The performance of advanced choral literature by the high school chorus

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1 The performance of advanced choral literature by the high school chorus Item Type text; Thesis-Reproduction (electronic) Authors Funk, William Russell, Publisher The University of Arizona. Rights Copyright is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/05/ :10:59 Link to Item

2 /<7JT3 QS h W'i'. l I S o - ic -

3 Univ. of Arizona Library

4 Written by Ursula GreviUe ami dedicated to Sir Hugh Allen and the Oxford Bach Choir The shepherds had an Angel. H Y M N FOR SOPRANO SOLO, CHORUS I. (S.A.T. B) AND COR ANGLAIS (OR VIOLA.)... Poem by Music by CHRISTINA ROSSETTI. MAURICE BESLY. By permission of Op. 20. tessrs.' Mscmillsn t Co. Ltd. - Soprano Solo. Li free rhythm.. > had an an - gel, the wise men had a But what have L a lit - tie child, to guide me home from :f*r Where glad stars sing to geth er, Copyright, 1923, by J. Curwen & Sons Ltd. 80k Agents for the U. S. A... : G. ScMpner, Inc. Printed in the U. S. A.

5 Je - bus is_ my guard - ian, so Soprano. Ttnor. Lord Je - bus is_ Piano lack Thej lambs" lie in his bo - som a long life s dan-gcroust rack, The it 4

6 (Cor AncMs) wil-ful lambs that go a - He bleed-lag -bring SOLO. Je-sus is my guid-ing solo. 5

7 Bea-con light in» El p p J step by step a - long the path of life, The path----- of life un ev - en. He, path of life. The of life un of life un - ev - en. He, step by step a - long the path, of life. 6

8 1 &F.». l. i t - ' I t w 1 r'-" " V f r ' True light leads me to that land, leads me to that land, whose day shall a tem po k. k - ia J ' J " : :J _ IK ^ ^ y a t i = 3 = i = = : T - f - True light leads me to that land, leads me to that land, whose day shall ehte. ( i J. 7. fo1. sp -u ---m d i u ffte lifeht leads me to that land, leads me to that land, whose day 9 i i 1 l i L!,» > f m ss. er L _I> k. km - f f #.1^ - 11 r is-- if u y p p True jlight leads fie to that land, leads ise to that land, whose :Z2 i ^ Lf T = = \ True light, allarg.. r i ' ~ a tempo a tem po shall r - e ^ - P g - jg=.- - = f... leads me to that land, whose.. i ^ r -J C: W: lj. f ] * = J - j- ' j^ utq y i fi V' -F- 1 day shall ewe. -4rO * ' F major. [d T ' poco rail. vruse. 1 ^ be as '-P L J - J seven K pnon ra ^ - - v r y /, y :(h\> ^ 4i -' ± J =. # J be as meven... 4 a r r = f - ^ - - M N ^, i L. r ibe a. mlng) ^ My T T - -n*i F A- - 2 ^ _ 1 n Jj K i, at_ " A E y f... t i I- n h J K k - 3 / p. j i -... H 1 l # # / - r f - - b f :.'. W... be as seven Lord Je- sua is my gmd-ing fltr~ y poco rail.[ 0 wtf 'll. MJ A L. gp -.J-L U MJ 1 poco ra111. pft 5 * ^ 1 1 > j J j. j _ h J» The nor* eetea shsiigeslepereeptlbly Into a hum.» * 7

9 (ad lib) (Cor Anglais) ' P, SOLO. Christ watch-es me his lit-tle lamb,::! star. star, my star.. X A cares for me day and night That I may be His own in :Heav- en, So

10 an - gels, clad in white, shall IH a tempo ) sing their erese. y. Glo r - tjf their- Glo ry, their

11 i height. height. - men. height. - men. Glo - - ry, Glo - aw e; men. A - men. men. A - men men. men.

$18 HEALEY WILLAN f\. h i h o -d i-e, h o-di-e, ho-di-e, H o-di-e, h o -d i-e, ho-di-e, p cresc. H o -d i-e,----- p cresc.$

12 i C.M.469 Words in L atin and English, from a Christmas antiphon Soprano Alto Tenor 10. Hodie, Christus natus e st Allegro (J*= about 72) p cresc. Today Christ is born (F or C h r istm a s) Price.18 HEALEY WILLAN f\. h i h o -d i-e, h o-di-e, ho-di-e, H o-di-e, h o -d i-e, ho-di-e, p cresc. H o -d i-e,----- p cresc. ^ h o-d i-e, h o-d i-e, I H o -d i-e, h o-d i-e, h o-d i-e, Piano (for rehearsal! only) P cresc. Chris - tus Christ is Christ tus is est: C h ris-tu s Christ is Christ est: Aon*; C h ris-tu s Christ is Christ tu s is C h ris-tu s Christ is Christ tus is est:! (7( Copyright by Carl Pimchor Inc., New York Imiematioaal Copyright Geeared PRINTED IN U.S.A.

