Yevgeniy Sharlat. Composed for Fifty for the Future: The Kronos Learning Repertoire

Transcription

1 SCORE Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

2 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

3 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

4 or Kroos Quartet's "0 For the Future" iitiative Violi I (G-D-B-D) Violi II Viola Violocello 8 1 q = 0 seza sord isert ecil at C/G (IV/III) Recitative molto esress strig mute (IV/III) 1 itchless scratch (I) 1 izz 8 1 mute o R O O O O O O O O O O O B 8 1 mute o mute o? 1 8 ecil sketch or strig quartet thum ail o ridge (ear IV) itchless air Yevgeiy Sharlat ( 177) let ecil ress right ecil strike at eck ad tasto la hold j j j j j j O O O Vl I Vl II Vla Vc o gliss c Ó o stutter (I) O O c la hold -ecil ouce o IV B simile c? c j Ó let ecil o stutter (I) STOP Vl I Vl II Vla Vc 1 B? RÔ STOP c c o c c o j sitch to ord hold 017 Kroos Arts Pulishig All Rights Reserved

5 Vl I Vl II 17 A l r i j declamatory ord arco vary seed colla arte (Viola) o i o j i j III o o I - IV II Vla B arco Vc m ghostly? suito (ut elo Vl 1) Vl I Vl II 18 semre Vla B Vc? Vl I 1 Vl II Vla Vc B?

6 Vl I Vl II 0 - Ó Vla Vc B? Vl I Vl II Vla B Vc Vl I Vl II arco ord? ghostly - gliss to Vla Vc Vl I Vl II B? detache gliss to gliss to Vla Vc B? III/IV III/IV ord ord

7 Vl I Vl II Vla Vc B i j Ó Ó o stutter (I) Ó B m ? m o Ó o Ó Ó Ó m Vl I Vl II Vla 8 -ecil ouce c o o o o o R Ó m Ô RÔ STOP c quietly remove ecil B lego Ó Ó c Vc? lego c Vl I Vl II 1 m thum ail strig mute (IV/III) izz O O O O O O O O O O O O Vla Vc Vl I Vl II Vla Vc B? Aria e = q (q=100) ecil ress m o sutter (I) O O O O STOP (same duratio)? e e e e e j e E e E e e j e j e E e o stutter (I) o ridge (itchless air) ord Ó j j j j j

8 Vl I Vl II Vla Vc C? ord o STOP o Vl I Vl II Vla Vc 1 s j m o o m Vl I Vl II j STOP j IV III o o o Vla Vc STOP dolce Vl I Vl II Vla Vc 7 o o o o o o o - - o - U U U ut o do D reciso ord arco diamods = hal-harmoics I o o O O O O O 7 m ethereal creey U o do izz OOO O O O OOOOOOO m

9 Vl I Vl II Vla Vc 7 seza vi seza vi O O II - vi - I O O O O R O O O? j m ecil (P) hammer (H) o IV j j s P j j j H o III j j s Vl I Vl II Vla Vc 80 ord harm O O O? Ó -O r - O O O P H o IV j j j s izz Vl I Vl II Vla Vc Vl I Vl II Vla Vc 8 j? m P? j m m s j P o H o III s vi ord harm - - OO O r Ó - O - O O O O O O i j O O O O O O i j m j j j H o IV j j loco o E j j

10 Vl I Vl II Vla Vc 100 oco rit j i j R? m izz Ó H o III j mute o ick u ecil izz 7 Vl I Vl II Vla Vc Vl I Vl II Vla Vc iger mule high ote (IV) right ecil ouce tasto 107 GP E q = q (q=10) melody cotiues o " o O r O O R Ó molto esress ecil o tasto, igered hit otes B j - lively? / B j / j simile j ecil o tailiece j cresc j j Vl I Vl II Vla Vc 118 molto rit o - - o 8 " j B 8 j j izz + 8 /? s

11 8 Vl I Vl II Vla Vc a temo 1 U U B U uzz /ecil (ear ridge) m tailiece? U / Vl I c Vl II Vla Vc c B c j - j - - c /? Vl I Vl II Vla Vc Vl I Vl II Vla Vc 1 F aroximate itch, gestural u B j j j izz? smooth j B j j 10 j j 8? 10 8

