Proto Grotesk Mono. Proto Grotesk Mono ExtraLight Proto Grotesk Mono Light Proto Grotesk Mono Regular Proto Grotesk Mono Bold

Size: px

Start display at page:

Download "Proto Grotesk Mono. Proto Grotesk Mono ExtraLight Proto Grotesk Mono Light Proto Grotesk Mono Regular Proto Grotesk Mono Bold"

Cecily Lawrence
5 years ago
Views:

1 Proto Grotesk Mono Grotesk Mono is an exploration of the Proto pattern into the fixed-width realm, immobi-lizing some more radical traits of the Proto series. This voluntarily restrained family (four styles) distills a rough-edged aesthetic that s rustic and dry. Proto Grotesk Mono develops an administrative look that sobers up the strangeness of regular Proto styles, through prominent features such as squared dots, seriffed l, i, f and r. The texture of Proto Grotesk Mono strikes one as straightened, almost machine-like, creating an matchless mood, the kind of mood that a drawing machine could achieve. As mechanical as Proto Grotesk was, Proto Grotesk Mono looks and feels more technical, and will be a cinch to calmly assert a sense of order, not without a reference to Sol LeWitt s Paragraphs on Conceptual Art and his machine-becoming idea. In Proto Grotesk Mono, the bureaucratic seriousness is balanced by relatively softer details, such as an oval structure instead of a traditionally circular one. Following the incursions of Production Type s Minotaur into mechanized CAD aesthetics, Proto Mono is another step in alleviating the tension between the mechanical and the hand-drawn, between faceless systems and humane considerations. 4 styles Proto Grotesk Mono ExtraLight Proto Grotesk Mono Light Proto Grotesk Mono Regular Proto Grotesk Mono Bold Production Type Page 1/23

2 Proto Grotesk Mono Family overview Glaciology PREHISTORY ExtraLight Rug Making CHINA BONE Light Flavouring SVEDJEBRUK Regular Sculptural PIECE WORK Bold Production Type Page 2/23

3 Proto Grotesk Mono ExtraLight Chainsaw Millinery Schrödinger Akio Takamori Stewart Platform Physiocratic School Global Positioning Systems SURFACE REJUVENATING SUPPLEJACKS ACTIVITY PAN-AMERICAN HIGHWAY DESCRIBE DISPUTES ENGLISH MOMENTUM EXCHANGE TETHERS INCREASING UPLIFT THOUGHT Corporate Identities Lightweight Concrete General-Purpose Maps History Of Road Transport Availability Of Materials Internal Combustion Engines Production Type Page 3/23

4 Proto Grotesk Mono ExtraLight GEOCELLS DIAGONALS CARTOGRAPHY THE TELESCOPE MARSHALL ISLANDS PLASTIC DEFORMATION PAVEMENT MANAGEMENT SYSTEM DISTANCES TO OBJECTS BACKGROUND RADIATION RESEARCH METHODOLOGY INTEGRATED BRIDGE SYSTEMS CREATING WORK RADAR RANGE SPRING AND AUTUMN PERIODI Christopher Columbus Radar Plot Technique Discovery Of America Long-Range Communications Quartz Crystal Oscillator Cosmic Microwave Background Production Type Page 4/23

