NUMB3RS THE ARCHETYPES OF CREATION. Nikola Tesla. By Elior Lucas

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2 NUMB3RS THE ARCHETYPES OF CREATION "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe" Nikola Tesla By Elior Lucas 2

3 Ask anyone what numbers are and they will probably tell you they are symbolic values used to add and subtract and multiply and divide or that they are digits found in the base 10 system or any other number system for that matter. On the surface of it they wouldn t be wrong because numbers do represent values - however, the rabbit hole goes much deeper than symbolic values. Nobody really asks what numbers are or where they come from, even if you do a quick Google search on the origin of numbers they are said to trace back to tally markings on cave walls which may or may not show a primitive form of record keeping or counting... but this doesn t really tell us from where numbers emerged. How did our early ancestors determine the need for counting and what was inspiring them to record information. The answer lays in what they were seeing in nature. They identified patterns. Number systems exist not because human beings invented them but because patterns were seen everywhere in nature. Numbers represent the architectural enigma of what we collectively refer to as reality and in their purest essence they are the creative frequencies of a vastly intelligent sentient entity. 3

4 I m not talking about God from the bible or the Quran, nor am I talking about Buddha or Brahma, I am talking about the entity that imagined the idea of them. 0 > < 9 The numbers 1 to 8 are synonymous with a spectrum of sounds or frequencies that manifest from ONE fundamental tone that is commonly recognised as the 0/9. If you look at the number circle on the previous page you will see the 0 & 9 occupy the same space, that is, they represent the beginning and the end. Together they are simultaneously the same thing oscillating between values and therefore represent the ONE true nature of duality. The 0/9 is the first and the last, the alpha and omega - the word. In the beginning was the Word. According to human and technological perception everything moves. There is nothing in reality that doesn t move. Even the temperature absolute zero is a hypothetical temperature at which atoms are believed to stop jiggling. In reality however nothing stops moving. There is perpetual motion. Quantum sized particles spin... atoms jiggle, planets hurtle through space, seconds, minutes, hours, days and years tick by. Now consider conscious experience and how our perception of each passing moment lasts nothing more than a nano moment. What is defined as the present or the now is being aware of conscious frames of what can only be described as hypertransitory experience. The reality is the moment you focus on the present it s whooshed beneath your feet and disappeared into the past and you are then focusing on another nano snapshot of the now. This process is continual. 4

5 Motion therefore represents the ever changing stream or river of conscious information that is being expressed by infinite combinations of numbers (energy frequencies) whereas awareness represents the eternal nature of our true being which is the immortal intelligence of the universe. The electromagnetic (energy) spectrum Energy frequencies are everywhere and although we are able to perceive solid things around us via the visible light spectrum we actually live in a vibrant energy field called the electromagnetic spectrum. We cannot see the energy frequencies directly but we perceive and decode the information it transmits. Furthermore, here on earth we can see the effect energy has on things around us. Just because we can t see energy doesn t mean that it doesn t exist. Take the wind for example, we can t see the wind, but we can see it blowing the trees. The wind is there in all its invisible glory. 5

6 The Hue and colour spectrum In the coloured hue spectrum above you can see how the numbers have an association with the number nine. The zero and nine (360 0 ) are the beginning and end nodes. Note that 60 and 120 total 180 (9) and that 240 and 300 total 540 (9). In essence the hue spectrum is made up of nines and goes through a cycle like the directions which also root to the value of nine. Other associations with the number nine are also evident elsewhere in reality you simply have to look, take the time to notice, it s like an embedded code that has been hidden right out in the open, in front of peoples noses. Have you looked at a clock recently..? 6

7 When you take into consideration that no new numbers exist beyond the number nine because they are merely expressive combinations of the same numbers already in existence the numbers on the above clock takes on an entirely new meaning. (I will return to the clock shortly) When I write the following number count what is it you see..? Most people will look at the numbers and see a linear count beginning at 0 and ending with 36. But if you digital root or add all numbers together you see the underlying looping pattern beneath the surface... if you haven t already seen it. (0) (9) (9) (9) (9) 7

8 The above grid is another way of expressing the 36 phase loop which retains the integrity of the four mini cycles in a bigger 360 degree circuit. Note that the numbers return to the original source which is (0) and that information ( ) is unfolding and returning unto itself. Our base 10 number count consists of nine-step loops. We begin at (1) one o clock and end at (9) nine o clock. This is ONE complete loop or spiral and is the same as counting The next phase begins at 10 which can be rooted to (1), then 11 (2) and then12 (3), the count continues with one o clock which is 13 (4), then two o clock which is 14 (5) until we reach the 6 (which is nine). This is the end of the second phase 18 (9) hours have passed. 8

