Exclusive Pro version. Ambroise Pro version is. available from 55 one weight/ one user. Std version. works, evaluation and support, OpenType support,

Transcription

1 PRO STD TRY Light Light Italic Regular Italic Demi Demi Italic Bold Bold Italic ExtraBold ExtraBold italic Heavy Heavy Italic Black Black Italic available on this format not available on this format Ambroise aa Ambroise Light Ambroise Light Italic Ambroise Regular Ambroise Italic Ambroise Demi Ambroise Demi Italic Ambroise Bold Ambroise Bold Italic Ambroise ExtraBold Ambroise ExtraBold Italic Ambroise Heavy Ambroise Heavy Italic Ambroise Black Ambroise Black Italic Legal Help Exclusive Pro version Exclusive Try-out version Typeface design by Jean OpenType font families are Ambroise Pro version is Download for free the François Porchez. Copyright compatible with Mac OS and available from 55 one weight/ Ambroise Try-out version! All rights Windows platforms. Please one user. Try-out format grants you reserved. Distributed consult our Help section for rights solely for preparatory exclusively by Typofonderie. info concerning the language Std version works, evaluation and support, OpenType support, Ambroise Std version is internal testings use only of installation and use of these available from 45 one weight/ the licensed owner. Neither fonts. one user. production, nor final sketch, final artwork are permitted. Various offers available online. +33 (0)

2 PRO STD TRY Firmin Light Firmin Regular Firmin Demi Firmin Bold Firmin ExtraBold Firmin Heavy Firmin Black François Light François Regular François Demi François Bold François ExtraBold François Heavy François Black available on this format not available on this format Ambroise aa Ambroise Firmin Light Ambroise Firmin Regular Ambroise Firmin Demi Ambroise Firmin Bold Ambroise Firmin ExtraBold Ambroise Firmin Heavy Ambroise Firmin Black Ambroise François Light Ambroise François Regular Ambroise François Demi Ambroise François Bold Ambroise François ExtraBold Ambroise François Heavy Ambroise François Black Legal Help Exclusive Pro version Exclusive Try-out version Typeface design by Jean OpenType font families are Ambroise Pro version is Download for free the François Porchez. Copyright compatible with Mac OS and available from 55 one weight/ Ambroise Try-out version! All rights Windows platforms. Please one user. Try-out format grants you reserved. Distributed consult our Help section for rights solely for preparatory exclusively by Typofonderie. info concerning the language Std version works, evaluation and support, OpenType support, Ambroise Std version is internal testings use only of installation and use of these available from 45 one weight/ the licensed owner. Neither fonts. one user. production, nor final sketch, final artwork are permitted. Various offers available online. +33 (0)

3 Light Bold Italic François Regular ExtraBold Italic Light ExtraBold Light Italic Firmin Demi Black Italic François Light Heavy Bold Italic Firmin Demi Specimen Gallerina Guide Spring Top Designers Spiritual Awakening & the Law of Attraction Women in Suits FREELANCING Air de Colette Fashion & Luxury Belle Boutique Parisienne Gold Accessories Paris Marais Fashion Today s Style Secret Should I shave off my beard? Highly essentıal clothes 3

4 $ ceg ij m Ambroise Glyph set: Std version abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ # $ ƒ # $ ƒ ½¼¾% ¹²³ + ± = ~ ^<> Ω πµ ()[]{},;:.!? '" /\ - _* &@ ªº ` ˆˇ àáâãäåæçèéêëìíîïıłñòóôõöøœšßùúûüýÿžðþ ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜÝŸŽÐÞ fffiflffiffl ctst Kgk nn 4

5 $ ceg ij m Ambroise Firmin Glyph set: Std version abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ # $ ƒ # $ ƒ ½¼¾% ¹²³ + ± = ~ ^<> Ω πµ ()[]{},;:.!? '" /\ - _* &@ ªº ` ˆˇ àáâãäåæçèéêëìíîïıłñòóôõöøœšßùúûüýÿžðþ ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜÝŸŽÐÞ fffiflffiffl ctst Kgk nn 5

6 $ ceg ij m Ambroise François Glyph set: Std version abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ # $ ƒ # $ ƒ ½¼¾% ¹²³ + ± = ~ ^<> Ω πµ ()[]{},;:.!? '" /\ - _* &@ ªº ` ˆˇ àáâãäåæçèéêëìíîïıłñòóôõöøœšßùúûüýÿžðþ ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏŁÑÒÓÔÕÖØŒŠÙÚÛÜÝŸŽÐÞ fffiflffiffl ctst Kgk nn 6