5 Proto Grotesk Mono ExtraLight T h e S t e r n G e r l a c h e x p e r i m e n t o f p r o v i d e d f u r t h e r e v i d e n c e o f t h e q u a n t u m n a t u r e o f t h e a t o m W h e n a b e a m o f s i l v e r a t o m s w a s p a s s e d t h r o u g h a s p e c i a l l y s h a p e d m a g n e t i c f i e l d, t h e b e a m w a s s p l i t b a s e d o n t h e d i r e c t i o n o f a n a t o m s a n g u l a r m o m e n t u m o r s p i n. A s t h i s d i r e c t i o n i s r a n d o m, t h e b e a m c o u l d b e e x p e c t e d t o s p r e a d i n t o a l i n e. I n s t e a d, t h e b e a m w a s s p l i t i n t o t w o p a r t s, d e p e n d i n g o n w h e t h e r t h e a t o m i c s p i n w a s o r i e n t e d u p o r d o w n. I n , L o u i s d e B r o g l i e p r o p o s e d t h a t a l l p a r t i c l e s b e h a v e t o a n e x t e n t l i k e w a v e s. I n , E r w i n S c h r ö d i n g e r u s e d t h i s i d e a t o d e v e l o p a m a t h e m a t i c a l m o d e l o f t h e a t o m t h a t d e s c r i b e d t h e e l e c t r o n s a s t h r e e - d i m e n s i o n a l w a v e f o r m s r a t h e r t h a n p o i n t p a r t i c l e s. A c o n s e q u e n c e o f u s i n g w a v ef o r m s t o d e s c r i b e p a r t i c l e s i s t h a t i t i s m a t h e m a t i c a l l y i m p o s s i b l e t o o b t a i n p r e c i s e v a l u e s f o r b o t h t h e p o s i t i o n a n d m o m e n t u m o f a p a r t i c l e a t a g i v e n p o i n t i n t i m e ; t h i s b e c a m e k n o w n a s t h e u n c e r t a i n t y p r i n c i p l e, f o r m u l a t e d b y W e r n e r H e i s e n b e r g i n I n t h i s c o n c e p t, f o r a g i v e n a c c u r a c y i n m e a s u r i n g a p o s i t i o n o n e c o u l d o n l y o b t a i n a r a n g e o f p r o b a b l e v a l u e s f o r m o m e n t u m, a n d v i c e v e r s a. [ 2 3 ] T h i s m o d e l w a s a b l e t o e x p l a i n o b s e r v a t i o n s o f a t o m i c b e h a v i o r t h a t p r e v i o u s m o d e l s c o u l d n o t, s u c h a s c e r t a i n s t r u c t u r a l a n d s p e c t r a l p a t t e r n s o f a t o m s l a r g e r t h a n h y d r o g e n. T h u s, t h e p l a n e t a r y m o d e l o f Production Type Page 5/23

6 Proto Grotesk Mono Light Millikan Wallpaper Pop-Up Book Phenomenalism Joan Livingstone Political Sociology The Universe In A Nutshell WEST-ÖSTLICHER DIWAN PROGRESSIVE STAMPING ACTOR-NETWORK THEORY A DICTIONARY OF SOCIOLOGY THE SOLAR SYSTEM AND BACK EARLY CAREER FUNCTIONALISM Ronald Hayes Pearson Ultrasonic Machining Age of Enlightenment Interstate Highway System American Physical Society Internal Combustion Engines Production Type Page 6/23

7 Proto Grotesk Mono Light VOMITING ROTTERDAM INTERACTIVE THERMOPLASTIC CONSERVATIONISTS TRIANGLE INEQUALITY INERTIAL NAVIGATION SYSTEM QUANTITATIVE DESIGNS NATIONAL ROMANTICISM ANGULAR ACCELERATION STONE VON NEUMANN THEOREM ALL ARTICLES TO BE MERGED ENVIRONMENTAL COMMUNICATION Forest Fragmentation Structuration Theory Museum of Modern Art Electromagnetic Radiation Perpendicular Reusability Computation Of The Interval Production Type Page 7/23

