/ -1-1, The Vanishing Dark

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1 -1-1, The Vaishig Dark A77DC :C7ACBBAC27 0AA7DBB2 CABB7CA7B ACC:A0B BDA

2 ,DWVVJGYTM KUKPURKTGFDVJGRFECUVGRKUFGHVJGUCOGPCOGHTOVJG RFECUVUGTKGUJKUYTMKUCPGRNTCVKPH VJGNUUHPCVWTCNFCTMPGUUWTFKOKPKUJKPIEOHTVYKVJVJGFCTMCPFWTHCNUGUGPUGHUGEWTKVYKVJCTVKHKEKCNNKIJV KIKVCN.PVGPVU 1TRGTHTOCPEGCPFTGJGCTUCNYKVJCUWPFGPIKPGGT 8KGFUVGTGDCEMKPIVTCEM(MJ,411 o,nukpenwfgfctguvgoukhcotgepvtnngfokkufguktgf VGTGDCEMKPIVTCEMHRTGTGETFGFECNOCVGTKCN(MJ,411 VGTGDCEMKPIVTCEMHRTGTGETFGFPPECNOCVGTKCN(MJ,411.NKEMVTCEM(MJ,411 1TRGTUPCNTGHGTGPEGCPFRTCEVKEG TCEVKEGUVGTGVTCEMYKVJVJGDCEMKPIVTCEMKPVJGNGHVEJCPPGNCPFVJGENKEMKPVJGTKIJVEJCPPGNOR 844OEMWRHVJGRKGEGOR -CEMKPITCEM.NKEMTCEMJGTGKUCOKGFUVGTGDCEMKPIVTCEMVJCVKUVDGRNCGFVVJGCWFKGPEGCPFUGRCTCVGENKEMVTCEMVJCVKUV DGNKPGFVVJGEPFWEVT UJGCFRJPGU(MJ -VJVTCEMUUJCTGVJGUCOGUVCTVKPIRKPVAJGPRUUKDNGRNGCUGWUGVJGVYUVGOU RTKFGFHTVJGDCEMKPIVTCEMKPNKGWHVJGOKGFDCEMKPIVTCEMUVJGTGETFGFECNUECPDGDGVVGTEPVTNNGFKPVJGNKGOK4PVJGENKEM CDGNNTKPIUCVGCEJTGJGCTUCNNGVVGTYKVJCTNNPGOGCUWTGDGHTGKOGEFGUJCGDGGPRTKFGFHTDVJTGJGCTUCNNGVVGTUCPFVJGVY OGCUWTGURTGEGFKPIGCEJNGVVGTHTCUUKUVCPEGKPTGJGCTUCNU 8KKPI4VKUKORTVCPVVJCVVJCVVJGDCEMKPIVTCEMDGOKGFCUCPGSWCNOGODGTHVJGRGTHTOCPEGVVJGNKGRGTHTOGTUYKVJVKOGUKP YJKEJVJGGNGEVTPKEUYKNNGTRYGTVJGNKGRGTHTOCPEG0CEJKPUVTWOGPVCNKUVUJWNFDGENUGOKMGFKPFKKFWCNN4PIGPGTCNPGUJWNF CRRTCEJOKKPIVJKURKGEGEKPGOCVKECNNTCVJGTVJCPENCUUKECNNCNNYKPIVJGUWPFGHHGEVUCPFGPUGODNGVGTYJGNOVJGCWFKGPEGYJGTG

3 @ECNOKETRJPG,ECNOKETRJPGKUPGGFGFHTVJGENCTKPGVKUVKPCFFKVKPVVJGKTKPUVTWOGPVCNOKETRJPG 7KGTEGUUKPI2GPGTCNNVJGRGTHTOGTUUJWNFJCGUNKIJVNOTGVJCPOFGTCVGPCVWTCNTGGTD,VTGJGCTUCN2VJGGPUGODNGUJWNF JCGOTGCPFPVKEGCDNRTGUGPVTGGTDAJGPVJGENCTKPGVKUVUKPIUCVTGJGCTUCNVJGUJWNFJCGCORNGTGGTD GTEWUUKP UWURGPFGFEODCN NUGEODCN YCVGTRJPG KDTCRJPGYKVJOVT VWDWNCTDGNNU ) VKORCPK TEJGUVTCNDCUUFTWO -CEMKPITCEM.NKEMTCEMCPFGJGCTUCN7GVVGTKOGEFGU GJGCTUCN7GVVGT -CTU-GHTGGJGCTUCN7GVVGT, -. ( 0 1 ( 2 ) WTCVKP.PVCEVOCTOCTMWWOFLKCPEO