12 Vl I Vl II Vla restez B 8 j Vc? 10 8 cresc Vl I Vl II Vla Vc Vl I Vl II Vla Vc Vl I Vl II Vla Vc restez 1 8 m B 8 j ecil strike? 8 j 1 1 U Ó molto rit U B j Ó m izz uzz /ecil? + U / j s jeté lego restez B / a temo 1 arco ord U Ó tailiece

13 10 Vl I Vl II Vla Vc 1 B / arco Vl I Vl II Vla Vc 1 / B ut do ecil ick u o 1 - Vl I Vl II Vla Vc Vl I Vl II Vla Vc 17 G vi IV B 170 j j j - - B j j j j arco, ord? ecil ress, cotiuous gliss itch very aroximate like a umle-ee aroximate! arco, ord /? o ord j

14 Vl I Vl II Vla Vc o o 10 8 B 10 8 j j? Vl I Vl II Vla Vc Vl I Vl II Vla Vc vi cresc B j 8? c 8 < o quickly to la hold mute o, o do 7 8 c 8 ick u ecils Ó B7 8 j c 8 j j j izz arco? 7 8 c o o o 8 j Ó s s s s 8 o Vl I Vl II Vla Vc 18 8 h = h (h =7) H o Ó -ecil ouce seza sord 8 semre to la hold B8 Ó o mute o? 8 Ó Ó to ormal hold

15 1 Vl I Vl II Vla 11 a it dirty arco ord molto esress e sosteuto B Ó let ecil ress (C-G-D) right ecil ouce tasto semre Vc? o jeté ọ Vl I Vl II Vla 1 B Vc? simile Vl I Vl II Vla 1 Ó Ó Ó Ó B Vc? Vl I Vl II Vla Vc 0 B? III II

16 1 Vl I Vl II Vla 0 B Vc? Vl I Vl II Vla 08 < B iù Vc? Vl I Vl II Vla Vc 11 B? Vl I Vl II Vla 1 - B Vc?

17 1 Vl I Vl II Vla 17 Ó Ó arco ord B Vc? meo Vl I Vl II Vla Vc 0 B? Vl I Vl II Vla Vc 8 Ó Ó Ó 8 q = q (h =11) I quickly to la hold B r 8 (same duratio) r s? carry rom Violi I vi 8 molto - -- Ó Ó itese same duratio o hits aster ouce -ecil ouce, r tasto Vl I Vl II Vla Vc 8 -ecil ouce, tasto s B

18 1 Vl I Vl II Vla B Vc < s Vl I 0 Vl II Vla Vc B < - Vl I Vl II Vla Vc B < Vl I Vl II Vla Vc B Ó Ó suito suito suito

19 1 Vl I Vl II Vla Vc 8 B s s cresc s cresc cresc cresc Vl I Vl II Vla Vc to ord hold B to ord hold to ord hold iacere Vl I Vl II Vla Vc 7 U U B U scratch at rog - - U Ó K h = h (h =7) arco Ó arco Ó Ó Ó Ó arco

20 Vl I Vl II Vla Vc 8 Ó < Ó Ó Ó Ó Æ j ' Æ Ó j ' o ọ B ' - - Ó j? ' Ó j Vl I Vl II 8 III 1 II I o 1 o 1 o 1 o 1 GP Vla Vc Vl I Vl II Vla Vc B ? < s s s s s < s s s III/IV Æ Ó Ó j ' Ó Ó Ó Ó? B II o Æ j '

21 18 Vl I Vl II Vla Vc o strigs a it dirty B? Vl I Vl II Vla Vc 01 restez restez o restez B restez? Vl I Vl II Vla Vc 0 <

22 Vl I Vl II Vla Vc Vl I Vl II Vla Vc Vl I Vl II Vla Vc 07 < 10 Ó cresc < III/IV o o o Ó - - B o Ó - h = h (q=10) 1 L Ó Ó -? Ó Ó Ó ^ ^ Ó ^ ^ Ó Ó ^ ^ Ó B ^ ^ ^ ^ ^ ^ Ó Ó Ó Ó Ó Ó? ^ ^ ^ ^ ^ ^ Ó Ó Ó Ó Ó Ó 1 Vl I Vl II Vla Vc 1 Ó ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ B ^ ^ ^ ^ Ó Ó ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó

