Some Apples, Bananas. And Peaches. Ziggurat of Ur Sumerian About 2100 BCE SUMERIAN AKKADIAN BABYLONIAN ASSYRIAN PERSIAN. Lyre of Queen Puabi (Ur)

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Theodore Warner
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Ziggurats developed 1 st writing system VOTIVE FIGURES Cylinder seals for stamping EPIC OF

brutality in art Neo-Sumerian Gudea of Lagash BABYLONIAN United Sumer under Hammurabi (1792 1750

1400 BCE King Assurbanipal kept library, ziggurat form & Sumerian texts Human-head lion LAMASSUs

1 Some Apples, Bananas -- Mr. Curless And Peaches SUMERIAN AKKADIAN City of UR (first independent city-state) Anu and Nanna Ziggurats developed 1 st writing system VOTIVE FIGURES Cylinder seals for stamping EPIC OF GILGAMESH invention of the wheel Sargon I defeats Sumerians Stele of Naramsin heiratic scale brutality in art Neo-Sumerian Gudea of Lagash BABYLONIAN United Sumer under Hammurabi ( BCE) Stele of Hammurabi with his Code of Laws Creation Myths ASSYRIAN PERSIAN Took control around 1400 BCE King Assurbanipal kept library, ziggurat form & Sumerian texts Human-head lion LAMASSUs guard palace Neo-Babylonian Nebuchadnezzar II Cyrus & the citadel at Persepolis (built between BCE) Ziggurat of Ur Sumerian About 2100 BCE Lyre of Queen Puabi (Ur) Sumerian c BCE 1

2 Votive figures at the Temple of Abu (Sumerian) The Louvre, Paris The Standard of Ur was an Ancient Sumerian box that contained a Peace side (left) and a War side (below) Standard of Ur (Sumerian) Discovered in the 1920s Sir Leonard Woolley (finder of the Standard of Ur) with a frame of an excavated harp, 1920s. Loyal Solders (the WAR side) Lyre Player (the PEACE side) 2

Cylinder Seals Akkadian Art Akkadian Art Stele of NaramSin

tall Sandstone Sargon I First AKKADIAN Ruler Akkadian Art

Sippar, centre of the cult of the Sun god, to the north of

lt illustrates the victory over the Lullabis, mountain people

monarch and was deified during his lifetime.

Although it is worn, his face is expressive of the ideal

3 Cylinder Seals Akkadian Art Akkadian Art Stele of NaramSin AKKADIAN c BCE 6 ½ ft. tall Sandstone Sargon I First AKKADIAN Ruler Akkadian Art Akkadian Art Originally this stele was erected in the town of Sippar, centre of the cult of the Sun god, to the north of Babylon. lt illustrates the victory over the Lullabis, mountain people of western lran by Naram-Sin, who claimed to be the universal monarch and was deified during his lifetime. He had himself depicted climbing the mountain at the head of his troops. His helmet bears the horns emblematic of divine power. Although it is worn, his face is expressive of the ideal human conqueror, a convention imposed on artists by the monarchy. The king tramples on the bodies of his enemies at the foot of a peak; above it the solar disk figures several times, and the king pays homage to it for his victory. 3

Neo- Neo- Gudea of Lagash 2141-2122 B.C.; NEO-SUMERIAN 16 1/8 in.

mountains, occupied the land. His inscriptions describe vast building programs of temples for his gods.

A Sumerian cuneiform inscription on the back describes the building of a temple to the goddess Geshtinanna, Gudea's personal god, and the making of this

The upper part, the cartouche, gives the name of the ruler, while the lower, main text speaks of the reasons for the creation of this particular statue.

Gudea, city ruler of Lagash, built to Geshtinanna, the queen a-azi-mu-a, the beloved wife of Ningishzida, his queen, her temple in Girsu.

Neo- Babylonian Art Stele of Hammurabi BABYLONIAN The Louvre, Paris c.

