PERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC
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1 P A L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (01) PAL DOOLEY MSIC
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3 Winner o the 01 Sousa / American Bandmasters Association / Ostald Aard Winner o the 01 National Band Association William D. Revelli Comosition Aard Masks and Machines (01) as commissioned y a consortium o ind ensemles organized y Timothy Shade in honor o Gary Green's retirement rom the Frost School o Music at the niversity o Miami including Daniel Belongia, Arkansas Tech niversity Philli Clements, Texas AM niversity in Commerce Catherine Rand, niversity o Southern Mississii Wind Ensemle First erormed on March, 01 y the niversity o Miami Frost Wind Ensemle conducted y Gary Green Perormance materials and recording availale rom the comoser aul@auldooley.net ISMN Pulished y Paul Dooley Music.auldooley.net Coyright 01 y Paul Dooley International coyright secured. All rights reserved. Printed in the.s.a. First rinted anuary 01 Cover art y Peter Shin.
4 BIOGRAPHY Paul Dooley's music has een descried as "imressive and eautiul" y American comoser Steve Reich. Mr. Dooley's ath has emraced not only his Western Classical heritage, ut also a cross-cultural range o contemorary music, dance, art, technology and the interactions eteen the human and natural orlds. Dooley is a Lecturer in Perorming Arts Technology at the niversity o Michigan. While at the niversity o Michigan, Dooley has taught courses in electronic music, co-directed the 00 Midest Comosers Symosium and in 0 as coordinator o the ONCE. MORE. Festival, a 0 year anniversary o the ONCE Festival o Contemorary Music. He studied comosition rimarily ith comosers Michael Daugherty, Bright Sheng, Evan Chamers, Frank Ticheli, Stehen Hartke and Frederick Lesemann. Dooley s and comositions Point Blank (01) and Masks and Machines (01) ere recently commissioned y consortiums organized y the niversity o Miami Frost Wind Ensemle conducted y Gary Green, and erormed at venues such as the College Band Directors National Association (CBDNA) National Conerence and The Midest Clinic. Dooley s Meditation at Lagunitas (01) as commissioned y the American Bandmasters Association and the niversity o Florida, and remiered at the ABA Annual Conerence. Dooley s recent orchestral ork includes: Mavericks (01), insired y the legendary sur reak o the shore o Hal Moon Bay in Northern Caliornia, commissioned y the American Youth Symhony, and remiered in Disney Hall in March 01 conducted y Alexander Treger; Coast o Dreams (01), insired y early Los Angeles activist Charles Lummis, remiered y the Los Angeles-ased Young Musicians Foundation Deut Orchestra, conducted y Roger Kalia, and y the Amarillo Symhony conducted y acomo Raael Bairos; Run or the Sun (01), commissioned y the Ne York Youth Symhony, and remiered in March 01 at Carnegie Hall, conducted y oshua Gersen; Point Blank (011) remiered y Santa Cruz s Carillo Festival Orchestra and Ne York City-ased ne music ensemle Alarm Will Sound. In 0, Mr. Dooley as commissioned y San Francisco Ballet Princile Dancers Muriel Mare and Damian Smith to create a roject or Marina Aramovic Institute West (Making Visile (0)). Other erormances o Dooley's music include those y the Charlotte Symhony, Omaha Symhony, Grand Raids Symhony, Charleston Symhony Orchestra, Nales Philharmonic, Lansing Symhony, Asen Philharmonic Orchestra, Chautauqua Festival Orchestra, American Philharmonic, the Atlantic Classical Orchestra, SC Thornton Symhony, Nu Deco Ensemle, and a reading y the Detroit Symhony, conducted y Leonard Slatkin. Mr. Dooley has received a ide range o rizes or his ork, including: the William D. Revelli Comosition Contest co-inner or Masks and Machines (01), the 01 aco Druckman Aard or orchestral comosition rom the Asen Music Festival or Point Blank (01), a 0 BMI comoser aard or Gradus (00) or solo cello, a 008 ASCAP Morton Gould Comoser Aard or Dani s Dance (00) or iano trio.
