organ SAMLE for Cody and Emily (Laisardi) Knotts O Ho aithful (A Hymn for St oseh) Assembly, SATB Choir ith Solos, and iano or Organ INTRO (q = 76 80) *no ed a temo 2016, Luke Mayernik