23 0 Vl I Vl II Vla Vc 18 Ó -o -o o at ill B III B - ~ ~ - -? ~ ~ - rog ot dirty ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó Vl I Vl II Vla 1 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó -o -o -o B - ~ -O ~ ~ - ~ ^ ^ ^ ^ ^ ^ Ó Vc? - - II ~ Ȯ ~ - ~ ~ Vl I Vl II Vla Vc ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó - O ~ ~ ~ B O O ~ ~ O O Ȯ Ȯ? O - - O ~ ~ O - O Ȯ Ȯ Vl I Vl II Vla Vc 8 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó c Ó Ó to la hold c ick u ecils ~ Ó ~ Ȯ - ~ Ȯ - c ~ ~ ~ I m c ~ ~ ~ Ó

24 1 Vl I Vl II Vla Vc M q = q (q=100) ~ O Ó Ó solo ~ ~ ~ -ecil ouce o IV m m o stutter (I) simile Vl I Vl II Vla Vc Vl I Vl II Vla Vc Vl I Vl II Vla Vc ut do o ick u ecil Ó Ó Ó Ó Ó Ó o vi ~ O O O O O Ȯ O O ~ O O 0 N Ó Ó Ó j j Ó m o? izz j? m ecil ricochet tasto simile dolcissimo m m luesy ecill r ress i m to la hold, ecils lego Ó Ó B Ó Ó Ó Ó Ó Ó H o IV izz H o IV o o Ó Ó s s j ij Ó arco STOP

25 Vl I Vl II Vla o ress to get more D move to eck ick u o, ord hold o stutter (I) STOP Ó Ó Ó Vc Vl I Vl II Vla Vc? r? Ó O molto rall Ó Ó H iù stutter (I) j Ó Ó izz a temo ecil ress (III/IV) H o IV s o o o o o o Ó Vl I Vl II Vla Vc Vl I Vl II Vla Vc 7 o o o o o o o o o o? 0 h = q (q=0) 8 1 o U o ridge (itchless air) stutter dyig do stutter dyig do R U B j j j j j j 8 1 r (same value)? 8 1 U j j j j j j j j r e e E e E e E e e e E e E e E e e e thum ail strig mute (IV/III) izz O O O o ridge (ear IV) itchless air (/cello) O mute o arco O O Ó itchless scratch (I) U

26 VIOLIN I Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

27 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

28 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

29 Violi I (G-D-B-D) q = 0 Recitative 8 1 seza sord o c Ó declamatory B let ecil gliss or Kroos Quartet's "0 For the Future" iitiative molto esress ecil sketch or strig quartet let ecil ress right ecil strike at eck ad tasto la hold o o c j A l r o o i j i j i j Ó Ó c R Ó Ô RÔ m m -ecil ouce c o o o o o m 017 Kroos Arts Pulishig All Rights Reserved Yevgeiy Sharlat ( 177) Ó i j RÔ

30 0 Aria e = q (q=100) ecil ress m Violi I (G-D-B-D) C 0 j 1 s m j IV III o j o o o o o o o o o - - o - U D Vl II icku reciso

31 8 j m GP a temo E j q = q (q=10) molto rit oco rit j iger mule high ote (IV) right ecil ouce tasto Violi I (G-D-B-D) U 10 8 c

32 F Violi I (G-D-B-D) molto rit a temo 1 U 1 1 Ó G ecil ress, cotiuous gliss itch very aroximate o 7 8 c c 8

33 H oh = h (h =7) a it dirty to ormal hold Ó Ó 187 arco ord Violi I (G-D-B-D) molto esress e sosteuto 1 Ó Ó 01 Ó Ó 0 iù 1-17 Ó Ó arco ord 1 8 Ó Ó Ó I q = q (h =11) quickly to la hold

34 -ecil ouce, tasto Violi I (G-D-B-D) 7 0 suito 8 7 s cresc to ord hold 10 U

35 Violi I (G-D-B-D) 7 This age as let lak

36 8 h = h (h =7) arco 8 K 87 0 o strigs GP s s II I III 1 < II o a it dirty Æ j ' restez 1 Ó Violi I (G-D-B-D) Ó

37 08 Violi I (G-D-B-D) 10 1 Ó cresc 1 1 h = h (q=10) L Ó Ó Ó Ó rog ot dirty ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó 1 ^ ^ ^ ^ ^ ^ Ó ^ ^ ^ ^ ^ ^