5 Oskar Schlemmer Bauhaus Stairay
6 R PE L SA SC E R O -N T O FO R R PE E C AN M R FO SE Oskar Schlemmer Sketches or Triadic Ballet
7 COMPOSER S NOTE Masks and Machines (01) as commissioned y a consortium o ind ands organized y Timothy Shade in honor o Gary Green's retirement rom the Frost School o Music at the niversity o Miami. Masks and Machines is insired y the early tentieth century orks o Bauhaus artist Oskar Schlemmer, and the Neoclassical music o Igor Stravinsky. I admire the simlicity o shaes and color in Schlemmer's orks such as the "Bauhaus Stairay" and "Triadic Ballet" as ell as the renaissance and aroque musical inluences in Stravinsky's "Pulcinella." Masks and Machines contains three contrasting character ieces eaturing renaissance rass music, Baroque ortsinnung in virtuosic mallet ercussion, lush ooe, clarinet and assoon solos, and machine-like lute ris. - Paul Dooley
8 INSTRMENTATION Numer o layers douling each art at discretion o conductor (ut in keeing ith a alanced sound). One layer er art is recommended. Flutes (rd douling Piccolo) Ooe English Horn E Clarinet B Clarinets B Bass Clarinet B Contraass Clarinet Bassoons Contraassoon B Sorano Saxohone E Alto Saxohone B Tenor Saxohone E Baritone Saxohone C or B Trumets (mutes: straight metal, cu, harmon) F Horns Tenor Tromones Bass Tromone Euhonium Tua Timani ( drums; ) Percussion ( layers) 1. Glockensiel / Marima (shared ith Percussion in Movement II only). Virahone. Xylohone. Marima ( octaves) (shared ith Percussion 1 in Movement II only). Chimes, Susended Cymal, Finger Cymal, Triangle, Castanets, Brake Drum, Bass Drum (shared ith Percussion ). Crash Cymals, Flexatone, Whi, Bass Drum (shared ith Percussion ) Har Celesta Contraass Transosed Score Duration: ca. :0 minutes
9 TRANSPOSED SCORE Flutes Ooe English Horn E Clarinet B Clarinet 1 B Clarinet B Clarinet B Bass Clarinet B Contraass Clarinet Bassoon 1, Contraassoon Sorano Sax Alto Sax Tenor Sax Baritone Sax F Horns C Trumets Tromones Euhonium Tua Timani Percussion 1 (Glockensiel) Percussion (Virahone) Percussion (Xylohone) Percussion (Marima) Percussion Percussion Har Piano / Celesta Contraass q = 1; In a Baroque Style soli 8 j j j soli M A S K S A N D M A C H I N E S or Wind Ensemle I. j j q = 1; In a Baroque Style / soli j 8 j 8 j soli PAL DOOLEY (01) Coyright 01 y Paul Dooley, BMI Coyright in all countries. All rights reserved Printed in.s.a.
10 Fls. O. E Cl. Cls. C. Cl. A - - j I. j j a, ooden, non virato j j - n n - j j - n j - j - j - j - j n - j j Bn. 1, Cn. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. A hard cord lastic hard cord / izz. n 8
11 I. Fls O. E Cl. Cls. C. Cl. Bn. 1, a Cn. Perc. (Vi.) lastic Perc. Perc. Perc. Perc. H. C. / o o
12 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Perc. (Vi.) Perc. Perc. Perc. B B I. - n n n j n n n n n j j n n j n 1... j n n j j j j j j n n j n j j n j j n n j j n j n j n n n n n n n n n n Perc. H. C. /. n j n n arco j n. n n
13 I. Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. n j j j j j n n j a.. n n j j n j j j j j n j j n n n j n j n n Perc. (Vi.) Perc. Perc. Perc. Perc. j j j j j j n n n / n n n H. C. n j n j j j 0 1
14 I. Fls. O. E Cl. j Cls. C. Cl. Bn. 1, Cn. j j j j j j j j esr j n j n j j Tim. j Perc. (Vi.) Perc. Perc. Perc. Perc. j j / C
15 Fls. C I. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Tim. j n n n j j n j j j j j C j j a 1.. Perc. (Vi.) Perc. Perc. Perc. Perc. C. n 0 1 n / n n n n
16 8 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Perc. (Vi.) Perc. D I. m j j j j j m j j j m j j j m j D 1... a sim. sim. n m n n n n n j j j j j j n n n n n n n n n n n Perc. Perc. C. / 8
17 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1, Tt. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. C. I. E Maestoso, l'istesso temo j j j a a esr. esr. esr., lay out a esr., no dim. esr., no dim. esr., no dim. E Maestoso, l'istesso temo / esr. Chimes Large Bass Drum, l.v. esr., no dim. 0 1
