The Mustang Drumline BOok Warm-Ups, Exercises, Grooves, and More

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1 to the Membes of the GMMS Pecussion Section, The GMHS Mustang Dumine, The GMid Indoo Dumine, and a Gov. Miffin Students who want to pay Pecussion. The Mustang Dumine BOok Wam-Ups, Execises, Gooves, and Moe NAME: Goveno Miffin Schoo Distict 201 T. WILLIAMSONJ. MYERSA. CUSANO

2 The Mustang Dumine BOok Tabe Of Contents Expectations 1. GM Pecussion Expectations Counting Rhythms 2. Counting Sheet. Counting Sheet 22 & 68 Singe Stoke Wam-Ups. Eights 5. Legato 9 Countdown 6. Rocket 7. Check Pattens Doube Stoke Wam-Ups 8. McDidde Kombat 9. McTipe Kombat nd Note Concentation 11. Higga Digga Bu 12. Tipe Didde Chomatic Expansion Rudimenta Wam-Ups 1. Paadidde-Didde Ditty 1. Canadian Fam Check 15. Mini-Spee Dumine Gooves 16. Stand Gooves I 17. Let s Bounce 18. Moe Cowbe Fu Ensembe Gooves 19. Incantation Goove 20. Don t Stop Beievin Cadences & On The Move 21. Aqua Banca 22. Tempo-Raity 2. D & K Cadence 2. Lovin Latin 25. Run Down 26. Ro-Off Appendix 27. Gand Maste Scae Sheet 28. Rudiment Woksheets 29. Caenda of Rudiments and Scaes Additiona TECHNIQUE & Instuctiona SHEETS ae avaiabe on

3 Goveno Miffin H.S. Pecussion Respect you dum, you sticks, yousef and each othe. 1 Dum Cae 1. You ae esponsibe fo you dum. This incudes taking it fom the dum coset, caying it, etuning it to the coset, and packing it fo pefomances. 2. Ony you have pemission to pay you dum.. You dum, haness, and sticks need to be put away afte evey eheasa.. Dum coves shoud emain on the dum duing a eheasas, uness othewise instucted. Cymba payes ae esponsibe fo thei cymbas appeaance. 5. If the dums ae to be set down, they need to ook petty. This means they ae aanged as a section and in thei safe caiage position. Othewise, they wi be won o away in the dum coset. 6. If you need to take an instument home to pactice, you must see M. Wiiamson o M. Deininge. You ae esponsibe fo any instument you boow. SticksMaets 1. Each student wi eceive one pai of pactice sticksmaets to use duing pactice and eheasas. 2. M. Wiiamson wi keep, distibute, and coect each student s pefomance sticks and maets (Show Sticks) at each pefomance. Damage Cause 1. Any intentiona damage to equipment, as defined by the band diecto, wi hod the student iabe fo epai o epacement, as a schoo obigation. 2. Any dumheads o sticks that need to be epaced due to misuse, mispacement, o abuse, as defined by the band diecto, wi be the soe esponsibiity of the student. This equipment must match in band and type, and wi be avaiabe fo ode though M. Deininge. The schoo wi povide equipment and sticks ony as mentioned above. Paying as a Section Duing eheasas, pefomances, footba games, etc., we wi pefom as a section. Individua paying, pacticing, o messing aound (kecking) shoud be kept to a minimum. Pactice happens at home, eheasas and pefomances ae done as a goup. With that in mind, students ae encouaged to have a pactice pad accessibe at a times. (The Vic Fith SimPad is the ecommendation) Respect Each Othe At a times, membes of the pecussion section wi espect each othe and those aound them. You ae epesenting yousef, you schoo, and the activity of dumming. The Gowing Pecussionist As each student matues as a young pecussionist, pesona investment in the impements and instuments wi aso gow. A ist of ecommended sticks, maets, and equipment wi be made avaiabe to students. Any questions egading these expectations shoud be bought to the attention of the instuctos.