13 m p cresc. m p cresc. ho - di - e, d i - e, ho - di - e, mp cresc. di - e, ho - di - e, S al - - d i - e, mp cresc. ho - di - e, S al - ho - d i - e, ho - di - e, Sal - mp cresc. tor ap - pa viour hath ap - pear - ed: ap vtour pear - ed: ap viour viour

14 * ho - di - e, ho - d i- e, ho - di - e, ho - di - e, ho - di - e, in ter - ra ca nunt on earth the choirs o f i f r i r f i? '1 f r I i t * 1 ho - di - e, ho - di - e, d i- e, ho - di - e, ho - di - e, An ge/s sing:. lae - tan tur Arch - an - ge - Arch - a» 87S8S-6

15 4 cresc. di - e, ex - ill - the rig h t ' cresc. e, ho - d i-e. ho - di - e, ex - the ul - rig h t cresc. ^ *r ^ IB^ r l r i pjp:-p=piiii(!:jr. r.»r-l *Hrrl rr e, ho - d i- e, ho - d i - e, ex - the ul rig h t cresc. ir *r iiriff r t li: ho - d i- e, ho - di - e, ex - ul - joice: the rig h t - ecus. m ± r tant ju - sti,. re Joice to i i?^e di - cen-tes: ecus. tant ju - sti, d i-cen-tes? G lo -ri-a in ex re - Joice to - geth-er, say-ing* eons re - joicesti, di - cen-tes: G lo -ri-a in ex 37#**-*

16 6 4 cel - sis De - o, / r 9 r m - Glo - ri- a in ex De - o, cel - sis De - o, Glo - r i- a in ex - cel - sis D e - o, r- pr p p 1-^ Glo - ri - a in ex - cel & rj.m. Animate r r - r r i sis De - o. A1 - le - ^ tjvm 'i*^ ^; ^ V.f Glo - ri - a in ex - cel - - ^ - - sis De -. o. r p r p p i i r-i r r Glo - ri - a in ex - cel sis De - o. jtr / m Glo - ri - a in ex - cel - sis D e - 5 S = r- p'f- fcp j j th i j / T " j

18 B.C.S. Chor&l Music, N91786 To /As Serge Kou&sevitxky, Director Alleluia For Four-part Chorus of Mixed Voices (a cappella) 3 R an d all Thompson Lento SOPRANO A1 - le - lu al - le - ALTO Al - le lu al - le TENOR al - le - BASS Lento al - le - PIANO (For rehearsal only) al - le - al - le al - le - al -le- A A A A ' A A J. J. Copyright, 1940, by E. C. Schirm er Music Co. E. C. S. N91228 ' For all countries Decca Record No, M, 541 recorded with the Fleet Street Choir, T. B. Lawrence conducting.

19 4 le - - le al - le - lu - al - le - lu E.C. S. N21228

20 T? n A N019 Vft 5 al - le - lu - ia, * i i J ' J' Ji j i. Ji j» m j> } i * J i al - le - lu - ia, al - le - lu - ia, al - le - lu -P P P P P p1p P Imp P al - le - lu - ia, al - le - lu - ia, al - le - lu.. p - p - p = p ia, al - le - T > = a r = p ia, al - le - al - le - lu - ia, al - le - lu - ia, al - le - lu r1; ;,,. zzr a 1 w ia, al - le - t r 4 al - le - lu - ia al - le - lu - ia ia, al al - le - al - le al - le - al - le

21 6 mpdolcissimo le - In le - lu a l- le lu - ia ' 7 p r j le - lu le- lu al - le p ip dim. p dim. p dim. R n.s.w m

22 E.C.S.N al- le- lu - al - le- lu -ia, al- le - lu -ia al - le - a l-le espressivo al - le - al le - lu al - le - lu al - le - lu - le - lu r W H r - r - le - al le - lu al le - lu lu - ia al - al - le- lu - ia le - lu

$* ia, al - le lu - ia, al - le - lu - ia, = = - m p dim. tp-trv f ia, al - le - lu ia,- \ F ia, lu ia, al - le - lu - ia, f t J j n r.$

23 8 pcresc. W In - ia,_ & al - It* mfdolce S H i ia, ; mp dim. al - le - lu p cresc. m p dim. 2 ia, al- le - lu p cresc. m lu - ia, al - le - lu p cresc. * ia, al - le lu - ia, al - le - lu - ia, = = - m p dim. tp-trv f ia, al - le - lu ia,- \ F ia, lu ia, al - le - lu - ia, f t J j n r. J T t r - m p ^ w r r r r " if dim.

