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1 Chapter 1 : Carabosse Villains Wiki FANDOM powered by Wikia The Sleeping Beauty in the Wood Charles Perrault. Once upon a time there lived a king and queen who were grieved, more grieved than words can tell, because they had no children. At last, however, the Queen had a daughter. There was a very fine christening; and the Princess had for her godmothers all the fairies they could find in the whole kingdom there were seven of them, so that every one of them might confer a gift upon her, as was the custom of fairies in those days. By this means the Princess had all the perfections imaginable. There was placed before every one of them a magnificent cover with a case of massive gold, wherein were a spoon, and a knife and fork, all of pure gold set with diamonds and rubies. But as they were all sitting down at table they saw a very old fairy come into the hall. She had not been invited, because for more than fifty years she had not been out of a certain tower, and she was believed to be either dead or enchanted. The King ordered her a cover, but he could not give her a case of gold as the others had, because seven only had been made for the seven fairies. The old fairy fancied she was slighted, and muttered threats between her teeth. One of the young fairies who sat near heard her, and, judging that she might give the little Princess some unlucky gift, hid herself behind the curtains as soon as they left the table. She hoped that she might speak last and undo as much as she could the evil which the old fairy might do. In the meanwhile all the fairies began to give their gifts to the Princess. The youngest gave her for her gift that she should be the most beautiful person in the world; the next, that she should have the wit of an angel; the third, that she should be able to do everything she did gracefully; the fourth, that she should dance perfectly; the fifth, that she should sing like a nightingale; and the sixth, that she should play all kinds of musical instruments to the fullest perfection. This terrible gift made the whole company tremble, and everybody fell a-crying. At this very instant the young fairy came from behind the curtains and said these words in a loud voice: It is true, I have no power to undo entirely what my elder has done. About fifteen or sixteen years after, the King and Queen being absent at one of their country villas, the young Princess was one day running up and down the palace; she went from room to room, and at last she came into a little garret on the top of the tower, where a good old woman, alone, was spinning with her spindle. Give it to me. Let me see if I can do it. She had no sooner taken it into her hand than, either because she was too quick and heedless, or because the decree of the fairy had so ordained, it ran into her hand, and she fell down in a swoon. The good old woman, not knowing what to do, cried out for help. People came in from every quarter; they threw water upon the face of the Princess, unlaced her, struck her on the palms of her hands, and rubbed her temples with cologne water; but nothing would bring her to herself. Then the King, who came up at hearing the noise, remembered what the fairies had foretold. He knew very well that this must come to pass, since the fairies had foretold it, and he caused the Princess to be carried into the finest room in his palace, and to be laid upon a bed all embroidered with gold and silver. One would have taken her for a little angel, she was so beautiful; for her swooning had not dimmed the brightness of her complexion: It is true her eyes were shut, but she was heard to breathe softly, which satisfied those about her that she was not dead. The good fairy who had saved her life by condemning her to sleep a hundred years was in the kingdom of Matakin, twelve thousand leagues off, when this accident befell the Princess; but she was instantly informed of it by a little dwarf, who had seven-leagued boots, that is, boots with which he could stride over seven leagues of ground at once. The fairy started off at once, and arrived, about an hour later, in a fiery chariot drawn by dragons. The King handed her out of the chariot, and she approved everything he had done; but as she had very great foresight, she thought that when the Princess should awake she might not know what to do with herself, if she was all alone in this old palace. This was what she did: As soon as she touched them they all fell asleep, not to awake again until their mistress did, that they might be ready to wait upon her when she wanted them. The very spits at the fire, as full as they could hold of partridges and pheasants, fell asleep, and the fire itself as well. Fairies are not long in doing their work. And now the King and Queen, having kissed their dear child without waking her, went out of the palace and Page 1

2 sent forth orders that nobody should come near it. Every one knew that this also was the work of the fairy in order that while the Princess slept she should have nothing to fear from curious people. After a hundred years the son of the King then reigning, who was of another family from that of the sleeping Princess, was a-hunting on that side of the country, and he asked what those towers were which he saw in the middle of a great thick wood. Every one answered according as they had heard. The Prince did not know what to believe, and presently a very aged countryman spake to him thus: He thought, without weighing the matter, that he could put an end to this rare adventure; and, pushed on by love and the desire of glory, resolved at once to look into it. As soon as he began to get near to the wood, all the great trees, the bushes, and brambles gave way of themselves to let him pass through. He walked up to the castle which he saw at the end of a large avenue; and you can imagine he was a good deal surprised when he saw none of his people following him, because the trees closed again as soon as he had passed through them. However, he did not cease from continuing his way; a young prince in search of glory is ever valiant. He came into a spacious outer court, and what he saw was enough to freeze him with horror. A frightful silence reigned over all; the image of death was everywhere, and there was nothing to be seen but what seemed to be the outstretched bodies of dead men and animals. He, however, very