KJOS CONCERT BAND GRADE 4½ JB85F $8.00 SAMPLE TIMOTHY MAHR HEROIC VALOR NEIL A. KJOS MUSIC COMPANY SAN DIEGO, CALIFORNIA
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1 KOS CONCERT BAND GRADE ½ B85 $8.00 TIMOTHY MAHR HEROIC VALOR C o n s e v a t o y E D I T I O N S SAMLE NEIL A. KOS MUSIC COMANY SAN DIEGO, CALIORNIA
2 THE COMOSER Timothy Mah is a ell-knon and highly acclaimed comose, conducto and clinician thoughout the United States, Canada, Mexico, aan, Singaoe, Thailand, and Noay. He is cuently oesso o Music at St. Ola College, hee he conducts the St. Ola Band and teaches classes in conducting, comosition, and music education. He also seves as the conducto o the Minnesota Symhonic Winds, a 009 eciient o the Sudle Silve Scoll Aad om the ohn hili Sousa oundation, and is ast-esident o the Noth Cental Division o the College Band Diectos National Association. His conducting caee egan in Milaca, Minnesota, as an Instumental Music teache at Milaca High School. He as Diecto o Bands at the Univesity o Minnesota, Duluth, o ten yeas and as the ounde and conducto o the community-ased Tin ots Wind Ensemle. Mah gaduated om St. Ola College in Nothield, Minnesota, ith a Bachelo o Music Degee in Theoy and Comosition and a Bachelo o Ats Degee in Music Education. He comleted his Mastes Degee in Tomone eomance and eaned his Docto o Musical Ats Degee in Instumental Conducting om The Univesity o Ioa. Mah as the ist eciient o the Ameican Bandmastes Association Commissioning oect and continues to eceive commissions nationally. Notale commissions include oks o the Music Educatos National Coneence and the United States Ai oce Band. A ome meme o the National Band Association Boad o Diectos, Mah as elected to memeshi in the Ameican Bandmastes Association in 99. He as aaded the ABA/Ostald Aad in 99, and has een the eciient o gants om Meet the Comose and the Ameican Comoses oum as ell as the National Band Association s Citation o Excellence. Mah s oks have een eomed at Lincoln Cente and Canegie Hall, the Midest Clinic, the Music Educatos National Coneence, national conventions o the Ameican Bandmastes Association and the College Band Diectos National Association, and numeous state and egional conventions. Many o his oks have een oadcast on the Minnesota ulic Radio netok. Recent ecodings can e ound on the Sony, Citadel, Cest, Mak, Caua, and St. Ola Recods laels. Othe concet and oks y Timothy Mah ulished y the Neil A. Kos Comany include Agentum, Blue Sky Day, Daydeam, Diamond Celeation, Enduance, Eveyday Heo, anae and Gand Mach, antasia in G, louish, Hey!, Hymn and Celeation, Immigant Deams, Inaugual Dances, Imints, Into the Ai!, A Mighty Mach, Mouning Dances, Nole Element, A Quiet lace to Think, sol solato, Sing Divetimento, The Vie om the Mountainto, and When I Close my Eyes, I See Dances. Additionally, Mah has co-comosed oks o young and ulished y the Neil A. Kos Comany ith his daughtes enna Mah (Bidge Squae Mach, Uncle Lumy s Gaage) and Hannah Mah (Heoic Rhasody). SAMLE B85
3 THE COMOSITION Heoic Valo as commissioned y the Ioa City Community Schools in hono o Himie Voxman, oesso emeitus and long time diecto o The Univesity o Ioa School o Music, o his enduing suot o the Ioa City Music ogam and his temendous contiutions to the old o music education. The ok as emieed in May 008 y the Ioa City West High Wind Ensemle (Roet Medd, Diecto) and the Ioa City City High Wind Ensemle (D. Myon McReynolds, Diecto). Heoic Valo ecame a atiotic ok as I egan to ist geneate and late develo musical ideas o the iece. Thee is a somehat esonal eason o this. I had the ootunity to guest conduct the Ioa City Community Band in the 980s and as leasantly suised at the time to ind M. Voxman sitting incial clainet at the ist (and only) eheasal. A long-time meme, he continued his involvement ith this ine and o a long time ate that. As I thought aout this, the ensuing comosition ecame moe and moe a ok aoiate o a civic and to eom at a summe concet in the ak. The decision to comose a atiotic ok as also diven y the act that the iece as itten hile ou nation as at a. Additionally, the ok as comosed duing the esidential camaign o 008, hen one sa ed, hite, and lue at evey tun hile heaing the issues o the day eing discussed. Sutitled A Set o Band on the Ameican Calling, the iece comments on hat it might mean to e an Ameican today hile acknoledging the eots o atiots though the couse o ou nation s histoy. The ist ie movement, Declamation, is a esounding statement that declaes oudly: I am an Ameican. The Meditation that ollos ovides music to contemlate hat this means hile also alloing o election on those ho have saciiced lie and lim o thei county so that, among many othe things, a concet in the ak might e a eality on a summe s evening. The Celeation that closes the set oclaims exueantly the