5 Counting Sheet 2 NOTE NAME FOUR BEAT COUNTING EXAMPLE Quate Note ex. 1 2 Quate Rest ex. () (1) (2) () () Two Eighth Notes ex. 1 2 Eighth Note Eighth Rest ex. () 1 () 2 () () () Eighth Rest Eighth Note ex. () (1) (2) () () Fou Sixteenth Notes ex e a 1 e a 2 e a e a e a One Eighth Two Sixteenths ex a 1 a 2 a a a Two Sixteenths One Eighth ex e 1 e 2 e e e Sixteenth Eighth Sixteenth ex e a 1 e a 2 e a e a e a Dotted Quate Eighth ex 12 Dotted Haf Quate ex 12 GMMS Pecussion

6 NOTE NAME CUT TIME COUNTING EXAMPLE Quate Note ex. 1 2 CUT TIME Quate Rest ex. ()() (1) () (2) () Fou Eighth Notes ex. e a 1 e a 2 e a One Quate Two Eighths ex. a 1 a 2 a Two Eighths One Quate ex. e 1 e 2 e Dotted Quate Eighth ex e a 1e a 2e a NOTE NAME SIX EIGHT COUNTING EXAMPLE Eighth Note ex Eighth Rest ex. () (1)(2)()()(5)(6) 68 Mete Quate Note ex Quate Rest ex. () (12) () (56) Dotted Quate Note ex Dotted Haf Quate ex 1256 GMMS Pecussion

7 Battey: Atenate Unison (Snae Pat) and Spit (Individua Pats) Maets: Pay m- fo m5-6 at Fast Tempos Ony, A Keys. Snae Dum 8's 8th Note Subdivisions, Eight On A Hand - Battey Œ Ó Teno Dums Œ Ó Bass Dum Œ Ó Cymbas o o o o o o o o o o o o o o o o o o o o o o o o Œ Ó Metas & Œ Ó Woods & Œ Ó Bass Guita? Œ Ó Timpani? Œ Ó Copyight 2011

8 Legato 9 Countdown T. Wiiamso Copyight 2011 Snae Dum Teno Dums Bass Dum Cymbas Metas Woods Bass Guita Timpani Smooth and Steady q = 120 Smooth and Steady q = 120 Continue Countdown u ony the eease is eft. Œ Ó Œ Ó & &?? Œ Ó Œ Ó Œ Ó Œ Ó Œ Ó Œ Ó 5

9 Copyight 2011 Snae Dum Teno Dums Bass Dum Cymbas Metas Woods Bass Guita Timpani > > > > > > > > > > > > > > Rocket Battey: Atenate Unison (Snae Pat) and Spit (Individua Pats) Maets: Fou Maets if possibe. Can Atenate Accents with Beat 2, Cave. A Keys. > > > > > > > > > > > > > > > > > > > > > > > > > > > > & > > > > > > > > > > > > > > > > > & > > > > > > > > > > > > > > > > >? > > > > > > > > > > > > > > > > >? > > > > > > > > > > > > > > > > > Œ Ó Œ Ó Œ Ó Œ Ó Œ Ó Œ Ó j j j j J J Œ Ó j j j j J J Œ Ó 6

10 Snae Dum Teno Dums Bass Dum Cymbas Xyophone Maimba Bass Guita Timpani Check Pattens Check, then Vaiation, Then Check, ending with Tag. Steady and Accuate q = Check Tag j j Œ R R R R R R R R R R J J R R R R R R R R R R R R J J R R Œ Œ 2 2 & R R j j Œ & 2 R R j j Œ?? 2 2 R R R R R R R R J J Œ R R R R R R R R J J Œ Copyight

11 8 McDidde Kombat Battey: Atenate Unison (Snae Pat) and Spit (Individua Pats) Maets: Fou Maets if possibe. Witten Key Ony. Snae Dum Œ Ó Teno Dums Œ Ó Bass Dum Œ Ó Cymbas o o o o o o Œ Ó Metas & Œ Ó Woods & Œ Ó Bass Guita? Œ Ó Timpani? Œ Ó Copyight 2011