24 9 (Km. p p a tempos sostenuto f oco rail pp a tempo, sostenuto al - le - lu p p a tempo, sostenuto poco rail. al - le - lu poco rail. a tempo, sostenuto v r r wpjimal - le - al - le - lu - ia, al - le - lu - ia. Poco cresc. simile al - - l e E.C.S.NQ1228

25 10 I <pp subito cresc. foco a face j j ii, j ^ lu - ia, al-le - lu - ia, al - le - lu - ia, a l-le - In - ia, ^pp subito cresc. foco a foco * p p subito cresc. foco a foco a l - l e - lu - ia, a l-le -lu -ia, a l-le -lu -ia, a l- le - lu - ia, al - le - lu - ia, n p p subito, cresc. foco a foco - - doles a l - l e - lu - ia, al - le - lu - ia, a l- le - lu - ia, al - le - lu - ia, m m ' I I I J r r r cirr y.r-*l rr cresc. poco a poco j - n j - r ~ r r r- r r~ r r T'~T~r r r T

26 Movendo Movendo stringendo In - ia, al - It* - hi ia, al - It* - hi -J / i / ^ al - le - lu - ia, -l------k. / i al - le - hi - ia, ia, al - le - lu - ia, al - le - stringendo => p ", in " m al - le - lu - ia, al - le stringendo r l 1 xr n f c n r i n ia, al - le - lu ia, al - le - lu ia, al - le - lu - ia, al - le -, sjr't ngendo^ > F to/si g m ' i> -rrri-n-n.

27 12 Largamente le- lu ell- 16 le- lu *il- le - a l-le lu - le - lu lu- ia, al - le - lu Largam ente a l- le - al-le-lu - mar cat o rail. E.C.S.N21228

28 Lento 13 a l-le - lu - ia a l- le - a l-le a l-le - mpcalando a l-le i - lu - ia a l-le - a l-le - m p calando Merio mosso al - le - Lento mp calando al le r *tz lu - a l-le - lu w a l-le - al - le - lu - ia.. al - le - men. al-le - vy Ju ly 1-5, 1940 ze.ct S N51228

29 98 N? C H O R U S His y o k e i s e a s y, a n d H i s b u r t h e n i s l ig h t Matthew x i : 80 Alto His yoke----- is T e n o r Ba ss Allegro ( J =69) 22945

30 4 -R - sy, His bur-then, His bur ^then is light, w m W : ' i light, His bur-then, His bur - then is light His burthen, His His burthen, His bur - then is light, 22$I45

31 bur - then is light His yoke----- bur - then is light His Burthen is is light. His yoke---- is ten is light His bur - then. -then is light, then is His yoke----- is ea sy, His His burthen is %Ug] His burthen, His 222)45

32 io : ^ *[is hurt len is light, llis >urtjben, His His burthen is light, His burthen, His bur - then is - sy, His burthen, w n w ) Original score has in bass h ere: ^ 22945

33 yoke----- is sy, His bur-then is light His bur-then is His yoke is [is bur-then is light His bur-then^ His His bur-then is His bur-then is UgHt, His bur-then is His bur - then is bur-then is light is light His bur - then is bur-then, His bur then, His bur His bur-then His bur - light, His bur - is light His bur -

$- then is light, His yoke is ea - sy, is ea- \ - - then is ' light, His yoke is ea - sy, is ea n, ' j T W :----- # i m w m 4,- ' l r r p p ir' # -sy and His bur - then is light, His yoke m is ea -$

34 - then is light, His yoke is ea - sy, is ea- \ - - then is ' light, His yoke is ea - sy, is ea n, ' j T W :----- # i m w m 4,- ' l r r p p ir' # -sy and His bur - then is light, His yoke m is ea - sy, His burthen is. ^, _ ea - sy, His burthen is light, His yoke_ is ea - sy, His bur - then is -sy, His burthen is light, His yoke_ is ea - sy, His bur - then is His yoke and His bur - and His bur - - then is and His bur - - then is light. [is yoke - then is and His END OF PART I

35 104 PART II N C H O R U S Behold the Lamb of God John i : 29 Largo S oprano Alto T e n o r Ba s s Largo («h= so) hold the Lamb of God, Be - hold the Lamb of God, - hold the Lamb of

36 O 8 A lle g ro m o d e ra te so p. i. Chorus. - O LORD OUR GOD N, * 1 1 ' il k U J. J»! sop.n! vouch-safe Thy grace, May we be - hold!.alto Lord our God,. t r r 1 TENOR O Lord our_ God, vouchsafe Thy grace, May we be - hold Thee _flj» i O Lord our_ God,! BASS vouch-safe Thy grace, May we be - hold Thee O Lord our God, vouch-safe Thy grace, May we be - hold Thee A ewe Ail a A. J U W * a _ JJDj. u G t.jy U J ^ e, p -.. M r f r -" # -6 3 ^ # S La face to face, And praise th e. glor-iona Trln - i - ty, Throughout a - face to face, And praise the glor-iousttin - i-ty, Throughout a face to face, And praise the glor-ious Trin-i - ty, Throu^&out a A ndpraise the glor -ious Tria - T - :y, Throughout a J i i j ^TTHT^- r-cn l alee, Beloved C hristiau i-8*

