A Shrinking Emptiness/ Entropic Pleasures III
|
|
- Denis West
- 5 years ago
- Views:
Transcription
1 Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Commissioned y Ens MimitauLevande MusikKulturrådet 01 (Version 01, Version III 018)
2 Anders Hultqvist A Shrinking Etiness Entropic Pleasures III [Delineations (a), Version three] Instrumentation: FluteAlto lute B ClarinetB Bass Clar Percussion (One player): Sandpaper, Cymal, Metal plate, Viraphone, Thai s (cromatic d# h), ava gong (h1), Glockenspiel, Log drum Piano Violin Cello Couter sounds (stereo track) Mixing and MatLa programming Per Sösten
3 A Shrinking EtinessEntropic pleasures III [Delineations (a), Version three] Anders Hultqvist 018 Flute Clarinet in B Viraphone Percussion Piano Violin Violoncello lh hit with inger on the string () í î r r r r r r r ø rh right hand ack and orth, with (lat) nail side, on the strings (8'') í î ('') Couter sounds Couter track 0'' 18'9'' (sound starts at '') A 11 A Bow vertically on the strings (and vary the strings owed on) Da the strings with lh í start at 8'' () () î acc More intense (vertical) owing (ast with sudden stops) (1'8'') Bow vertically on the strings (and vary the strings owed on) Da the strings with lh í () () î acc More intense (vertical) owing (ast with sudden stops) (1'8'') Anders Hultqvist, Göteorg 018
4 B start at '00'' (asic nuance p) Piccolo B1 start at ''' (asic nuance ) n <n Ô # (p)() ()() (p)() ()() (p) () (p) (p) # # # 1x ( (p)() (p)() (p)(sz) ()() (p)() (p)() í r î # : (p)() ()(sz) ()(sz) ) # r # n u and clap two sandpapers together, with each one olded around a piece o wood : Ô n # n # # <n # : : : : : <n 1x ( ) n # Ô B B1 Da strings with the let hand Position lh at approx the place on the strings indicated y the lock notation Vary owing over all strings, two at a time Sulp heavy owing () ^ ^ ^ ^ V V V V (p)() Da strings with the let hand Position lh at approx the place on the strings indicated y the lock notation Vary owing over all strings, two at a time Sulp heavy owing () : ^ ^ ^ ^ ^ V V V V V V V V V V V V V V V V V V V V V V V V V : : V V V V V V V V V V V V V V V V V V V V : : (p)() ()() ()() () (p) : : (p)(sz) : (p)(sz) : V V V V V V V 0 (x '1'') (ermata 1x) q <n # ()sz (p)() (1x '0'') B ('8'') # n # (p)() # (p)() # (ermata 1x) (ermata 1x) (ermata 1x) (ermata 1x) : ; ()sz (ermata 1x) B V q V V V V V V V V V V V V V V V V V V V V V V V (p)sz (p)() : : p : : : : : (ermata 1x) V V V V V V V V V V V V V V V V V V V V V V V V : : : () ()() p
5 ('8'') 9 q : ; V V V V V V : V V V V V V V V V V V V : p p : : : q V V V V V V V V V V V V V V V V V V V V p p C start at '0'' O trem p B <n O µ cymal ) large metal plate () ù cymal C II hal pressure p trem hal pressure O
6 ('1'') <n # û ('0'') p # µ <µ Thai gongs slow to ast with metal stick ù ù ù # # ù # # ù B p p II hal pressure trem p start at ''' D q 9 hal air, hal pitch û û û ù ù # # (cym) late ù Scratch on the strings (chromatic h0e1) with a plastic card sim r ø ø ø ø ø r r r ø ø q 9 quasi attspiccato D o O O O O O O O o o o o o o O O O O O O O O O O O sim loco < O O O O O O O O O O O O O O O O O O O O O O O O quasi attspiccato
7 û û û sz : ; r r r r ø ø ø ø ø ø ø ø O O O O O ehind the ridge, quasi spiccato o O O O ù ù ù ù O O O O (sim) (ehind) on the ridge ù ù ù r on the ridge r r ehind the ridge sz ehind the ridge, quasi spicc ù ù ù ù ù ù () 8 ('00') ø r (ehind the r) (on the r) r r r (ehind the r) (on the ridge) (ehind r) on the r quasi legno att ther r r r
8 8 Flute Bass Clarinet in B start at '10'' () (ord) () E pp p Ó O r B only air O Ó E Ó hal press hal pr O Ó µ Ó ## O O n # O # O n Ȯ O # O nn O Ȯ O (hal press) # Ó on the r (hal press) <n Ó Ó O O 9 only air n r Ó Ó (ord) B < # Ó (hal press) (hal press) msulp # # O msulp # n O n µ r n hal pr O Ó # (hal press) (ridge) msulp (hpr) n n # O O Ó
9 8 99 () n () û (''') F start at '0'' B ava gong (h1) Ó Ó Ó p p # # # ø ø F <# Ó 110 (8''') B with wooden stick ù ù Ó <n r ø Scratch on the strings (chromatic h0e1) with a plastic card sim : ; # # Ó Ó Ó p ø ø ø ø
10 9 B 10 G start at 8''' () B Ó su () () B Æ <B n <B Ó < B Ó Æ B Viraphone Ô r Ó ø Ó Ó : ; sim sim r Ó ø ø ø r øø ø ø G ord <n B quasi col legno ord O quasi cl ord B B B B ord B Æ sulp B B Ô Æ ord Æ B B B B (sound silent 8'9''1''') Ó B B 1 < Ô Ó () <B Ô B <B n Æ Ô K r Ô r K Ô r ø sz ø ø ø ø # loco : ; < ø ø ø ø hal pressure n B B <B B B B (hal pressure) B B B µ B µ B B <n B p hal pressure B B B