7 Glyph set: Pro version $ abcdefghijklmnopqrstuvwxyz cdfeg ikjl mn rs op ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz # $ ƒ # $ ƒ # $ ƒ # $ ƒ =() =() abcdefghijklmnopqrstuvwxyz ¼½¾% % + ± = ~ ^<> Ω πµ l ((()))[[[]]]{{{}}},;:.!? '" /\ -- _ * &&@@@ ªº ` ˆ ˇ ʻ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģ ĥħıìíîĩïīĭįijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗ śŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ ÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ FIFLĜĞĠĢĤĦÌÍÎĨÏĪĬĮIJĴĶĹĽĻŁĿŃŇÑŅ ÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘߍŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėę fiflĝğġģĥħìíîĩïīĭįijĵķĺľļłŀńňñņ òóôõöōŏőøǿœŕřŗśŝšşșssťţŧ ùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ 7

8 Glyph set: 2: Pro Pro version $ fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffkfiffiflffl ſ cdfeg ikjl mn rs op fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffk ſ Thctstst Thctst afggiklsuy afggiklsuy AEKN AEKN fgkyz fgkyz AEKN AEKN àáâãäāăåǻąĝğġģĝğġģìíîĩïīĭįıķĺľļłŀśŝšşșùúûũüūŭůűųỳýŷÿ ĝğġģķỳýŷÿźžż ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ <> «-.:,;?!» ( ) abcdefghijklmnopq ABCDEFGHIJKLMNOPQ 8

9 Firmin Glyph set: Pro version $ abcdefghijklmnopqrstuvwxyz cdfeg ikjl mn rs op ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz # $ ƒ # $ ƒ # $ ƒ # $ ƒ =() =() abcdefghijklmnopqrstuvwxyz ¼½¾% % + ± = ~ ^<> Ω πµ l ((()))[[[]]]{{{}}},;:.!? '" /\ -- _ * &&@@@ ªº ` ˆ ˇ ʻ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģ ĥħıìíîĩïīĭįijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗ śŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ ÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ FIFLĜĞĠĢĤĦÌÍÎĨÏĪĬĮIJĴĶĹĽĻŁĿŃŇÑŅ ÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘߍŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėę fiflĝğġģĥħìíîĩïīĭįijĵķĺľļłŀńňñņ òóôõöōŏőøǿœŕřŗśŝšşșssťţŧ ùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ 9

10 Glyph Firmin set: Glyph Pro set version 2: Pro version $ fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffkfiffiflffl ſ cdfeg ikjl mn rs op fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffk ſ Thctstst Thctst afggiklsuy afggiklsuy AEKN AEKN fgkyz fgkyz AEKN AEKN àáâãäāăåǻąĝğġģĝğġģìíîĩïīĭįıķĺľļłŀśŝšşșùúûũüūŭůűųỳýŷÿ ĝğġģķỳýŷÿźžż ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ <> «-.:,;?!» ( ) abcdefghijklmnopq ABCDEFGHIJKLMNOPQ 10

11 François Glyph set: Pro version $ abcdefghijklmnopqrstuvwxyz cdfeg ikjl mn rs op ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz # $ ƒ # $ ƒ # $ ƒ # $ ƒ =() =() abcdefghijklmnopqrstuvwxyz ¼½¾% % + ± = ~ ^<> Ω πµ l ((()))[[[]]]{{{}}},;:.!? '" /\ -- _ * &&@@@ ªº ` ˆ ˇ ʻ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģ ĥħıìíîĩïīĭįijĵķĺľļłŀńňñņòóôõöōŏőøǿœŕřŗ śŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ ÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉÊĚËĒĔĖĘ FIFLĜĞĠĢĤĦÌÍÎĨÏĪĬĮIJĴĶĹĽĻŁĿŃŇÑŅ ÒÓÔÕÖŌŎŐØǾŒŔŘŖŚŜŠŞȘߍŢŦ ÙÚÛŨÜŪŬŮŰŲẀẂŴẄỲÝŶŸŹŽŻŊÐÞ àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėę fiflĝğġģĥħìíîĩïīĭįijĵķĺľļłŀńňñņ òóôõöōŏőøǿœŕřŗśŝšşșssťţŧ ùúûũüūŭůűųẁẃŵẅỳýŷÿźžżŋðþ 11