12 9 McTipe Kombat Battey: Atenate Unison (Snae Pat) and Spit (Individua Pats) Maets: Fou Maets if possibe. Witten Key Ony. Snae Dum Œ Ó Teno Dums Œ Ó Bass Dum Œ Ó Cymbas o o o o o o Œ Ó Metas & Œ Ó Woods & Œ Ó Bass Guita? Œ Ó Timpani? Œ Ó Copyight 2011

13 162nd Note Concentation attey: As Witten. Bass Dums pass Singe Eighths, Sixteens, then Sixteen Tipets. Maets: Fou Maets if possibe. A Majo Keys. Snae Dum eno Dums Bass Dum o o o o o o o o o o o o Œ J Œ J Cymbas & & Metas Woods $ $ $ $ $ $ $ $?? Bass Guita Timpani % 5 Œ Ó Œ Ó Œ Ó S. D. T. D. B. D. Œ J Œ J Œ Ó o o o o o o o o o o o o Cym. & Œ Ó Mts & Œ Ó Wds $ $ $ $ Œ Ó? Bass $ $ $ $ Œ Ó? imp. Copyight

14 Higga Digga Bu Snae Dum Copyight 2011 Copyight 2011 eno Dums Bass Dum Cymbas Metas T. Wiiams Woods Bass Guita Timpani æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ Œ Ó æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ Œ Ó Œ Ó Œ Ó Œ Ó & & Œ Ó Œ Ó?? 11

15 Tipe Didde Chomatic Expansion Battey: As Witten. Maets: Two Maets o Fou Maets using 2 and Ony. Witten Key Ony. 12 Snae Dum eno Dums 12 8 Bass Dum $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ 12 8 Cymbas 12 8 n & Metas n n b b b 12 8 n & Woods n n b b b n $ $ $ $ 12 8? n $ b $ $ b $ $ $ $ $ $ $ b $ $ Bass Guita 12 8? Timpani % $ Œ$ Œ$ Œ$ 5 S. D. $ Œ$ Œ$ Œ$ T. D. J J J J $ Œ$ Œ$ Œ$ o o o $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ Œ$ Œ$ Œ$ B. D. Cym. Œ$ Œ$ Œ$ b n b n n b n n $ & Mts. Œ$ Œ$ Œ$ b n b n n b n n $ & Wds. $ n $ $? $ j j $ Œ$ Œ$ Œ$ n $ n $ b $ $ n $ n $ b $ $ n $ b $ Bass $ $ j j $ Œ$ Œ$ Œ$? imp. Copyight

16 1 Paadidde-didde Ditty Battey: As Witten. Maets: As Witten, Continue In A Keys. Snae Dum > > > > > > > > > > > > > > > Œ Ó R L R L R R R L R L R L L L R Teno Dums > > > > > > > > > > > > > > > Œ Ó R L R L R R R L R L R L L L R Bass Dum > > > > > > > > > > > > > > > Œ Ó R R R R R R R R R R R R R R R Cymbas o o o o o o o o Œ Œ Œ Ó J J Metas & n n n n n n n n b b b b b b n b b n Œ Ó Woods & n n n n n n n n b b b b b b n b b n Œ Ó Bass Guita? Œ Œ b b b b n Œ Ó Timpani? Œ Œ b b b b n Œ Ó Copyight 2011