8 Proto Grotesk Mono Light T h e d e v e l o p m e n t o f t h e m a s s s p e c t r o m e t e r a l l o w e d t h e m a s s o f a t o m s t o b e m e a s u r e d w i t h i n c r e a s e d a c c u r a c y. T h e d e v i c e u s e s a m a g n e t t o b e n d t h e t r a j e c t o r y o f a b e a m o f i o n s, a n d t h e a m o u n t o f d e f l e c t i o n i s d e t e r m i n e d b y t h e r a t i o o f a n a t o m s m a s s t o i t s c h a r g e. T h e c h e m i s t F r a n c i s W i l l i a m A s t o n u s e d t h i s i n s t r u m e n t t o s h o w t h a t i s o t o p e s h a d d i f f e r e n t m a s s e s. T h e a t o m i c m a s s o f t h e s e i s o t o p e s v a r i e d b y i n t e g e r a m o u n t s, c a l l e d t h e w h o l e n u m b e r r u l e. T h e e x p l a n a t i o n f o r t h e s e d i f f e r e n t i s o t o p e s a w a i t e d t h e d i s c o v e r y o f t h e n e u t r o n, a n u n c h a r g e d p a r t i c l e w i t h a m a s s s i m i l a r t o t h e p r o t o n, b y t h e p h y s i c i s t J a m e s C h a d w i c k i n I s o t o p e s w e r e t h e n e x p l a i n e d a s e l e m e n t s w i t h t h e s a m e n u m b e r o f p r o t o n s, b u t d i f f e r e n t n u m b e r s o f n e u t r o n s w i t h i n t h e n u c l e u s. O t h e r m o r e r a r e t y p e s o f r a d i o a c t i v e d e c a y i n c l u d e e j e c t i o n o f n e u t r o n s o r p r o t o n s o r c l u s t e r s o f n u c l e o n s f r o m a n u c l e u s, o r m o r e t h a n o n e b e t a p a r t i c l e. A n a n a l o g o f g a m m a e m i s s i o n w h i c h a l l o w s e x c i t e d n u c l e i t o l o s e e n e r g y i n a d i f f e r e n t w a y, i s i n t e r n a l c o n v e r s i o n a p r o c e s s t h a t p r o d u c e s h i g h - s p e e d e l e c t r o n s t h a t a r e n o t b e t a r a y s, f o l l o w e d b y p r o d u c t i o n o f h i g h - e n e r g y p h o t o n s t h a t a r e n o t g a m m a r a y s. A f e w l a r g e n u c l e i e x p l o d e i n t o t w o o r m o r e c h a r g e d f r a g m e n t s o f v a r y i n g m a s s e s p l u s s e v e r a l n e u t r o n s, i n a d e c a y c a l l e d s p o n t a n e o u s n u c l e a r f i s s i o n have r e c e n t l y d o n Production Type Page 8/23

9 Proto Grotesk Mono Regular Dovetail Stockholm Correlation Ancient Egypt Sociology Portal Classical Mechanics Vertical-Navbox Nowraplinks TIMBER FRAMERS GUILD COMPARATIVE POLITICS REPOUSSÉ AND CHASING INTELLECTUAL CRITICAL-ISM ELECTRIC RESISTANCE (ERW) QUANTUM INFORMATION SCIENCE Aeroclimatic Atlases Viktor Schreckengost Second Law of Motion Paul Adrien Maurice Dirac Volumetric Concrete Mixer Church of the Three Crosses Production Type Page 9/23

10 Proto Grotesk Mono Regular BAYESIAN KULTURNAV EARTHENWARE DANTE MARIONI INLINE CITATIONS OXIDATION POTENTIAL 20TH-CENTURY RUSSIAN PEOPLE QUANTUM STATE VECTOR CONSISTENT HISTORIES SIMCOE STREET TUNNEL THE FOUNDER OF STATISTICS COMPUTATIONAL LINGUISTICS ENVIRONMENTAL COMMUNICATION Woodland Carbon Code North America Energy Heat Of Vaporization Electrochemical Machining American Physical Society Techniques Rely On Crossing Production Type Page 10/23