11 10 1 < Ó () B Kr Ô B p < Æ ø ø n r Ó p n # Ó ø ø ø ø (lhpizz) + arco B r hal pres arco sulp µ B O p p p B B Ô pizz arco sp Ô molto sulp sulp B p p p B B <B O O O O hal pres n B 10 H : e e q 8 : : # B sz : : B : : : B # # # sz n : # : n Ô (arp) # # ## # # n ø ø ø n H O o # n Æ # q 8 ( sere) hal pres n n o n Ô n # # B o o µ hal pres r n n Ÿ~ o # n p o n µ hal pres µ ^ µ µ B n r B sz B^ ^
12 11 1 o o o < r µ # µ µ Ÿ~~~~~~~~ : B B µ # Ô : B Ó r s n : Glockenspiel # : r : : : # ø # # n r # ø ø ø # n < 9 # o : Ÿ~~~ Ÿ~~~~~~ # # # <# Ÿ~~ Ÿ~~~ : sz pp sz su n µ B hal pres n r n B sz z sz sz 9: n : hal pres : : # n : n : n n # # sz p 1: µ n hal pres 1:11 n : # n 1 : : : # Ô # I q 9 n û Ó # # # # # # # # 1:8 only air sz B sz : : : only air K r n n # : n Ô : n : : Glock r n Æ n Viraphone n Æ ø ø ø : hal pres : B µ sz sz sz molto sp n r I q 9 quasi cl 1:8 1:8 : hal pres sz msulp n B r msp r µ B B hal pressure n r n hal pr # n n msp msulp
13 1 10 B : : : r ø ø # r # Ô r ø ø r B Ô ø ø + lh pizz K r µ ø msulp B B # Ô Ô < < B msp (msulp) B hal pres g n n 1 # # # # # n B < ø ø ø # ord B B n # B B B quasi cl B Æ hal pressure B B n n µ B p B B B B n hal pr g qcollegno B B hal pressure <B r n µ
14 1 10 B # ø sz ø ø <B n B B n B B µ µ hal pr B n n p µ msp B r hal pres B msp B hal pr on the r < B µ n B B B pp arco sp molto sulp B B # µ g 1 B <# hal pressure on the ridge n n (hal pressure) µ n n B n + K r msp n (hal pr) <µ ord msp n B (hal press) Kr O O on the ridge µ µ msp µ B n
15 1 start at 10''' 1 (10'8'') Alto Flute p B B Thai gongs : r µ n n n on the ridge µ n n n n on the ridge B r # r p p A 19 B p <n û n û B Thaig ava gong (h1) Ó : : :
16 1 A 1 û (gliss) û p Ó Ó B Thaig : : hal pressure ord msp hal pr p µ n <n hal pressure n p m sp hal pr A 18 start at 1'0'' K q 9 û () sz B # # Thaig (metal sticks) í reely (poco a poco ree ordering o notes) r <n Æ (pp) r r # r r î cresc (cont) Viraphone reely (poco a poco ree ordering o notes) í ^ B (pp) p sz q 9 ^ ^ K K r B Ô B r î µ cresc û reely (poco a poco ree ordering o notes) ^ ^ í B <n B B ^ î r # (pp) sz cresc
17 1 A 191 û B r r r <n r Ó # Ó Ó ø Ó Ó Ó Ó # ø # Ÿ~~~~~~~~~~~~~~~~~~~ hal pres Ó # µ n n sz n n Ó Ó Ó n () A 19 û O sz p B Ó r Ó <n ø o O O r sz # sz < # n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ <n # #
18 1 A 0 B sz r r Ó ø < r < n ø ø # # # Ó Ó Ó # r n r <n r # n # # Ó A 09 () Ó Ó sz B Ó # # Ó # r r r # n# Ó < Ó ø ø ø # Ó r # r r n # r sz
19 18 A 1 L B hard sticks ø n < ø Two thin glas rods on the highest strings inside # <n ø ø ø ø ø L Ó <n # r B A B Glock Glockenspiel # # # <n # # # # # (m) # # # # # <n # # <n # # # ø ø ø ø ø ø ø ø
20 19 A B Glock # # # # # # <n # # ø ø ø ø # n (sound starts at 1''') start at 1''' A 1 (1''') M B Glock # # # # # : ; # # : ; arp (let all notes ring) # # # Ó Cluster with oth arms Put di metal things (ex: keys on a keyring) on the lowest strings ø M quasi col legno Ÿ~~~~~~~~~~~~~~~~~~~~~ # # Ó Ÿ~~~~~~~ sp # # # p quasi cl hal pr attcl ehind the ridge <n sz # # # n O
21 0 A B Glock sim p ø ø Ó < Ÿ~~~~~~~~~~~~~~~~~ <# # attcl ehind the r arco attcl arco qcl # Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ cl <n qcl n # halpr (arco) p p p <n <n O O O msp arco qcl # <n µ arco qcl Ÿ~~~~~~~~~~~~~~~~~~~~~ hal pr B O n A N B Glock Percussion cymal: w metal stick p wooden (orest) sticks on log drum Ó pp ø # N r µ O Ó V V V V V V V V V V V ppp p pp pp (p) qcl O O Ó V V V V V V V V V V p pp p pp : : : : :
22 1 A B K r K r Ô ø í Bow vertically on the strings (and vary the strings owed on) Da the strings with lh pp p pp î Bow vertically on the strings (and vary the strings owed on) Da the strings with lh V í V V V pp pp pp p pp p î A (1'1'') Piccolo B Clarinet in B Æ dim al niente dim al niente
23 start at 1'08'' O q 9 air air sz (air) # # n n n # # # # air air Glockenspiel <n # # # # n r ø ø ø ø ø O q 9 # # # # # hal press n # # # # # air (air) air <n Glock Glock # # # r # # # # # <n r # # ø ø ø ø hal pr (hal pr) n # n # # # sz (hal pr) # <n #
24 89 # # <n air < air # # <n Glock Glock # <n # (m) # # # <n n # # # ø ø ø <n # # # # # (hal pr) # n (hal pr) <n # K r r 9 air air n sz Glock # # p # # p ø ø (hal pr) n (hal pr)
