ELOQUENTIA espacio para flauta y orquesta

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1 Violin I 1 Manuel Sosa ELOQENTIA esacio aa lauta y oquesta MusikaSilentis New Yok 2010

3 The imay uose o the ba-lines is to seve as a device o synchonization. Ba-lines do not indicate accentuation o the taditional stong-weak sequence o beats within a measue. The music must low without accents, excet o the laces whee accents ae indicated. The basic dynamic making is iano. nless othewise indicated, all entances ae to be as sot and smooth as ossible. Symbols o all instuments: o Stings: emata: lexible, somewhat shot to long emata: always long to vey long sace o one beat anywhee on the ist ½ o the beat anywhee on the second ½ o the beat oen beat duation: sound/hythm may last beyond the duation o one beat gace notes within a backet: to be layed in ee hythm (lexible) but within the duation o one beat, unless othewise indicated oen duation ootional lacement o gace-note within a seciied duation all temolos ae unmeasued B ST S A G CLB CLT bow sul tasto sul onticello unta d aco gettato col legno battuto col legno tatto Batok izzicato hal-essue ingeing eeably with two adacent inges ast oscillation ¼ tone above and ¼ tone below given itch each laye lays individually slow oscillation ¼ tone above and ¼ tone below given itch each laye lays individually LV yw lg iegula temolo as legato as ossible cle o non-itched beath sound let vibate cue by conducto ¼ tone highe ¼ tone lowe eeat atten o itches at vaying seeds each laye lays individually oscillation between hai and wood, whee the sting is bowed while being sticken intemittently by the stick o the bow. The stick does not bow the sting; it only stikes it. To accomlish this, the bow must be held by the stick each laye lays individually continuous glissando to the highest o lowest ossible itch on a given sting. The length o the glissando is detemined by each individual laye. Reeat glissando at given seed o the indicated length o time each laye lays individually glissando between given atten o itches. Reeat glissando at vaying seeds o the indicated length o time each laye lays individually oscillate bow between the bidge and the inge-boad (hoizontal bowing o bushing), while ingeing given itch ess bow had against the sting (noise) highest ossible itch lowest ossible itch lay behind the bidge

4 Violin I 1 ELOQENTIA esacio aa lauta y oquesta Manuel Sosa Lento, calmado, y muy sentido q ± 42 (Temo I) 4 4 (III) 4 no O O A n. n. n Sinceo, íntimo Amlio, deseoso Temo 4 4 I (q ± 42) # S-A od. ng ng Distante A: G n 4 TSSSSSSSSSSSSSSSS #. # S Ÿ~~~~~~~~~~~~~~~~~ 4 4 od. b. 4 2 ( n ). 21 Distante Distante 26 Delicadamente intenso 4 2 # #. Simle 2 izz. aco TSSSSSSSSSSS n.. n n n g oco A 4 4 # 4 #. # 7 Estático, iluminado. All Rights Reseved.

5 SosaEloquentiaViolin I 1 42 Susendido Inestable n g ntssssssss 4 2 Susendido Insistente 4 4 Ÿ È S ~~~~~~~~~~~~ b n g # ( # ) 48 od. n g È S-A Ÿ~~~~~~~~~~~~ ( # ) od.. 9 Estático, amlio 4 4 # #Ȯ. O O # # Ȯ O sub. #G. Insistente S-A Delicadamente intenso intenso od. # vib. R. # #. n ß 68 Ansioso, agudo 71 distante MHHHHH 4 2 OMO n R MHHHO {é} {ê} 74 Simle 4 4 n ò (III) < ( ) n ò < ( ) nò - < ( ) n ò < n ò < izz. vib. div. ( ) ( ) n n. 81 Susendido, lano

6 6 SosaEloquentiaViolin I 1 Ondulado, billante olvooso Temo I oco (q ± 42) aco 4 MHHHHH n unis. 4 Estático, aincado 94 w n MHHOMHHHO b w 4 w 4 b A {ê} TSSSSSS! TSSSS R Amlio, silencioso 99 w oco. od. 4 4 R 4 ( ) ( ) ß Ceemonioso, ulsado, eciso 107 q ± 0 (Temo II) # g ast # g x beats oco sostenuto {é} S b - ( ) 116 n g x beats n g 120 n g ast x beats (IV) ast n g 12 senza n {ê} {ê} MHHHH T OSSSSSSSSSSSSS MHHHO 129 slow n g x beats slow # g x beats

7 SosaEloquentiaViolin I (III) ast n g senza no vib. n. vib. n n. ast n g x beats 14 g n senza n MHHHHNMHHHHHOMHHHHH 147 OMHHHHHHHHOMHHHHHHHHOMHO {ê} ast # g ast n g x beats x beats # g n g x beats senza n S {ê} TSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSSS T TSSSS od. (IV) > ç 171 each laye lays individually: a lot o bow changes, iegulaly {ê} {ê} {ê} {ê} 6 4 TSSS TSSSS > ƒ 4 4 `. 6 n6 4 ` ` # > 6 6. # sub. Ï Senza misua Lento, esacioso, imitivo Susendido, silencioso Temo II (q ± 0) Bass D. Tim. Vln. II 1 4 Bass D./Sn. D. w Susendido (lunga)

8 8 SosaEloquentiaViolin I 1 Misuato Susendido, distante, aieado, muy delicado q ± 48 (Temo III) 180 w 4 4 A n w w nw- A w w n - A w w A nw w 4 2 ǣ w nw- A w nǣ A 4 w n - A w () n n b n n 4 b n n 4 # 21 Lamentoso CLT n # n b Elocuente, declamativo q ± n 4 2 oco itad. (III-IV) glissando molto lento: each laye lays individually B: slow and heavy nn vibato iegulae vibante n# 4 ƒ 221 Senza misua Lento, amlio, exansivo conducto waits o all layes to aive at emata

9 SosaEloquentiaViolin I 1 Misuato susendido 222 q ± 2 Intenso oco a oco aasionado, con su oio umbo 4 (senza ) n. n n n # b 22 legato 4 4. b. b n > # > n n Sostenuto molto 4 4 n. b n n n b b - 2 Subito temo II (q ± 0) ulsado molto it. Estático Metálico od. 4 S n 4 - n - w n TSSSSSSSSSSSS ( ) oundo, imitivo q ± 42 (Temo I) S Silencioso q ± 48 od. # 4 4 ```````````````````````` g Senza misua Amlio, esacioso n o 4 stings cut o # with ecussion 2 {é} g {é} g 26 Misuato Tanquilo q ± Mecánico, luido (q ± 40) 28 6 Simle

Henrik Denerin. seals II. for cello and soprano. full score

Henrik Denerin. seals II. for cello and soprano. full score Henik Denein seals II o and ull scoe Henik Denein seals II (2014-15) o and duation: 5 seconds Notation: GENERA (all instuments) Scoe witten at laying itch All instuments ae tansosed and thei ats ae identical