1. O COME BELLO APPARE (Gaspare Murtola)
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1 1. O OME ELLO PPRE (Gaspare Murtola) NO LO GIOVNNI VLENINI Secondo libro de Madrigali...concertati 1616 ed. Pyrros amichas O co me bel ENORE SSO SSO ONINUO O co me bel lo ap pa re, [6 6] 3 lo ap pa re O co me bel lo ap pa re, O co me bel lo ap pa re ra 'l ros c [4 3] he edition and translations are copyright 2012 the editor, translators, he University of irmingham and he University of Heidelberg. hey may be freely downloaded for study or performance (including commercial recordings) provided that the edition and translations are properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder(s).
2 2 6 ra 'l ros so re e 'l can do re Del la guan cia il bel ne o, so re e 'l can do re Del la guan cia il bel ne o, c o co [6] 9 O co me bel lo ap pa re o co me bel lo ap pa re, o co me bel c me bel lo ap pa re ra 'l ros so re e 'l can do re Del la [6 6]
3 ra 'l ros so re e 'l can do re Del la guan cia il bel ne c c 15 lo ap pa re O co me bel lo ap pa re ra 'l ros guan cia il bel ne o, ra 'l ros o, ra 'l ros so re e 'l can do re Del la ra 'l ros so re e 'l can do re Del la guan cia il bel ne guan cia il bel ne o, ra 'l ros so re e 'l can do re Del la guan cia il bel so re e 'l can do re Del la guan cia il bel ne o, il bel ne [6] so re e 'l can do re Del la guan cia il bel ne
4 4 c o he mi di sco pre mo o he mi di sco pre mo ne o o he mi di sco pre mo re, che mi di sco pre o me appar ri tro set to [ ] re. c re. o me appar ri tro set mo re. [4 3] [ ] [ ] to o me appar ri tro set
5 5 c to o me appar ri tro set to pal li det [7 6] o me appar, pal o me appar pal li li det to, pal li o me appar ri tro set to, co me appar ri tro set to det to, o me appar ri tro set to, ri tro set to det to, to, o me appar ri tro set o to me appar ri tro set to c
6 o me appar, co me appar c c 38 det det to o me appar, co me appar pal li o me appar pal li det to, co me appar pal li det [6] [7 6] pal li to o sì tra o sì tra bian che e chia re ro to o sì tra bian o sì tra bian che e chia re ro se se
7 c 46 bian che e chia re ro che e chia re ro sca e ri tro sa se se ta lor n'ap par fo sca e ri tro sa, ta lor n'ap par fo ta lor n'ap par fo sca e ri tro sa, fo [ 6] ta lor n'ap par fo sca e ri tro ta lor n'ap par fo c [ ]
8 Vi o let ta a mo ro sa, Vi o let ta a mo sca e ri tro sa sa, fo sca e ri tro sa sca e ri tro sa c 51 ro sa, Vi o let ta a mo ro sa, Vi o let ta a mo ro sa, Vi o let ta a mo ro sa, Vi o let ta a mo c
9 Vi o let ta a mo ro Vi o let ta a mo ro sa, Vi o let ta a mo sa, c Vi o let ta a mo ro sa, Vi o let ta a mo ro ro sa, a mo ro sa, sa, c 55 ro sa, Vi o let ta amo ro sa, Vi o let ta a mo Vi o let ta amo ro sa, Vi o let ta a mo ro sa, Vi o let ta amo ro sa, Vi o let ta amo ro sa, a Vi o let ta a mo ro sa, Vi o let ta a mo
10 ro sa, Vi o let ta a mo ro a mo ro sa sa sa. sa. sa. c ro sa, a mo ro mo ro sa sa sa.
11 ! EX ND RNSLION 1. O come bello appare Madrigale abcbddaee (Gaspare Murtola) O how beautiful, O come bello appare O wie schön erscheint etween the blushing red and pure white tra l rossore e l candore zwischen der Schamesröte und dem Schneeweiß Of your cheek, appears the lovely della guancia il bel neo der Wange das schöne Muttermal, mole Which Love discloses to me. che mi discopre more. das mor mir entdeckt! It seems a little shy, ome appar ritrosetto, Wie erscheint es ein wenig spröde, It seems a little indistinct. come appar pallidetto. wie erscheint es ein wenig bleich! hus, between white and pale roses osì tra bianche e chiare So erscheint uns zwischen weißen und blasshellen here sometimes appears, menacing rose talor n appar fosca e ritrosa Rosen zuweilen auch dunkel und spröde yet shy, little amorous violet. violetta amorosa. das liebliche Veilchen. English translation 2012 John Whenham!!! esto italiano edito da ndrea ornstein. L analisi dei testi poetici è stata eseguita da Joachim Steinheuer. Deutsche Übersetzungen 2012 Joachim Steinheuer
12 RIIL OMMENRY bbreviations lto.va [lto di] Viola asso c asso continuo.va [asso di] Viola anto rto ornettino p a punctus additionis p d punctus divisionis enore.va [enore di] Viola Sesto Sesto Vno Violino Vne Violone References to pitch employ the Helmholtz system. 1. O come bello appare : anto partbook, headed 4. avola also has Quattro. : lto partbook, headed 4. avola also has Quattro. : enore partbook, headed 4. avola also has Quattro. : asso partbook, headed 4. avola also has Quattro. c: asso continuo partbook, headed 4. avola also has Quattro. 12: at this point Valentini seems to treat the continuo line as a basso seguente, doubling the lowest line and effectively reducing the texture to two parts. his sort of doubling often happens when the lowest voice is a ass, and less often when it is a enor, though there are parallel instances, as in bars 68, or in Ridete pur, ridete in bars : all parts: no reprise.
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