12 Glyph François set: Glyph Pro version set 2: Pro version $ fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffkfiffiflffl ſ cdfeg ikjl mn rs op fbffbfffhffhfiffifjffjfkffkflfflftfftſfkffk ſ Thctstst Thctst afggiklsuy afggiklsuy AEKN AEKN fgkyz fgkyz AEKN AEKN àáâãäāăåǻąĝğġģĝğġģìíîĩïīĭįıķĺľļłŀśŝšşșùúûũüūŭůűųỳýŷÿ ĝğġģķỳýŷÿźžż ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ ÀÁÂÃÄĀĂÅǺĄÈÉÊĚËĒĔĖĘĶŃŇÑŅ <> «-.:,;?!» ( ) abcdefghijklmnopq ABCDEFGHIJKLMNOPQ 12

13 OpenType features (partial): Pro version {[( «abcdefghijklmnopqrstuvwxyz-» all capitals feature {[( «ABCDEFGHIJKLMNOPQRST-» all small caps feature {[( «abcdefghijklmnopqrstuvwxyz-» standard abcdefghijklmnopqrstuvwxyz no No 1a 2o superiors & ordinals abcdefghijklmnopqrstuvwxyz no No 1a 2o standard fffbffbfhffhfiffifjffjfkffkflfflftfft ligatures fffbffbfhffhfiffifjffjfkffkflfflftfft minuscule tabular figures # $ ƒ % (default) capital tabular figures # $ ƒ % minuscule figures # $ ƒ % capital figures # $ ƒ % standard =() =() superscript =() =() & subscript figures numerator & denominator figures standard 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 fractions feature 1/2 2/3 3/5 5/6 6/7 7/8 8/9 % 13

14 OpenType features (partial): Pro version ctstth ctstthct discretionary ligatures ctstth ctstth standard historical forms historical forms historical forms hiſtorical forms hiſtorical forms standard stylistic set 1, modernist stylistic set 2, cursif Ss01 + Ss02 or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates standard stylistic set 1, modernist or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates stylistic set 5, classic or stylistic alternates 14

15 Firmin OpenType features (partial): Pro version {[( «abcdefghijklmnopqrstuvwxyz-» all capitals feature {[( «ABCDEFGHIJKLMNOPQRSTUVWXYZ-» all small caps feature {[( «abcdefghijklmnopqrstuvwxyz-» standard abcdefghijklmnopqrstuvwxyz no No 1a 2o superiors & ordinals abcdefghijklmnopqrstuvwxyz no No 1a 2o standard fffbffbfhffhfiffifjffjfkffkflfflftfft ligatures fffbffbfhffhfiffifjffjfkffkflfflftfft minuscule tabular figures # $ ƒ % (default) capital tabular figures # $ ƒ % minuscule figures # $ ƒ % capital figures # $ ƒ % standard =() =() superscript =() =() & subscript figures numerator & denominator figures standard 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 fractions feature 1/2 2/3 3/5 5/6 6/7 7/8 8/9 % 15

16 Firmin OpenType features (partial): Pro version ctstth ctstthct discretionary ligatures ctstth ctstth standard historical forms historical forms historical forms hiſtorical forms hiſtorical forms standard stylistic set 1, modernist stylistic set 2, cursif Ss01 + Ss02 or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates standard stylistic set 1, modernist or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates stylistic set 5, classic or stylistic alternates 16

17 Firmin OpenType features (partial): Pro version <> «.:-,;?!»( ) abcdef ghi jklm n o pq ABCDEF GHI JKLM N O PQ ornaments, stylistic set 20 <> «.:-,;?!»( ) abcdef ghi jklm n o pq ABCDEF GHI JKLM N O PQ 17

18 François OpenType features (partial): Pro version {[( «abcdefghijklmnopqrstuvwxyz-» all capitals feature {[( «ABCDEFGHIJKLMNOPQRSTUVWXYZ-» all small caps feature {[( «abcdefghijklmnopqrstuvwxyz-» standard abcdefghijklmnopqrstuvwxyz no No 1a 2o superiors & ordinals abcdefghijklmnopqrstuvwxyz no No 1a 2o standard fffbffbfhffhfiffifjffjfkffkflfflftfft ligatures fffbffbfhffhfiffifjffjfkffkflfflftfft minuscule tabular figures # $ ƒ % (default) capital tabular figures # $ ƒ % minuscule figures # $ ƒ % capital figures # $ ƒ % standard =() =() superscript =() =() & subscript figures numerator & denominator figures standard 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 fractions feature 1/2 2/3 3/5 5/6 6/7 7/8 8/9 % 18