9 The next 18 hours becomes a reversed reflection because the first step is with the number 7 which is a reflection of the 1, then the 8 which is a reflection of the number 2, the 9 with the 3, 10 with the 4, the 11 with the 5 and so on until we reach the 3 o clock position. The final phase count begins with the 4 which is a reflection of the 10 (1), then the 5 (11) and so on around the clock until the 12 o clock position is reached and a complete 24 hour cycle has been completed which consists of 4 (9 step) spirals or loops. The beauty of a piece of music is not in its technique but in the Soul of its creator; nor is it in the sound vibrations of the piece but in the silence of the Light from which the sound springs Walter Russell Sound is energy and it has an amazing influence on matter. This can be seen as evidenced by the phenomenon known as cymatics. Sound organises and structures matter into peculiar shapes. It creates form and patterns and lifelike objects that we can recognise. Sound initiates movement because sound moves matter, it pulls matter together, it attracts. The world changes because of motion not because time passes. We are taught to believe that things change because of time but in reality time doesn t exist. Time does not pass. Time is a concept, time does not move and time is not a dimension. Taking the idea of time and combining it with space to create a space-time continuum or a combined space-time dimension is not smart - no matter what people say. 9

10 Time is a concept that is used to measure motion and the inevitable change it brings, without motion nothing would change. Nothing would decay. If motion ceased then our ability to comprehend change would cease along with the concept of telling the time. Our true nature is as a boundless infinite sea of intelligent potential The one true nature of being which is expressed through sound is represented numerically as the zero/nine - it is in essence an expression of a fundamental principle, the principle of everything there is - the principle of all there ever will be. In this sense you could say zero/nine are like the (a) chord on a piano. Together zero/nine create eight energetic (transformations) frequencies which produce a potentially infinite variety of harmonies. We can see this expressed in numbers because every number expressed beyond the boundary of nine is merely a combination of the eight originals: One of the biggest confusions over the ages is that collectively we have been taught to believe, particularly in mathematics, that zero symbolizes nothing. 10

11 However the zero was an ancient representation of every-thing or the eternal nature of reality which they termed the Ouroboros this is the true root of zero. Zero IS everything the entirety of the cosmos and everything that lies beyond the imagination of our temporarily limited self. Nothing is used in terms of math to describe an empty set. For example we can say we have 5 apples but if we eat 5 apples there won t be any apples left - therefore there is nothing in the set. This doesn t mean there are no apples left in the world though because apple trees still produce apples and even if there were no apples left the idea of apples would still exist even in memory, therefore apples exist. Saying zero has no value in the literal sense isn t smart. Zero is synonymous with unchanging conditions. Numbers embody natures mechanisms... they show how the matrix of reality works all you simply have to do is open your eyes. Zero represents the infinite and eternal being and the doppelganger nine represents near-infinite potential. Look at the comparison tables below. 0+1 =1 0-1 =-1 0x1 =0 0/1 =0 0+2 =2 0-2 =-2 0x2 =0 0/2 =0 0+3 =3 0-3 =-3 0x3 =0 0/3 =0 0+4 =4 0-4 =-4 0x4 =0 0/4 =0 0+5 =5 0-5 =-5 0x5 =0 0/5 =0 0+6 =6 0-6 =-6 0x6 =0 0/6 =0 0+7 =7 0-7 =-7 0x7 =0 0/7 =0 0+8 =8 0-8 =-8 0x8 =0 0/8 =0 11

12 9+1 =1 9-1 =8 9x1 =9 9/1 =9 9+2 =2 9-2 =7 9x2 =9 9/2 = =3 9-3 =6 9x3 =9 9/3 =3 9+4 =4 9-4 =5 9x4 =9 9/4 = =5 9-5 =4 9x5 =9 9/5 = =6 9-6 =3 9x6 =9 9/6 = =7 9-7 =2 9x7 =9 9/7 = =8 9-8 =1 9x8 =9 9/8 =1.125 No other numbers operate like the zero and nine. They are truly unique in expression (from a value point of view) and their parallels are self evident when you look at the above tables. It doesn t matter what numbers are used to work with the zero or what processes are used, i.e. addition, subtraction, multiplication and division as the action (the sum) never changes the value of the total. The zero simply over rules all other numbers and shows that secondary harmonies (numbers 1 to 8) simply do not have the power to change an outcome when they are combining with the zero. The nine on the other hand, whilst extraordinarily powerful and magical in terms of numbers is slightly different. The fact that it occupies the same space as the zero but is serves to subtract and divide is very intriguing. The two tables (previous page) are identical except for the addition and division columns in which the nine produces a reverse count when adding itself to harmonies and divides itself into sub(sets) that total nine (apart from division by seven) when added together. In essence, what the tables on this and the previous page show is that zero and nine are near-identical. One if perfect the other is near-perfect. 12

13 Therefore if zero represents the ultimate unchanging and infinite expression of everything there is then nine can be manipulated because it is a copy or reflection. It isn t the real thing. The Universe standing wave Look at the diagram above and try to see the blue 0 and red 9 as one transponder and the blue 9 and red 0 as another transponder. These two transmitters and receivers of information (numbers 1 to 8) communicate with one another. The information exchange between the two is defined by blue and red numbers 1 to 8. These transponder-like qualities are present in every piece of matter from the smallest particle to the largest planets. We know them as poles. 13

