A thesis submitted in partial fulfillment of the requirements for the degree in Master of Music

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Western niversity Scholarshi@Western Electronic Thesis and Dissertation Reository Aril 201 The Donnelly Oera oshua L Richardson The niversity o Western Ontario Suervisor Daniel, Omar The niversity o

1 Western niversity Electronic Thesis and Dissertation Reository Aril 201 The Donnelly Oera oshua L Richardson The niversity o Western Ontario Suervisor Daniel, Omar The niversity o Western Ontario Graduate rogram in Music A thesis sumitted in artial ulillment o the requirements or the degree in Master o Music oshua L Richardson 201 ollo this and additional orks at: htts://irliuoca/etd art o the Comosition Commons Recommended Citation Richardson, oshua L, "The Donnelly Oera" (201) Electronic Thesis and Dissertation Reository 51 htts://irliuoca/etd/51 This Dissertation/Thesis is rought to you or ree and oen access y Scholarshi@Western It has een acceted or inclusion in Electronic Thesis and Dissertation Reository y an authorized administrator o Scholarshi@Western or more inormation, lease contact tadam@uoca

2 Astract The Donnelly Oera is a one-act chamer oera ased on an inamous Southestern Ontario event: the murder o the Donnelly amily in 10 The liretto as ritten ith the consultation o various historical sources Modern text setting ractices are utilized ith careul attention to the use o erect rhymes and natural syllaic emhasis to hel maximize audience comrehension The oera uses traditional vocal archetyes o aria, recitative, and ensemle singing The main ocus o the oera is the dramatic ortrayal o the events that took lace leading u to the second murder trial It is ritten or our vocalists (sorano, mezzo-sorano, tenor, aritone) and ive instrumentalists: clarinet, horn, cello, iano, and ercussion, (timani, chimes, toms, cymal, and triangle) and is aroximately 25 minutes in length Keyords Music, oera, Canadian oera, the Donnellys, Canadian history, chamer music ii

3 Acknoledgements The Donnelly Oera as ritten ith suort rom many dierent artists and aculty at the Don Wright aculty o Music and elsehere I ould like to thank my advisor ro Omar Daniel, and second reader ro ohn Hess Also ro eter aul Koroski, ro aul rehner, ro David Myska, ro Kim Lunderg, ro Torin Chiles, and ro ay Hodgson urthermore, I ould like to thank the musicians and erormers: Rae Cunningham, Ron George, Anna Grigg, ake Schindler, Ethan Lacey, essica Clark, Stehanie Brassard, Grayson Nesitt, and Adam Ianetta I ould also like to thank conductor Ben Leiovitz, director Erin Dickau, and costume designer Becky Lenko I am grateul to the late Chris Doty or roviding the initial idea to ursue this toic inally, I d like to thank my ie enny Richardson or her unending suort, as ell as the rest o my amily iii

4 Tale o Contents Astract ii Acknoledgements iii Tale o Contents iv Score 1 Curriculum itae 7 iv

5 1 The Donnelly Oera Liretto and music y oshua Richardson

6 2 Run Time Arox 2 mins Donnelly -Sorano O Connor Mezzo-Sorano iam Donnelly Tenor Charles Hutchinson Baritone B Clarinet rench Horn Cello ercussion (Timani, Chimes, Tom-toms, cymal, triangle, slastick) iano

7 Score in C The Donnelly Oera oshua Richardson Moderato q=0 Charles Clarinet in B Horn in > Cello > Chimes Timani Toms ã ercussion ã iano Moderato q=0 201

8 The Donnelly Oera 5 Chm n n n n > > > > > There's no 9 9 ust - ice or the Donn - e - llys There's no ust - ice or the Donn - e - llys The A sus - ects o mur - der are herd - ed out - side o the court-room sin - gle

9 The Donnelly Oera ile l > l > > ith - out the con - vic - tion o Ca - rroll the o - thers go ree ith - out a Toms 15 ã 15 Toms n n n 1 n erc ã trial I had > > > > 1 > all the de - tails yet the court sy - stem ails e - very > > > > > > > > time I as Cymal

10 The Donnelly Oera 22 n n care - ul ith the ev - i - dence, I scour -ed high and lo, I had it - ness - es to the > > > > > > 22 > > > > > > erc 22 Triangle ã 22 y y y y y y crime There's no u - stice or the Donn - e - llys B erc 25 ã 25