25 0 air # Glock () # # # ø ø (hal pr) # n n 08 air ord air # # Glock # # ø # <n # # (hal pr) spiccato () # # (hal pr) # spiccato ()
26 1 air sz sz P # Glock (let ring) # # # # # # # # ø ø quasi attspiccato loco P V V V VV V V V V (echo) hal pres quais o att O <B O O O n O O n n n Æ # pp p p n o n quasi attspiccato V V V V V V V V V VVV V V Ó (End sound 18'9'') Glock o hal pres quasi cl att 1:11 qcl : : : 9 : hal pres msp hal pressure : Ÿ~~~~~~ # n # # # n p pp B µ r µ p p 1:8 1:8 n n r Ó
27 1 Glock + pizz Kr lh pizz hal pres µ p pp p msp < hal pres g n ord B B # B pp pp p quasi cl n B B p
Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]
Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto
More informationazim . =50 & \ \ .#! 4 .## O -ªªªªªªªªªªª Q. - F # % \ \ . F ( \ HANGING 1 METAL SHEET h 1 ..., -# j O... # j. #. glissando lentissimo
=50 1 HORN as sounds) \ \ TROMBON \ \ \ \ PIANO A k ậ 7 O P molto legato 7 O Q O Q P j ## azim cuivré sound # 4 i - gliss # - k d gurgling sound 5 : breath + rapid fingers O -ªªªªªªªªªªª - d sp 6 h # O
More informationMusic Diary. for soprano, flute, clarinet, violin, and percussion
Music Diary or sorano, lute, clarinet, violin, and ercussion LI Qi 201 Program Notes This is a iece or entertainment Have some un! :) Movements 1 Gossi!!! Girls always love gossi!!! Gossi always loves
More informationThe Tango-A Secret Code
Ex1 Kicho(Allegro bars 9-16) As Written 4 n The Tango-A Secret Code b b uan Pablo Navarro b Ex2 Ex3 Ex4 Piazzolla s Marcato style in Kicho n F F Marcato with short drag w/gliss As Kicho played Ó Arrastres(Drags)
More informationDedicated to the Memory of Sir Malcolm Arnold, INSTRUMENTATION. 1 Percussion 3 Bells. 1 Percussion 4 Crotales. 1 Percussion 5 Vibraphone
ULL SCORE Grade 5 richard l saucedo along an english countryside Dedicated to the Memory o Sir Malcolm Arnold 121-2006 INSTRUMENTATION 1 ull Score 1 iccolo 4 lute 1 4 lute 2 1 Ooe 1 1 Ooe 2 1 Bassoon 1
More informationPercussion for Apartments
Percussion for Apartments for solo percussion + electronics Aaron Gervais Percussion for Apartments for solo percussion + electronics August 2016 Duration: 2 00 Aaron Gervais Dedicated to ustin DeHart
More information201 Notre Dame College Percussion Coursepack. Contents:
DEPARTMENT OF BANDS 201 Notre Dame College Percussion Coursepack Contents: Front Ensemle Technique.. pg 1 6 Front Ensemle Exercises and Etudes. pg 7-25 Notre Dame College Percussion 201 Front Ensemle Technique
More informationgolden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION
ennell edition Marches golden uilee MARCH Conductor C Piccolo st C lute nd C lute st Ooe nd Ooe E Clarinet st B Clarinet nd B Clarinet rd B Clarinet E Alto Clarinet B Bass Clarinet st Bassoon nd Bassoon
More informationSTEVEN BRYANT. In This Broad Earth
STEVEN BRYANT In This Broad Earth STEVEN BRYANT In This Broad Earth Written or and dedicated to Kevin Sedatole and the Michigan State University Wind Symhony lute I-II-III (doules Picc)* Ooe I-II Bassoon
More information/ -1-1, The Vanishing Dark
-1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV
More informationAsCent. Composed for the Key Stage Two or Key Stage Three Classroom by. Keir C. Crawley
AsCent Composed or the Key Stage To or Key Stage Three Classroom by Keir C Craley AsCent Notes rom the Composer AsCent is the culmination o a number o ideas and experiences, irst o hich as the need to
More informationOlli Virtaperko Usvapatsas
Olli Virtaerko Usvaatsas or symhony orchestra ull score, transosed duration 1'0'' T e o s t o M u s i c i n l a n d Coyright by the Comoser No art o this ublication may be coied or reroduced in any orm
More informationKACHISORY - The Cry of Magpies -
KACHISORY The Cry o Magies or Orchestra by Hyukjin Shin A comosition submitted in artial ulillment o the requirements or the degree o Doctor o Musical Arts Music: Comosition in The University o Michigan
More informationFantasia on KANG DING LOVE SONG
antasia on KANG DING LOVE SONG ERIC RICHARDS 2008 (BMI) Written or the Shanghai Conservatory o Music azz Ensemle Zhang, Xiaolu - director Dr Gene Aitken - guest conductor Octoer 2008 INSTRMENTATION Solo
More informationGalileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION
ntermediate String/ull ORCHESTRA Grade ½ Galileo s Vision 1 Conductor 2 lute 2 Oboe 1 1st b Clarinet 1 2nd b Clarinet 1 b ass Clarinet 2 assoon Horn RALH ORD (ASCA) NSTRUMENTATON 1 1st b Trumet 1 2nd b
