Preview Only. Legal Use Requires Purchase. There Is No Greater Love. Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS
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1 There Is No Greater Love Words and Music by MARTY SYMES and ISHAM JONES Arranged by ERIC RICHARDS Conductor 1st Eb Alto Saxohone 2nd Eb Alto Saxohone 1st Bb Tenor Saxohone 2nd Bb Tenor Saxohone Eb Baritone Saxohone 1st Bb Trumet 2nd Bb Trumet rd Bb Trumet 4th Bb Trumet INSTRUMENTATION 1st Trombone 2nd Trombone rd Trombone Trombone Guitar Chords Guitar Piano Previe Only
2 NOTES TO THE CONDUCTOR "There Is No Greater Love" is a ne setting o the great jazz standard by Marty Symes and Isham Jones This arrangement ays tribute to the inluence o master arrangers Thad Jones, Sammy Nestico, and John Clayton The temo o this chart is somehat lexible, ith the ideal temo at MM q = 184 Hoever, the chart ould or ell in a range o temos (MM q = ) Regardless o the chosen temo, the oening o the chart should have a light, loating sing 2 eel Your drummer should become amiliar ith laying brushes in this style As reerence, some great drummers ith excellent brush technique include Je Hamilton, Billy Hart, Joe Morello, and Ed Thigen This arrangement oens ith one chorus o contraact (a nely comosed melody over an existing set o chord changes) This section should be light and singing, and it eatures a small band o alto 1, tenor 1, baritone, trumet 2 (using harmon mute), and guitar I you ould lie to include a e more layers on the oening soli, the unison lines have also been cued into alto 2 and tenor 2 The brass unches should be very clear and rhythmically conident, ith a slight bit o unch Don t let the brass get too heavy I anted to give the rhythm section layers the oortunity to or on hrasing a melodic line together, so the actual melody o the tune is set in guitar, iano, and acoustic bass and begins at m 4 As ith the contraact oening, ee the aroach light and singing The solo section begins at m 70 Suggested solos have been rovided or alto 1, trombone 1, and iano These ritten suggested imrovisations should only be used as a oint o dearture I strongly encourage the soloist to imrovise his or her on solo eel ree to use the sendo assages (mm 70 7 and mm 78 81) as ell as the ensemble bacgrounds as desired I you lan to have multile soloists, I ould suggest using the sendos on the irst time through the solo section The rhythmic eel in the chart changes here to a driving sing 4 At mm , a tomeasure saxohone section soli brea occurs Mae sure the saxohones dig in and lay the soli ith strong, conident sound The unch comments in the brass should not be too short thin hat The high oint o the chart begins in m 18 The chart then inds don, beginning ith the drum ill in mm The energy level is airly even and calm to the end o the arrangement We hoe you enjoy this ne arrangement o There Is No Greater Love" Eric Richards Eric Richards Previe Only A comoser, arranger, instrumentalist and conductor active in a ide array o musical media and styles, Eric Richards serves on the comosition aculty o the University o NebrasaLincoln School o Music Dr Richards music has been heard orldide in major concert venues such as Carnegie Hall, the Montreux, Nice, and North Sea Jazz estivals erormed by grous such as the US Army ield Band, the National Symhony Orchestra, the Boston Pos Orchestra, and the USA Airmen o Note rom , Eric served as comoser/arranger ith the US Army ield Band based near Washington DC
3 CONDUCTOR 41141S 1st EÑ Alto Saxohone 2nd EÑ Alto Saxohone 1st BÑ Tenor Saxohone 2nd BÑ Tenor Saxohone EÑ Baritone Saxohone 1st BÑ Trumet 2nd BÑ Trumet rd BÑ Trumet 4th BÑ Trumet 1st Trombone 2nd Trombone rd Trombone Trombone Guitar Piano c c c c c c c c c c c c c c c c c Sing å = 184 (/Ten 1, Bari, Tt 2) c Otional tacet (/Alto 1, Bari, Tt 2) Otional tacet (/, Ten 1, Tt 2) Harmon mute (/saxes) (/Tt and Saxes) Light, mello, "methenyesque" tone/eq Brushes and HH 1 N n N n N n N n N n N n N n b æ THERE IS NO GREATER LOVE 2 b n b n b b b b b n b b b b Light "loating" Time N N N N N Cu mute N Cu mute Cu mute n Cu mute Cu mute n Cu mute Cu mute n N n n 4 n n b b n b b 5 n b b π b b π b π π π b π n Previe Only Words and Music by Marty Symes and Isham Jones Arranged by Eric Richards b N n b N π 196 (Reneed) BANTAM MUSIC PUBLISHING CO and MUSIC SALES CORPORATION All Rights or BANTAM MUSIC PUBLISHING CO Administered by WB MUSIC CORP This Arrangement 2014 BANTAM MUSIC PUBLISHING CO and MUSIC SALES CORPORATION All Rights Reserved including Public Perormance 7 N N N N N N n b b n b b b N b N b N b b b 8 N N A