well knew, by the ruby faces and pimpled noses of the porters, that they were only asleep; and their goblets, wherein still remained some drops of wine, showed plainly that they had fallen asleep while drinking their wine. He then crossed a court paved with marble, went up the stairs, and came into the guard chamber, where guards were standing in their ranks, with their muskets upon their shoulders, and snoring with all their might. He went through several rooms full of gentlemen and ladies, some standing and others sitting, but all were asleep. He came into a gilded chamber, where he saw upon a bed, the curtains of which were all open, the most beautiful sight ever beheldâ a princess who appeared to be about fifteen or sixteen years of age, and whose bright and resplendent beauty had something divine in it. He approached with trembling and admiration, and fell down upon his knees before her. Then, as the end of the enchantment was come, the Princess awoke, and looking on him with eyes more tender than could have been expected at first sight, said: You have waited a long while. Their discourse was not very connected, but they were the better pleased, for where there is much love there is little eloquence. He was more at a loss than she, and we need not wonder at it; she had had time to think of what to say to him; for it is evident though history says nothing of it that the good fairy, during so long a sleep, had given her very pleasant dreams. In short, they talked together for four hours, and then they said not half they had to say. In the meanwhile all the palace had woke up with the Princess; every one thought upon his own business, and as they were not in love, they were ready to die of hunger. The lady of honor, being as sharp set as the other folks, grew very impatient, and told the Princess aloud that the meal was served. The Prince helped the Princess to rise. She was entirely and very magnificently dressed; but his royal Highness took care not to tell her that she was dressed like his great-grandmother, and had a high collar. She looked not a bit the less charming and beautiful for all that. They had but very little sleepâ the Princess scarcely needed any; and the Prince left her next morning to return into the city, where his father was greatly troubled about him. The Prince told him that he lost his way in the forest as he was hunting, and that he had slept in the cottage of a charcoal-burner, who gave him cheese and brown bread. The King, his father, who was a good man, believed him; but his mother could not be persuaded that it was true; and seeing that he went almost every day a-hunting, and that he always had some excuse ready for so doing, though he had been out three or four nights together, she began to suspect that he was married; for he lived thus with the Princess above two whole years, during which they had two children, the elder, a daughter, was named Dawn, and the younger, a son, they called Day, because he was a great deal handsomer than his sister. The Queen spoke several times to her son, to learn after what manner he was passing his time, and told him that in this he ought in duty to satisfy her. But he never dared to trust her with his secret; he feared her, though he loved her, for she was of the race of the Ogres, and the King married her for her vast riches alone. It was even whispered about the Court that she had Ogreish inclinations, and that, whenever she saw little children passing by, she had all the difficulty in the world to prevent herself from Page 2

3 falling upon them. And so the Prince would never tell her one word. But when the King was dead, which happened about two years afterward, and he saw himself lord and master, he openly declared his marriage: They made a magnificent entry into the capital city, she riding between her two children. Soon after, the King made war on Emperor Cantalabutte, his neighbor. He left the government of the kingdom to the Queen, his mother, and earnestly commended his wife and children to her care. He was obliged to carry on the war all the summer, and as soon as he left, the Queen-mother sent her daughter-in-law and her children to a country house among the woods, that she might with the more ease gratify her horrible longing. Some few days afterward she went thither herself, and said to her head cook: She was then nearly four years old, and came up to him, jumping and laughing, to put her arms round his neck, and ask him for some sugar-candy. Upon which he began to weep, the great knife fell out of his hand, and he went into the back yard and killed a little lamb, and dressed it with such good sauce that his mistress assured him she had never eaten anything so good in her life. He had at the same time taken up little Dawn and carried her to his wife, to conceal her in his lodging at the end of the courtyard. Eight days afterwards the wicked Queen said to the chief cook, "I will sup upon little Day. He went to find little Day, and saw him with a foil in his hand, with which he was fencing with a great monkey: He took him up in his arms and carried him to his wife, that she might conceal him in her chamber along with his sister, and instead of little Day he served up a young and very tender kid, which the Ogress found to be wonderfully good. All had gone well up to now; but one evening this wicked Queen said to her chief cook: The young Queen was over twenty years old, not reckoning the hundred years she had been asleep: He would not, however, deceive her, but told her, with a great deal of respect, the orders he had received from the Queen-mother. But then you must go home with me to my lodgings, where I have concealed them, and I will deceive the Queen once more, by giving her a young hind in your stead. She was now well satisfied with her cruel deeds, and she invented a story to tell the King on his return, of how the Queen his wife and her two children had been devoured by mad wolves. One evening, as she was, according to her custom, rambling round about the courts and yards of the palace to see if she could smell any fresh meat, she heard, in a room on the ground floor, little Day crying, for his mamma was going to whip him, because he had been naughty; and she heard, at the same time, little Dawn begging mercy for her brother. The Ogress knew the voice of the Queen and her children at once, and being furious at having been