18 I. Fls. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1, Tt. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. C. n /
19 Fls. O. F 8 8 I. 11 E Cl. Cl. 1 Cl. 8 soli j j soli j j soli j 8 j 8 j 8 Cl. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1, Tt. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. C F / 8 izz. o o soli j 8 j 8
20 1 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Perc. (Vi.) Perc. Perc. Perc. G n 1. m j j j j j j j m j j j j j m j j j j n m j j j G 1... m n n n n n n I... j j j n n n n n Perc. C. / arco j 1
21 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. m n n n n I. n n n j j n j j j j j j j m j j j j j m j j j j m j j j m Perc. (Vi.) 1 n Perc. Perc. Perc. n Perc. / C. 8 0
22 1 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Euh. Perc. (Vi.) Perc. Perc. Perc. Perc. H. (1.) H soli esr.... j. soli esr. soli H esr. / esr. esr.. take PICCOLO n n n I. C. j izz., l.v. 1
23 I. 1 Fls. O. E Cl. Cls. C. Cl. Bn. 1, Cn. Euh. Perc. (Vi.) Perc. Perc. Perc. Perc. H. / C.
24 1 Fls. I I. O. E Cl. Cls. j a m a m 1... a j n a m j 1... j C. Cl. Bn. 1, 1. a m Cn. Euh. Perc. (Vi.) Perc. Perc m m I m m m Xylohone m Perc. H. C. o o o o n m o (izz.) l.v. m o o o 8 0 1
25 I. 1 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Perc. (Vi.) Perc. Perc. Perc. H PICCOLO m oco a oco m oco a oco m oco a oco oco a oco 1... oco a oco oco a oco oco a oco oco a oco oco a oco oco a oco oco a oco m oco a oco j. j oco a oco. j. j. j. j. j. j j j.. j. j. j. j. j. j j. j. j. j. j. j. j. j j. j. j. j. j. j. j. j j j oco a oco m oco a oco oco a oco oco a oco. m oco a oco. j C. arco. j. j oco a oco. j. j. j. j. j. j
26 18 Picc. Fl. 1, O. I... a. E Cl. Cls C. Cl. Bn. 1, j. j.. j. j j.. j. j. j. j.. j. j. j. j. j. j. j. j. j Cn.. j. j. j. j j.. j. j. j. j Perc. (Vi.) Perc. Perc. Perc. H. j. j.. j. j j.. j. j. j. j j j j. j. C.. j. j. j. j j.. j. j. j. j
27 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1, Tt. Tns. Tim. Perc. (Vi.) Perc. Perc. Perc. H. C. esr. esr. esr. esr., no dim. esr. I. esr. esr. esr., lay out 1... esr., no dim. esr. Chimes j j j j n
28 0 I. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1, Tt. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. C n n / n n n n n n æ æ æ
29 Picc. Fl. 1, O. E Cl. Cl. 1, Cl. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1 Tt., Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. Perc. C. no dim. no dim. K a no dim. no dim. no dim. I. no dim ẇ ẇ / / Chimes Large Bass Drum Crash Cymals
30 Picc. Fl. 1, O. E Cl. Cl. 1, I. Cl. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1 Tt., Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. Perc. C. ẇ < < / /
31 I. Picc. Fl. 1, O. E Cl. Cl. 1, Cl. C. Cl. Bn. 1, Cn. Hn. 1, Hn., Tt. 1 Tt., Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. Perc. C. molto rit. < < molto rit. / /
32 Picc. Fl. 1, O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. C. I. L a temo take Flute solo m esr. j n j j j j j a < j < j L a temo j soli, hard lastic, ith lute m esr. j m j j m / j esr. j j 8 0 1
33 I. Picc. Fl. 1 O. E Cl. Cl. 1 Cl. Cl. C. Cl Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. H. C. m m / m m
34 Fl. 1 O. I. M non dim. E Cl. Cl. 1 Cl. Cl dim. oco a oco dim. oco a oco dim. oco a oco dim. oco a oco C. Cl. Bn. 1, Cn. Tim. M.. m Perc. (Vi.) Perc. (Chimes) m non dim. m Perc. Perc. H. m m / mute G string only m m C izz. m
35 Fl. 1 I. rit. O. E Cl. Cl. 1 Cl. Cl dim. oco a oco - dim. oco a oco - dim. oco a oco... dim. oco a oco C. Cl. Bn. 1, Cn. Tim dim. oco a oco m dim. oco a oco rit. Perc. (Vi.) Perc. (Chimes) dim. oco a oco m dim. oco a oco Perc. Perc. dim. oco a oco m dim. oco a oco / H. mute G string only dim. oco a oco m dim. oco a oco mute G string only dim. oco a oco m dim. oco a oco C. dim. oco a oco m dim. oco a oco izz.