4 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno ~9} a N a N N N N N a N N N N N 9 n n b 10 n n b b n b b N N N N N N N N N N N N A A 11 n n n 12 2 b N b N b b N b N b N N b A n 1 n N n N n N n N n N n N n b N 14 b b b b b b b Previe Only 15 N b N N N N N N b b b b b b 16
5 {17} Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b b 17 n 18 n N N N N N N b b b b b 19 b b b b b b b b b n Solo 20 Play Play N b N b n 21 b b n n b n b n n b n n 22 b N b N b b b N n N n N n N n A n b n b N Previe Only n b b b 2 N n N N b b b b b b b b b b b b b b N b b 24
6 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {25} b b N b b b n b b b b n N b b n b 25 b n Otional tacet N Otional tacet N N N N N n b b 26 b n n b n b n b b n b n n b N n b N b N b b N b n b b n b 27 b N b N b A n N n N b N b N n N b N 28 4 Play Play ß ß ß n ß b N n n n 29 b b b b b 0 b ß b ß ß b ß ß ß b ß A n ß b A b b n n Previe Only ê 1 b b n b b b b b b b b 2 n b b n
7 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno N a N a N N N b N N 4 {5} 5 n b n b n b n b 6 5 b n 7 n b n b b b b b 8 Cu mute n b n b n n b Previe Only 9 b b b b 40
8 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno 41 ~~~~~~ ~~~~~~ ~~~~~ ~~~~~~ ~~~~~~ b /Pno and /Gtr and /Pno and Gtr 42 {4} 4 6 n b b n n n n b b b b 44 N n b N b 45 b b b b 46 n n N Previe Only 47 b 48
9 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b 49 N b 50 {51} N b n b n n + Light Ride Cymbal AÌ AÌ Dï Dï b b n b n b AÌ A! 7/D AÌ A! 7/D loating 2 eel (Simile) 5 GÍ GÍ Previe Only 54 b b CÎ GÈ AÌ D/B! A! 7/D AÌ D/B! CÎ A! 7/D 55 GÈ
10 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b Í n N Í b N Í n n Í b Í n b Í n n Í b Í ( GÈ) AÈ D; ( GÈ) AÈ D; b B! Q D! ; C B! Q D! ; C 56 n b n b b n b n N b n b n n n n {59} 8 N 59 n b n n n n b b b b Previe Only 60 N b n Oen b b b b 61 b 62
11 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno (/saxes) 6 b Í Í Í Í Í b b b b b Í b b 65 ê Oen b Oen b Oen b Oen b b b b b b b Oen Oen b 9 b 66 b b n b b b b b b n b b n b b b b b n b b b b n b b n n n 67 N b n b N b n N ß n ß b N ß N b b N N ß b b ß ß b ß b n ß N b A n ß n b ß ß b N Previe Only b (To Stics) 68 ê Big ill 69
12 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {70} ( GH Solos: Piano, Trombone, Ot Alto Sax 1 Driving Sing 4 eel; Sendos/Bgds as directed Ens b b Section Lead b ( B! H Oen Lead n b Ens n b 70 n n N b b b n n N n b A n n N b b b n b n n b b b 71 B! 7/E n n N b b N b a n n b A! b b b b b b b N b (5) b n n b b N b 72 n b 10 ) D! 7/G ) b n N N n N n N b n b N n b n n b b n n n b b 7 n Ride Cym, Snare and Toms Ad Lib A a Ot Solo (Suggested solo) N C C C C BD and HH Ot Solo (Suggested solo) Ot Solo (Suggested solo) n Previe Only n 74 n b N n n b 75
13 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno AÍ/D N CÍ/ CÍ/ A CÍ/ CÍ/ b 76 b b b D b b 77 {78} Ensemble igure as desired GH b b b B! H b b n b n A b b b 79 n n n n b b N A! b n n n b n b b b n b 80 E a n N n b G N n n b N N Previe Only n 81 A Long Dro Long Dro Long Dro Long Dro Long Dro Long Dro Long Dro Long Dro C Long Dro Long Dro Long Dro C n C C n Time ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ Long Dro 82 b
14 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno AÍ CÍ CÍ D N b b N CÍ b CÍ b A 8 GH n B! H B! H N B! H B! H 84 DÍ/G n Í/B! b n Í/B! n b G B! B! Í/B! B! AÌ Í/B! B! n {86} Ì B a AÌ D A Bell in Stand Bell in Stand (/Saxes) AÌ D D AÌ D 86 n n EÎ b b 87 Ì B AÌ D N N AÌ D AÌ D n Previe Only AÌ D 88 EÎ N n n 89