More informationSAMPLE FANFARE: A VISION AND A DREAM RYAN NOWLIN KJOS CONCERT BANDVVORKS NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE WB $8.00 RYAN NOWLIN ANARE: A VISION AND A DREAM KOS CONCERT BANDVVORKS NEIL A. KOS MUSIC COMPANY SAN DIEGO, CALIORNIA THE COMPOSER A natie o Cleeland, Ohio, Ryan Nolin holds oth
More informationOlli Virtaperko. Romer s Gap. Concerto for amplified cello and chamber orchestra in three movements
1 0 Olli Virtaerko Romer s Ga Concerto or amliied cello and chamer orchestra in three movements 01 01 Coyright y the Comoser All Rights Reserved No art o this ulication may e coied or reroduced in any
More informationalexander sigman struwl-2 for solo electric guitar (2012)
alexander sigman strwl- or solo electric guitar (0) strwl- (0) erormance notes general remarks A -sta notation is utilised throughout he to sta reers to let hand (ms) ingerings and articulations (see below)
More informationPERUSAL SCORE - NOT FOR PERFORMANCE USE P A U L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (2015) PAUL DOOLEY MUSIC
P A L D O O L E Y M A S K S A N D M A C H I N E S FOR WIND ENSEMBLE (01) PAL DOOLEY MSIC Winner o the 01 Sousa / American Bandmasters Association / Ostald Aard Winner o the 01 National Band Association
More informationJoseph Schwantner. To the memory of Martin Luther King. New Morning for the World Daybreak of Freedom. for Narrator and Wind Orchestra PERUSAL SCORE
oseh Schantner To the memory o Martin Luther King Ne Morning or the orld Dayreak o reedom or Narrator and ind Orchestra Texts dran rom the ords o Martin Luther King r ESAL SCOE Transcried or inds y Nikk
More informationSymphonic Literature Excerpts
Symhonic Literature Excerts CBW Symhonic Band Audition 017018 Perorm the ollowing excerts rom Symhonic Band literature in any order and include them in your recording The temos listed should be ollowed
More informationPietà. Violin, Cello and Piano For the Longleash Trio Duration: 18 Peter Kramer
Pietà Violin, Cello and Piano For the Longleash Trio - - 01 Duration: 1 Peter Kramer PROGRAM NOTE Pietà was written during the Sring and Summer of 01 for Pala Garcia, ohn Poham and Renate Rohlng for the
More informationELOQUENTIA espacio para flauta y orquesta
Violin I 1 Manuel Sosa ELOQENTIA esacio aa lauta y oquesta MusikaSilentis New Yok 2010 The imay uose o the ba-lines is to seve as a device o synchonization. Ba-lines do not indicate accentuation o the
More informationConcerto for Organ and Chamber Orchestra
University o Iowa Iowa Research Online Theses and Dissertations Fall 201 Concerto or Organ and Chamber Orchestra Stas Omelchenko University o Iowa Coyright 201 Stas Omelchenko This dissertation is available
More informationStill Sky Bells. For large ensemble. Stef Conner 2010
Still Sky Bells For large ensemble Ste Conner 1 Ste Conner Still Sky Bells 1 For large ensemble lutealto lute oboecor anglais clarinetbass clarinet ercussion vibrahonetam-tamglockensielrin C - CChinese
More informationIMAGES FROM THE OLD GRINGO Eleven Little Pieces for Violin, Clarinet in Bb and Piano
Daid Maslanka IMAGES FROM THE OLD GRINGO Eleen Little Pieces for Violin, Clarinet in Bb and Piano Daid Maslanka Publications Missoula, Montana All rights resered No art of this ublication my be reroduced,
More informationPreview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV ALREADY HOME. &b b b b C.
2 Arraged y JAY ALTHOUSE SOPRANO ALTO TENOR BASS PIANO 5 C C ALREADY HOME for S.A.T.B. voices ad piao ith optioal SoudTrax CD* Music y ANDREW LLOYD WEBBER Lyrics y TIM RICE Moderately slo (h = ca.72),
More informationFive Loons LLC No Erik Ferguson PERSPECTIVES OF A MAN SONG CYCLE FOR TENOR & FLUTE. Text by Stephen Crane. Complete Score.
ive Loons LLC No. 102 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Text by Stehen Crane Comlete Score Comosed 2016 Erik erguson ERSECTIVES O A MAN SONG CYCLE OR TENOR LUTE Comosed 2015-2016
More informationWhere the I Comes From. Ursula Kwong-Brown
Where the I Comes From y Ursula Kongron A dissertation sumitted in artial satisaction o the requirements or the degree o Doctor o Philosohy in Music and the Designated Emhasis in Ne Media in the Graduate
More information2. The grace-note groups, see illustration, have to be performed as fast as possible.