11 Proto Grotesk Mono Regular T h e n u m b e r o f p r o t o n s a n d n e u t r o n s i n t h e a t o m i c n u c l e u s c a n b e m o d i f i e d, a l t h o u g h t h i s c a n r e q u i r e v e r y h i g h e n e r g i e s b e c a u s e o f t h e s t r o n g f o r c e. N u c l e a r f u s i o n o c c u r s w h e n m u l t i p l e a t o m i c p a r t i c l e s j o i n t o f o r m a h e a v i e r n u c l e u s, s u c h a s t h r o u g h t h e e n e r g e t i c c o l l i s i o n o f t w o n u c l e i. F o r e x a m p l e, a t t h e c o r e o f t h e S u n p r o t o n s r e q u i r e e n e r g i e s o f k e V t o o v e r c o m e t h e i r m u t u a l r e p u l s i o n t h e c o u l o m b b a r r i e r a n d f u s e t o g e t h e r i n t o a s i n g l e n u c l e u s. N u c l e a r f i s s i o n i s t h e op p o s i t e p r o c e s s, c a u s i n g a n u c l e u s t o s p l i t i n t o t w o s m a l l e r n u c l e i u s u a l l y t h r o u g h r a d i o a c t i v e d e c a y. T h e n u c l e u s c a n a l s o b e m o d i f i e d t h r o u g h b o m b a r d m e n t b y h i g h e n e r g y s u b a t o m i c p a r t i c l e s o r p h o t o n s. I f t h i s m o d i f i e s t h e n u m b e r o f p r o t o n s i n a n u c l e u s, t h e a t o m c h a n g e s t o a d i f f e r e n t c h e m i c a l e l e m e n t. T h e e n e r g y o f a n e m i t t e d p h o t o n i s p r o p o r t i o n a l t o i t s f r e q u e n c y, s o t h e s e s p e c i f i c e n e r g y l e v e l s a p p e a r a s d i s t i n c t b a n d s i n t h e e l e c t r o m a g n e t i c s p e c t r u m. E a c h e l e m e n t h a s a c h a r a c t e r i s t i c s p e c t r u m t h a t c a nd e p e n d o n t h e n u c l e a r c h a r g e, s u b s h e l l s f i l l e d b y e l e c t r o n s,t h e e l e c t r o m a g n e t i c i n t e r a c t i o n s b e t w e e n t h e e l e c t r o n s a n d o t h e r f a c t o r s. W h e n a c o n t i n u o u s s p e c t r u m o f e n e r g y i s p a s s e d t h r o u g h a g a s o r p l a s m a, s o m e o f t h e p h o t o n s a r e a b s o r b e d b y a t o m s, c a u s i n g e l e c t r o n s t o c h a n g e t Production Type Page 11/23

12 Proto Grotesk Mono Bold Particle Sociology Micronesian Sharon Church Wharton Esherick Video Installations Deductive-Nomological Model WOODLAND CARBON CODE PROBLEM OF INDUCTION FOREST FRAGMENTATION INTEGRATED BRIDGE SYSTEMS THE FOUNDER OF STATISTICS ROTATIONS IN PHYSICAL SPACE Measurement of Earth Sociology of Science Associated Processes Victor Adolphe Malte-Brun The Rhetoric of Economics List of Drill and Tap Sizes Production Type Page 12/23

13 Proto Grotesk Mono Bold FRICTION PATHOLOGY MUNKKINIEMI ORGANIZATIONS JOAN LIVINGSTONE A SAND CASTING MOLD THE LOGIC OF MODERN PHYSICS INTEGRATED GEOGRAPHY PROGRESSIVE STAMPING ECONOMIC IMPERIALISM STUDIO FURNITURE MOVEMENT PAUL ADRIEN MAURICE DIRAC DEDUCTIVE-NOMOLOGICAL MODEL Aeroclimatic Atlases Even-Aged Management Structuration Theory Outline of Social Science Availability Of Materials Environmental Communication Production Type Page 13/23