36 8 Fl. 1 I. q = 0 8 lunga O. 8 8 E Cl. Cl. 1 Cl. Cl Ÿ Ÿ Ÿ C. Cl. Bn. 1, 8 8 Cn. Tim. 8. j. j. j dim. 8 8 q = 0 æ lunga Perc. (Vi.) Perc. (Chimes) Perc. Perc. 8 j dim. 8 8 j dim. / 8 H. C. 8 dim. 8 8 dim. 8 8 dim
37 Fls. q = II. O. solo - esr. E Cl. Cl. 1 Cl. n Cl. n C. Cl. Bn. 1, B Cn. Tim. q = Glockensiel TACET, lay ith Marima (Perc. ) in m.1- Perc. (Vi.) Perc. Perc. Perc. sot yarn / æ n æ H. n C. con sord., izz., l.v. semre 1
38 0 II. Fls. O. E Cl. - m esr. - m esr. Cl. 1 Cl., C. Cl. Bn. 1, Cn. B esr. m m solo m m j m j m j m Tim. Perc. (Vi.) Perc. Perc. Perc. m / H. C. m 8
39 II. 1 Fls. O. E Cl. Cl. 1 Cl., - m m. - C. Cl. Bn. 1, B Cn. m m m m Tim. Perc. (Vi.) Perc. Perc. Perc. m / H. C. 11
40 Fls. O. E Cl. A 1... esr. - - II. rit. - j - j - - j Cls. C. Cl. Bn. 1, Cn. B 1... n m esr. m esr. esr. esr a a - Hns. Tts. Euh. Tim. m esr. m esr. esr. m esr. A n n n - rit. j - n 1. harmon mute, no stem. cu mute 1.. straight metal mute.. + Perc. (Vi.) Perc. Perc. C. m / arco izz. m esr
41 II. Fls. B a temo lz. æ æ æ æ O. E Cl. soli n n Cls. soli n n n n n n n n C. Cl. Bn. 1, n Cn. Hns Ÿ Ÿ n j n n nn m esr. m Tts. Euh. Tim. o + o Ÿ Ÿ m esr. m B a temo + Perc. (Vi.) motor: ast seed Perc. Perc. / Susended Cymal, yarn mallets, l.v. æ æ C. senza sord. arco n 1 1
42 Fls. O. æ II. accel. E Cl. Cls. C. Cl. n n n stay in oreground m stay in oreground m n n n n n Bn. 1, Cn. Hns. Tts. Euh. Tim. j n o + o æ m n m n m m accel. (Mar. II) Perc. (Vi.) Perc. Perc. H. / æ æ C. 18 1
43 Fls. C e = q (q = 11) II O E Cl. Cls. n n n n n j j C. Cl. Bn. 1, Cn. Hns. 1. j. j. j.... n j. j. j. j. j. j. j. j. j. j j Tts. Euh. Tim. (Mar. II) Perc. (Vi.) Perc. Perc. H. e = q (q = 11) C / j shares Marima through m. a m Marima, shared ith Perc. (Marima) Triangle, l.v. j C. izz., unis.. j 0 1
44 Fls. O. II m m E Cl. Cls.. j. j. j. j. j. j m m C. Cl. Bn. 1, Cn. Hns.. j. j. j. j. j. j m m m Tts. Euh. Tim. (Mar. II) m Perc. (Vi.) Perc. Perc. m / H. C. m 8 0 1
45 Fls. O. II. q = 0 1. rit E Cl. Cls. C. Cl. Bn. 1, j j j j j j j B Cn.. j. j Hns. Tts. Euh. Tim. rit. q = 0 (Mar. II) sitch ack to Glock. Perc. (Vi.) Perc. Perc. / H. C.