11 The Donnelly Oera > > > Chm 2 2 > > Toms ã 2 > > Hutch - in - son, this is the day that our case has een dealt a cru - cial > > > > lo! l > l > l > > > The > n

12 The Donnelly Oera 5 5 > > > > > > u - ry ere i - ased, the udge made it cer - tain that no - one e - ver kno that these 5 Toms erc 5 ã 5 ã n 5 n Cymal men have killed my kin though their al - i - is ere thin and held no eight The hole erc ã Cymal æ n n

13 The Donnelly Oera 9 1 C ton had set its mind to e R dea and to e lind to my am - i -ly's horr - i -le ate! There's no 1 1 Cuivré Tim erc 1 let ring ã 1 5 rit Sirito q=72 5 ust - ice or the Donn - e - llys There's no ust - ice or the Donn - e - llys rit Sirito q=72

14 10 The Donnelly Oera D The oy ohn-ny O' Con-nor as staying ith my olks erc ã n He heled a - round the arm ith loughing - and lant-ing and he shared my a - ther's ed 5 rit simly a temo 5 5 And hen the mo shoed u that night he hid and he sa ever-y thing and e - scaed Ÿ~~~~~~~~~~~~ n 5 5 rit a temo

15 The Donnelly Oera There's no E ust-ice or the Don-nel-lys There's no ust ice or the Don - nel- 5 erc 5 ã 5 n 2 2 lys When mos get a - ay ith mur - der! 2 2 Chm 2 2

16 12 The Donnelly Oera Chm rit n rit Mur - der! There's no ust - ice or the Don - ne - n n n a temo Cuivré æ æ a temo llys! > > æ > >,, Charles Moderato {q = c 10} ith hoe Charles, I have a lead that may ro-it our case a great deal an old riend as a art o the vi -gi -lance com- Moderato {q = c 10} n Oh n Do - tell

17 The Donnelly Oera 1 71 Charles mit - tee and there are things ames ill re - veal 71 That sounds ro-mis-ing erc ã izz Triangle 71 n n Charles Yes, that sounds ro - mis - ing 75 erc 75 ã 75 n n n Charles 7 Chm 7 7 The a -ttorn -ey ge -ne -ral could ith-stand the vi-gi-lan-tes' u - ry y mo -ving the case rom Tor-on -to to n

18 1 The Donnelly Oera 1 Charles That sounds ro-mis -ing erc 1 1 ã 1 Guelh n This ill re - move the i - as rom the u - ry arco l l l > > > l l l > > > izz Triangle n Charles 5 Yes, that sounds ro - mis - ing G erc 5 5 ã Your am - 'ly has a re - u - arco 5 n n n n Charles 9 9 ta - tion or caus -ing ro-lems in the ton When a co seemed to go 9 n n 9 n n n

19 The Donnelly Oera 15 Charles 9 9 miss - ing or some-one's cut -ter, you ere izz lamed hen a arn as urned n don arco æ æ æ æ 9 n I ne - ver claimed that e ere an - gels ut there are things I on't al - n lo We ork hard or hat e on, yes e urned a arn ut e n ne-ver stole that cut-ter or that H co izz n 101 n

20 1 The Donnelly Oera ut still they lamed it on us > Damn! the ton still lamed it on us! n n n n n 109 Charles 109 n While list - 'ning to the tons-olk I have re - cent - ly o - served they're l l l 109 n l l l

21 The Donnelly Oera 17 Charles say - ing that the Don-nel - lys on - ly got hat they de - served l n l n l l l l 112 l l l n n Charles 11 R n No that it's like -ly that the tri -al ill e moved the odds o a con - vic-tion are so ve- ry much im-roved n n I 117 sits don and sits on his la to share a drink rom a lask 2 Charles We should have some ooze to 2 cel - e - rate the nes! n You kno I don't drink!