14 Proto Grotesk Mono Bold A t o m s l a c k a w e l l - d e f i n e d o u t e r b o u n d a r y, s o t h e i r d i m e n s i o n s a r e u s u a l l y d e s c r i b e d i n t e r m s o f a n a t o m i c r a d i u s. T h i s i s a m e a s u r e o f t h e d i s t a n c e o u t t o w h i c h t h e e l e c t r o n c l o u d e x t e n d s f r o m t h e n u c l e u s. Ho w e v e r t h i s a s s u m e s t h e a t o m t o e x h i b i t a s p h e r i c a l s h a p e, w h i c h i s o n l y o b e y e d f o r a t o m s i n v a c u u m o r f r e e s p a c e. A t o m i c r a d i i m a y b e d e r i v e d f r o m t h e d i s t a n c e s b e t w e e n t w o n u c l e i w h e n t h e t w o a t o m s a r e j o i n e d i n a c h e m i c a l b o n d. T h e r a d i u s v a r i e s w i t h t h e l o c a t i o n o f a n a t o m o n t h e a t o m i c c h a r t, t h e t y p e o f c h e m i c a l b o n d, t h e n u m b e r o f n e i g h b o r i n g a t o m s ( c o o r d i n a t i o n n u m b e r ) a n d a q u a n t u m m e c h a n i c a l p r o p e r t y k n o w n a s s p i n. O n t h e p e r i o d i c t a b l e o f t h e e l e m e n t s, a t o m s i z e t e n d s t o i n c r e a s e w h e n m o v i n g d o w n c o l u m n s, b u t d e c r e a s e w h e n m o v i n g a c r o s s r ow s ( l e f t t o r i g h t ). C o n s e q u e n t l y, t h e s m a l l e s t a t o m i s h e l i u m w i t h a r a d i u s o f 3 2 p m, w h i l e o n e o f t h e l a r g e s t i s c a e s i u m a t p m. W h e n s u b j e c t e d t o e x t e r n a l f o r c e s, l i k e e l e c t r i c a l f i e l d s t h e s h a p e o f a n a t o m m a y d e v i a t e f r o m s p h e r i c a l s y m m e t r y. T h e d e f o r m a t i o n d e p e n d s o n t h e f i e l d m a g n i t u d e a n d t h e o r b i t a l t y p e o f o u t e r s h e l l e l e c t r o n s, a s s h o w n b y g r o u p - t h e o r e t i c a l c o n s i d e r a t i o n s. A s p h e r i c a l d e v i a t i o n s m i g h t b e e l i c i t e d f o r i n s t a n c e i n c r y s t a l s, w h e r e l a r g e c r y s t a l - e l e c t r i c a l f i e l d s m a y o c c u r a t l o w - s y m m e t r y l a t t i c e s i t e s. S i g n i f i c a n t e l l i p s o i d a l d e f o r m a t i o n s h a v Production Type Page 14/23

15 Proto Mono ExtraLight Character set Uppercase Lowercase Standard punctuation Case-sensitive forms Symbols Ligatures Figures & monetary (Lining tabular) Mathematical symbols Fractions Superiors figures Accented uppercase Accented lowercase Circled numbers Arrows Ornaments Alternate a (Stylistic set 1) Alternate g (Stylistic set 2) Alternate t (Stylistic set 3) Alternate C (Stylistic set 4) Alternate J (Stylistic set 5) Alternate Q (Stylistic set 6) Alternate R (Stylistic set 7) Alternate numbers (Stylistic set 12) A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z!?.,:; _-- /\ ()[]{} '" - ( ) [ ] ª º fi fl $ ƒ # + ± = ~ <> Ω πµ l ¼½¾% À Á Â Ã Ä Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ È É Ê Ě Ë Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ì Í Î Ĩ Ï Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ł Ŀ Ń Ň Ñ Ņ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ț Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų Ẁ Ẃ Ŵ Ẅ Ỳ Ý Ŷ Ÿ Ź Ž Ż Ə Ŋ Ð Þ à á â ã ä ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ è é ê ě ë ē ĕ ė ę ĝ ğ ġ ģ ĥ ħ ì í î ĩ ï ī ĭ į ı ĳ ĵ j ķ ĺ ľ ļ ł ŀ ń ň ñ ņ ò ó ô õ ö ō ŏ ő ø ǿ œ ŕ ř ŗ ś ŝ š ş ș ß ť ț ŧ ù ú û ũ ü ū ŭ ů ű ų ẁ ẃ ŵ ẅ ỳ ý ŷ ÿ ź ž ż ə ŋ ð þ 0 ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ ➉ 0 ➊ ➋ ➌ ➍ ➎ ➏ ➐ ➑ ➒ ➓ a à á â ã ä ā ă å ǻ ą æ ǽ g ģ ĝ ğ ġ t ŧ ť ț C Ç Ć Ĉ Č Ċ J Ĵ Q R Ŗ Ŕ Ř Production Type Page 15/23