37 ions Trill - i - ty, Through-out ious Trig - i - ty, Through-out a glad, E -ter - ni - ty. Rejoice, Beloved C h ristian s

38 Larghetto 29 Rejoice, Beloved C h ris tia n s -S t

$30 A-men, A men, A men, A -m en, A - m en, A -m en, A - men, y j - - 1 i A - men, A - m en, \ A-m en,a - m en, A-m en, A - men, Qt- Fle t m r J r j i -r j ffl.$

39 30 A-men, A men, A men, A -m en, A - m en, A -m en, A - men, y j i A - men, A - m en, \ A-m en,a - m en, A-m en, A - men, Qt- Fle t m r J r j i -r j ffl.j M d A - men, A - men, A - men, A - men, j y.., j y A - j- j ji*if - me W t F i [ r L E, i # # A - men, A - men, A - men, A - men, A mei. j y jrp \ A - men, A - men, A - men, A - men, Rejoice, Beloved C h ris tia n * -3 2

40 r f 5 *»*/ Ch A nip 1 1 1, m - 0 * t s z J p T i f r _ J # LmJ ' K- - # - A -m en, A-men, A - men, / A-men, A-men, A - men, ijoice, Beloved C hristians-3 8

41 32

42 N? C H O R U S Worthy is the Lamb that was slain Rev. v: 12,13 Largo SOPRAKO f Alto is the Lamb that was and hath re - Wor - thy is the Lamb that was slain. and hath r Te n o r ZL Bass f \ Wor - thf is the Lamb and hath re is the Lamb that was slain, Wor - thy and hath re - Andante deem-ed us to God by His blood, to receive power, and riches, and 28941$

wis-dom. and strength, and hon-our, and glo - ry, wis-dom, and strength, and hon-our, and glo - ry, S wis-dom, and strength, and hon-our, and glo- ry, and A Largo V * 3=» 1 bless - ing.

43 wis-dom. and strength, and hon-our, and glo - ry, wis-dom, and strength, and hon-our, and glo - ry, S wis-dom, and strength, and hon-our, and glo- ry, and A Largo V * 3=» 1 bless - ing. Wor - thy is the Lamb that was slain, i Wor - thy the Lamb that was slain, ( m e bless - ing. Wor. - thy is the Lamb that was slain, A Largo Ur 68) ^ f t W # i f l 3 V and hath re - deem - ed us to God, God by His f f and hath re - deem - ed us to \ and hath re - deem - ed us to i t f r r m - y God by His L * i i r God, to God by His & f =*= 22*45 V 3.?

44 Andante ' 239 Wood, to receive pow-er, and rich-es, and wisdom, and strength Wood, to receive pow-er, and rich-os, and wisdom, and strength, and Wood, to receive pow-er, and rich-es, and wisdom, and strength, and It" "blood^ to receive pow-er, and rich-es, and wisdom, and strength, and n Andante (J= 70), -----" " 22945

45 2*0 J * Blessing1and Ixmour, gloryand powv, be un-tohim, be un-to throne, and un-to the Lamb, & throne, and un-to the Lamb. mt i - F t r r y n Him that sit-teth up-on the. throne, and un - to the Lamb,. that sit-teth up-on the throne, and un-to the Lamb, ^ r3 r3. ^. A n J t s. f

46 **945

47 V hon- our,. glor^and powv, be un - to powr be un - to - ry be un - to Him Bless-ingand hon-our, glor^rand pow, be un- to A A A J. ev- er, ry be un - to Him that sit - teth up - on the and un - to the Lamb. that sit - teth up - on the throne, that sit - teth up - on the throne, that 22945

48 28945

49 r i glo - ry and pow* er, be nn - to Him that sit - teth up-on the glo - ry and pow - er, be un - to Him that sit. teth up-on the 23v)5

51 T ev - er and ev - er, for ev - er and ev - er, ev - er and -ev - er, for ev - er and ev - ev - er and ev - - er, for ev - er and ev -..»" i) Ij -... J T 3 fcfeeptlj Adagio ev - - er, for ev - er and ev - - er, for ev - er and ev - - er. J>-i >i r i.) s a s a w s is w p a W for ev - er and ev - - er, for ev - er and ev. - - er. or, for ev- er and ev - - er, for ev - er and ev - y - er, for ev- er and ev - - er, for ev - er and ev - er. fa f f. t f f Ap jp f f ^ I r Allegro moderate I - men, A «* - men, A - # - = ^, z \ P # # M 4-#- m «# 1 9 = - * r - 'j f i., P 1 ft fm i= \ 22945

52 8*946 *47

55 **945

56 251 r r m n. A - m o n A %fb45

57 men, A - men, - men. Adagio A- men, men, A - men, A-men, A - men, A - A-men, A-men, A - - men. - men, A - men, A - men, A-men, A

No. 14324 IN DEEPEST GRIEF (From the "St. M atthew Passion") /. S. Bach Price 20 Cents (Double Chorus for Mixed Voices) Johann Sebastian Bach Choral Music OCTAVO NO.