1 Perormance instructions 1 The instructions or the use o the pedal are indicated with a double line under the piano part I the double line is continued past the end o the staves, the pedal must be hold
More informationon the deconstruction of a cycle for 2 pianists and 2 percussion players Alberto C. Bernal
on the deconstruction o a cycle or 2 ianists and 2 ercussion layers Alberto C. Bernal PERFORMANCE NOTES General: The dynamic indications between hooks reer to the intention dynamic, that can be dierent
More informationMADE IN CHINA, MADE IN CALIFORNIA
MADE IN CHINA, MADE IN CALIFORNIA or clarinet in b-lat, sorano saxohone, ercussion, viola, and contrabass Carolyn Chen 201 MADE IN CHINA, MADE IN CALIFORNIA Commissioned by Now Hear Ensemble Notes I was
More informationChristopher Stark. with video by Andrew Lucia VELOCITY MEADOWS. for solo oboe, chamber winds, electronics & video (2015) Full Score
Christoher Stark with video y Andrew Lucia VELOCITY MEADOWS F I V E D R E A M E P I S O D E S or solo ooe, chamer winds, electronics video (201) Full Score S O M M E R S O P B L I S H I N G INSTRMENTATION
More informationCome, Let Us Adore Him
ompanion to 10/683L Score and Parts 2 Tpt, 2 Tn, Perc, Piano, Bass, Drums, coustic Guitar ome, Let Us dore Him W O R D S N D M U S I B Y Gary Hallquist R R N G E D B Y Mary McDonald O R H E S T R T E D
More informationPreview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF
THE HGHLAND/ETLNG RT HLHARMONC ERE Grade Level: 2 Themes rom heherazade Nikolai Rimsky-Korsakov Arranged y Rihard Meyer (ACA) 1 Condutor ore 1 lute 1 Ooe 1 assoon 1 Clarinet 1 Clarinet 1 E Alto axohone
More informationF O R SOCI AL WORK RESE ARCH
7 TH EUROPE AN CONFERENCE F O R SOCI AL WORK RESE ARCH C h a l l e n g e s i n s o c i a l w o r k r e s e a r c h c o n f l i c t s, b a r r i e r s a n d p o s s i b i l i t i e s i n r e l a t i o n
More informationSuite For The Forgotten
University o Neraska Lincoln DigitalCommons@University o Neraska Lincoln Student Research, Creative Activity, and Perormance School o Music Music, School o Sring 01 Suite For The Forgotten Masayoshi Ishikaa
More informationChapter 17. Superposition & Standing Waves
Chapter 17 Superposition & Standing Waves Superposition & Standing Waves Superposition of Waves Standing Waves MFMcGraw-PHY 2425 Chap 17Ha - Superposition - Revised: 10/13/2012 2 Wave Interference MFMcGraw-PHY
More informationThis is This is This is (for David Foster Wallace)
This is This is This is (fo David Foste Wallace) fo two alto saxophones in unison and pepaed piano Eic Wubbels (200910) Compose's Note Wite David Wallace committed suicide in late 200 In addition to the
More informationSebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon
1 84 Sebastian Hilli Parahrase III Soave dolore or Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon 2016 Coyright by the Comoser All Rights Reserved No art o
More informationPHY-2464 Physical Basis of Music
Physical Basis of Music Presentation 21 Percussion Instruments II Adapted from Sam Matteson s Unit 3 Session 34 Sam Trickey Mar. 27, 2005 Percussion = striking Percussion instruments divide nicely into
More informationA Candle in the Dark - Concerto for Clarinet and Wind Ensemble
Sa ose State Uiversity SSU ScholarWorks Master's Theses Master's Theses ad Graduate Research Srig 01 A Cadle i the Dark Cocerto or Clariet ad Wid Esemble aso Gary McChristia Sa ose State Uiversity Follo
More informationSongs from the End of the World
Songs rom the End o the World (2015) I A long time alone II Raveling III At sea ohn Mackey text y A E aques Commissioned y University o North Carolina at Greensoro Arizona State University Eastman School
More informationForces. A Force is a push or a pull on an object. Forces can cause a resting object to move
13.2 Forces Forces A Force is a push or a pull on an object Forces can cause a resting object to move Forces can cause a moving object to accelerate by changing its speed or its direction Measuring Force
More informationPreview Only. Legal Use Requires Purchase
CONCERT BAND Grade The Wizard o Oz Meets The Wiz eaturing Ding! Dong! The Witch is Dead, We re O to See the Wizard, The Merry Old Land o Oz, So You Wanted to See the Wizard and A Brand Ne Day (Eeryody
More informationSAMPLE. BRAD CIECHOMSKI Ascending the Crystal Hill. Correlated with TRADITION OF EXCELLENCE Book 3, Page 20 KJOS CONCERT BAND GRADE 3 WB487F $7.
TRADITIN EXCELLENCE EXCELLENCE IN ERRMANCE KS CNCERT BAND GRADE 3 $700 BRAD CIECHMSKI Ascending the Crystal Hill Correlated ith TRADITIN EXCELLENCE Book 3, age 0 SAMLE NEIL A KS MUSIC CMANY UBLISHER Aout
More informationHenrik Denerin. seals II. for cello and soprano. full score
Henik Denein seals II o and ull scoe Henik Denein seals II (2014-15) o and duation: 5 seconds Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical
More informationPreview Only W PREVIEW PREVIEW PREVIEW PREVIEW EW PREVIEW PREVIEW PREVIE REVIEW PREVIEW EVIEW PREVIEW PREVIEW PREV ALREADY HOME.