22 1 The Donnelly Oera 121 I'll have a si and some o mine 121 Then or me and or No - rah n n arco n n n n l n 12 my hus -and makes his on ine It as a 12 A love-ly roach my dear ẇ kee - sake rom my mo - ther though I'd sell it or a rice e-cause in truth, I have an -o - ther ut n n

23 The Donnelly Oera Cariccioso q=5 this one's ret - ty nice B Cl 11 No thank you ma'am ust o - er-ing the com - li - ment Cariccioso q=5 15 Charles Mis -ter Hutch -in -son, my ohn -ny needs shoes B Cl 15 Ÿ È ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ I gave your eek - ly ay yes - ter - day

24 20 The Donnelly Oera Charles 19 We had some un -ore - seen det and since ohn - ny is your main it - ness he's - - n un a le to ork 19 The Charles 1 n 1 1 cron is not here or you to a æ 1 - use But I don't think that oy should go are - oot so here's a æ

25 The Donnelly Oera 21 1 n Charles Thank you I'll not ask a - gain, you have my ord! 1 1 sum to ay or ohn-ny's shoes æ æ 1 K reely q=10 gets u rom sitting on 's la n Should e real - ly ce - le -rate al - rea - dy E -ven though the su -sects no sit in a reely q=10 n n

26 22 The Donnelly Oera cell The last trial did -n't go so ell But l ortamento n should-n't e con -si -der hy the case as lost When the udge rac - tic - 'lly egged or a con - vic - tion The 1 rit Strict Time (Like clock) h= 1 su-sects e -ven sore on the ord o God and don't you think it's odd a rit n Strict Time (Like clock) h=

27 The Donnelly Oera n real - ly ig shock that they all had an al - i - i or n 2 O' Clock ames L 171 animated Ma -her says that they ere all in Strat - ord No hat on earth ould they e do -ing n there A n it - ness says he called on ig ack Ken - ne - dy to o-rro a drug e - cause o a cough - ing n

28 2 The Donnelly Oera 179 n 179 scare That must have een quite the alk e - se-cia-lly at 2 n O' clock n n n The M Thom-sons said that Car - rol slet at 1 1 their house and n that is hat they sore i he had ok -en u they ould have heard him e- 1 1

29 The Donnelly Oera cause o their crea - ky loor They ill do all things to lock the 197 n 197 truth get-ting out a-out 2 n O' clock! 197 l 197 n n 197 n n n Three n n N men said they layed cards ith itch - ork Ry - der He told o -lice that he as ast a -

30 2 The Donnelly Oera slee in ed, his n n sto - ry seems to change hat - e - ver suits his need Then ho did all our am - 'ly end u n n 210 Hold till reath is exhausted takes time to catch reath Tim dead æ 210 > > > æ > > > And ohn -ny is the on - ly one ho's

31 The Donnelly Oera ill-ing to talk a - out hat real -ly ha-ened at 2 O' Clock n n n Some-one's daugh-ter had a - ok - en at to ut the girl is on-ly a O youth She 219 n 22 n 22 sa her a - ther ast a - slee can that real - ly e the truth 'Cause I heard a real - ly loud

32 2 The Donnelly Oera old l knock at our door rom a mo at rit 2 O' clock n n Toms ã 229 > > > > > > > > > > > > > > > > > > > > > > > > > > > n suito > > > > > rit > > n n n n reely q=10 mysteriously 2 I had re-tired to ed a -round mid-night I took to the side urth-est rom the all 2 reely q=10 mysteriously n We had 's ro-ther ohn stay-ing ith us The to o them stayed u much lat-er mysteriously mysteriously n

33 The Donnelly Oera 29 Lights change to signiy a lashack to event n came to ed a -round one I had on - ly ust all - en ack to slee hen I rit q=9 heard: mysteriously n n rit q=9 n n 27 accel n n n n n n n n n accel n n n n 12 n n 12 Q 251 Agitato q= n > n > O Agitato q= 12

34 0 The Donnelly Oera 25 (e=e) r r n Ho ma - ny, Ho What are they do - ing to my horse Ÿ i ~~~~~~~ Ÿ i ~~~~~~~~ l l l l ma -ny did you see r r A mess o them Your l l ro-ther's out there too l n 21 r What does he ant l He holds a grudge e - cause I mar - ried l you Ÿ i ~~~~~ Ÿ i ~~~~~~

35 The Donnelly Oera 1 Tim R What could they ant at 2 O' > Clock What could they ant at 2 O' > clock What could they ant at 2 O' > > 2 What could they ant at 2 O' clock 2 Clock > > > > > > suito 2 2 n > n > > > > > > > > > > > suito > > > > Tim 2 choke l > > > > > > > > > > > > > suito