58 No IN DEEPEST GRIEF (From the "St. M atthew Passion") /. S. Bach Price 20 Cents (Double Chorus for Mixed Voices) Johann Sebastian Bach Choral Music OCTAVO NO. 14,801 ALMIGHTY FATHER (C h o ra le )... 13,744 BREAK FORTH, 0 BEAUTEOUS, HEAVENLY LIGHT... (Chorale from the Christmas Oratorio) CRUCIFIXUS (Latin and English text) (From the Mass in B M inor) (The same, for Women s Voices, S. S. A.) ,326 CUM SANCTO SPIRITU (From the Mass in B Minor) ,200 DEAREST LORD JESUS (Liebster Herr Jesu) (Women s Voices, S. S. A.) ,330 ET INCARNATUS EST (From the Mass in B M in o r) ,803 FIVE CHORALES (for Young Men s Voices, T. T. B. B.) ,800 HOW SHALL I FITLY MEET THEE? (Chorale from the Christmas Oratorio)... 14,403 IF THOU BUT SUFFER GOD TO GUIDE THEE (C horale) IN DEEPEST GRIEF (Closing'Chorus from the St. Matthew Passion). : 14,703 JESU, JOY OF MAN S DESIRING (from Cantata ) ,706 (The same, for Men s Ifoices, T. B. B.) ,728 (The same, for Treble Voices, S. S., or S. A.) ,727 (The same, for Women s Voices, S. S. A.) ,746 (The. same, for Women s Voices, S. S. A. A. )... Unison Song (using any of the editions above) 14,424 JESU, PRICELESS TREASURE (Chorale) (Three harm onizations)... 14,323 MY HEART EVER FAITHFUL (Unison S o n g ) ,563 NOW LET ALL THE HEAVENS ADORE THEE..... (Chorale from the Cantata Sleepers, W ake!) 14,573 (The same, for Women s Voices, S. S. A.)... 14,151 THAT WORD SHALL STILL IN STRENGTH A B I D E... - (Chorale from the Cantata A Stronghold Sure) 923 THE TWELVE CHORALES FROM THE ST. M ATTH E W PASSIO N (Close score) THREE CHORALES FROM THE ST. M A T T H E W PASSIO N (Open s c o re )./.... SIXTY CHORALES (with English text) Selected and edited by Percy Coetschius.. % THIRTY CHORALES FOR MEN S VOICES (with English text) (Coetschius)... v. : FOR MIXED VOICES UNLESS OTHERWISE STATED OLIVER DITSON COMPANY THEODORE PRESSER CO., DISTRIBUTORS i712 CHESTNUT STREET + PHILADELPHIA +

2 Edited by F. Van der Stucken I N D E E P E S T G R I E F F rom the St. M atthew P a ssio n " J. S. BACH PIANO (J = 72) 11 i r g q - s = W F T' r rll i jii i ~ # * CHORUS I I CHORUS / 8 SOPRANO In deep-est g rie f ALTO.

59 2 Edited by F. Van der Stucken I N D E E P E S T G R I E F F rom the St. M atthew P a ssio n " J. S. BACH PIANO (J = 72) 11 i r g q - s = W F T' r rll i jii i ~ # * CHORUS I I CHORUS / 8 SOPRANO In deep-est g rie f ALTO * s m t r c r r i a here sit we weep-ing, H earts turned. to Thee, In deep-est g rie f here sit we w eep-ing,. Hearts turned. TENOR L ^? In BASS deep-est 3 # 5 w ~ m f cm z s to Thee, 1 g rie f here sit we w eep- ing,hearts turned,hearts turned to Thee, 1. hm m +? In d eep-est g rie f here sit we w eep -in g, Hearts turned to Thee, O No. i4 S 24 Orchestration available