19 François OpenType features (partial): Pro version ctstth ctstthct discretionary ligatures ctstth ctstth standard historical forms historical forms historical forms hiſtorical forms hiſtorical forms standard stylistic set 1, modernist stylistic set 2, cursif Ss01 + Ss02 or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates standard stylistic set 1, modernist or titling alternates stylistic set 3, variants or swashes stylistic set 4, classic or stylistic alternates stylistic set 5, classic or stylistic alternates 19

20 François OpenType features (partial): Pro version <> «.:-,;?!»( ) abcdef ghi jklm n o pq ABCDEF GHI JKLM N O PQ ornaments, stylistic set 20 <> «.:-,;?!»( ) abcdef ghi jklm n o pq ABCDEF GHI JKLM N O PQ 20

21 Ornaments, ss20 Mixed widths Ambroise OpenType features (partial): Pro version standard !4 «-(((((8)))))-» 3:.: :.: 4 stylistic set 20, Ornaments !4 «-(((((8)))))-» 3:.: :.: 4 ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq Ornaments, ss20 + Contextual alternates This feature detects the nature of corners and adapts borders accordingly. Just by changing the first corner. ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi Ornaments, ss20 + Widths and weights mix. ghhhhhhhhhhhhhhhi adddddddddddddddf jkkkkkkkkkkkkkkk ghhhhhhhhhhhhhhhi adddddddddddddddf jkkkkkkkkkkkkkkk 21

22 Ornaments, ss20 Ambroise Firmin OpenType features (partial): Pro version standard !4 «-(((((8)))))-» stylistic set 20, Ornaments !4 «-(((((8)))))-» Mixed widths 3:.: :.: 4 3:.: :.: 4 ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq Ornaments, ss20 + Contextual alternates This feature detects the nature of corners and adapts borders accordingly. Just by changing the first corner. ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi 22

23 Ornaments, ss20 Ambroise François OpenType features (partial): Pro version standard !4 «-(((((8)))))-» stylistic set 20, Ornaments !4 «-(((((8)))))-» Mixed widths 3:.: :.: 4 3:.: :.: 4 ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo ghhhhhhhhhhhhi GHHHHHHHHHHHHI addddddddddddf ADDDDDDDDDDDDF Bcccccccccccce bcccccccccccce jkkkkkkllllllm JKKKKKKLLLLLLM nnnnnnnnnnnnnn NnNnNnNnNnNnNn oooooooooooooo OoOoOoOoOoOoOo pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq pqpqpqpqpqpqpqpqpqpqpqpqpqpq qpqpqpqpqpqpqpqpqpqpqpqpqpqp pqpqpqpqpqpqpqpqpqpqpqpqpqpq Ornaments, ss20 + Contextual alternates This feature detects the nature of corners and adapts borders accordingly. Just by changing the first corner. ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi ghhhhhhhhhhhhi Ghhhhhhhhhhhhi ahhhhhhhhhhhhi Ahhhhhhhhhhhhi 23

24 Ambroise Stylist sets samples: Pro version I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more stylistic set or titling alternates auyils AEN AEN I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more stylistic set 3 or swashes fg I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more stylistic set 4+5 gkkkyz I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more stylistic set I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a stylistic set 20 or ornaments I am very pleased that so many people like my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like 24

25 Ambroise Stylist sets samples: Pro version I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most stylistic set or titling alternates auyils AEN I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). stylistic set 3 or swashes fg I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most stylistic set 4 gkkk I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But stylistic set I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). stylistic set 20 or ornaments I am very pleased that so many people like my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes 25