16 Proto Mono Light Character set Uppercase Lowercase Standard punctuation Case-sensitive forms Symbols Ligatures Figures & monetary (Lining tabular) Mathematical symbols Fractions Superiors figures Accented uppercase Accented lowercase Circled numbers Arrows Ornaments Alternate a (Stylistic set 1) Alternate g (Stylistic set 2) Alternate t (Stylistic set 3) Alternate C (Stylistic set 4) Alternate J (Stylistic set 5) Alternate Q (Stylistic set 6) Alternate R (Stylistic set 7) Alternate numbers (Stylistic set 12) A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z!?.,:; _-- /\ ()[]{} '" - ( ) [ ] ª º fi fl $ ƒ # + ± = ~ <> Ω πµ l ¼½¾% À Á Â Ã Ä Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ È É Ê Ě Ë Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ì Í Î Ĩ Ï Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ł Ŀ Ń Ň Ñ Ņ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ț Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų Ẁ Ẃ Ŵ Ẅ Ỳ Ý Ŷ Ÿ Ź Ž Ż Ə Ŋ Ð Þ à á â ã ä ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ è é ê ě ë ē ĕ ė ę ĝ ğ ġ ģ ĥ ħ ì í î ĩ ï ī ĭ į ı ĳ ĵ j ķ ĺ ľ ļ ł ŀ ń ň ñ ņ ò ó ô õ ö ō ŏ ő ø ǿ œ ŕ ř ŗ ś ŝ š ş ș ß ť ț ŧ ù ú û ũ ü ū ŭ ů ű ų ẁ ẃ ŵ ẅ ỳ ý ŷ ÿ ź ž ż ə ŋ ð þ 0 ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ ➉ 0 ➊ ➋ ➌ ➍ ➎ ➏ ➐ ➑ ➒ ➓ a à á â ã ä ā ă å ǻ ą æ ǽ g ģ ĝ ğ ġ t ŧ ť ț C Ç Ć Ĉ Č Ċ J Ĵ Q R Ŗ Ŕ Ř Production Type Page 16/23

17 Proto Mono Regular Character set Uppercase Lowercase Standard punctuation Case-sensitive forms Symbols Ligatures Figures & monetary (Lining tabular) Mathematical symbols Fractions Superiors figures Accented uppercase Accented lowercase Circled numbers Arrows Ornaments Alternate a (Stylistic set 1) Alternate g (Stylistic set 2) Alternate t (Stylistic set 3) Alternate C (Stylistic set 4) Alternate J (Stylistic set 5) Alternate Q (Stylistic set 6) Alternate R (Stylistic set 7) Alternate numbers (Stylistic set 12) A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z!?.,:; _-- /\ ()[]{} '" - ( ) [ ] ª º fi fl $ ƒ # + ± = ~ <> Ω πµ l ¼½¾% À Á Â Ã Ä Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ È É Ê Ě Ë Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ì Í Î Ĩ Ï Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ł Ŀ Ń Ň Ñ Ņ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ț Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų Ẁ Ẃ Ŵ Ẅ Ỳ Ý Ŷ Ÿ Ź Ž Ż Ə Ŋ Ð Þ à á â ã ä ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ è é ê ě ë ē ĕ ė ę ĝ ğ ġ ģ ĥ ħ ì í î ĩ ï ī ĭ į ı ĳ ĵ j ķ ĺ ľ ļ ł ŀ ń ň ñ ņ ò ó ô õ ö ō ŏ ő ø ǿ œ ŕ ř ŗ ś ŝ š ş ș ß ť ț ŧ ù ú û ũ ü ū ŭ ů ű ų ẁ ẃ ŵ ẅ ỳ ý ŷ ÿ ź ž ż ə ŋ ð þ 0 ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ ➉ 0 ➊ ➋ ➌ ➍ ➎ ➏ ➐ ➑ ➒ ➓ a à á â ã ä ā ă å ǻ ą æ ǽ g ģ ĝ ğ ġ t ŧ ť ț C Ç Ć Ĉ Č Ċ J Ĵ Q R Ŗ Ŕ Ř Production Type Page 17/23