60 , r r in, n $ m S O Sa - viour blest: Rest Thee soft-ly, re st Thee soft-ly, soft-ly rest! g A l j H a l O S a - viour blest: Rest Thee soft-ly, rest Thee soft-ly, soft-ly rest! O Sa - viour blest: R est Thee soft-ly, j p / / M r f c r si rest Thee soft-ly, soft-ly rest! Sa - viour blest.-restthee soft ly, rest Thee soft - ly, softly rest! I O Sa - viour blest: l/ - u r - h # % soft-ly rest, rest Thee soft-ly, soft-ly rest! $ O Sa - viour blest: soft-ly rest, rest Thee soft-ly, soft-ly rest! O Sa - viour blest: soft-ly " f r p - ir - r p c H 1 rest, rest Thee soft-ly, soft-ly rest! f o - r = F ^ m m - Sa - viour blest: soft - ly rest, rest Thee soft - ly,softly rest! y r j n r n m e m r r r / 2 : V V =: =:=:=: i : V * X ^

4 deep - #st g rie f here sit we weeping, Hearts turned here sit we weeping, H earts turned to Thee, In deep - est g rie f here sit we weep-ing, Hearts tu rn e d to Thee, In deep - est g rie f here

61 4 deep - #st g rie f here sit we weeping, Hearts turned here sit we weeping, H earts turned to Thee, In deep - est g rie f here sit we weep-ing, Hearts tu rn e d to Thee, In deep - est g rie f here sit we w eep-ing, H earts turned to Thee, deep - est g rie f here sit we weeping, Hearts turned to Thee, In deep - est g rief here sit we weeping, Hearts turned In deep - est g rie f here sit we weep-ing, H earts tu rn e d to Thee, In deep - est g rie f here sit we w eep-ing, H earts turned to Thee

62 5 0 Sa - viour blest: RestThe soft-iy, RestThee soft-ly, soft - ly rest! O Sa - viour blest: RestThee soft-ly, Rest Thee soft-ly, soft - ly rest! O Sa - viour blest: RestThee soft-ly, RestThee soft - ly, soft-ly rest! O S a- v io u r blest: RestThee soft ly, RestThee soft - ly, soft-ly rest! O_ Sa - viour blest: soft-ly rest, RestThee soft-ly, soft - ly rest! O Sa - viour blest: soft-ly rest, Rest Thee soft-ly, soft - ly rest! O Sa - viour b lest: soft-ly rest, RestTheesoft - ly, soft-ly rest! O S a - v io u r blest: soft - ly re st, RestTheesoft - ly, soft-ly rest! "

63 6 SOLO Long, ye y limbs, lie sleep-ing! Long, ye wear y limbs, lie sleeping! Long, ye wear y----- limbs, lie sleep-ing! Long, ye limbs, lie sleep-ing! Rest ye soft - ly, rest in Rest ye soft - ly, rest in Rest ye soft - ly, rest in 5-30-Mi?O5-262

64 7 Long, ye wear y limbs,lie sleep-ing! y limbsilie sleep-ing! Long, ye wear limbs, lie sleep - ing! Long, ye sleep - ing! Best ye peace! Rest ye soft - ly, rest in Rest ye soft - ly, rest in ye!

65 8 m E P, This cold stone_a W -# # - - hove Thy head, m Shall to ma -ny a E, ' This cold stone a - hove Thy head, f _ r r~t m This cold stone- a hove Thy head, m Shall to ma - n^a 6 ^ Shall to m a -n jra [fiv r This cold stone a - hove Thy head, Shall to m a-n jra peace! peace! a. r peace!

66 * care-worn con science Be a sweet re - fresm ng pil - low ; Here the soul find peace cam-worn con-science Be a sweet re - fresh-ing pil -lo w ; Here the soul find peace careworn con-science Be a sweet re - fresb-ing pil - low; Hem the soul find peace careworn con-science Be a sweet re - fresmng pil - low; Here the soul find peace - F % R e st 5 #* ##?0* *#$

67 10 ' I'.rr ffiy ful,the soul find peace-ful_ bed. Closed in b liss; ful, the soul find_peace-ful bed. Closed in b liss, ful, the soul find peace-ful bed. Closed in bliss, ful, the soul find peace-ful bed. Closed in bliss, soft -ly, soft-ly rest! soft - ly, soft-ly rest! soft-ly, soft-ly rest! Thee! (^5-262

68 11 bliss di-vine j slum ben- now the wear-y----- eyes. bliss di - vine, ber now the wear-y bliss d i-vine, slum ber now the wear b liss slum-ber now the wear- y Optic -f f : * *?? f f r>-39-f>

$\ g n, > m to Thee, m _ t y A m = m In deep - est grief here sit we weep - ing, Hearts turned, V I>. r - r r j z z j!$

69 i±= In deep-eg t grief m here sit we weeping, Hearts turned to Thee,,, v I-'!' [ ] " & In deep-est grief % here sit we weep-ing, Hearts turned. \ g n, > m to Thee, m _ t y A m = m In deep - est grief here sit we weep - ing, Hearts turned, V I>. r - r r j z z j! hearts turned to Thee, J In deep - est grief here sit we weep - ing, Hearts turned, hearts turned to Thee, V L, L _, R-3H-GR7U5-m