5 Score i C Writte or Talea Esemle The Vaishig Dark FlutePiccolo Clariet i B Bass Clariet Tromoe Percussio Piao Violi Violocello Cotraass Calmly, coortig, i ae click starts o m. 1 q = Virahoe, sot mallets ith motor at moderate seed ø 4 m 4 4 Flute airy, ghostly, hisy Ó Ó 4 Clariet i B airy, ghostly, hisy some vi. legato, o as eeded avoidig articulatio o doeatsgliss ladig oits some vi. legato, o as eeded avoidig articulatio o doeatsgliss ladig oits ø Mary KOUYOUMDJIAN Ó Ó 4 Ó Electroics Processig 4 high crystal-esque droe higher droe doules PROCESSING: Everyoe amliied, ith slightly more tha moderate rever (ot heavy, ut more tha "atural") TRACK: equal to erormers

6 2 Fl. Cl Ó Ó Ó Ó Ó T. ø Po. Vl. # m # # m # E.P. reath soud "lullay" voice eters

7 Fl. Cl # # # # 5 T. ø Po. Vl. <# egi gliss o eat <# hisy, ghostly Ó O souds 2 octaves higher tha udametal Ȯ Ȯ E.P. 1:

8 4 Fl. Cl. Ó 6 A To Picc. Ÿ~~~~~~~~~~~~~~~~~~~~~~ j # # Ó Ó Clariet armly, coortig Piccolo airy toe, a lute-like m m T. Po. # # # # ø m ø ø armly, sustai edal aturally m sot edal Vl. ed gliss o eat # # m Ó sul ot. # O O j Ȯ Ȯ m # Ȯ Ȯ ~ Ó O O Ó m m O Ȯ O Ȯ orm. E.P. 1:

9 Picc. B Buildig ito a ash overlo reathe as eeded Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~ Ÿ Ÿ ~~~~~~~~ J m 5 Cl. j To B. Cl. Ó Bass Clariet i B harsh, ith ite, reathe as eeded T. Po. Vl. E.P. < < ø arco, armly, coortig armly, coortig # m Ó ø J (o sot edal) J To Tim. sz sz m sz l.v. Timai sloly gliss u ad do o more tha a mior secod rom G much vi. harsh, ith ite µ much vi. B harsh, ith ite J 2:14 2:24 voice distorts TRACK: overhelms erormers Ó # harsh, ith ite

10 6 Picc. Ÿ~~~~~~~~~~~~~ overlo Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~ sim. Ÿ~~~~~~~~~~~~~~~~~~ Ÿ~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B. Cl. T <# "rassy" # # Po. Vl. Ó <B E.P. 2:

11 Picc. < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ C To Fl. Reachig or calm agai 7 B. Cl. T # To Sus. Cym. Po. Vl. <B E.P. 2:57 voice stos, lo orga ad high crystal droe 7 8

12 8 Picc. Flute histle toes, istale, reathe as eeded B. Cl. T. 6 Ó Sus. Cymal o ell o istrumet harshess o release l.v. Ó Y Ó oed l.v. Waterhoe Ó Ó aroximate itch, "lo" E Po. Vl. ø ø much ot. 6 Ó Ó m m 6 E.P. TRACK: equal level to erormers 9 40

13 Fl. 9 B. Cl. T. m ave aterhoe harshess o release l.v. () aroximate itch, "high" E ave aterhoe l.v. l.v. Tim. Timai Ó Cymal rested uside-do o drum head, Oly strike cymal (ot drum head) Cymal Y Po. ø ø Vl. 6 Ó 6 E.P

14 10 Fl. B. Cl. T. Y Y # Po. ø ø m Vl. m souds 2 octaves higher tha udametal Ȯ ~ E.P. 4 44

15 Fl. q = 100 q = h 11 B. Cl. T. Po. Y To Vi. Virahoe, Medium mallets light edal, a little sustai.. ø ø Vl. q = h Ó laut.... ~ ~ ~ O m much vi. E.P. distorted droe :

16 12 Fl. D airy, ghostly, hisy B. Cl. T. armly Ó j m m m armly Ó Po. m m..... Vl m m E.P. :40 "lullay" voice reeters

