P773 Acoustics June, 2008

Transcription

1 P773 Acoustics June,

2 Physical principle 2

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4 Denotes an Example 4

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6 Measure pressure inside sealed box 6

7 Acoustic impulse response inside the box 7

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9 Air spring only 9

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11 For Plane Waves 11

12 More later 12

13 Mathematical principle 13

14 Along the wave direction, longitudinal 14

15 = p v 15

16 Motivate this with energy conservation 16

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19 Out of phase, reactive flow In-phase, power flow 19

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22 Measure pressure outside sealed box at dust cap 22

23 Acoustic impulse response at cone surface 23

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25 Slope of 40dB/decade Relative acoustic frequency response: [at cone]/[inside box] 25

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27 Shows p=f(r,t)/r 27

28 However, for a 3-dimensional spherically-spreading wave from a point source, the amplitude of the harmonic solution to the wave equation for the pressure [1,2] can be written as p(r,ω) = ρ jω U exp( jkr)/(4πr), where U is the volume velocity [m 3 /s] of the point source. The jω factor represents a time derivative, and we can thus write the solution in the time domain as p(r,t) = ρ A(t-r/c)/(4πr), where A(..) is the volume acceleration [m 3 /s 2 ] of the source. Note that the solution for the pressure does not change shape as it propagates, but the amplitude falls off as 1/r. 28

29 The particle velocity, v, relates to the pressure by the Newtonian equation of motion for the air p = ρ v/ t. Mathematically, for a spherically-symmetric wave solution, p= p/ r, and thus [exp( jkr)/r]= jk exp( jkr)/r exp( jkr)/r 2. 29

30 As a result, the Newtonian equation relates the pressure to the particle velocity of the air, at radius r, as (1 + 1/jkr) p = ρ c v, which can also be written as (jkr + 1) p = jkr ρ c v = ρ j ω r v = ρ a r, where a is the acceleration of the air particles. 30

31 Plot of Z = R+jωM for a sphere. For a sphere, the acoustic impedance is easy to work out. For kr<<1, the size of the sphere is much less than a wavelength, and the shape of the source is not very important. Thus we expect all acoustic impedances of monopole acoustic sources to act similarly. The rising low-frequency imaginary part represents the reasonably constant inertial air load. Note the curve is very smooth with no resonances or interference. That is true since diffraction from edges does not occur for a sphere. 31

32 Piston in Infinite Baffle The LF imaginary part of the acoustic impedance is proportional to frequency, representing a constant inertial air load. The real part is proportional to frequency^2, which is expected for a monopole source. The oscillations relate to interference from edge reflections. Figure 1. Showing the real and imaginary parts of the acoustic surface impedance for a piston in an infinite baffle, versus ka, where a is the piston radius. After Beranek. 32

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35 At bass frequencies 35

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37 Listen to baffle 37

38 From Olson Acoustics Conclusion: we need a huge baffle to give decent bass 38

39 Horn design from Olsen Horns are the most efficient speakers, but often give a coloured response. 39

40 The new robot look for the 800 series 40

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42 Diffraction from an edge Direct signal Emitting an impulse 42

43 Point source tweeter 1st-order diffraction Point-source tweeter diffraction Approximate effect of box including midrange Tweeter finite size diffraction Diffraction calculations using a simple model 43

44 Question: if equalized, could we hear this effect? 44

45 Movie screen For paper, f ~ 1.7kHz 45

46 Directivity relates to diffraction 46

47 ka = 1 means 550 Hz for a = 10cm 47

48 This shows that a small source will be omnidirectional if size << wavelength ka = 1 means 550 Hz for a = 10cm 48

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51 Ultrasonic frequencies decay rapidly 51

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54 This slope represents a mass of air of 0.85 x radius The air load Radiation impedance = pressure/velocity 54

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57 Low sensitivity 57

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59 Kinematics and dynamics of shaking a mass Acceleration is proportional to force Conclusions: (1) Displacement is opposite direction to force! (2) For constant displacement, acceleration is proportional to freq^2 (3) For constant force, displacement is proportional to 1/freq^2 59

60 The 1925 Rice-Kellog loudspeaker model 60

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63 B&W philosophy is to: absorb the rear wave! 63

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66 The End 66