17 Canadian Fam Check attey: As Witten. Maets: Two Maets o Fou Maets using 2 and Ony. A Keys. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j Snae Dum R R R R L L L L R L R L R L R L R L R L R L R L R L R L R L R L > > > j > j j > > > > j j j j > > > > > > > > > > > > > > > > > > > > > > j j j j j j j j j j j j j j j j j j j j j j > j > j j eno Dums R R R R L L L L R L R L R L R L R L R L R L R L R L R L R L R L > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j j Bass Dum R R R R L L L L R L R L R L R L R L R L R L R L R L R L R R R R o o o o o o o o o o o Cymbas & Metas & Woods? Bass Guita? Timpani % > > > > > > > > > > > > > > > > > > > > > > > > > j j j j j j j j j j j j j j j j j j j j j j Œ Ó > > > > > > > > > > > > > > > > > > > > > > > > > j j j j j j j j j j j j j j j j j j j j j j Œ Ó > > > > > > > > > > > > > > > > > > > j j j j $ $ $ j j j j j j j j j Œ Ó 7 j j S. D. R L R L R L R L R L R L R R L R L R L R L R R L R j j T. D. R L R L R L R L R L R L R R L R L R L R L R R L R > > > > j j j B. D. $ J Œ Œ Ó R L R L R L R L R L R R L R R L R o $ $ J $ $ J Cym. Œ Ó Œ Ó & & Mts. Wds. Œ Ó Œ Ó?? Bass imp. Copyight

18 T. Wiiamson Accent - 9 Mini-Spee > A > > > > > > B Didde - Reaxed and Open > R R L L L R R > > > > > > > > Copyight 2010 Snae Tenos Bass Maet 1 Maet 2 J J j j j J J R R L L L R R e 2 e a a 1 a 2 e J j j j j j J Œ Snae Teno Bass Ma. 1 Ma. 2 & j j j j j j j j j j j j j j & One Paye C Fam - 9 > > > > > > > D Cheese - 9 Reaxed and Open Sets Loop Tempo > > > > > > > > j j j j j j j j j j j j 5 j j R R L L L R R j j j j j j j j j j Œ > > > > > > > > > > > j j j j j j j Œ X X X X X X X X X X X X X X j j j j R R L L L R R j j j j e a 1 e 2 e a a 1 a 2 a a 1 R R L L L R R R R R Œ J j j j j j J Œ & Œ j j j j j j j j j j j j j j & 15

19 Sow and Steady Wins the Race q = 110 Accents at 9, Taps at. Repeat ony Times. > > > > > > > 6 > > > > > > > 6 > > > > > > > > > > Snae Dum R R R L L L R R R R L L L R R R R L L L R Woo Woo Woo Wooh Woo Woo Woo Wooh R L R eno Dums Stand Gooves I Wiiams Penn State Goove Œ Ó > > > > > > > 6 > > > > > > > 6 > > > > > > > 6 > > > Œ Ó > > > > > > > > > > > > > > > > > > > > > > > > Œ Ó R R R L L L R R R R L L L R R R R L L L R Woo Woo Woo Wooh Woo Woo Woo Wooh R L R Bass Dum R R R L L L R R R R L L L R R R R L L L R Woo Woo Woo Wooh Woo Woo Woo Wooh R L R Cymbas Ony as Fast as you Right Hand can Hande q = 110 Let it Goove q = 110 Miff'd Licks fo Kicks Œ j Œ j j j j j Œ Ó Repeat M1 x each time, x Though, then End. > Afte a snaes ae in, TN & BD Pay. End when pay ends. > > > > > > > > > One snae stats as ba is paced, add one each epeat.. D. > > > > > j j j j j j Œ Ó R R R R R R R R R R. D. Œ Ó R R R R R > > > > > J j j j j j. D. R R R R R ym. Big Down Whispe Chiax, Let it simme... q = 110 Stay togethe, tough guy q = 110 Œ M1 is Tap, A Pay M2, Once Ony -> Used on Big Downs. Fou Times tota. 1x: Bass and Cymbas, 2x: Add Snaes, x: Add Tenos, x A. Eveyone Whispe Go Fight Win > > >. D. Go Fight Win mp R pp mp R pp mp R pp Œ. D. Go Fight Win Ó Ó Ó Œ. D. Go Fight Win Œ Œ - O. Œ Œ - O. Œ Œ - O. Œ Œ Œ Œ J J J ym. Copyight