70 18 I O Sa - vioar bleak Rest Thee soft-1# rest Thee soft-l#softly rest! Sa - viotsr blest Rest Thee soft-ly, rest Thee soft-ly,softly rest! Sa - viotir b lest Rest Thee soft-ly, rest Thee soft-ly, softly rest! viour blestr est Thee soft ly, rest Thee soft - ly,softly rest! O Sa - viour blest: Sa - viour blest: soft-ly rest, rest Thee soft-ly, softly rest! soft-ly rest, rest Thee soft-ly, softly rest! Qp/gbmy/ Ckr/ A r -r -r - -i-r Sa - viour blest: soft-ly rest, rest Thee soft-ly, softly rest! viour blpst: soft - ly rest, rest Thee soft - ly,softly rest! i! r r r f r t r i I G.2*.##70a-2@%

In deep-est grief here sit we weep-ing, Hearts turned to Thee, In deep-est grief here sit we weep-ing, Hearts turned to Thee, deep- est grief here sit we w eep-in g, Hearts turned to Thee, deep- est

71 In deep-est grief here sit we weep-ing, Hearts turned to Thee, In deep-est grief here sit we weep-ing, Hearts turned to Thee, deep- est grief here sit we w eep-in g, Hearts turned to Thee, deep- est g rief here sit we w eep-in g, Hearts turned to Thee, In deep-est g rief here sit we weep-ing, Hearts turned to Thee, In deep-est g r ie f here sit we weep-ing, ' Hearts turned. In deep-est grief here sit we w eep-ing, Hearts turned. to Thee, In deep-est grief to Thee, here sit we w eep-ing, Hearts turned

72 15. n - _. L^ _ t.., h L / O Sa - viour blest: Rest Thee soft-ly, EestThee soft-ly, so ft- ly rest! $,1,. O Sa - viour blest: Best Thee soft-ly, /, j Rest TM e soft-ly, soft - ly rdst!,1, 0 f >, O Sa - viour blest: RestTnee The soft-ly, RestTheesoft - ly soft-ly rest! % O S a - v io u r blest:restthee soft - - ly, RestTheesoft - ly,soft-ly rest! i % J!P / /T\ 5 ^ * O Sa - viour blest; soft-ly rest, RestThee soft-ly, soft - ly rest!. m PP /. ) 0 Sa - viour blest: soft-ly rest, Rest Thee soft -1% soft - ly rest! A > Z?N O Sa - viour blest: soft-ly rest, RestThee soft - ly, soft-ly rest! P 3 pp i j I j - > r PP3 O S a-viour blest: soft - ly rest, RestTheesoft - ly,soft-ly rest! m i i i i: p pp

96 //hvzl^y-y N 9 10. Quartet and Chorus. J^Quando corpus morietur A n d a n t e c o n m o t o. (J = 76) Piano. Alto S olo. Q u an-do Bass Solo.

73 96 //hvzl^y-y N Quartet and Chorus. J^Quando corpus morietur A n d a n t e c o n m o t o. (J = 76) Piano. Alto S olo. Q u an-do Bass Solo. co r -p u s Q uan-do m o - r i - e - t u r, F ac ut li-m a e do - n e - tu r P a - r a d i - s i g l o - r i - a. F a c u t a n i - mm do - n e -tu r P a r a d i-si g l o - r i - a. Soprano S olo. Q uando cor - p u s - e - tu r, Tenor Solo. Q uando co rp u s m o ri - e - t u r, Q u a n d o co r - p u s m o r i - e - tu r, F ac ut Q uando corpus m o - r i - e - tu r, IV/nd j f * - % a. *

$.. Jf J l z z = : v mo - n - e - d ------------- tur, Eke ut a r ni-mae ( *pocq - a fraco cresc [o- fo co a fo c c i^ c r e M ^ quando corpus mo - r i- e - tur. m rv.$

75 quando corpus mo - ri-e - Jf a ft; fiff , a: Jf J l z z = : v mo - n - e - d tur, Eke ut a r ni-mae ( *pocq - a fraco cresc [o- fo co a fo c c i^ c r e M ^ quando corpus mo - r i- e - tur. m rv.rr'h f- i Ike ut a-ni-m ae d o -n e - tu r Quan - doa,. z z z z n r - T h Z -V M ifrt ftp co a foco cresc.. i^ ja : # i u cor - pus mo - r i - e - tur, Ike ut a - ni - mae do-ne - tu r ** * i - - '' j ^ - j. i ne - tu r, Q u an -d o c p r- pus mo - ri-e - tu r, I'ac ut a - ni - mae dot- J = = j ) cor - pus mo - r i - e - tur, Ike ut a - ni-mae do - ne - tur, fac ut m i m m cor - pus mo - r i - e - tur, Ike u t a - ni-mae do - ne - tur, fac mi \ h. Z P a -ra - d i- s r glo - ri - a, moit0 cresc. pa- ra-di-si glo - ri - a, ne - tu r P a -ra -d i - si glo - ri - a, Ik-ra-di-si glo -ri - molto cresc. ni-mae do - ne - tu r Pa-ra - m t f o. Tutti % alto oresc. s 17765