2 Arraged y JAY ALTHOUSE SOPRANO I SOPRANO II C C ALTO PIANO 5 ALREADY HOME for S.S.A. voices ad piao ith optioal SoudTrax CD* Music y ANDREW LLOYD WEBBER Lyrics y TIM RICE Moderately slo (h = ca.72),
More informationUnfinished Bridge. String Quartet For Mivos / 2018 (revised) Duration: 10 Peter Kramer
Unfinished ridge String Quartet Fr Mivs - - 2012 / 2018 (revised) Duratin: 10 Peter Kramer PROGRAM NOTE Unfinished ridge was cmsed during the winter and sring f 2012 and was revised during the winter f
More informationCONCERTO for Baritone Saxophone, Small Orchestra, and DJ
oseh R OZICH CONCERTO or aritoe Saxohoe, Small Orchestra, ad D INSTRMENTATION Flutes (1st doules Picc) Clariet Alto Saxohoe (doules Sorao) Solo aritoe Saxohoe F Hor Trumet Tromoe Percussio I: Wid Chimes,
More informationLecture 18. Waves and Sound
Lecture 18 Waves and Sound Today s Topics: Nature o Waves Periodic Waves Wave Speed The Nature o Sound Speed o Sound Sound ntensity The Doppler Eect Disturbance Wave Motion DEMO: Rope A wave is a traveling
More informationGwyneth Walker. Earth and Sky. a triple concerto for Violin, Viola, Cello and Orchestra (or Piano) and Readers
Gyneth Walker Earth and Sky a trile concerto or Violin, Viola, Cello and Orchestra (or Piano) and Readers Oen Land grandeur and eace Rivers rushing ater, still ater nexected Moments the quirks o nature
More informationANDREW DAVID PERKINS (ASCAP) GRADIENTS. For Concert Band. FULL SCORE / (+Bass) Alto, Tenor, Bari / / Timp Perc (6)
ANDREW DAVID PERKINS (ASCAP) For Concert Band FULL SCORE 2 1 1 3 (+Bass) Alto, Tenor, Bari 2 1 2 1 1 Tim Perc (6) DURATION: Aroximately 3:10 GRADE: 25 Coyright 2017 APOLLO STUDIOS All Rights Reserved andredaviderkinscom
More informationLa Petite Maria de Normandie
Western Washington University Western CEDAR WWU Masters Thesis Collection WWU Graduate and Undergraduate Scholarshi Sring 2017 La Petite Maria de Normandie Charles-ohn Fontillas Western Washington University,
More informationLA PRISE DE CALAIS. çoys, çoys, har - dis. çoys, dis. tons, mantz, tons, Gas. c est. à ce. C est à ce. coup, c est à ce
> ƒ? @ Z [ \ _ ' µ `. l 1 2 3 z Æ Ñ 6 = Ð l sl (~131 1606) rn % & +, l r s s, r 7 nr ss r r s s s, r s, r! " # $ s s ( ) r * s, / 0 s, r 4 r r 9;: < 10 r mnz, rz, r ns, 1 s ; j;k ns, q r s { } ~ l r mnz,
More informationAutomatic Control III (Reglerteknik III) fall Nonlinear systems, Part 3
Automatic Control III (Reglerteknik III) fall 20 4. Nonlinear systems, Part 3 (Chapter 4) Hans Norlander Systems and Control Department of Information Technology Uppsala University OSCILLATIONS AND DESCRIBING
More informationSymphony for Percussion Ensemble
Symhony or ercussion Ensemble or our ercussionists (and an otional electronics art), in our movements By Aidan Gold I: Landscaes II: A Dance III: A Dream IV: A Song 2016 Aidan Gold Instrumentation and
More informationCecilia Damström. Op.27. Expressionen. Clarinet, Cello and Accordion 10'
Cecilia Damström O7 Exressionen Clarinet, Cello and Accordion 10' 01 Exressionen O7 I Der Sechste Tag (Heinrich Camendonk) (clarinet, cello and accordion) II Einsamkeit (Alexe von Jalensky) (cello) IIIAquarelle
More informationKEY TERMS. compression rarefaction pitch Doppler effect KEY TERMS. intensity decibel resonance KEY TERMS
CHAPTER 12 SECTION 1 Sound Waves Summary The frequency of a sound wave determines its pitch. The speed of sound depends on the medium. The relative motion between the source of waves and an observer creates
More informationThis work was commissioned by and dedicated to the Ventoso Winds, at the request of their clarinetist, Sara Stolt.
FOREST BAGATELLES are a set o seven short movements or woodwind quintet reresenting various orest climates coosed in art because o the woodlike qualities o the ensemble The movements are tied together
More informationGUITAR. Based on the film by. Pedro Almodóvar
GUITAR Book by Jerey Lane Music and Lyrics by David Yazbek Based on the ilm by Pedro Almodóvar NOTICE: DO NOT DEFACE! Should you ind it necessary to mark cues or cuts, use a sot black lead pencil only.
More informationActually, no perfectly frictionless surface exists. For two surfaces in contact, tangential forces, called friction forces, will develop if one
Chapter 8 Friction Actually, no perfectly frictionless surface exists. For two surfaces in contact, tangential forces, called friction forces, will develop if one attempts to move one relative to the other.