26 Ambroise Stylist sets samples: Pro version I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most often I see my types used quite well. What I really dislike is when I see my typefaces de-constructed (parts taken off and added on, or everything scrambled and re-assembled) and presented as "new" stylistic set or titling alternates auyils AEN I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most often I see my types used quite well. What I really dislike is when I see my typefaces de-constructed (parts taken off and added on, or everything scrambled and re-assembled) and presented as stylistic set 3 or swashes fg I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most often I see my types used quite well. What I really dislike is when I see my typefaces de-constructed (parts taken off and added on, or everything scrambled and re-assembled) and presented as «new» stylistic set 4 gkkk I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most often I see my types used quite well. What I really dislike is when I see my typefaces de-constructed (parts taken off and added on, or everything scrambled and re-assembled) and presented as «new» stylistic set I AM VERY PLEASED THAT SO MANY PEOPLE LIKE my typefaces and am happy to see the way they are used in most gases. Once in a while george see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather people use the faces as they are. If they don t work for a specific purpose, the designer should choose a more appropriate typeface rather than reworking the letter shapes on their own (logotypes are an obvious exception). But most often I see my types used quite well. What I really dislike is when I see my typefaces de-constructed (parts taken off and added on, or everything scrambled and re-assembled) and presented as stylistic set 20 or ornaments I am very pleased that so many people like my typefaces and am happy to see the way they are used in most gases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I d rather 26

27 Tabular figures widths (in lining or oldstyle versions) are compatible in many weight combinations. Ambroise Tabular figures matching weights Light Light Italic Regular Italic Demi Demi Italic Bold Bold Italic ExtraBold ExtraBold Italic Heavy Heavy Italic Black Black Italic # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ 27

28 Tabular figures widths (in lining or oldstyle versions) are compatible in many weight combinations. Ambroise Firmin & François Tabular figures matching weights Firmin Light Firmin Regular Firmin Demi Firmin Bold Firmin ExtraBold Firmin Heavy Firmin Black # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ François Light François Regular François Demi François Bold François ExtraBold François Heavy François Black # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ # $ ƒ 28

29 Light abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g & a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e ce d i n t h H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s t I n r e c e n t y e a r s, a n e w t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s. H o w e v e r, m o s t o f t h e e x 14 pt H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d 29

30 Light Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g & a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e ce d H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s t I n r e c e n t y e a r s, a n e I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s. H o w e v e r, m o s t o f t h e e x 14 pt H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i 30

31 Regular abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g & a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. T h e r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a c t i c a l a n d r o b u s t I n r e c e n t y e a r I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s. H o w e v e r, m o s t o 14 pt H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. T h u s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a c t i c a l a n d r o b u s t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i 31

32 Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g & a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. T h e r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a c t i c a l a n d r o b u s t I n r e c e n t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s. H o w e v e r, m o s 14 pt H o w e v e r, m o s t o f t h e e x i s t i n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a s t e. T h u s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a c t i c a l a n d r o b u s t I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s 32

33 Demi abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s. H 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t 33

34 Demi Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o n t o c e r t a i n s t y l e s 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t 34

35 Bold abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i o 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a 35

36 Bold Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d b y a n o b v i o u s r e v e r s i 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s 36

37 ExtraBold abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e s s e d 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l 37

38 ExtraBold Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c h h a v e b e e n e x p r e 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e d e c o r a t i v e a r t s. W h i l 38

39 Heavy abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d Ambroise, a m I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i c 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e 39

40 Heavy Italic abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ & 38 pt 24 pt 18 pt W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e sr a i g h t n e s s i s y i e l d i n g & a d i si n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d & n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t o t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Te r e f o r e w e h a v e c r e a t e d I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s t i n t h e d e c o r a t i v e a r t s. W h i l e t h e s i m p l i c i t y o f t h e l i n e s h a s b e e n p r e s e r v e d, t h e s t r a i g h t n e s s i s y i e l d i n g a n d a d i s t i n g u i s h e d e l e g a n c e i s c o m i n g i n t o i t s o w n a g a i n. T y p o g r a p h y h a s n o t b e e n n e g l e c t e d i n t h e s e d e v e l o p m e n t s, w h i 14 pt H o w e v e r, m o s o f t h e e x i si n g t y p e s w e r e o l d - f a s h i o n e d a n d n o t a d a p t e d t o t o d a y s w o r k i n g m e t h o d s, o w i n g t h e i r f r a g i l i t y. A n e w t y p e f a c e h a d t o b e f o u n d w i t h a d e s i g n t h a t c o r r e s p o n d e d t o t o d a y s t a se. Tu s w e h a v e c r e a t e d Ambroise, a m o d e r n a n d e l e g a n t t y p e f a c e, b o t h p r a ci c a l a n d r o b u s I n r e c e n t y e a r s, a n e w t e n d e n c y h a s b e c o m e m a n i f e s i n t h e 40