20 17 Snae Teno Bass S. D. T. D. B. D. Meta Stye Lets Bounce T. Wiiamson 12 Time Fee q = 160 > > > > > > Œ Let me see you bounce x Tota > > > > > Œ Ó x Tota > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > j j Œ Ó > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > J J Œ Ó Copyight 2008

21 18 Moe Cowbe A. T. Wiiamson The Devastato Snae Dum Cowbe Stye q = 100 > > > > > Œ Repeat x Ony Teno Dums Œ Bass Dum Œ R Anvi S. D. > > > > > > > > > > Œ Ó T. D. Œ Ó B. D. Œ Ó Anv. Œ Ó Copyight 2011

22 19 p -, mp - 6, mf - 9, f - 12, ff - fu Diving, Midde Easten Goove q = 166 Vibes Maimba One Maimba 2 Snae Dum Teno Dums Bass Dum Vib. Ma. 1 Ma. 2 S. D. T. D. B. D. Shek. Vib. Ma. 1 Ma. 2 S. D. T. D. B. D. Shekee Incantation Goove End of the Wod Pit Goove fo 2012 { 2 &b b Into Hits Sshh > > > > > > n n n n J Œ Œ Ó n p mp f ff n n n mp mf &b b > > > > > > 2 n p n b b b n b n b f > J J n n mp ff mp mf & bb > > > > > > > > n n b nb n b 2 j n p ^ mp ^ f> ^ > b b > ^ j > ff > ^ æ n n mf Snae Featue J J b J b > > > > > > > ^ f æ æ æ æ j j Ó Œ p > > R R f R R R R R ff R f R R R R L R p R R > > > > ^ 2 > j j p b b R fr R R R R ff B p b b R Bass Featue 2 J J p ff p f f 2 j j j j j j j j p f mp 8 Second Meody (Dumine ) {& n n n n b Œ æ b J b b b J J Œ æ b J j j mp f & bb n n n J æ J æ n J æ æ J n J b æ j f & bb > > > > > > > æ J J J b b n J æ J æ n J æ æ J n mf f J b æ j ^ ^ f ^ ^ ^ ^ ^ 7 7 æ æ æ æ R R mp R R R R R Teno Featue ^ æ æ Œ j f mp p R b b b b b b Bass Featue 2 p 1 2 f 1 e a 2 e a e a e a mp j j j j j j j j j j j j j j j j j j mp 1 Hits (Ending) {& bb b > > > > > > Œ æ b J b b b J J Œ æ b J j j J Œ Œ f f ff & bb > > > > > > J æ J æ J æ æ J n n J b æ b n b b n b f > J J ff & bb > J æ J æ J æ æ J n n b n J b æ n b j n ^ ^ ^ ^ ^ f> ^ > b b > ^ j > ff > ^ æ æ æ æ j j R R R R R > > mf > f R R > R > R > R ff R ^ j j b b b b mf R f R R R Fist Meody Fom the Cique De Soei: Quidam Poduction Witten by: Benoit Jutas Aanged fo Band by: J. Dawson and M. Casey Edited fo Pecussion by: T. Wiiamson Opt Cut on Repeat R R J J ff B Shek mf f ff j j j j j j j j j j j j f Copyight 1999 (2011)

23 Don't Stop Beievin' Jouneya. T. Wiiamson A With a Goove q = 120 B Snae Dum Teno Dums Bass Dum b n b n b n b b n b n b n b n b n b n b n b n b n b & Gockenspie & { Vibaphone mp & Xyophone &? { Maimba? j Timpani = C 1. Ó Œ 8 S. D. Ó Œ { T. D. Ó Œ B. D. Ó J Ó j j j n b n b n b n Ó Œ j Œ Ó & { Gock. Ó Ó Œ j Œ Ó J Ó j j j 6 6 & { Vib. mp 1. & Xy. &? { Ma.? Timp. Copyight