More informationKJOS CONCERT BAND GRADE 5 WB410F $9.00 SAMPLE RYAN NOWLIN SYNERGY RISING NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
KOS CONCERT BAND GRADE 5 WB0 $900 RYAN NOWLIN SYNERGY RISING C O N S E R V A T O R Y E D I T I O N S SAMLE NEIL A KOS MUSIC COMANY SAN DIEGO, CALIORNIA THE COMOSER A natie o Cleeland, Ohio, Ryan Nolin
More informationPreview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION
Recorda me 1st E Alto Saxohone 2nd E Alto Saxohone 1st B Tenor Saxohone 2nd B Tenor Saxohone E Baritone Saxohone 1st B Trumet 2nd B Trumet rd B Trumet th B Trumet JOE HENDERSON Arranged y RIS BERG INSTRUMENTATION
More informationForemost In Marching And Concert Percussion Literature P.O. Box Nashville, TN FAX
oremost I Marchig Ad Cocert ercussio Literature O Box 292671 Nashville, TN 37229 1-800-62-8001 AX 1-615-885-0370 wwwrowlocom Dark light by James Campbell Advaced - 5:18-12 layers Istrumetatio Bells, Xylo,
More informationIlari Kaila. Taonta. for piano
87 Ilari Kaila Taonta for iano 016 Coyright y the Comoser All Rights Reserved No art of this ulication may e coied or reroduced in any form or y any means ithout the rior ermission of the comoser Distriution:
More informationForces. A Force is a push or a pull on an object. Forces can cause a resting object to move
13.2 Forces Forces A Force is a push or a pull on an object Forces can cause a resting object to move Forces can cause a moving object to accelerate by changing its speed or its direction Measuring Force
More information2017 Drumline Audition Packet
2017 Drumline Audition Packet Thank you or expressing interest in the 2017-2018 edition o the Warrior Band Drumline! Included in this packet are materials required or the drumline audition workshop. The
More informationUNIQUE FJORDS AND THE ROYAL CAPITALS UNIQUE FJORDS & THE NORTH CAPE & UNIQUE NORTHERN CAPITALS
Q J j,. Y j, q.. Q J & j,. & x x. Q x q. ø. 2019 :. q - j Q J & 11 Y j,.. j,, q j q. : 10 x. 3 x - 1..,,. 1-10 ( ). / 2-10. : 02-06.19-12.06.19 23.06.19-03.07.19 30.06.19-10.07.19 07.07.19-17.07.19 14.07.19-24.07.19
More informationDAVID MASLANKA. Illumination OVERTURE FOR BAND
DAVID MASLANKA Illumination OVERTRE FOR BAND ILLMINATION Overture for Band selected orks for high school ind ensemle y david maslanka Rollo Takes a Walk 980 Prelude on a Gregorian Tune 98 Montana Music:
More information"Given time..." for soprano and orchestra.
University o Louisville ThinkIR: The University o Louisville's Institutional Reository Electronic Theses and Dissertations -017 "Given time..." or sorano and orchestra. Alex Isackson University o Louisville
More information1 The diagram shows an object of weight W and an object of weight Z balanced on a uniform metre rule. object of weight W. object of weight Z
1 The diagram shows an object of weight W and an object of weight Z balanced on a uniform metre rule. object of weight W a b 50 cm mark object of weight Z metre rule Which equation relating to W, Z, a
More informationThe Gathering. A Winter s Tale in Six Songs. For string band, chorus and orchestra
The Gathering A Winter s Tale in Six Songs For string band, chorus and orchestra Music and Lyrics by Laurelyn Dossett Arranged and Orchestrated by Aaron Grad ommissioned by the North arolina Symhony Gathering
More informationScandinavia SUMMER / GROUPS. & Beyond 2014
/ & 2014 25 f f Fx f 211 9 Öæ Höf æ å f 807 ø 19 øø ä 2111 1 Z F ø 1328 H f fö F H å fö ö 149 H 1 ö f Hø ø Hf 1191 2089 ä ø å F ä 1907 ä 1599 H 1796 F ø ä Jä J ( ) ø F ø 19 ö ø 15 á Å f 2286 æ f ó ä H
More informationSaad Haddad T A K H T. for sinfonietta. Full Score --DIB PRESS-
Saad Haddad T A K H T r sinnietta Full Scre DI PRESS.saadnaddad.cm INSTRUMENTATION Flute Obe Clarinet in lat (ass Clarinet in lat) assn Hrn in F Trumet in E lat ass Trmbne Tuba Percussin [ctave marimba,
More informationThe Grid Part 1 Ted Reicher
Full Score The Grid Part 1 Ted Reicher Flute 1 The Grid An electronic network that connects our world. It governs every aspect o our lives; it provides our light, our warmth, our communication and our
More informationBOUND FOR SOUTH AUSTRALIA
FULL SCOE $3.50 BUNDLED VESION BOUND FO SOUTH AUSTALIA or 3-5 oct. hadbells Traditioal sea shaty arr. Alex Guebert (2015) 2015 Alex Guebert. Distributed by The Golde Dace..HadbellMusic.com This ull score
More informationIE 400 Principles of Engineering Management. Graphical Solution of 2-variable LP Problems
IE 400 Principles of Engineering Management Graphical Solution of 2-variable LP Problems Graphical Solution of 2-variable LP Problems Ex 1.a) max x 1 + 3 x 2 s.t. x 1 + x 2 6 - x 1 + 2x 2 8 x 1, x 2 0,
More informationShadows of the Pyramids
Duration: 1:00 GRADE CB1 $1500 Shados o the yramids David Marlatt (17 ) Instrumentation: lute 1 lute REVIEW iccolo 1 Ooe arinet 1 arinet arinet B Bass Clarinet 1 Bassoon E Alto Saxohone 1 E Alto Saxohone
More information----- ~... No. 40 in G minor, K /~ ~--.-,;;;' LW LllJ LllJ LllJ LllJ WJ LilJ L.LL.J LLLJ. Movement'
Area o Stdy 1 Western c'assica' msic 16001899 Wolgang Symhony Movement' ocd1 track 2 Amades Mozart No 40 in G minor K550 Flte Oboes 12 Clarinets 12 in B lat Bassoons 12 Molto Allegro Horn 1 in B lat alto';
More informationLyrical Interval of Time - poetry
F P Ubertelli Lyrical Interval o Time - oetry er iccolo insieme, sorano e narratore MMXVI 2 INSTRUMENTATION Flauto in C / Piccolo Clarinetto in Bb / Basso Sassoono tenore in Bb / Alto in Eb (F) in C Percussione
More informationSuffolk County Music Service
Sulk Cunty Music Service Drum Kit Exams Grade 5 (018) Drum Kit Key T Ntatin Ride Cymbal (RC) Bell Cym Crash Cymbal (CC) Hi-Hat (HH) Open Hi-Hat 6 Hi-Hat with t Snare Drum Rim Click High Tm Mid Tm Flr Tm
More informationSTUDENT NAME DATE PERIOD. Science Grade 8. Read each question and choose the best answer. Be sure to mark all of your answers.