46 8 Fls. D q = II. 1. m O. E Cl. m Cls. m C. Cl. Bn. 1, Cn. 1. B a soli - m esr. Hns. Tts. Euh. Tim. D q = (Mar. II) Perc. (Vi.) Perc. Perc. / H. C
47 Fls. O. j n esr. II. molto rit. - - n E Cl. Cls. C. Cl. Bn. 1, B Cn. Hns. Tts. Euh. Tim. æ molto rit. m (Mar. II) Perc. (Vi.) Perc. æ æ æ æ æ m Perc. / H. C.
48 0 Fls. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. H. E a temo rit. æ æ æ E a temo (non virato) 1... lz. motor: o Chimes Susended Cymal.d.l.t. II. esr. soli esr. esr. soli esr. rit. æ Ÿ æ soli soli æ æ æ / n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n æ Triangle, l.v. æ C. izz.
49 Fls. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tim. Perc. (Vi.) - j n a temo (non virato) - a temo rit. æ æ æ II. esr. esr. esr. rit. n - n esr. n n n n n n n n n - n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n lz. æ Ÿ æ 1 Perc. (Chimes) Perc. Perc. H. æ æ æ / Susended Cymal æ æ Triangle, l.v. C. 8
50 Fls. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. a temo - a temo æ æ æ (non virato) II. esr. esr. esr. æ æ æ Susended Cymal j - n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n esr. æ Ÿ æ lz. Triangle, l.v. Ÿ æ / æ j j H. C. 0
51 Fls. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tim. Perc. (Vi.) Perc. (Chimes) Perc. Perc. H. C. dim. molto rit. æ molto rit. II. dim. dim. m m m n n n m m (non virato) dim. n n Susended Cymal n arco sul tasto æ n n n n n n n n n n n n 1 n n n n n n n n n n n n n n n n n æ / æ æ æ æ æ æ
52 Fls. O. h = 8 (q = 18) soli n III.. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hns. Tts. Tim. Perc. (Vi.) Perc. Perc. Perc. H. C. h = 8 (q = 18) / n Finger Cymal, hanging, l.v. Glockensiel our rass mallets.d.l.t. ord. izz., l.v. o Xylohone 1 m
53 III. Fls. n. O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hns. Tts. Tim. m Perc. (Vi.) Perc. Perc. Perc. H. / C. o
54 Fls. O. III... E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hns. Tts. Tim. m m Perc. (Vi.) Perc. Perc. Perc. H. /.. C. 0 o 0 o
55 III. Fls.. n n O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1,. n. n. n n n. n n n. n j. Cn. Hns. Tts. Tim. Perc. (Vi.) rass mallets o harmon mute, stem in a m Perc. Perc. Perc. H. / C. o 8
56 8 Fls. O. A m III... n n n n n E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn.. j m j. m. m. j m Hns. Tts. Perc. (Vi.) Perc. Perc. Perc. H. A. j m. j m + + m o + j m Virahone, motor o m ø. m / ord.. C.. m 11
57 III. Fls... n n n n n n O. m E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn.. j m j. m. m. j m Hns.. j m. j m + Tts. o + j m Perc. (Vi.) Perc. Perc. Perc. H. ø ø. / m. C.. m 1 1
58 0 Fls. O. III... n n n n n n n n m m E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Hns. Tts. j j.. m m j j.. m m.. m m j j.. m m j. j. m j. j m. m o + j m m Perc. (Vi.) Perc. Perc. Perc. m ø ø sot ruer n j n n n n n.. / m m n j n H. C... m m 1 1
59 Fls. O. j m m III.. n n n iú 1 E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn.. j m m. j j j.. m... j. j m Hns. Tts. Perc. (Vi.) Perc. Perc. Perc.. j. j m. j. j m o + o j j m m ø ø n n j n.. / m H. C... m 1 1
60 Fl. Fl. 1, O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tts. Perc. (Vi.) Perc. Perc. H. C.. take PICCOLO. n n B m m m m m III. n n n n n n n n n n n n - j. - j. m m - j. -. j m m j. -. j m m n - j. -. j m m - j. -. j m m n + o j B nn m m m.d.l.t. - j j.