24 > > 6 > > O O O æ æ æ S. D. T. D. B. D. Gock. Vib. Xy. Ma. Timp. { { { { { 2. D 17 mf 2. S. D. T. D. B. D. Gock. Vib. Xy. Ma. Timp. > > > > > > > > > > > > > > > æ æ æ æ æ æ æ 1. > > > > >> > > > >> >> > > > > > >> > > > >> >> > > > > > >> > > > >> >> > E O O æ æ æ æ æ æ æ æ æ æ æ æ æ p > > > > > > > > > > > > > > > > 25 mf 1. 6 > > Ó Œ j j Œ Œ j j J Œ Œ j & Ó Œ j j Œ Œ j j J Œ Œ j & & &?? & & & &?? æ J j J j J j j Œ 2 Œ Œ Ó j Œ = Œ Œ Ó { 20b

25 S. D. { { T. D. B. D. Gock. > > > > >> > > > > > > > > >> >> > > > > > > > > >> > æ æ æ æ æ æ æ æ æ æ æ æ O æ { { { Vib. Xy. Ma. Timp. S. D. T. D. B. D. Gock. Vib. Xy. Ma. 2. F 2 f > > > > > > > > > > > > > > > > >> > > > > Timp. J j æ æ >> >> >> >> >>> > > > > j j j Œ & w J w j j & w J w J J j J J Œ f & æ J æ æ æ & æ J æ æ? J æ æ æ? 2. J j > > > O O O O Œ O æ æ O æ O O > ff > > > > > > > > > > > æ æ æ æ æ æ Œ O > > > >>>>> J J 9 &. Œ Œ j j j j Œ j j & Œ Œ J J j J Œ J J ff & { Œ Œ Œ Œ Œ Œ Œ Œ Œ & =??. Œ Œ Œ j 20c

26 Enteed by: Tavis Wiiamson Cadence Tempo q = 120 Snae Agua Banca by: Jim Campbe 21 Teno Bass Bass 5 wbass 1 e a a 1 a 1 e a a Cymbas Hi-Hat Choke Swish to Choke About the compose, M. James Campbe... M. Campbe is we known in the Pecussion Idiom. Pimaiy associated with the Rosemont Cavaies Dum and Buge Cops, M. Campbe's wok as pecussion instucto and cinician is egenday. Othe notabe achievements of M. Campbe's incude past Pecussion Diecto fo the McDonad's A-Ameican High Schoo Band, and past pesident of the Pecussive Ats Society ( M. Campbe cuenty seves as Diecto of Pecussion Studies at the Univesity of Kentucky in Lexington. Pactice [Cick - Dums and Pecussion] S T B C 1 a 1 e a a 1 a Atenate Payes

27 2 S 7 Rim R on L Coss-stick 21b T B 1 e a a 1 a C Fae Cash S 10 T B 1 e a e e a e a C Cash to Choke

28 Tempo-aity Copyight 2011 Snae Dum Teno Dums Bass Dum Cymbas Mach Tempo q = 120 A R R R R R S. D. T. D. B. D. Cym. > > > > > > B > > > > > j Œ > > > > > > J > > > > Œ Œ Œ R R R R R R R R R R L 6 T. Wiiamson > > > > > > > > > > > > > > R R R R R R > > > > > Œ R R R R > > > > o o o o o o > > > > > > > R R J R R R R R L R o o o o o o > o Œ Œ J J 22

29 S. D. 11 C > > > > 6 j j R L B B R Œ > > 6 6 > > > > > > > > o o o o o o o o o o j Œ j J Œ T. D. B. D. Cym. S. D. T. D. B. D. Cym. > > > > D 6 Œ Ó 15 j j Œ Œ > 6 6 B B B > > > > Œ o o o o o > j J Œ Œ J > Œ R R B B R R R 22b 2

