~Act 3 Scene 2~ By: Amanda Roux and Josh Westcott

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1 ~Act 3 Scene 2~ By: Amanda Roux and Josh Westcott

2 Summary ~ Hamlet instructs players how to perform ~ Hamlet's soliloquy to Horatio, tells him to watch Claudius' reaction ~ The King, Queen, and rest of court enter ~ Hamlet mocks everyone ~ The players begin with dumb show and then real play ~ Claudius leaves room at murder scene ~ R & G tell Hamlet his mom wants him, Polonius enters and says the same ~ Hamlet sends them to tell her he is coming

3 Hamlet's Soliloquy ~FRIENDSHIP Nay, do not think I flatter, For what advancement may I hope from thee, That no revenue hast but thy good spirits to feed and clothe thee? (46-49) ~FLATTERY Let the candied tongue lick absurd pomp and crook the pregnant hinges of the knee. ~FORTUNE And blessed are those Whose blood and judgment are so well commingled, That they are not a pipe for Fortune's finger To sound what stop she please. (58-61)

4 Dumbshow & Play ~effect on the audience ~important of play within the play ~question of whether Hamlet imagined the ghost or not (Hamlet's familiarity with the play) ~turning point in the play itself

5 The Characters ~Player King: King Hamlet ~Player Queen: Gertrude ~Lucianus: Claudius

6 Literary Techniques Play within the Play & Play ~puns ~repetition ~rhymes ~alliteration ~simile ~allusions ~personification ~foreshadowing ~blank verse in iambic pentameter ~imagery

7 Imagery ~Lucianus' speech before he 'kills' King Hamlet Thoughts black, hands apt, drugs fit, and time agreeing, Confederate season, else no creature seeing, Thou mixture rank, of midnight weeds collected, With Hecate's ban thrice blasted, thrice infected, Thy natural magic and dire property On wholesome life usurp immediately. ( ) ~dark, eerie, images of decay

8 Repetition & Alliteration ~passion and joy repeated several times in Player King soliloquy ~ love lead fortune (184) ~ fortune love (184) ~ love on fortune (186) ~exaggerated alliteration purpose, prove, propose this is michelling machello, it means mischief. (122)

9 Puns ~sexual references to Ophelia ( ) O: You are keen, my lord, you are keen. H: It would cost you a groaning to take off my edge. ~mocking Polonius (91-93) P: I did enact Julius Caesar. I was killed i'th'capitol. Brutus killed me. H: It was a brute part of him to kill so capital a calf there.

10 More Puns... ~mocking Claudius (82-84) C: How fares our cousin Hamlet? H: Excellent, i'faith, of the chameleon's dish. I eat the air, promise-crammed. You cannot feed capons so. ~mocking Gertrude G: Come hither, my dear Hamlet, sit by me. H: No good mother, here's metal more attractive

11 One more Pun... ~shows R & G what they're doing to him P: My lord, the queen would speak with you, and presently. H: Do you see yonder cloud that's almost in shape of a camel? P: By th' mass, and 'tis like a camel indeed. H: Methinks it is like a weasel. P: It is backed like a weasel. H: Or like a whale. P: Very like a whale. H: Then I will come to my mother by and by. ( )

12 Mythological Allusions ~ As Vulcan's stithy (74) ~ Fortune mentioned multiple times in soliloquy ~ For thou dost know, O Damon dear (255) ~ Full thirty times hath Phoebus' cart gone round Neptune's salt wash and Tellus' orbèd ground, And thirty dozen moons with borrowed sheen About the world have times twelve thirties been, Since love our hearts and Hymen did our hands Unite commutual in most sacred bands. ( )

13 ~ rhyme scheme: a,b,a,b Rhymes Why, let the stricken deer go weep, The hart ungallèd play. For some must watch while some must sleep. So runs the world away. ( ) ~slant: purpose is but the slave to memory, of violent birth but poor validity ( ) for women's fear and love hold quantity, In either aught, or in extremity. ( )

14 More Rhymes... ~eye for 'tis a question left us yet to prove, whether love head fortune, or else fortune love ( ) the great man down, you mark his favourite flies; the poor advanced makes friends of enemies ( ) ~perfect the violence of either grief or joy their own enactures with themselves destroy ( ) this world is not for aye, nor 'tis not strange that even our loves should with our fortunes change ( )

15 Personification, Simile & Foreshadowing ~ Come, the croaking raven doth bellow for revenge. ( ) ~ Which now like fruit unripe sticks on the tree (171) ~ Your wisdom should show itself more richer to signify this to the doctor. For, for me to put him to his purgation would perhaps plunge him into far more choler. ( )

16 Hamlet ~ effortless changes in emotion: excited to crazy, crazy to criticizing, criticizing to cheerful, cheerful to angry ~proof of he is pretending They are coming to the play. I must be idle (80) ~misogynist: dislike for women ~sick & tired of everyone 'toying' with him ~doesn't care about result from harming others, quest for the truth

17 Relationship with Gertrude ~tense relationship ~constantly criticizing her (and all women) ~O: 'tis brief my lord H: as is woman's love ( ) ~H: for look you how cheerfully my mother looks, and my father died within's two hours. ( ) ~G: The lady doth protest too much methinks. H: Oh but she'll keep her word. ( )

18 Relationship with R & G ~jokes around, doesn't act serious ~avoids addressing matter at hand ( ) G: The queen your mother, in most great affliction of spirit, hath sent me to you. H: You are welcome. ~gets angry at them for playing with him Why, look you now, how unworthy a thing you make of me! You would play upon me [...] And there is much music, excellent voice, in this little organ, yet cannot you make it speak? [...] Call me what instrument you will, though you can fret me, yet you cannot play upon me. ( )

19 Last Speech by Hamlet 'Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world. Now could I drink hot blood And do such bitter business as the bitter day Would quake to look on. Soft, now to my mother. O heart, lose not thy nature, let not ever The soul of Nero enter this firm bosom. Let me be cruel, not unnatural. I will speak daggers to her but use none. My tongue and soul in this be hypocrites. How in my words somever she be shent, To give them seals never, my soul, consent! ( )

20 ~Thank you!~ ~Enjoy the quiz!~

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