61 III. Picc. Fl. 1, O. E Cl. Cl. 1 Cl. Cl. C. Cl. Bn. 1, Cn. Tts. Perc. (Vi.) Perc. Perc. H. C. n n j j j m... - j j j... j. j. m j. j. j. -. j j. j.. j. j m m m m m. j. j. j -. j. j. j. j. j m n -. j n. j. j. j. j + o j m m m m n n j PICCOLO j m lastic m m.. -. j. j. j. j. j. m m + - j. m 1 j j j
62 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. C j j j j j j j j j j j j a j j j j n n j j a 1. a + o + o senza sord. a 1... j j j j j j j j j j j j j j arco a æ æ æ æ æ III. n j to mallets n / / ord. n j j
63 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Ÿ tongue izz.. æ j j ŸŸ tongue izz.. æ n j j n n n Ÿ æ Ÿ æ Ÿ æ Bn. 1, Cn. Hns. Tts. 1ȯ + + Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C..... ack o the sticks m ack o the sticks j j j... j ack o the sticks. j j j... j. Finger Cymal / / æ j Flexatone 8 0
64 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. D III... n n j j j j j j j j j j j j j j j j j j j j j j oen j j 1. j. n.. n n lz.. j j æ n j j j j j j j j D oen n dam j j j j j j j j n n ord. ord. ord. dam / / n n n j j 1 n n
65 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. n n n j n lz. n æ n n n n n n n n n n n n n n n n n j n n n n j j j j j j n Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. j j j j n n n n n n dam Triangle / æ æ / n n
66 8 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. E III. take FLTE. a. soli n n n - - soli n n n n a... soli n n n n n - - soli n n - - n n soli n n n n - - n n n n soli n n Ú iù Ú iù j Ú iù j iù j j E iu j... Brake Drum dam / / Ú Ú Ú Ú. 8
67 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C n n n n Ú n n n Ú j j a.. a.. a.. j. j n n n n Ú j Ú n n n j n n n n n n n n Ú n n Ú n n n j. j.. j j j... j.. j.. j j j 1. j..... j Ú j j j j Ú j j j Ú j j j j j j j j j j solo, very articulate j j m j j. j... j... j. j... j. / / m Flexatone æ F harmonic minor j j Ú P j
68 0 Picc. Fl. 1, O. E Cl. III. Ÿ~~~~~~~~~~~~~~~~~ F Ÿ.. lz.. Ÿ. n æ.. æ æ æ sz Ÿ~~~~~~~~~~~~~~~~~ lz..... Ÿ Ÿ.. n n æ æ æ æ sz Ú Ú Ú Cls. C. Cl. Bn. 1, Cn. Tim. Perc. (Vi.) Ú Ú Ú Ú Ú Ú. j. j.. j. j j.. j j.. j n. j m.... j.. j. j j.. j. j m Ú F Ú Ú Ú m Perc. Perc. Perc. Perc. H. C. Ú m / Ú / Ú Ú.d.l.t. n G Ú n Ú m Ú izz. m m (izz.)