ide and oy shaed y all o the lessings estoed and the ideals uheld. INSTRUMENTATION LIST - iccolo - st lute - nd lute - Ooe - st B Clainet - nd B Clainet - d B Clainet - B Bass Clainet - Bassoon - st E Alto Saxohone - nd E Alto Saxohone - B Teno Saxohone - E Baitone Saxohone - st B Tumet - nd B Tumet - d B Tumet - st Hon - nd Hon - st Tomone Aoximate eomance Time 6:0 Additional scoes and instumental ats ae availale. - nd Tomone - d Tomone (Bass) - Baitone - B Baitone T.C. - Tua - Timani ecussion I:, (shaed), Viahone - ecussion II: Maima, Tiangle, (shaed) - ecussion III ( layes): Cash Cymals, Susended Cymal - ecussion IV ( layes): Snae Dum, Tom-toms, Bass Dum, Tam-tam - ull Conducto Scoe SAMLE To hea a ecoding o this iece o any othe Kos ulication, lease visit.kos.com. B85
4 B85 This ok as commissioned y the Ioa City Community Schools in hono o Himie Voxman, oesso emeitus and long time diecto o The Univesity o Ioa School o Music, o his enduing suot o the Ioa City Music ogam and his temendous contiutions to the old o music education. HEROIC VALOR A Set o Band on the Ameican Calling I. Declamation ull Conducto Scoe Aoximate eomance Time 6:0 Deiantly ( = 0) iccolo lutes Ooe B Clainets B Bass Clainet Bassoon E Alto Saxohones ecussion III ( layes): Cash Cymals, Susended Cymal ecussion IV ( layes): Snae Dum, Tom-toms, Bass Dum, Tam-tam Hn. cue (stagge eathe) (stagge eathe) (stagge eathe) (stagge eathe) a.. 0 La olla Music Comany, Neil A. Kos Music Comany, Distiuto, 8 utland Dive, San Diego, Calionia, 97. Intenational coyight secued. All ights eseved. inted in the U. S. A. Waning! The contents o this ulication ae otected y coyight la. To coy o eoduce them y any method is an iningement o the coyight la. Anyone ho eoduces coyighted matte is suect to sustantial enalties and assessments o each iningement... cue B Teno Saxohone (stagge eathe) E Baitone Saxohone Deiantly ( = 0) B Tumets Hons (stagge eathe) Tomones (stagge eathe) (Bass) Baitone... (stagge eathe) Tua Deiantly ( = 0) E, C, B, A Timani. ecussion I:, (shaed), Viahone ecussion II: Maima, Tiangle, Ma. (/med. yan) (shaed) i i to A i 6 TIMOTHY MAHR SAMLE to T-tam.
5 icc. ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Ma. T-tam... end cue lay a... end cue lay (/had yan)..... n. 8 O. Oi 9 n n n n n n 0.. n.. n. n. n.... T-tam. O n n n n n n n n n n n SAMLE A A. OI to 5 B85
6 6 B85 icc. ls. O. Ma. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. n n N N N n N N N.. n. N N. N N N N N..... N.. N N. N. N. N. N. N. N n n n n n n n n i (/had mlt.) SAMLE 6 6 E to, C to D, B to C, A to G n n n to T-tam.
7 icc. ls. O. B Cls. B B. Cl. Ma. T-tam. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. 8 n n n n n a n n n a n n n n n n n n 9 n n n n n n n n n n n n n n 0 n O (/sticks) n n n 0 n n n n n n n n n n n n n n n n 0 n i.. 7 A N A N N SAMLE to to Ti. B85
8 8 B85 icc. ls. O. B Cls. B B. Cl. Ti. T-tam. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim T-tam. 6 O 6 R. n R n n.. R. R R. R.. n R. n.. R R. n.. R R... R. R.. R R R 7 A it sloe ( = 88) R n R n R n R n R n n n n 7 A it sloe n ( = 88). n.. O molto cesc. 7 A it sloe ( = 88) n 8.. O. O. I n. n. SAMLE n n n.... (/sticks) O i n n n to
9 icc. ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. 0 n n n n n n n n n n n n n With louish ( = 80) it. n n =. n n n C 6 n n n n n C 6 n n n n n C 6 n n n n n C 6. n C. n C. n C n C n n n C. C n C. C. With louish ( = 80) it. N n =. C. N n C. N n C. N n n C. N n n C. n n n C. n n n C. n n n C n n n C.. With louish ( = 80) it. =. n n n C. n n n C.... SAMLE... to 9 Ti. (/med. yan) Ti. C ±. C C Oi ± i ± B85
10 0 B85 icc. ls. O. B Cls. B B. Cl. Ti. Toms E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. 5 ± O (/had yan) i Oi O 7 ^ ^ ^... ^. ^. v. v. ^. v. ^. ^. SAMLE O 8. O. Loest Tom (choke)
11 iccolo Relective ( = 60) II. II. Meditation lutes Ooe B Clainets B Bass Clainet Bassoon E Alto Saxohones B Teno Saxohone E Baitone Saxohone Tua B Tumets Hons Tomones Baitone Timani ecussion I: Viahone ecussion II: () (). Relective ( = 60) G to Relective ( = 60) SAMLE Solo.. Vi. (/med. yan) ecussion III: Susended Cymal ecussion IV: Tam-tam, Bass Dum T-tam. OI. B85
12 icc ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Vi SAMLE to T-tam. B85
13 icc ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Vi a. 7. n. a n. n. n n n - n n - n - n - n - n n. n n. n n n n n n n - n - - n - n n. - n n n - - n n. n N.. - SAMLE.. n n n T-tam. T-tam. (coin scae) OI (/med. yan) O. Oi. B85
14 icc. ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Vi. 5. Tutti n n n n n to E, D to C, C to A n n - - n n - n - 7 n. n n. -.. n. n.. - n n N N N n N n N - n N n n n n - n 9 n n.. n n n n 6 n n n - - SAMLE n - - n n n n n... n. - n. - n. n. n. - n. - 0 n n - n n - n. n..... n - n n n B85 T-tam. (/eates) O OI.
