A BOOK OF DRAWINGS. by Joseph]. Denegre. 1l1esis submitted to the Faculty of the. Virginia Pol)technic Institute and State University

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1 A BOOK OF DRAWNGS by Joseph]. Denegre 1l1esis submitted to the Faculty of the Virginia Pol)technic nstitute and State University in partial fulfillment of the requirements for the degree of,\laster OF ARCHTECTRE in Architecture APPROVED: Oli\fo Ferrari, Chairman Guenter Lehmann Hans Christian Rott June, 1986 Blacksburg, Virginia

2 A BOOK OF DRAWNGS by Joseph]. Denegre (ABSTRACT) W')rk is presented to show one architect's findings, relating process rather than a single project. The book itself is conceived as the final product. ncluded are pages from the architect's notebook; a.-xonometric studies and perspective sketches; and diagr.ims of the work. The idea for a chapel is presented; the chapel may be explained, but is not yet defined. Short projects, each contributing to the architect's understanding of his world, follow.

3 acknowledgments My thanks to my good friends and. to the members of my committee and to, to my parents, and most of all to iii

4 table of contents Preface A Way to the Work 2 An dea for a Chapd 8 Projects 18 Vita iv

5 preface: questions to the architect How do work? ntellectually is the beginning - the research, the looking, the rational and orderly investigation of a theme. What is my world? n the work that has excited me, siezed me. and which know to he good, there is a structural integrity, in the ordering and interaction of elements that has intellectual beginnings, hut whose actual taking shape is an almost autonomous process. When is the work good? Good work is a cogent answer. which addresses more than the initial question and which expands understanding. t is a brush with the truth, which leaves its imprint on the work. For only when a work is tme is it of any value, there is nothing else. A way to the work- 1bere must always be a way to the work, that initial searching that defines a world in which to build. Without it, there is no checkpoint, no primary diagram to which all can be reduced. Why this book? To give a final product. To show my way to the work. To define my world and my architecture. To address those two questions, and those two questions only: What does an architect do? And what is architecture all about?

6 a way to the work 2

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8 t'f 0 7' ~id~. t~~ ~~"---- ~\! \ ~ Certain conditions 4

9 .1,. l' 11 '.. ~1i-f : --;;~~i '.:: ~ '!: 11 :: ' > 1 -~ \.---~~ ; ~ '..- ~./ ' ' /., ; - "1--~-,-f. )=---- -/. ~ ~: 1/~~-- ~-;.-,._ { / " \ /. \ //' ' //.-~~/. - ' ' Cylinder study ;

10 /; /,,,,,, 'H! i JJ i!, /, /,! ;, ", ;! ' c,; ' 1 i 11 1 ~ n ~ :1 1 11, - f H ri '! ' ' ' ] A plan for a church 6

11 Two diagrams for a church 7

12 an idea for a chapel 8

13 (}... ~W(.f \. {k l~ik.~ - (>.v- ~v.tj c;.~o 6- ~~- '1-"4k;f"~ MVl- M13\ri.5 rd.(.. K ~ H.,. ~-'~r. ~~ ve\1t. fa.vi4 1.)t..e.. ~+ lo11.~~ua-.c.e. a~ ~ OW\le. ~ r~ ~ ~ o... ~~ "~ f\w... ~ r\~ ~ \tj1..\&..u..e..- ~,ko.do- c...e.~-, "'fov\ {k J~ ~l Some thoughts on the chapel 9

14 --.!----- _; : --:--t---t--. ' L The chapel 10

15 rrr, [! :' ~ -n -----,.J..! () : - L _ - -. '., i i ' LL.u j ww ~ ~ ~~44'1\\, o'f ' ~"''-' - (d-~ ~ a_.., di.jd;~ : ; " 1'. ' ::..... ',:--: --~-' ~.,,., ~~1 1~- _:; ~ ; l. - ' ~ :.. : - Q"~ ~ ~ 0..~~+ l'\orl. 0..1\ i~bt, ~ 0.. v;,;~ or U"-~..,,ti._.J.;"1 t cksi"'- tc "'<1 ~ ckh~ t ~ 7 ;., o.. te e""'"'~,;.t or Z,600 ~l'.a.') J; ~ \.\\)~ 1 '!W1\v-.<d 0..S /... Ull\\\~vov? f..roj ~~'4 ~... ;"'..,;~. r.,,~1 ~ -... ~~< o~ ~ G<i~-.<-5"'-~" we. coll0;~1 ~~, <1.~ ~~/11.<;, ~ h...,_.,, ~~.,t:, i\' ' l.ve.o;.\vri, ~d<~~..?,.\v.d "'"' 1,o1l \\of.?:. " ~. ~'... ~.. ~ A M"i!.Al '7.t!+i4 h +-ip (1.1.o.J ~J~ -fl...-e.. ~!l~t;\ft..... f!,..._,,..., 0..'M.C ~ V',? vd.e.~«(... "'"' o ll ~p~ i' JTillJ ljffi] Floor studies. and an investigation for the plan 11

16 , R1 c:i R -- r---, Pr-. 1,. l~1. 1_j , i, LJ J. 1 r l. 1. U =- c. ~~r-io~ 1 lj,, RP Fl. i J. uu ri1 LJ ~ ' '' ~LJ Lin:,_ 1 r---i, n u i l j LJ LJ ' Ll L-1. '....., :. i Elevations. tud1es. o f the aisle wall 12

17 / / Stair study 13

18 r------, Perspective study 14

19 L, ===----, J f F 1, :; t Perspective study 15

20 ,,,. There's a certain Slant of light, Winter Afternoons - That oppresses, like the Heft Of Cathedral Tunes - Heavenly Hurt, it gives us - We can find no scar, But internal difference, Where the Meanings, are - None may teach it - Any - 'Tis the Seal Despair - An imperial affliction Sent us of the Air - When it comes, the Landscape listens - Shadows - hold their breath - When it goes, 'tis like the Distance On the look of Death - Emily Dickinson 16

21 / /:, f. ' 17,

22 projects 18

23 ' ,,------=-=:::. A prop<, )Sal for. th e Alcxan d na., waterfront 19

24 A tower for Blacksburg 20

25 ~ 1 -.a Qj [3 [3 o~ a o~ CJD lill C5 DD ~ oooc:~~o DOODGCJDD DOOO!:StJO OO ODc:iCJ DOD CJ o~ DD... ~. DD#A A plan study of Lucca; and skctch<.:s of th<.: plast<.:r modd 21

26 ~----; ' -- ' -- ~- - a U _ - \~ [i[ --. ~ : ' "'--\ ~ ~~-~~,- ~--J~-~-.; -- ~ (~ N,,, N ~ y '1 () () y)v t)t 22

27 The vita has been removed from the scanned document

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