FORMATIVE MINI ASSESSMENTS First Grading Period 2009-10 October 20-23 STUDENT NAME DATE PERIOD Science Grade 8 Read each question and choose the best answer. Be sure to mark all of your answers. West 60
More informationSola fides sufficit: Concerto for violin and ensemble
University o Ioa Ioa Research Online Theses and Dissertations Sring 01 Sola ides suicit: Concerto or violin and ensemble Daniel Patrick Houglum University o Ioa Coyright 01 Daniel Patrick Houglum This
More informationOverhead lines. 110 kv wood tower with guy wires
Overhead lines a) ja b) 0 kv wood poles c) free standing 0 kv metal tower with I-strings d) free standing 440 kv metal tower with V-strings e) 400 kv metal tower with guy wires 0 kv wood tower with guy
More informationTYLER TODD KIMMEL HERMES. Concerto for Violoncello and Orchestra
TYLER TODD KIMMEL HERMES Conceto o Violoncello and Ochesta 201-201 Comosed o thesis o the degee o Maste o Music loida Intenational nivesity 201 HERMES N Hemes, the meiest o Olymians, and god o taveles,
More informationLet s Review What is Sound?
Mathematics of Sound Objectives: Understand the concept of sound quality and what it represents. Describe the conditions which produce standing waves in a stretched string. Be able to describe the formation
More informationMichael Beil. exit to enter. for flute, clarinet, percussion, piano, violin and cello. with live-video and audio for Nadar
Michae Bei exit to enter for ute, arinet, ussion, piano, ioin and ceo with ie-ideo and audio 213 for Nadar commissioned by Acht Brücken xit to enter is a composition for six instruments with ie-ideo and
More informationA train begins a journey from a station and travels 60 km in a time of 20 minutes. The graph shows how the speed of each runner changes with time.
1 train begins a journey from a station and travels 6 km in a of 2 minutes. What is the average of the train? 3. m / s 5. m / s 5 m / s 6 m / s 2 Two runners take part in a race. The graph shows how the
More informationeuphonium concerto uphill Stan Nieuwenhuis
euhonium concerto uhill Stan Nieuwenhuis 2 Programme Notes This concerto or euhonium was commissioned by Glenn Van Looy. It is dedicated to Samia Yusu Omar, the Somalian athlete that died while taking
More informationWhat is mechanical energy? How do we use it? Energy Energy
You probably already have some idea what energy is. is easy to recognize. Yet it can be hard to describe. Where do you think you ve seen energy today? How do you think you will use energy tomorrow? Let
More informationSea Fugue a song on an excerpt from a poem by Elee Kraljii Gardiner
Sea Fugue a song on an excert rom a oem y Elee Kralii Gardiner or Mezzo sorano and Piano 2012 (ca 5:00) Christoher Gainey ( 1981) Dedicated to: Alison D'Amato and Lynne McMurtry With secial thanks to:
More informationBENAMIN E DANIEL DREAMFLIGHT knightindmusiccom Ho Drealight Got Me Back Into Music Music has een a assion o mine since I as a child I gre u laying iano and started tromone in school and I tried my hand
More informationBalázs HORVÁTH. kábé 10
Balázs HOVÁTH káé 10 in eoia E o Alto Saxohone in E-lat and Ha 016 to the Duo Sea AYING SCOE Balázs Hováth, 016 káé 10 (cica 10) was coosed in the eoy o the Hungaian wite éte Esteházy in 016 It is dedicated
More informationMultiplication of Machines for flute, clarinet, violin, cello, piano, and computer. Charles Nichols
Multiplication of Machines for flute clarinet violin cello piano and computer Charles Nichols Commissioned by the Myrna Loy Center for Performing and Media Arts with support from the National Endowment
More informationCH 17. Waves II (Sound)
CH 17 Waves II (Sound) [SHIVOK SP211] November 1, 2015 I. Sound Waves A. Wavefronts are surfaces over which the oscillations due to the sound wave have the same value; such surfaces are represented by
More informationMusic Synthesis. synthesis. 1. NCTU/CSIE/ DSP Copyright 1996 C.M. LIU
Music Synthesis synthesis. 1 pintroduction pmodeling, Synthesis, and Overview padditive Synthesis psubtractive Synthesis pnonlinear Synthesis pwavetable Synthesis psummary and Conclusions 1. Introduction
More informationIllinois (Honors) Digital IWU. Illinois Wesleyan University. Luke J. McLoughlin Recommended Citation
Illinois Wesleyan niversity Digital Commons @ IW Comositions Outstanding Student Works 015 Illinois (Honors) Luke J. McLoughlin lmclough@iwu.edu Recommended Citation McLoughlin, Luke J., "Illinois (Honors)"
More information1 Introduction. 2 Data Set and Linear Spectral Analysis
Analogical model for self-sustained sounds generated by organ pipe E. DE LAURO, S. DE MARTINO, M. FALANGA Department of Physics Salerno University Via S. Allende, I-848, Baronissi (SA) ITALY Abstract:
More informationQuestion 01. A. Incorrect! The speed of sound is not the same in all medium; it is dependent on the properties of the material.
High School Physics - Problem Drill 15: Sound 1. Which of these is not a true statement about sound waves? Question 01 (A) Sound waves are travel at different speeds in different mediums. (B) Sound waves
More information