18 Proto Mono Bold Character set Uppercase Lowercase Standard punctuation Case-sensitive forms Symbols Ligatures Figures & monetary (Lining tabular) Mathematical symbols Fractions Superiors figures Accented uppercase Accented lowercase Circled numbers Arrows Ornaments Alternate a (Stylistic set 1) Alternate g (Stylistic set 2) Alternate t (Stylistic set 3) Alternate C (Stylistic set 4) Alternate J (Stylistic set 5) Alternate Q (Stylistic set 6) Alternate R (Stylistic set 7) Alternate numbers (Stylistic set 12) A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z!?.,:; _-- /\ ()[]{} '" - ( ) [ ] ª º fi fl $ ƒ # + ± = ~ <> Ω πµ l ¼½¾% À Á Â Ã Ä Ā Ă Å Ǻ Ą Æ Ǽ Ć Ĉ Č Ċ Ç Ď Đ È É Ê Ě Ë Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ì Í Î Ĩ Ï Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ł Ŀ Ń Ň Ñ Ņ Ò Ó Ô Õ Ö Ō Ŏ Ő Ø Ǿ Œ Ŕ Ř Ŗ Ś Ŝ Š Ş Ș Ť Ț Ŧ Ù Ú Û Ũ Ü Ū Ŭ Ů Ű Ų Ẁ Ẃ Ŵ Ẅ Ỳ Ý Ŷ Ÿ Ź Ž Ż Ə Ŋ Ð Þ à á â ã ä ā ă å ǻ ą æ ǽ ć ĉ č ċ ç ď đ è é ê ě ë ē ĕ ė ę ĝ ğ ġ ģ ĥ ħ ì í î ĩ ï ī ĭ į ı ĳ ĵ j ķ ĺ ľ ļ ł ŀ ń ň ñ ņ ò ó ô õ ö ō ŏ ő ø ǿ œ ŕ ř ŗ ś ŝ š ş ș ß ť ț ŧ ù ú û ũ ü ū ŭ ů ű ų ẁ ẃ ŵ ẅ ỳ ý ŷ ÿ ź ž ż ə ŋ ð þ 0 ➀ ➁ ➂ ➃ ➄ ➅ ➆ ➇ ➈ ➉ 0 ➊ ➋ ➌ ➍ ➎ ➏ ➐ ➑ ➒ ➓ a à á â ã ä ā ă å ǻ ą æ ǽ g ģ ĝ ğ ġ t ŧ ť ț C Ç Ć Ĉ Č Ċ J Ĵ Q R Ŗ Ŕ Ř Production Type Page 18/23

19 Proto Mono XLight OpenType features OFF ON Case-sensitive forms [CASE] [Case-sensitive]!? - [CASE-SENSITIVE]!? - Non-dotted zero [ZERO] Superscript/superior [SUPS] H H Fractions [FRAC] 1/4 1/2 3/4 ¼ ½ ¾ Ordinals [ORDN] 2a 2o NO N no n 2a 2o Stylistic set 1 Alternate a [SS01] another animal another animal Stylistic set 2 Alternate g [SS02] big guy, tough guy big guy, tough guy Stylistic set 3 Alternate t [SS03] to be or not to be to be or not to be Stylistic set 4 Alternate C [SS04] COOL CATS COOL CATS Stylistic set 5 Alternate J [SS05] JUMP AROUND JUMP AROUND Stylistic set 6 Alternate Q [SS06] CONQUEROR CONQUEROR Stylistic set 7 Alternate R [SS07] LONE RANGER LONE RANGER Stylistic set 8 & 9: Circled numbers [SS08 & SS09] ➀➁➂➃➄➅➆➇➈➉ 0➊➋➌➍➎➏➐➑➒➓ Stylistic set 10 Arrows [SS10] ~ = Stylistic set 11 Ornaments [SS11] rstuvw rstuvw Stylistic set 12 Alternate numbers [SS11] Production Type Page 19/23