15 icc. ls. O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Vi. - n n n - n n n n n n... n. n n. n. n. - n n n - n - n n.... n n. - n n n n Solo n. n. n. N n 5. n.. n. n.. n n n. n 6 n n n. n..... n. n n it. 7 N N. it. SAMLE. it. 8 A temo A temo A temo T-tam. OI. B85
16 6 icc. ls. it. oco a oco al ine Solo O. B Cls. B B. Cl. E A. Saxes B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. Vi it. oco a oco al ine. it. oco a oco al ine (Solo) 6 Cu Mute - -. a 6 SAMLE B85 T-tam. T-tam. O O (no oll) O
17 iccolo lutes Ooe B Clainets B Bass Clainet Bassoon E Alto Saxohones B Teno Saxohone E Baitone Saxohone Tua B Tumets Hons Tomones Baitone Timani ecussion I: ecussion II: ecussion III: Cash Cymals, Susended Cymal ecussion IV: Snae Dum, Tom-toms, Bass Dum, Tam-tam Siited ( = ) a Siited ( = ) Siited ( = ) a. III. Celeation (Tutti) Oen R... R SAMLE 7 B85
18 8 B85 icc. ls. O. Toms B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim n... n n.. n.. n n..... n n..... n n.. n n.. n n.. 5 Toms. 9 A.. a Oi SAMLE
19 icc. ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Tua Tim. Ts. 0 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ R. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~. R. R R. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ R. R. R.... R N.. R N.. R R. R N.. R N.. C to B, A to G R R (/sticks) Oi R SAMLE 5 (/ute) 6 9 B85
20 0 icc ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim SAMLE.. v. B85 Oi I
21 icc. ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim a n n n n n n n n v ^ ^ ^. n^.. v ^ SAMLE OI (/sticks) Oi B85
22 icc. ls. 7 n n n N A N A N A O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim. n.... n. n n n A SAMLE N A N N N n N N OI. O i B85
23 icc ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim..... B to A, A to... ^. SAMLE OI I to T-tam. B85
24 icc. 8 9 n n n n 0 ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim. a n n n n n n n n n n n n n n n n n n n n n n n n n n n n 9 n n n n n n n n n n n n n n n n n n n n n n n n n n n n 9 n n n n n n n n.... SAMLE T-tam. B85 n n n n Oi O T-tam. OI O
25 icc. ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim SAMLE.. 7 n n n Oi O. I B85
26 6 icc. ls O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim. n a n n n a SAMLE. n n. n n N n.. n n n n n n n n n n n n n n n n n n n n n n n n n n B85 Toms O i Toms I O.. O I (/med. yan) O
27 icc. ls. O. Toms B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim R. a.. R i Oi 55 R.... R Lo Tom (/sticks) B85
28 8 B85 icc. ls. O. Toms B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim n... n.... n. n. n.... n..... n n. n n. n n. n n. Toms. 6 A N. N. a N. 6 6 N. N. N. N. 6. N OI.... SAMLE 6 R R R R R R R R R R R R C to B, A to G R R R (/sticks).
29 icc. ls. O. B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax B Tts. Hns. Ts. Tua Tim Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n N N N SAMLE Oi Oi Oi I I O O B85
30 0 B85 icc. ls. O. Toms B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim. 68 n n n n n n.. Oi i I n n n n n n hite and lack key glissandi 69 n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n a n n n 70 n n n n n n. n n.. n n n n n n N n n n n.. a n n. 70 n N n n N n n. n n. n n SAMLE n n.. 70 n n n n n n O. O. Toms
31 icc. ls. O. Toms B Cls. B B. Cl. E A. Sax B T. Sax E B. Sax Tua B Tts. Hns. Ts. Tim. 7 O 7 O O O O. 76 SAMLE B85
32 SAMLE B85 - Heoic Valo
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