17 Fl. oco accel. Disrutio egis 6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B. Cl. T. To Cl... To B. D. gradually lit edal l.v. * Po. araric ø Ó l.v. l.v. Ó Ó Ó l.v. Ó l.v. Vl... E.P. 4:

18 14 Fl. B. Cl. E q = 105 Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ó Ó Clariet i B airy, ghostly, hisy Ó T. < Ó Bass drum uside-do suseded cymal restig o drum head. Oly strike drum head. Cymal B.D. Po. edal aturally Vl. E.P. rattlig eters 4:

19 Fl. Cl. orm. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ orm. 6 6 Ÿ~~~~~~~~~~~~~~~~~~~~ 15 T. J Po. Vl. radom itches i geeral rage, scratchy, rough gradually icrease o seed to trem E.P

20 16 Fl. Cl. T. m 6 < Ÿ~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r < m 6 6 m Po. Vl. trem E.P

21 Fl. Cl. Ó Aggressively disrutig T. < Po. Vl. oe mallet strikes cymal, oe mallet strikes drum head Y useciied clusters, lack ad hite keys Y radom itches i geeral rage, scratchy, rough gradually icrease o seed to trem E.P TRACK: should overhelm erormers

22 18 Fl. Cl. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ T. aggressively Po. Vl. radom itches i geeral rage, scratchy, rough gradually icrease o seed to trem m trem. gettig higher E.P. distorted voice eters 4:

23 Fl. Cl. T. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ F oco accel. 6 6 j Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ 4 Ÿ~~~~~~~~~~~~~~ Ó 19 Y Y 4 Y Po. 4 j 4 Vl. trem. gettig higher E.P :

24 20 Fl. Cl. T. Po. Vl. q = 110 Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~ Ÿ~~~~~~~~ Ÿ~~~~~~~~~~ Ÿ~~~~~~~~~~ Ó Y Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~ < j j j higher Y Y araric, as loud as ossile (ca e at the exese o recisio) E.P. higher slo ad sutle glissadi hoverig aroud origial diad = araric, as loud as ossile (ca e at the exese o recisio)

25 Fl. Cl. T. Po. < Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ To Voice 6 Y j Y () Y () Ó j Y j j 21 Vl gliss u ad do at varyig seeds = = = = = = = = E.P

26 22 Fl. molto rit. G I memory o calm ad darkess q = 80 Cl. T. Po. < Ó Y l.v. To Tu. B. gradually lit edal * l.v. Tuular Bells, sot mallets rigig, ut i the distace lv. sustai edal aturally util m. 112 sot edal Vl. = = = = = aster rate o gliss = = = = = = = = = = sloer rate o gliss = = = = = = = = = = = = sloer rate o gliss = = = = = = = = = = = = = m E.P. active orga emerges ith lo accomayig droe, distorted voice eds 5:21 5:27 PROCESSING: heavy rever o everyoe, ashy

27 Fl. 2 Cl. T. Po. gradually lit edal Virahoe, sot mallets ith motor at moderate seed trem. seed aster * sloer Ó Ó Ó Ó j ø ø ø ø m ø m Vl. = = = = Ó = Ó m = = sul ot. hisy E.P. TRACK: equal level to erormers 6:

28 24 Fl. H Cl. Voice, cocert itch reathy, itch rom recedig vl. trem (itch ot douled o mtrack) Ó Ó Ó ah ah ah ah T. Po. gradually lit edal * l.v. ø ø j J sloer m m trem. seed aster trem. seed sloer aster Vl. laut.orga-like, some vi. Ó Ó Ó m m laut.orga-like, some vi. Ó Ó Ó m m laut.orga-like, some vi. Ó Ó Ó m m E.P. 6:15 voice chorale eters Vocal mic o clariet, much rever, loatig

29 Fl. 25 Voice m ah T. Po. ø ø ø ø ø ø l.v. gradually lit edal gradually lit edal l.v. Vl. < orm.much vi orm.much vi < Ó orm.much vi Ó E.P. histlig eters

30 26 Fl. Voice T. Po. * * Vl. sul ot. much vi.sul ot. < souds 2 octaves aove udametal O Ȯ ~ ~ ~ Ȯ much vi. m Ó E.P. ait or electroics to ade out Comleted Mar. 1, 2017; Brookly, NY

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one]

Anders Hultqvist. Entropic Pleasures. [Delineations (a), version one] Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Commissioed y Es MimitauLevade MusikKulturrådet 01 Aders Hultqvist Etropic Pleasures [Delieatios (a), versio oe] Istrumetatio: FlutePiccAlto