20 Proto Mono Light OpenType features OFF ON Case-sensitive forms [CASE] [Case-sensitive]!? - [CASE-SENSITIVE]!? - Non-dotted zero [ZERO] Superscript/superior [SUPS] H H Fractions [FRAC] 1/4 1/2 3/4 ¼ ½ ¾ Ordinals [ORDN] 2a 2o NO N no n 2a 2o Stylistic set 1 Alternate a [SS01] another animal another animal Stylistic set 2 Alternate g [SS02] big guy, tough guy big guy, tough guy Stylistic set 3 Alternate t [SS03] to be or not to be to be or not to be Stylistic set 4 Alternate C [SS04] COOL CATS COOL CATS Stylistic set 5 Alternate J [SS05] JUMP AROUND JUMP AROUND Stylistic set 6 Alternate Q [SS06] CONQUEROR CONQUEROR Stylistic set 7 Alternate R [SS07] LONE RANGER LONE RANGER Stylistic set 8 & 9: Circled numbers [SS08 & SS09] ➀➁➂➃➄➅➆➇➈➉ 0➊➋➌➍➎➏➐➑➒➓ Stylistic set 10 Arrows [SS10] ~ = Stylistic set 11 Ornaments [SS11] rstuvw rstuvw Stylistic set 12 Alternate numbers [SS11] Production Type Page 20/23

21 Proto Mono Reg OpenType features OFF ON Case-sensitive forms [CASE] [Case-sensitive]!? - [CASE-SENSITIVE]!? - Non-dotted zero [ZERO] Superscript/superior [SUPS] H H Fractions [FRAC] 1/4 1/2 3/4 ¼ ½ ¾ Ordinals [ORDN] 2a 2o NO N no n 2a 2o Stylistic set 1 Alternate a [SS01] another animal another animal Stylistic set 2 Alternate g [SS02] big guy, tough guy big guy, tough guy Stylistic set 3 Alternate t [SS03] to be or not to be to be or not to be Stylistic set 4 Alternate C [SS04] COOL CATS COOL CATS Stylistic set 5 Alternate J [SS05] JUMP AROUND JUMP AROUND Stylistic set 6 Alternate Q [SS06] CONQUEROR CONQUEROR Stylistic set 7 Alternate R [SS07] LONE RANGER LONE RANGER Stylistic set 8 & 9: Circled numbers [SS08 & SS09] ➀➁➂➃➄➅➆➇➈➉ 0➊➋➌➍➎➏➐➑➒➓ Stylistic set 10 Arrows [SS10] ~ = Stylistic set 11 Ornaments [SS11] rstuvw rstuvw Stylistic set 12 Alternate numbers [SS11] Production Type Page 21/23

22 Proto Mono Bold OpenType features OFF ON Case-sensitive forms [CASE] [Case-sensitive]!? - [CASE-SENSITIVE]!? - Non-dotted zero [ZERO] Superscript/superior [SUPS] H H Fractions [FRAC] 1/4 1/2 3/4 ¼ ½ ¾ Ordinals [ORDN] 2a 2o NO N no n 2a 2o Stylistic set 1 Alternate a [SS01] another animal another animal Stylistic set 2 Alternate g [SS02] big guy, tough guy big guy, tough guy Stylistic set 3 Alternate t [SS03] to be or not to be to be or not to be Stylistic set 4 Alternate C [SS04] COOL CATS COOL CATS Stylistic set 5 Alternate J [SS05] JUMP AROUND JUMP AROUND Stylistic set 6 Alternate Q [SS06] CONQUEROR CONQUEROR Stylistic set 7 Alternate R [SS07] LONE RANGER LONE RANGER Stylistic set 8 & 9: Circled numbers [SS08 & SS09] ➀➁➂➃➄➅➆➇➈➉ 0➊➋➌➍➎➏➐➑➒➓ Stylistic set 10 Arrows [SS10] ~ = Stylistic set 11 Ornaments [SS11] rstuvw rstuvw Stylistic set 12 Alternate numbers [SS11] Production Type Page 22/23

23 Information Supported languages Designer Contact Copyright Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Congo Swahili, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Inuktitut, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkmen, Vunjo, Welsh, Zulu. Jean-Baptiste Levée Production Type 255 rue du Faubourg Saint-Antoine Paris, France +33 (0) Production Type, all rights reserved. Production Type is a registered trademark of Production Systems SAS. Production Type Page 23/23

Production Type Page 1/19. PVC Banner PVC Banner Ultra PVC Menu PVC Promo

Production Type Page 1/19. PVC Banner PVC Banner Ultra PVC Menu PVC Promo PVC PVC is a rambunctious display sans that plays at the edges of width and weight. As those in the (plumbing) industry know, PVC stands for polyvinyl chloride, but most of us know about PVC because of