15 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno Ì Bï AÌ AÌ N Dï Dï AÌ Dï A AÌ Dï 90 EÎ b n b n n b n n n 91 C A n n C n b b C C n n b n 92 ; 1 D; ; ; Oen gradually Oen gradually b ; n A 9 {94} GH b B! H n B! H B! H B! H 94 b A A n n A n b Previe Only A 95 n N b n b n A! N A b N n n b A! A! A! b N N N b b 96
16 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno E a b n n b b b n b G n n n n n n N 97 b G C G G A N ëshort Short ë Short ë ë ëshort ëshort Short ë Short ë C n ëshort ëshort ëshort N C A n C A n Short 98 D 14 AÍ b b E! 9 n CÍ b (/saxes) (/saxes) (/saxes) CÍ A N CÍ b b b b A b n CÍ 99 G! 9 G! 9 b b G! 9 b b b n G! b * n b b b b 101 CÍ/ N Previe Only AÍ/D CÍ/ CÍ/ CÍ/ 102 b b D a GH b b 10 B! H B! H b
17 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {104Ç (/Tt and Tbn) (/Tt and Tbn) N n (/Saxes and Tbn) (/Tt and Saxes) 104 n n b n n b b b b b b b b 105 b n b b b b 106 b b b b b b b b b b b n N b N b n b 108 b b n b n b n b b n n b b b b n b n n b b n n b b b n b n b b n b n b 109 Section b b Previe Only HH 110 There is no Greater Love n b b N N n b 111 B! H ê
18 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {112Ç ( B! H ) ( B! H) N N b 112 b n n b b b N b n b E! ; E; E! ; E! ; E; E! ; n b 11 A! n b b A! b n n n n n G G N b 115 a N C9 C9 n 116 b n n n 117 G G b b b b b b b b b b b b G! G! Previe Only b 118 N N b n b b b A! A! b 119 B! H B! H n
19 {120Ç n b Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno ( B! H) ( B! H) 120 b b b b b n b b E! ; E; E! ; E! ; E; E! ; n b 121 N b b n b b A! b N A! b a N 7/G G; 7/G G; 12 N b b C; C; n 124 b n NN N CÍ CÍ 125 n b b n B! H A! ; n B! H A! ; Previe Only b 126 A; A; n Í/B! N B! Í/B! B! b 127
20 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {128Ç a AÌ Dï AÌ Dï N 128 N 129 b b n n AÌ A! 7/D AÌ A! 7/D 10 b b N GÍ GÍ N AÌ Dï AÌ Dï 12 b b n b b b b D; D! ; C; D; D! ; C; Previe Only b 1 ë ë ë n n n n E! ; b b E! ; n 14 E; E; N n b
21 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno ß b ß ß b ß ß b A ß ß ß ß ; ;(X) ; ;(X) 15 ê b b b b Big ill 16 n n b b 17 n b b n b b n b b n b b n b b b n b ñ B! H {19Ç N N N N b N b 19 A n b b n n n n n n b N b b b n b B! E! 7/A A! N n bb n b N Previe Only b 140 b b b b n b 141
22 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b b b n N n b b n 7/G D! 7/G 142 b b b N b b A n b n n C9 D! 9 C9 A N b A n b n b b 14 b b b b 144 b ß b ß ß ß 20 ß G! 9 b b b b b b ê 145 b b b b b b 146 n n b b b b b Previe Only b b 147 * b ß ß ß b ß ß BQ N n n n ê 148 A A
23 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno Solo b ( BQ) n b b 149 Solo b b n Solo 150 b Solo b b n n 151 b ill (Bring it Don) * sub sub sub sub sub sub b b n b b 154 Cu mute Cu mute Cu mute Cu mute ê 155 HH Previe Only To Brushes Al ine n n b b n b b b b b b b b b b b b
24 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {158Ç b b b b b b b b b b b b b b Brushes and HH 158 n n n n b b b b æ 159 n b loating 2 eel (Simile) 160 n b b n b n A n n n n n n n n b b b b n n n n n n Cu mute Cu mute n n b Cu mute n Cu mute n b 162 n n n n n n n n 16 A b b b Previe Only 164 n 165
25 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno {166Ç b b b b b b b b b b b b b b n n n n n 166 n n n n n n n n n n b b b b b b b b b n 167 n n n n n n n 168 b 2 b b b b n n n n n 169 b b b b b n n A A A N N n b n 170 A n n Previe Only A 171 n b n N n n n n n n b b n b 172
26 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b b b b b b b b b b b b b b Solo 17 (To Harmon mute) n A n b 174 n b n n n b n b 176 n ( Cu mute ) b (Cu mute) n (Cu mute) n b n b n (Blend /Brass) n n 177 b b b n n n b n b n b n 5 E! ; E! ; E7 <! 9 Previe Only n 178 b ß ß ß n ß ß ß n ß A ß ß n 179 ß (/) (/)
27 Bari Tt 1 Tt 2 Tt Tt 4 Tbn 1 Tbn 2 Tbn Tbn Gtr Pno b b b b b b b b b b b b b b ( E! ;) n n 180 N n b n n b A n b A n b 181 (/Ten 1, Bari, Tt 2) (/ and Tt 2) Harmon mute (/saxes) N n b N n b N n b 18 n n n n n n 184 n n n Previe Only U U U U U U U U U U U U U n U n n U U U U u Solo 185
28 Previe Only 41141S US $1100 U(a8081*ORLq(v
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