38 10 Violi I (G-D-B-D) ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó ^ ^ ^ ^ Ó ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ 7 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó ^ Ó c Ó Ó M q = q (q=100) ut do o ick u ecil Ó Ó ecil ricochet tasto simile Ó Ó Ó 8 Ó Ó Ó Ó j j 1 m N to la hold, ecils Vla Ó Ó Ó Ó Ó Ó Ó Ó

39 ecil 8 ress l r i Violi I (G-D-B-D) 11 j i j 0 m -ecil ouce o 7 O molto rall Ó Ó 0 h = q (q=0) o a temo ecil ress (III/IV) o o o o o o o o o o o o o o o o 8 1 U

40 VIOLIN I (TRANSPOSED) Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

41 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

42 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

43 Violi I (G-D-B-D) - trasosed q = 0 Recitative 8 1 seza sord o c Ó [TRSP] = trasosed [CP] = cocert itch declamatory B let ecil gliss [CP] or Kroos Quartet's "0 For the Future" iitiative molto esress ecil sketch or strig quartet let ecil ress right ecil strike at eck ad tasto la hold o o c j A l r o o i j i j i j Ó Ó c R Ó Ô RÔ m m -ecil ouce c o o o o o m 017 Kroos Arts Pulishig All Rights Reserved Yevgeiy Sharlat ( 177) Ó i j RÔ

44 0 Aria e = q (q=100) ecil ress m Violi I (G-D-B-D) - trasosed C 0 j 1 s m j IV III o j o o o o o o o o o - - o - U D Vl II icku reciso

45 8 j m GP a temo E j q = q (q=10) molto rit oco rit j iger mule high ote (IV) right ecil ouce tasto Violi I (G-D-B-D) - trasosed U 10 8 c

46 F Violi I (G-D-B-D) - trasosed molto rit a temo 1 U 1 1 Ó G [TRNSP] ecil ress, cotiuous gliss itch very aroximate 8 o 7 8 c c

47 187 1 H oh = h (h =7) to ormal hold Ó Ó arco ord Violi I (G-D-B-D) - trasosed molto esress e sosteuto a it dirty Ó 01 Ó Ó < 0 iù 1 - Ó Ó arco ord 18 8 Ó I q = q (h =11) quickly to la hold

48 [CP] -ecil ouce, tasto Violi I (G-D-B-D) - trasosed 7 0 suito 8 7 s cresc to ord hold 10 U

49 Violi I (G-D-B-D) - trasosed 7 This age as let lak

50 8 h = h (h =7) K o strigs s s [TRNSP] arco GP < Æ j Ó ' II I III 1 II o a it dirty 1 Violi I (G-D-B-D) - trasosed

51 08 Violi I (G-D-B-D) - trasosed 10 1 Ó cresc h = h (q=10) L 1 1 Ó Ó Ó 17 rog, ot dirty semre strigs ^ ^o ^ ^o ^ ^o ^ ^o Ó Ó Ó ^ ^ ^ ^ ^ ^ Ó ^ ^ ^ ^ ^ ^

52 10 Violi I (G-D-B-D) - trasosed ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó 7 ^ ^ ^ ^ Ó ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó ^ Ó c Ó Ó 8 1 M N q = q (q=100) ut do o ick u ecil Ó Ó Ó ecil ricochet tasto Ó Ó Ó Ó j j to la hold, ecils Vla Ó Ó Ó Ó Ó simile Ó Ó Ó Ó Ó m

53 ecil 8 ress l i Violi I (G-D-B-D) - trasosed 11 [CP] r j i j 0 m o 7 O molto rall Ó Ó 0 h = q (q=0) o a temo ecil ress (III/IV) o o o o o o o o o o o o o o o o 8 1 U

54 VIOLIN II Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

55 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

56 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

57 Violi II or Kroos Quartet's "0 For the Future" iitiative ecil sketch or strig quartet itchless scratch (I) isert ecil at C/G (IV/III) q = mute o thum ail strig mute (IV/III) izz 1 R O O O O O Yevgeiy Sharlat ( 177) O O O O O Recitative Vl I o c Ó O O O O O O c o stutter (I) RÔ 1 c o o j 017 Kroos Arts Pulishig All Rights Reserved STOP c

58 17 A l r i j o i o j i j declamatory Violi II ord arco vary seed colla arte (Viola) III I o o - IV II 18 semre Ó