36 2 The Donnelly Oera erc ã 271 ith urgency r ohn, it's hard to ig - nore ut do not o - en that door! r n Gunshot signiying that ohn has een shot Slastick or Snare > * æ æ æ 27 n l > > n 279 S Exressivo q= r Damn r it ohn! r Exressivo q=72 r

37 The Donnelly Oera 2 n 2 I told you not to o - en r u that door r and no your lood is silled u r r r R 2 2 on r the loor r There as no ay to ro r - tect you r 2 2 R R r > r r He's dy - ing, it seems un - like - ly that he ill sur-vive > > r R R R

38 The Donnelly Oera n We need to ray hile he is R still a - live I'll etch a iece o ho - ly R R R 29 T 12 goes and searches around or candle in shock 29 can - dle 29 > 29 R > > detached n 02 n 02 n

39 The Donnelly Oera 5 05 rit æ æ 2 05 > > rit > > > > > > > 2 2 reely q= 2 simly In ar - a - di - sum de - du - cant te an - ge - li, in tu - o ad - ven reathe ad li cresc oco a oco W Ø reely q= simly 2 2 cresc oco a oco Wæ Ø 11 tu su - sci - i - ant te mar - ty - res -, et er - du - cant te 11 aw aw aw 11 W a æ awæ awæ 11

40 The Donnelly Oera 1 1 in ci - vi - ta - tem sanc - tam - e - ru - sa - lem Cho - rus An - ge - lo - W aw aw 1 W a æ awæ awæ aw 17 W rum te - su a æ sci - i - at, et cum, aw awæ aw La - za - ro - quon - dam - au - e - re ae - ter - aw 19 W a æ awæ 19

41 The Donnelly Oera 7 21 W nam 21 aw a æ 21 W ha - e - as - re - qui - aw awæ em aw Ï awæ Ï 21 W 2 2 Largo q=5 Largo q=5 n n n Charles 0 delierately No - rah, I can see you'd love to tell your test - i-mo - ny ut our est chance or se - cur - ing a con - n

42 Charles The Donnelly Oera vic - tion is our case a -gainst ames Car-roll or the kill - ing o your mo - n 7 Sirito q=72 Charles And e ill con - vict no that there's a it -ness rom the in - side, ames ee -he -ley 7 - ther r r r n r 7 n 7 Sirito q=72 n No that the trial is to e moved, r r no more i - as or shit - ing the lame r r

43 The Donnelly Oera And no more smear -ing o the Don - nel - ly name r r 2 2 So let's go see ames and see ho it r r n n n Yes, let's go see ames and see hat he knos W Grave h = Charles goes Grave h = 0 2 Let's hoe it's e - nough to con-vince the 2

44 0 The Donnelly Oera There ill e u-stice or the Don - Charles There ill e u - ry o the su - sects' guilt There ill e u-stice or the Don nel - lys nel-lys There ill e u-stice or the Don - Charles u-stice or the Don - nel - lys There ill e 52 There ill e u-stice or the Don nel lys Tim 52

45 The Donnelly Oera 1 5 and hurry o agitatoq=0 - - nel-lys Charles u-stice or the Don - nel-lys Tim æ æ æ l l q=0 l l 1 X runs on stage in a it l l l You'll not e l l - lieve hat I have l n learned, l l l l l l l l izz l l l l l l l l l l l l l l

46 2 The Donnelly Oera 7 n 7 Our n l home on l rin - cess Street l l as l urned! 7 7 l l l l l l l l l arco Tim 7 n n l l l l takes o her scar, and then her coat throing oth to the ground as she rushes toard Charles > > > Can you e > > > > > > - lieve it > > > > Tim 72 l l l l l l l l l l n

47 erc ã 77 arco n n And The Donnelly Oera Y (e=e) n ev - r'y thing ith - in it lost, Triangle and 1 (e=e) erc ã ev - r'y thing ith in it lost Triangle like our eds and our sreads and our n 1 N quilts and our n cu-oards n I ear hat all these things ill cost! 5 n

48 The Donnelly Oera 90 > 90 n n Our home is laid aste n At least that can e re-laced, un - n 90 n æ æ æ n 90 n Tim like chil n - dren My kids ere sae - ly tucked in N n n Z > > > l l > > > æ l ed > > > l l

