(U-^^JL Karim Al-Zand, AssistantTrofessor of Composition and Theory.

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1 RICE UNIVERSITY Concerto for Marimba and Orchestra no.2 by Casey Cangelosi A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Master of Music APPROVED, THESIS COMMITEE: (U-^^JL Karim Al-Zand, AssistantTrofessor of Composition and Theory. Gregory Barn ssistanvprofessi ofmusicology. j ^ * " - " - /* " 'Richard Brawn, Professor of Percussion, Chair of Harp and Percussion. HOUSTON,TEXAS APRIL 2009

2 UMI Number: INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml

3 ABSTRACT Concerto for Marimba and Orchestra no.2 by Casey Cangelosi This concerto in three movements focuses on advanced marimba techniques. Scored for a chamber orchestra of flute, oboe, clarinet, bassoon, horn, trumpet, trombone, timpani, solo marimba, and single strings. Inspired by the recent efforts of the Classical Marimba League, this concerto strives to provide a classically driven, tonal addition to the marimba repertoire. The piece explores tonal interplays between F minor, C sharp minor, A minor. The first movement, in F minor, opens delicately and is constantly growing to its dramatic conclusion. The second movement answers the first in the opposing key of C sharp minor. This movement is built in ah arch form and returns to F minor at its climax, from this moment the movement will unfold back into C sharp minor just as it arrived. The final movement is a scherzo in A minor. This key choice demonstrates neutrality from the previous opposing keys.

4 Transposed Score Concerto for Marimba and Orchestra no. 2 I. Casey Cangelosi ( ) Trumpet in C Trombone Timpani Harp Violin I Violin II

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13 10 Bsn. CTpt, Via II

14 11 CTpt. Tbn. Mrb. Hp Vc.

15 12 CTpt. Tbn. Vln 1 Via.

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18 15 CTpt. MP Via II Via.

19 16 CTpt. Via I Vln. II

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21 18 Vln.II

22 I 19 CTpt. Tbn Mrb. Timp Hp: Via I

23 20 CTpt Mrb. Vln. II

24

25 22 Ob. A CI. CTpt. Via.

26 23 CTpt. Via. top

27 24 i Bsn. CTpt.

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29 26 Ob. CTpt. Mib. Hp Vln.I

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37 34 ACl. Bsn. CTpt. Tbn. mmum, 6 subitop. Hp

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62 Ill Casey Cangelosi Trumpet in C Trombone Timpani Harp Violin II

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71 10 Ob. Bsn. CTpt. Tbn. Tirap. Mrb. D.B.

72 m 11 Ob. A CI. CTpt. Tbn. Via. D.B.

73 CTpt. Tba Vln. II

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89 CTpt. Vln. II

90 CTpt. Vc.

91 CTpt, Via II

92 Ob. Hn. CTpt. Vln. I

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