4 Neo- Neo- Gudea of Lagash B.C.; NEO-SUMERIAN 16 1/8 in. Of all the rulers of ancient Mesopotamia, Gudea, Ruler of Lagash, emerges the most clearly across the millennia due to the survival of many of his religious texts and statues. He ruled his city-state in southeast Iraq for twenty years, bringing peace and prosperity at a time when the Guti, tribesmen from the northeastern mountains, occupied the land. His inscriptions describe vast building programs of temples for his gods. This statuette depicts the governor in worship before his gods wearing the persian-lamb fur cap and a shawl-like fringed robe with tassles. A Sumerian cuneiform inscription on the back describes the building of a temple to the goddess Geshtinanna, Gudea's personal god, and the making of this statue for her. The inscription extends over part of the right shoulder and onto the left side of the robe. The upper part, the cartouche, gives the name of the ruler, while the lower, main text speaks of the reasons for the creation of this particular statue. The cartouche translates as follows: Gudea, city ruler of Lagash, the man who built the temple of Ningishzida and the temple of Geshtinanna. Gudea, city ruler of Lagash, built to Geshtinanna, the queen a-azi-mu-a, the beloved wife of Ningishzida, his queen, her temple in Girsu. He created for her [this] statue. "She granted the prayer," he gave it a name for her and brought it into her temple. Neo- Babylonian Art Stele of Hammurabi BABYLONIAN The Louvre, Paris c BCE Babylonian Art Babylonian Art The top portion, shown here, depicts Hammurabi with Shamash, the sun god. Shamash is presenting to Hammurabi a staff and ring, which symbolize the power to administer the law. Hammurabi, with the help of his impressive Babylonian army, conquered his rivals and established a unified Mesopotamia. He proved to be as great an administrator as he was a general. The code of Hammurabi contained 282 laws, written by scribes on 12 tablets. Unlike earlier laws, it was written in Akkadian, the daily language of Babylon, and could therefore be read by any literate person in the city. Other versions of the Stele of Hammurabi at the Louvre 4

5 Babylonian Art THE MAN Assurbanipal ASSYIAN NEO-ASSYRIAN Ashurnasirpal II B.C. Ashurbanipal sticks it to a lion! ASSYRIAN 5

Human-headed Winged Bull Assyrian Reign of

was one of a pair that guarded the entrance to

A protective spirit known as a "lamassu", it

a human, the body and ears of a bull, and the

6 Human-headed Winged Bull Assyrian Reign of Sargon II, BCE This colossal sculpture was one of a pair that guarded the entrance to the throne room of King Sargon II. A protective spirit known as a "lamassu", it is shown as a composite being with the head of a human, the body and ears of a bull, and the wings of a bird. When viewed from the side, the creature appears to be walking; when viewed from the front, to be standing still. Thus it is actually represented with five, rather than four, legs. Metropolitan Museum of Art, New York The Louvre, Paris 6

Neo-Babylonian Art Neo-Babylonian Art Ishtar Gate Neo-Babylonian 575

It was constructed in about 575 BC by order of King Nebuchadnezzar II

Dedicated to the goddess Ishtar, the Gate was constructed of blue

Ishtar Gate Neo-Babylonian 575 BCE Built by Nebuchadnezzar II to honor

A reconstruction of the Ishtar gate and Processional Way was built at

in the 1930s. It includes the inscription plaque.

7 Neo-Babylonian Art Neo-Babylonian Art Ishtar Gate Neo-Babylonian 575 BCE The Ishtar Gate was the eighth gate to the inner city of Babylon. It was constructed in about 575 BC by order of King Nebuchadnezzar II on the north side of the city. Dedicated to the goddess Ishtar, the Gate was constructed of blue glazed tiles with alternating rows of bas-relief dragons and bulls. Ishtar Gate Neo-Babylonian 575 BCE Built by Nebuchadnezzar II to honor Ishtar, the goddess of Love and War. A reconstruction of the Ishtar gate and Processional Way was built at the Pergamon Museum in Berlin out of material excavated and finished in the 1930s. It includes the inscription plaque. It stands 47 feet high and 32 feet wide (14 meters by 10 meters). Neo-Babylonian Art Persian Art Imperial Persepolis (Persian - now Iran) Persepolis Gate - Persian Art Persian Art 7

8 Persian Art 8

CHAPTER 2 ART OF THE ANCIENT NEAR EAST. Gardner s Art Through the Ages, 12e

CHAPTER 2 ART OF THE ANCIENT NEAR EAST Gardner s Art Through the Ages, 12e 1 THE ANCIENT NEAR EAST 2 GOALS Students will be able to understand the cultural changes in the Neolithic Revolution as they relate