49 The Donnelly Oera 5 00 Tim > > > 00 n n æ I it n ere - n't or Bo Don - nel - ly l A - B they'd 00 l l l l 0 N e n 2 2 n 9 9 dead! I'm the oy's Tim 0 0 n > > > > > > > > > > > æ æ

50 The Donnelly Oera 09 n 09 mo-ther I must kee him heal-thy and health is ex - en - sive æ n 09 AA 1 1 > æ æ

51 The Donnelly Oera n BB ohn - ny, dull as gold that had ust een n mined N N ut gold is orth much more once it's een re - ined izz N arco n

52 The Donnelly Oera E - ver since he took the Do - ne - lly hire, they've made him ork izz 7 and ork and ork and ork! he's een tried and test -ed and ut through the ire arco arco

53 The Donnelly Oera 9 9 CC (e=e) > At thir-teen years old, my oy's as re-cious as gold! > > > As gold > It's not a - out the > > 55 n n

54 50 The Donnelly Oera mo - ney It's not a - out the mo - ney, ut i you gave me mo - ney, > 5 DD 5 I sear it ould e or ohn - ny's care n > n 5 æ æ æ æ 5 tranquillo n æ 71 morendo morendo n n ß ß ß Not to cause a - larm, ß ut

55 The Donnelly Oera 51 7 EE agitato 2 this, this ill kee my ohn - ny rom com - ing to harm, or n 2 2 n riends o the n kil - lers n say they ill 1 1 n n Toms 1 ã 1 non legato n n > > n n n

56 52 The Donnelly Oera ay our n n n n Toms ã ord > > n n n n n n n thou - sand! or my seet n n n n n n n n nn n n n n

57 (e=e) tranquillo q=0 The Donnelly Oera 5 erc 9 ã 9 oy! Triangle tranquillo or my seet oy n > æ æ Charles 502 rit q= Al - right here's a sum or your home rit q=50

58 5 The Donnelly Oera q= 7 GG 50 q= 7 æ and enter æ æ agitato Charles! The it - ness ho as going to e the cas-e's sal - va - tion æ æ e ent to meet him at the ho - tel ut the sta said he'd let or the train sta - tion æ 51 agitato n R æ æ 51 So e rushed to see hy R Since it as near We oth had to kno - y as he lan-ning to æ æ æ go

59 The Donnelly Oera Chm Charles, he as oard-ing on a train he as going to let us don he as leav-ing or A - ( ) ( ) ( ) ( ) ( ) ( ) Chm mer -i -ca he as get - ting out o ton Though he did tell us one cru - cial ( ) ( ) 520

60 5 The Donnelly Oera 52 2 HH n 52 act that the de-ence or the vi - gi - lan - tes 2 knos They kno you've een æ Chm erc ã 52 ay-ing the O' -Con - nors! They al - read -y dout the O' - - Triangle Con nors it ness they ill

61 The Donnelly Oera dros ag o money making loud ang She quickly icks u accel 2 What have you there 2 n No - thing at think e've een ri - ing our most im -ort -tant it - ness agitato agitato n accel n 2 II What's in your Agitato q=10 hand 52 2 all On - ly my n hard earned age! n n Agitato q=10 non legato n n n n n

62 5 The Donnelly Oera 55 n n Looks like a hole year's age! 55 Did you ust n n n n 55 ord n n n n n n n 5 ierce You're such a liar! ierce I'm not a Toms ã 5 ay her yet a - gain n n n n n n n n n n n n n n n l ^ l l Cuivré

63 The Donnelly Oera Are you so need - y There on't e ust - ice i you are greed - y! liar ut I ust learned there as a n l l Cuivré ^ n l ire l our house as l l l l Toms 51 ã > 51 l l n l 5 n n you liar so need-y no ust-ice so greed-y urned! no liar ust learned a ire house urned! 5 n Why ould you ay her yet a - 5 l l l l l l 5 n l l Toms 5 ã > > 5 l l l l n n n

64 0 The Donnelly Oera 5 Charles gain 5 n Al-right, e - nough! Things don't look good erc 5 5 ã Cymal 5 æ 5 n choke æ n Charles 552 n 552 I should -'ve thought things through I am so sor-ry to the oth o you Let's ad-ust our ex-ect-a-tions Charles the case is not lost though there might e some com - li - ca - tions ç But here, a