14 When you add the above numbers together they equal 36 which can be rooted to (9). There are 8 numbers or 4 [mirrored] pairs that combine to equal to 9. They are 1+8, 2+7, 3+6 and The numbers can be divided further but they always reduce to the value of nine either individually or working together as pairs. (1 2 3) (4 5) (6 7 8) OR (1 2) (3 4) (5 6) (7 8) DNA operates with four pairs. The four bases found in DNA are adenine (A), cytosine (C), guanine (G) and thymine (T). Are the pairs (18) (27) (36) (45) synonymous with the pairs in DNA/RNA. The fact there are 5 and 3 prime ends isn t a coincidence. 14

15 In addition the asymmetric ends of DNA strands are called the 5 (five prime) and 3 (three prime) ends, which gives us the (8) secondary numbers in base Information is hidden in a base number system that we take for granted every single day of our life. But this phenomenon doesn t stop there. We see something similar in the Fibonacci sequence which is connected with the golden ratio which itself charts the exponential growth rate of nature as seen in the branching in trees, arrangement of leaves on a stem, the fruit spouts of a pineapple, the flowering of artichoke, an uncurling fern and the arrangement of a pine cone. The pineal gland is shaped like a pine cone and a pine cone is Fibonacci in its formation. The Fibonacci sequence Not only are patterns embedded in the base 10 number system they are also embedded in the phases or steps of the Fibonacci sequence as shown below. 15

16 The rate of growth in the Fibonacci sequence is determined by adding the previous value with the new value so you get something like the grid shown below. Like the base 10 number system (which has 9 phases per loop/cycle) the Fibonacci sequence has 24 phases per loop/cycle The second table is the Fibonacci sequence but this time it has been broken down into digital roots to reveal the base number values so that the phase loops become more apparent. The looping Fibonacci sequence in its full glory reads: Just like in the base 10 the Fibonacci loop begins with 0 and ends with a 9. Is this a coincidence - I don t think so. Something very interesting also happens when you run the same sequence (lower grid) in reverse like we did with the base 10 sequence. Look at each opposing number. It has equal opposites that alternate with pairs totalling 9. 16

17 When you take the equal pairs (highlighted in red) from the above two-way Fibonacci loop you can see the numbers root to 3, 9, and 6 (below) which corresponds with one of the Solfreggio tones shown on the next page. Coincidence..? Breaking the Fibonacci down in this manner also reveals a reflection in the entire sequence - the first 11 numbers unfold ( ) and when added to together root to the value of (42). The (9) divides the first 11 numbers and the reflection unfolds opposite to total (42). So we see the 696 pattern The 12 Solfreggio tones 17

18 The 3, 9 and 6 pattern also corresponds to the underlying pattern in the base 10 count seen on page 12 even though it is two completely different sequences produced from a count that is believed to be man-made [numbers] and from one that represent the growth rate/pattern of nature. In fact, if you look at the breakdown of the Fibonacci sequence below and the numbers highlighted in red you can see that the only number missing are the 3 and 6 to complete a base 10 sequence. Remember the sequence below is the Fibonacci sequence pairs after the dividing nines have been removed Reality doesn t work in one direction. It is a feedback loop. This is how the universe learns about itself. The process of communication runs in both directions. It has to be a two way communication process if self-awareness is to be realised. Two-way communication processes are self evident in nature. Every human being is made up of billions upon billions of individual cells working together as a community. Sound familiar? Societies are made up of billions of persons working together. Each cell has a double layer (cell wall) which defines its boundary and within that boundary are receptors or receivers which are like antenna which are responsible for cell signalling. Cells receive signals externally and communicate a response, in essence they are able to perceive and correctly (intelligently) respond to their environment in order to develop (evolve) and repair themselves. Cells communicate with each other through direct contact, over short distances and even over large distances. 18

19 The Human body is a micro-civilization consisting of untold billions of intelligent cells communicating with one another. These cells are structured from (sub) atomic particles that are indivisible to even the most powerful microscopes. The fact they combine or work in unison is a big indicator they are communicating and relaying information. The Original source of communication is not God(s). It is not easy to understand that you are part of something that is undetectable and immeasurable and yet fundamental. God(s) is the imagination of the original source. God(s) is an effect of a system best described by Russian dolls. God(s) is a universal bubble expressed by an infinitely greater intelligence. God(s) is a copy of the one frequency and is synonymous with the zero in image and form, boundless, infinite. The intelligence that is everything exists at the core of every spinning vortex of matter. The (aether) waters are spun to create the principle of duality through phase changes... motion stirs up the aether and the first frequency (wave) and sound is manifest. The original source cannot know itself without something to compare and measure it-self against. The zero represents the imagined copy of it-self as the primal step in self awareness. The minimum requirement for self awareness necessitates at least two objects through which to measure and provide definition. The zero is the first sentient frequency although it is not 100% identical because the zero is only as perfect as the imagining of perfection. To know itself the original source must define it-self within the endless expanse that is itself. 19

20 When you look in a mirror and wave with your right hand you ll notice your reflection is waving back at you with its left hand. In fact, everything you do, your reflection will work in opposition to you. God(s) reflection is opposite and so therefore the 9 universe is synonymous with anti-god(s) or everything ungodlike. This is the basis for Heroes and Villains, critical for any plot. Elior Lucas - June