76 09

77 100 - ni-ma? -n e - tur it a - ni-ma? do - ne - cor - pus m o-ri - e tur, Fac ut a - ni-mae r i-e- - tu r, Fac ut Chorus

$Allegro molto. f a M g 101 V h # M - lucilj,.....,., \ i V! «" #--p------ A - - :men, 5-5----^ @L- - - men, r r m-#-m------ f...- 1 ) & A llegro m o lto.$

78 Allegro molto. f a M g 101 V h # M - lucilj,.....,., \ i V! «" #--p A - - :men, - - men, r r m-#-m f ) & A llegro m o lto.( J= i:l%) - men, 1 # % -----' : "I f f e rt ^ r W -. i ^ r r n & 1, m fr u iti ' r ^ f r r iz z _ : srifir ifirir it it it m A - u ' it 11 it = = = $ d = = = = A = ^ i... - i * j r T - d r i f : - : - i A - - men, / «> pf , M men,... 1,, A j- - men. A - men, 17765

79 - men, men, -m en, i - men - men, a - men, a - men, men men, -m en, a - men, men a - - men - men, a 8 OT men, 1 J.f.- men, jm W n )

80 108 - men - men, a - men. a - men, men, a - men - men r w - men if ii iij'ii "i m'i ' i h r r i Y r r r «J - m en. a _ me a - men, a - men, a - m e n,. a - men, - men a -.men. a ^ men, 17765

$104 r i >r'- r m men, a - - men, i a a - - men, a - - men, ^ I9 men, a - men, - men, ^ r - M r f " i Y ~r r ' \^=i a - men, i a - - men trj j j a - _ - x - ^. km.$

81 104 r i >r'- r m men, a - - men, i a a - - men, a - - men, ^ I9 men, a - men, - men, ^ r - M r f " i Y ~r r ' \^=i a - men, i a - - men trj j j a - _ - x - ^. km. a mm a - > > FT,& *T (, wr v S r h - men, a men. a - w m m # > p SZr. A HV/iflf b j J j J : - J ^ 1 -ee ^ _ ' g = r -. i L f% --= = a- - - men, i - i i».-j i a rnen, īl -----G p----, r r P men, a - men, - men, a - men, f= m = \ # = 5 = P = T r f P = a rnen, il- - men, a - men, r 9 -*«&}.= rt r----- a - 4 = - 1nen, - men, C- men, mrh=\ p u y # # = i= ( 4 = men, a - [F, r > 1 " - i- r - t - i - men, - men, a ^ \ - ijen, f p = h \ ^ T j i J 1 Ft- j j j j, j i M = # k=4= - men* - ijenf: ; >.. -j-«- i - men, a - men, a - men, ^ men, Z ] j - - j - a 4 V* rn-m J ' men, * a men, -4 Ig m-m J #" fd-j pf^rmr rrf rjg l T T \ = g i&ft.ii ih - ) jtj L-O; L-Ofr

82 105 - men, M 11U,1'"i'/j^ rrrr ir'ri 1/1 Mrrrm ^ J.# #>- _ J 1 1J. #-# j - i y

83 %a. 3

84 107 - men, a - men, a-men, men a-m en, a-men,

86 3 3 5 # - a 9

87 110 ne - tu r P a -ra - di - si, pa - ra - di - si g lo - ne - tu r P a -ra - di - si, pa - m ^ glo - ne - tur P a -ra - di - si, pa - ra - di - si g lo - -O-- 0 * O* ne - tu r P a - r a - di - si, pa - ra - di - si glo - 3* : # I. 1 I 1 1 r r J Z f- - - ^ T 7 - jr-t if r - t ~ - w i ^.. ---r i m m 1 1 "i i 4" ^ u : * i J * J i t J // /is. sustain p i - i i i r^f'w Q \ m ~ 1 1» «L *d I ^1 ^ 1 si m i J l J-V*-L 7 7 T 3 *0-3t" "75r 73 "3 "

88 I l l Chorus. fii : Quasi andante

89 112 a tem po (Allegro.) men men. - men. men. men. m#n. a tempo (Allegro.) Wind 17765

A L A BA M A L A W R E V IE W

A L A BA M A L A W R E V IE W Volume 52 Fall 2000 Number 1 B E F O R E D I S A B I L I T Y C I V I L R I G HT S : C I V I L W A R P E N S I O N S A N D TH E P O L I T I C S O F D I S A B I L I T Y I N