65 The Donnelly Oera 1 Charles Charles rememers the letter rom the attorney general and gras it rom his desk let - ter rom the a-ttor - ney ge-ner-al It should ring some good nes Charles 5 What does it say Is the tri - al to e moved rit erc ã Cymal æ No l choke æ 5 rit

66 2 The Donnelly Oera 571 Meno Mosso q=72 rit KK Adagio q = 52 Charles Can there e ust - ice or the Don-nel - lys - Can there e Chm it's to stay right Meno Mosso q=72 here rit Adagio q = accel Sirito q=72 Charles ust - ice or the Don - nel - lys ust - ice or the Don - nel - lys! ust - ice or the Don - nel - lys! Chm There's no ust - ice or the Don - nel - lys! 57 accel Sirito q=72

67 The Donnelly Oera 579 ust - ice or the Don - nel - lys! There's no ust -ice or Charles There's no ust -ice or us! Tim æ 579

68 The Donnelly Oera 52 us! ust - ice or the Don - nel - lys! There's no ust - ice or the Don - nel - lys! Charles ust - ice or the Don - nel - lys! There's no ust - ice or the Don - nel - lys! 52 Tim æ

69 The Donnelly Oera 5 55 ust - ice or the Don - nel - lys! There's no ust - ice or the Don - nel - lys! Charles ust - ice or the Don - nel - lys! 55 There's no ust - ice or the Don - nel - lys! Tim æ l choke l Charles 5 There's no There's no There's no ust - ice or the Don - nel - lys! ust - ice or the Don - nel - lys! ust - ice or the Don - nel - lys! Chm 5 There's no ust - ice or the Don - nel - lys! let ring

70 The Donnelly Oera LL Adagio q = 52 > > n Adagio q = 52 n n 597 > > n n Chm n n

71 7 oshua Richardson Education Western niversity, London, Ontario MMus in Comosition (2015-resent) BMus ith honors in Comosition ( ) Certiicate in iano Technology ( ) erormances The Aeolian, A String Octet, the ReelHeart Collective Comoser (une 17, 2017) Beal Secondary School, rom Sea to Sea, The London Singers/ Beal Singers Comoser (une, 2017) on Kuster Hall, O Connor, or sorano and iano trio Comoser (March 1, 2017) on Kuster Hall, iano Quartet or the Stratoshere, Ensemle Made in Canada Comoser (Octoer 27, 2015) on Kuster Hall, A Querulous Quartet, or Saxohones Comoser (March 2, 2015) The McManus Theatre, the Sandich Musical, Actors Equity Co-o Worksho Comoser/ Book (2007) The alace Theatre, the Sandich Musical, Actors Equity Co-o roduction Comoser/ Book (200) The London ringe estival, Oscar, Emily, the Giant, retentious Theatre Comoser/Book (2005) The Arts roect, You, Me, Them, retentious Theatre Comoser/Book (2005) Honours Western niversity Dean s Honor List ( ), Gold Medalist Ontario Arts Council Theatre Creators Reserve Grant (2007) London Arts Council Grant ( ) The London ringe estival Best Original roduction or Musical Oscar, Emily, the Giant (2005) The London ringe estival Best roduction unniest roduction or Musical the Sandich Musical (200)

72 roessional Develoment Scritla Certiicate in Musical Theatre Writing ( ) Instructor im Betts Smile Theatre Worksho in Musical Theatre Writing ( ) Instructor Leslie Arden Exerience Dash Quest Heroes, a moile game ulished y Tiny Titan Studios Music and sound designer (2017-resent) iano Tuner, Sel Emloyed (200-resent) Maud, a moile video game ulished y MagicWalnut Music and sound designer (201) Coee Break, a short ilm Comosed and roduced soundtrack (2007) Activities Church orshi leader at Ne Song elloshi, London Ontario (2002-resent) Assistant to the director, Beauty and the Beast, The Grand Theatre, London, Ontario (200)

Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson.

Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson. ive Loons LLC No. 101 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR Text by Edin Arlington Robinson Score arts Comosed 2012, Revised 201 Erik erguson And he as OR MIXED CHAMBER ENSEMBLE NARRATOR