59 Violi II l - gliss to r detache i j Ó o stutter (I) B Ó Ó R Ó c Ô RÔ m m STOP c quietly remove ecil

60 thum ail strig mute (IV/III) izz Violi II O O O O O O O O O O O O Aria e = q (q=100) ecil ress o sutter (I) O O O O C 1 j

61 7 m Violi II j j STOP IV III o o o o o o o m U D diamods = hal-harmoics I o o OOO O O O O O O O O O OOOOOOO ord arco seza vi II vi I O O O O O - - R O O O Ó < ord harm r - O - O O O vi - - O O O O O O O O i j loco o E m ethereal creey m 7 ord harm Ó -O r - O O O OO O i j oco rit OO O GP seza vi - R i j O

62 E q = q (q=10) 108 melody cotiues o " o O r O O R molto esress o Ó aroximate itch, gestural F o cresc molto rit a temo " U 11 m 10 8 c u restez 10 8 restez Violi II molto rit

63 1 jeté lego Violi II 7 a temo arco ord U Ó restez arco G IV vi 1 1 o ord o o 10 8 vi 178 quickly to la hold o mute o, o do ick u ecils Ó c 8 cresc

64 semre H h = h (h =7) q = q (h =11) I 8 -ecil ouce seza sord (tutti) (1) () () () () () (7) (1) () () () () () (7) (8) () (10) (11) (1) (1) (1) (1) (1) () () () () () same duratio o hits aster ouce Violi II 8

65 s suito s cresc 8 8 (1) () () () () () (7) (8) () (10) (11) (1) (1) (1) (1) (1) (17) (1) () () () () () to ord hold 10 U Violi II

66 10 8 h = h (h =7) K Ó arco Violi II Ó < 8 Æ Ó j ' 8 o 1 o GP o o < s s Æ Ó Ó j ' III/IV o

67 0 < 0 restez Violi II o o o Ó - - III/IV 1 L h = h (q=10) Ó Ó ^ ^ Ó ^ ^ Ó Ó ^ ^ Ó 1 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó

68 1 1 M m -o o at ill -o -o -o -o Violi II - O ~ to la hold ick u ecils ~ ~ ~ c Ó q = q (q=100) -ecil ouce o IV simile N m ress to get more D 0 move to eck Ó Ó ick u o, ord hold O molto rall a temo stutter (I) 7 stutter dyig do 0 h = q (q=0) thum ail strig mute (IV/III) izz mute o itchless scratch (I) arco O O O O O O Ó R U

69 VIOLA Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

70 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

71 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

72 Viola or Kroos Quartet's "0 For the Future" iitiative ecil sketch or strig quartet Recitative Yevgeiy Sharlat ( 177) c B 8 1 q = 0 mute o Vl I la hold simile -ecil ouce o IV c 7 o c Ó B c 1 B RÔ c c o o j 1 B sitch to ord hold 017 Kroos Arts Pulishig All Rights Reserved

73 17 B 1 A i j arco m ghostly o o i j i j Viola Ó B 1 B gliss to ij B III/IV ord m - - B Ó Ó B o Ó Ó R Ô VS

74 Viola c o o o o o Ó RÔ B lego Ó Ó c 1 B o stutter (I) Aria e = q (q=100) STOP 0 C STOP 1 j

75 7 o o o o o Viola j j STOP 8 o o o o o o o U U D o do (Vl icku) izz m oco rit mute o ick u ecil

76 GP 107 B E Viola q = q (q=10) hit otes ecil o tasto, igered simile j - j lively j B j j j 11 j B j 8 1 B j molto rit j U 17 a temo B m B 1 j - - c 18 F Bc j j j - j j 1 B j j j j 10 8

77 B j 18 Viola B j molto rit j U Ó 17 B a temo m B 1 j B G j j j - j j j j 17 B j j 10 8 j 17 B j c j j j B 18 8 h = h (h =7) H to la hold Ó

78 8 B let ecil ress (C-G-D) right ecil ouce tasto semre Viola B B 00 B 0 B 0 B 0 B 08 B 10 B 1 B

79 1 Viola B 1 B 18 B 0 B B r 8 q = q (h =11) (same duratio) I -ecil ouce, r tasto B r s 7 B