30 D & K Cadence Ed. Wiiamso > > > > >>>> > > > > > > > > > > > > >>>> Cadence q = 110 Snae Dum R R R R L R L R R R R L R L R R R R L R L.. >.. >.. >.. >.. >>.. >.. >.. >.. >.. >> Teno Dums R L R L R L Bass Dum Cymbas > > > > > > > > > > > > > > > > > 7.. >.. >.. >.. >.. >>.. >.. >.. >.. >.. >.. >.. >.. >.. >.. >.. >.. > R R R R L R L B B L B B L B B L R L R L R L R L R L R L R L R L R L > > > > > > > > > > > > Œ Œ Œ S. D. T. D. B. D. 1 a e 1 a e 1 a e o o o o o o o o o o o o o o o o o o o o o o o o ym > > > > > > > > > > > > > > > > > > > > Œ Ó 12.. >.. >.. >.. >.. >.. >.. >.. >.. >.. >.. >.. > > Œ Ó B BR L R L B B L B B L B B L B BR L R L R R L R L R L R L R L R L R > > > > > > > > > > > > > > > > > > > > > Œ Œ Ó Œ Œ Œ Œ 1 a e 1 a e 1 a e 1 a e 1 a e 1 o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o ^ Œ Ó S. D. T. D. B. D. ym Copyight

31 2 Snae Teno Bass Cymbas An Intemediate Edition of the Cavaies' Latin Love Cadence Cadence Tempo q = 110 R R R R R R R R R R L L L B L L B Lovin' Latin L L L L L L L L L L R L L B L L B Peez R R R R R R R R R R L L L B L L B 1 2 e a e a e 1 2 e a e a e 1 2 e a e a e S T B C S T B C 7 L L L L L L L L B L L R R R R R R R R R R R R L Copyight 2007 L L L L L L L L B L L B L L B L L B 1 2 e a e a R R R R R R L L B 1 2 R R a 1 R R L L 2 L L L L R L L B e a e a e 1 2 e a e a e B R L L B R L L L L L L L e a e a e 1 2 a

32 2b 2 S 10 T B C L L L L L L L L L L L L L L L L L L a S 1 T B C S T B C L L L L L L L 16 R R L L L L L L L L L L L L L L e a e a R R R R 1 e a 2 e a e a e a 1 e a 2 e e a R R R 1 L L L L L L L L L L L L a e

33 2c S 19 T B C L L L L L L L L L L 1 a e 1 L L L L L L L L L L a e 1 L L L L L L L L L L a e S 22 T B C S T B C 25 L L L L L L L L L L 1 a e 1 L L L L L 1 a L L L L L L L L L L L L L L L a R e 1 L R L L L L L L L L L L L a R L R L R L R e a e 1 e a 2 B e a 1 e

34 Snae Dum Teno Dums Bass Dum Cymbas Run Down WiiamsonPhiips Doube Fee - BD Dive > > > > > ^ ^ > > > > > > > > O O Mach Tempo q = 120 Unison - Big Into ff ff ff ff mf > > > > > > > > >>> > > >>> mf > > > > > >>>> > > >> > >> >>>> > > >> > >> >>>> mf -. > O O J R O O O O O O O O O mf 25 S. D. T. D. B. D. Cym. > > > > > > > > ^ ^ ^ > > OO O Œ > O O O O O O O O O Œ - O. Œ f Unison - Big Hit > > >>> > > > > > > > > >> > j > > >> > >> >>>> > > >> > >> >>>> >>>>>>>>> > >>>>> j f f f S. D. T. D. B. D. Cym. mf Sow Goove - Teno SkanksSD Dum to Dum 7 ^ ^ ^ ^ ^ ^... ^ ^ ^ æ æ æ æ O O O O O O O O O æ æ æ æ æ æ æ æ æ æ æ æ mf R L R R R R D D D > > > > > >> >> > > > > -> - > -> - mf s s >>> > > > > > > >>> > > > > > > O O O - O. O O O O O O - O. - O. - O. - O. mf Copyight 2008