69 III. 1 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1,... Ÿ ~~~~~~~~~~~~~ n. n. æ æ n n n. sz lz Ÿ ~~~~~~~~~~~~~. a n n n n n n n æ æ sz. j. j Ú 1... Ú Ú Ú Ú lz. Cn. Ú Ú. j. j.. j. j j. j. j.. j n. j m.... j.. j. j j.. j. j m Ú Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. Ú to mallets Ú Ú Ú m / Ú Flexatone / Ú æ Ú Ú Ú Ú C. m arco, unis
70 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. C Ú Ú j. j j... a 1. a 1. a 1. a j. j. j Ú Ú Ú Ú. j.. j. j. j. j. j. j... j. j j j. j.. j j j j j j j j j j j j j j j j j j j m m Ú j. j. j.. j. j. j... j j j.. Brake Drum. / m m / Ú. j.. j. j 8 0 1
71 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. C. G III. Ú Ú Ú Ú - - n -. j n n. j n n n n n n n n j n n n n n n - n n n j nn n n n. n nn n n n. j n n n - - n n n n n n - a n n n n - - n -. j n n n n. j n n n n n n j n n n n n. - - n - n. j n n n. j n n n su. su. su. su. j j su. su. j j j j G j Ú Ú Ú Ú our mallets Ú Ú Ú Ú Brake Drum / / Ú Ú..
72 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. Perc. Perc. Perc. H. C. a soli.. n. n n. n n. n n. n n n. n n n nn n n n. n n n n j.. j n. j. j. j. n n j.. j n. j. j. j. n n n..... n.. j n n n n j j j n j j m n.. n n n n... m. j j j n n n n..... m. n j j j n j j.. n n n n. j j.. j n 1. m... su. su. su. j j j / / m Flexatone æ æ m III. m m m m PICCOLO soli. ord. m n izz. m lastic mallets. n. n n n n n Ú n n n n n n n n n n n
73 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. Perc. Perc. Perc. H. C.... n n n n n n n.... n.. n.... n j.. j n. j. j j. n j. j. n j. j. n j j j... n j.. j n. j. j j. n j. j. n j. j. n j j j... Ú n j. j. j.. j. j n. j. j n. j. j. j. j j n n n n n n n n j j j j j Ú n n n n n n n n n n n n n / Ú / Ú n n n. n. n. n n.. n n n n n n n n n n n n n n n n n n n n
74 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. H. C. H. lz. Ÿ Ÿ lz. Ÿ Ÿ n æ æ n n n æ Ÿ. Ÿ lz. lz. Ÿ æ a Ÿ n n n n æ n n æ æ æ. n n n. n n j n n. n j n n n j n n n n n n n j j.. j j.... j j j j a. j j lay out j j H dam dam j j to mallets j. (E harmonic minor).»» III. 8 j
75 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. lz. Ÿ Ÿ Ÿ Ÿ æ æ n lz. Ÿ Ÿ n n æ lz. a Ÿ æ Ÿ n n n æ n n æ æ æ n n n µ n n j n n n j n n n j n n n n n n n j j.. j j.... j j.. lz... j Hns. Tts. Tns. Euh. Ta. j. j j j j j Tim. Perc. (Vi.) Perc. Perc. H. dam dam j j j j C.»» 0 1
76 8 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. III. I iù mosso n n n n n n n n n n n n n n n n n n n n n n n n n n n n n Ú j. j. j j j j. j j j. j j j.. j j j j j j j j dam iù mosso very articulate j m j j j Bass Drum / Flexatone / æ æ» arco
77 III. Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. Ú Ú Ú Ú 1... j j j j j j j j j j j j j j j j j j j j j j Ú j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j / Ú / Ú
78 0 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. III. a a j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j Brake Drum / / Ú arco j 8
79 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. III. accel. oco a oco in One j. j. j. j. j. j n n n j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j.. j j. j j. j j. j n n j j j j j.. j j. j j. j j. j hal valve j j j j j j j j j j j j j j j j j j accel. oco a oco in One R R L L R R L n n n / Whi / n n j j j j j.. j j. j j. j j. j
80 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. H. C. III. in To a n in To n n n n Susended Cymal, l.v. / æ 8
81 Picc. Fl. 1, O. E Cl. Cls. C. Cl. Bn. 1, Cn. Hns. Tts. Tns. Euh. Ta. Tim. Perc. (Vi.) Perc. Perc. Perc. Perc. H. C. molto rit. III molto rit. solo æ æ < æ æ < æ æ Bass Drum / Crash Cymals, choke / < 80 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
82
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