80 10 B Viola 8 B B B 0 B B suito B s cresc B 70 B to ord hold 10 U K h = h (h =7) arco Ó

81 8 Ó Viola 11 Ó j B ' B o ọ B 8 GP s s Ó Ó Æ B B B

82 1 0 restez Viola 07 B 11 B Ó o L h = h (q=10) ^ B ^ ^ ^ ^ ^ Ó Ó Ó Ó Ó Ó ^ B ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó B III ~ ~ B ~ O ~ ~ ~ O O ~ ~ O O 7 Ȯ -Ȯ ~ Ȯ - c ~ ~ ~ ~ O Ó Ó m

83 M q = q (q=100) o stutter (I) Viola 1 N STOP Ó Ó lego B Ó Ó Ó Ó 8 B Ó Ó o stutter (I) STOP Ó O molto rall a temo 8 stutter dyig do 0 h = q (q=0) B o ridge (ear IV) itchless air (/cello) j j j j j j 8 1 r U

84 CELLO Yevgeiy Sharlat ecil sketch (017) Comosed or Fity or the Future: The Kroos Learig Reertoire Please hel sread the ord aout Kroos Fity or the Future roject y icludig the credit elo alog ith the title ad comoser o the ork This iormatio should e icluded i rited rograms, ress aoucemets, erormace videos, esites ad he aoucig the ork rom the stage This iece as commissioed or Fity or the Future: The Kroos Learig Reertoire, a roject o the Kroos Perormig Arts Associatio The score ad arts are availale or ree olie kroosquartetorg Yevgeiy Sharlat s ecil sketch as commissioed as art o the Kroos Perormig Arts Associatio s Fity or the Future: The Kroos Learig Reertoire, hich is made ossile y a grou o adveturous arters, icludig Caregie Hall ad may others PUBLISHED BY Kroos Perormig Arts Associatio PO Box 0 Sa Fracisco, CA 1 kroosquartetorg 017 Kroos Arts Pulishig All Rights Reserved

85 INSTRUCTIONS Thak you or layig Pecil Sketch! I the istructios elo, I aim to exlai i the clearest terms some o the secial otatio ad techiques used i this iece Pecils Every layer eeds to o them I recommed, ith eraser, hexagoal Use the ull legth Oe ed must e shareed eough to rovide suiciet gri I strikig the strigs, you ill hold the ecils y the arro ed Tasto/Neck Desigates the aroximate locatio at hich the ecil strikes the strig Feel ree to disregard i you eel you ca get a etter soud elsehere r/l Right Pecil/Let Pecil La Hold Hold violi i your la, the eck uo the let kee To-Pecil Bouce To-Pecil Bouce (adjustig uer ote) Scordatura (Violi I) La hold Hold oth ecils at the arro ed Place the let ecil o the alicale strig(s) Strike it ith the right ecil i a ay that makes the let oe ricochet o the strig Each ote idicates a strike, the umer o slashes the aroximate oucig seed I racticig, vary the l locatio o the strike, the agle at hich it s held, the tesio o the let had, ad the ressure uo the strig Whe oucig o lo strigs tasto, you ill hear to otes the oe strig ad a high ote that is the locatio o the ouce Adjust the high itch as otated hile oucig All otes are i cocert itch, ecause I exect that the layer ould e more comortale goig y ear tha thikig i trasositio I eeded, I am icludig a trasosed versio, here all the igered assages are marked [TRNSP] I tuig, make sure that the lo to strigs match exactly the rest o the quartet Use the octave D harmoic (o III) to tue the E strig do a ste B should orm as ure a major rd ith D as ossile?