35 2 25b S. D. T. D. B. D. Cym. S. D. T. D. B. D. Cym. 10 ^ ^ ^ ^ O O O... æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ mp R > > > > > > > > > æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ mp R > > > > > > f > O > O > O > O > O > O > Ó 12 ^ ^ ^ ^ ^ ^ > > > æ æ æ æ æ æ æ æ æ æ æ æ O O O O O O Œ Œ Ó æ æ æ æ R L R f R L R R L R > > > > > > > > > > > > > > > > > > Œ Œ Ó mf f R L R L R R R R L R > > > > > > > > > > > æ æ æ æ Œ Ó f f f fff > > > > O O O Ó O Œ Ó

36 Ro-Off (M.S. Leve) 26 Snae q = 120 fi j fij Œ fij fij Œ æ Œ Teno Bass R L R L Œ Œ æ Œ Œ Œ Œ Cymbas Œ Œ Œ S T B C fi j Ro-Off (H.S. Leve) > > fij Œ fij fij Œ æ æ æ æ æ æ æ fij Œ R L R L R L fi j fi j Œ Œ æ æ æ æ æ æ æ æ Œ R L > > > > > > > Œ Œ æ æ æ æ æ æ æ æ -. Œ -. Œ - Œ - - Œ

37 Gand Maste Scae (majo) Maets 27 Bb & bb c w Eb Ab & b b b w & bb b b w Db Gb & b b b b b w & b b b b b b w Cb & bb b b b b b w E A & w & w D G C & w & w & w F Bb & b w & b b w

38 28 Rudiment WokSheets Rudiments ae the buiding bocks of Snae Dumming. Each udiment is payed Open (Sow) Cosed (Fast) Open (Sow), and with atenating sticking when possibe. Use these Woksheets to pactice and check you udiments.

39 Rudiment Sheet b

40 Rudiment Woksheet c

41 Rudiment Woksheet - 28d

42 Rudiment Woksheet - 28e

43 Rudiment Woksheet f

44 Rudiment Woksheet g

45 Rudiment Woksheet h

46 29 GMMS Pecussion Caenda Of Rudiments and Scaes A 1 1. Singe Stoke Ro C Majo (A Natuas) 6. Doube Stoke Ro Bb Majo (2b) 7. Five Stoke Ro 10. Nine Stoke Ro 16. Singe Paadidde 20. Fam 22. Fam Tap 1. Dag (Ruff) B 2 2. Singe Fou F Majo (1b). Mutipe Bounce Ro G Majo (1) 9. Seven Stoke Ro D Majo (2) 1. Thiteen Stoke Ro Chomatic 17. Doube Paadidde (Paa-Paa-didde) 19. Singe Paadidde-didde 21. Fam Accent 2. Singe Dag Tap C 15. Seventeen Stoke Ro Eb Majo (b) 2. Famacue A Majo () 2. Fam Paadidde Ab Majo (b) 0. Fam Dag E Majo (). Doube Dag Tap. Lesson Singe Ratamacue 9. Doube Ratamacue D. Singe Stoke Seven Db Majo (5b) 1. Fifteen Stoke Ro B Majo (5) 18. Tipe Paadidde Gb Majo (6b) 26. Fam Paadidde-didde F Majo (6) 28. Swiss Amy Tipet 5. Singe Dagadidde 6. Dag Paadidde 7. Dag Paadidde 2 Cb Majo (7b) 0. Tipe Ratamacue C Majo (7)

48 The Mustang Dumine Book

Golden Empire Drum & Bugle Corps 2018 Battery Audition Packet

Golden Empire Drum & Bugle Corps 2018 Battery Audition Packet Goden Empie Dum & Buge Cops 201 Battey Audition Packet Photo Steve yan Dea Appicant, Congatuations on taking you fist step towads being a pat of the Goden Empie Dum & Buge Cops! I m vey excited that you