86 Pecil Press Hold violi i your la, the eck uo the Recitative let ecil ress let kee Press do the let ecil, Vl I right ecil strike at eck ad tasto la hold shar ed orard, eredicular to the molto esress eck to ar all or some o the strigs Hit the alicale strigs ith the right ecil i a locatio i here j i j O O i itch is most j i j O O i discerile Adjust j O itch y slidig the let ecil (do t orry i you miss, just adjust exressively) Slashed otes deote a ast ricochet ith right ecil; attack strogly to get a sustaied ouce Bo Stutter a Make sure the o hair is ell rosied, ut ot excessively Press the strig ith the o at the lace here the ritte itch is located c Aly overressure, ut o i its ad starts I you move too ast, itch ecomes scratch The otes are very imortat! d Use the let had to hold do the ret, or to cotrol slidig u or do e Wie o the rosi right ater, i there s time The dots roughly idicate ho closely or idely the otes are saced They should NEVER create a imressio o a regular ulse Measure (Violi II) Mule the strigs (G ad D) at aroximately these itches; use the thum to luck Thik the oig souds o a dusty record Measure 7 (Violi II) Isert a ecil uder the G strig (eredicular to it) ad over the D strig right at the edge o the igeroard (here the otes C ad G are, resectively) These otes ill sustai through the areggio assage that egis at letter A You ll eed oly iger the uer to strigs I erormig the areggios, vary the seed a iacere i accordace ith the melody i Violi I A it dirty (Violi I) Uisos ad octaves are hard to tue, esecially ith scordatura But do t orry: I reer it that you make them slightly dirty, as log as you make it soud uroseul, ot accidetal P H (Cello) Pecil : hit ear the let had (eraser may ork est) I the ecil soud is too arasive, lay regular izz Hammer : a strog ta ith let-had iger o idicated strig, the stay o the igeroard ad slide u as ritte NB All Roma umerals deote strig umers

87 Violocello or Kroos Quartet's "0 For the Future" iitiative ecil sketch or strig quartet q = 0 mute o? 8 1 o ridge (ear IV) itchless air j j j j Yevgeiy Sharlat ( 177) Recitative Vl I c? c j j j Ó o Ó let ecil gliss r o stutter (I)? STOP 10 Vl I 017 Kroos Arts Pulishig All Rights Reserved RÔ

88 1? c c o Violocello o j 17 A i j o o i j i j? suito (ut elo Vl 1) 1? Ó 1 l arco ord? ghostly gliss to ij III/IV? ord m

89 ? B Ó Ó? ? c c R Ó Ô RÔ c o o o o o o Ó lego /viola c Violocello Ó? o ridge (itchless air) ord Ó j j j j j? Aria e = q (q=100) ecil ress (same duratio) e e e e e j e E e E e e j e j e E e Vl 1 0

90 C o ord o Violocello 1 o o m j 7 j j IV III o o o o o 8 dolce o o o o o o o U U 7 D < ut o do

91 7 ecil (P)? j m j j hammer (H) o IV s Violocello P j j j 7? H o III P H o IV j j j j j s s 8? izz P o m 1? j H o III j j s P j j j 7? H o IV izz j j Ó s m 10? H o III izz j oco rit 107 GP?

92 108 E q = q (q=10)? / Violocello ecil o tailiece 11 / a temo molto rit /? tailiece / + s / izz uzz /ecil (ear ridge) U / c? F izz?? smooth cresc a temo 10 8 ecil strike? 8? j molto rit / tailiece j izz uzz /ecil + s U /

93 1 / 171 ut do ecil ick u o G?? aroximate! arco, ord Violocello 7 like a umle-ee arco, ord? 17? ? izz? c j Ó s s s s arco? o o o ? o h = h (h =7) H mute o Ó Ó

94 8 1? jeté 1? simile 18? 00? ? o ọ III II?? ??? Violocello

95 ? 1 Violocello ? ? meo ? 0? itese I q = q (h =11) molto vi Ó Ó? carry rom Violi I

96 10 - s 7 < 0 Ó Ó cresc Violocello iacere h = h (h =7) K - - U Ó Ó scratch at rog Ó? - - ' Ó - j GP? Ó Ó

97 Violocello 11 s s Ó Ó? j ' 7?? restez 07? -? Ó L h = h (q=10)? ^ ^ ^ ^ ^ ^ Ó Ó Ó Ó Ó Ó 1 ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ Ó Ó?

98 1 1? m M q = q (q=100) N?? ~ - dolcissimo m m luesy s a temo - - II ~ - - ~ Ȯ ~ ~ ~ O - O ~ - ~ O - O Ȯ Ȯ - ~ Ȯ - solo ~ ~ O O O O O Ȯ s iù o ridge (itchless air) c ~ ~ ~ ~ ~ o vi o? izz o j?? izz Ó Ó? izz H H o IV j Violocello O s molto rall h = q (q=0) (same value) I H o IV j j j j j j j j 8 1 r o arco H o IV e e E e E e E e e e E e E e E e e e O O ~ O O Ó r Ó Ó Ó U