thus deceived, she gave orders in a most horrible voice which made everybody tremble that, next morning by break of day, they should bring into the middle of the great court a large tub filled with toads, vipers, snakes, and all sorts of serpents, in order to have the Queen and her children, the chief cook, his wife and maid, thrown into it, all of whom were to be brought thither with their hands tied behind them. They were brought out accordingly, and the executioners were just going to throw them into the tub, when the King, who was not so soon expected, entered the court on horseback and asked, with the utmost astonishment, what was the meaning of that horrible spectacle. No one dared to tell him, when the Ogress, all enraged to see what had happened, threw herself head foremost into the tub, and was instantly devoured by the ugly creatures she had ordered to be thrown into it to kill the others. The King was of course very sorry, for she was his mother; but he soon comforted himself with his beautiful wife and his pretty children. Here then is the moral from La Belle au Bois Dormant first in the original French, followed by my own loose translation in English. The Fairytale above seems to tell us That to put off the bonds of Love, May make for happier marriages, And that there is nothing to lose by waiting. But the fair sex has such a passion For conjugal intimacy, That I have neither the strength nor the heart To preach them that moral. And his implication of willing participation in these festivities. Page 3

4 Chapter 2 : Perrault: The Sleeping Beauty in the Wood Marie-Catherine Baronne d'aulnoy (c) Below is the table of contents for The Fairy Tales of Madame d'aulnoy, first published in, still the largest collection of her tales translated into English, and an exclusive ebook first provided by SurLaLune. Fairy tale â Fairy tales may be distinguished from other folk narratives such as legends and explicitly moral tales, including beast fables. The term is used for stories with origins in European tradition and, at least in recent centuries. In less technical contexts, the term is used to describe something blessed with unusual happiness. Colloquially, a tale or fairy story can also mean any far-fetched story or tall tale, it is used especially of any story that not only is not true. Legends are perceived as real, fairy tales may merge into legends, Fairy tales are found in oral and in literary form, the name fairy tale was first ascribed to them by Madame daulnoy in the late 17th century. Many of todays fairy tales have evolved from stories that have appeared, with variations. The history of the tale is particularly difficult to trace because only the literary forms can survive. Still, according to researchers at universities in Durham and Lisbon, such stories may date back thousands of years, Fairy tales, and works derived from fairy tales, are still written today. Folklorists have classified fairy tales in various ways, the Aarne-Thompson classification system and the morphological analysis of Vladimir Propp are among the most notable. Other folklorists have interpreted the significance, but no school has been definitively established for the meaning of the tales. It moves in a world without definite locality or definite creatures and is filled with the marvelous. In this never-never land, humble heroes kill adversaries, succeed to kingdoms, a fairy tale with a tragic rather than a happy end is called an anti-fairy tale. Although the fairy tale is a genre within the larger category of folktale. Were I asked, what is a fairytale, I should reply, Read Undine, that is a fairytale. As Stith Thompson points out, talking animals and the presence of magic seem to be common to the fairy tale than fairies themselves. However, the presence of animals that talk does not make a tale a fairy tale, especially when the animal is clearly a mask on a human face. Steven Swann Jones identified the presence of magic as the feature by which fairy tales can be distinguished from other sorts of folktales, davidson and Chaudri identify transformation as the key feature of the genre 2. Brothers Grimm â Their first collection of folk tales, Childrens and Household Tales, was published in The brothers spent their formative years in the German town of Hanau and their fathers death in caused great poverty for the family and affected the brothers for many years after. They both attended the University of Marburg where they developed a curiosity about German folklore, which grew into a dedication to collecting German folk tales. The rise of romanticism during the 19th century revived interest in folk stories. With the goal of researching a scholarly treatise on folk tales, between and, their first collection was revised and republished many times, growing from 86 stories to more than They were the second- and third-eldest surviving siblings in a family of nine children, in, the family moved to the countryside town of Steinau, when Philipp was employed there as district magistrate. The family became prominent members of the community, residing in a home surrounded by fields. Biographer Jack Zipes writes that the brothers were happy in Steinau, the children were educated at home by private tutors, receiving strict instruction as Lutherans that instilled in both a lifelong religious faith. In, Philipp Grimm died of pneumonia, plunging his family into poverty, Dorothea depended on financial support from her father and sister, first lady-in-waiting at the court of William I, Elector of Hesse. Jacob was the eldest living son, and he was forced at age 11 to assume adult responsibilities for the two years. The two boys adhered to the advice of their grandfather, who continually exhorted them to be industrious, the brothers left Steinau and their family in to attend the Friedrichsgymnasium in Kassel, which had been arranged and paid for by their aunt. By then, they were without a provider, forcing them to rely entirely on each other. The two brothers differed in temperament, Jacob was introspective and Wilhelm was outgoing, sharing a strong work ethic, they excelled in their studies. In Kassel, they became aware of their inferior social status relative to high-born students who received more Page 4

5 attention. Still, each brother graduated at the head of his class, Jacob in, after graduation from the Friedrichsgymnasium, the brothers attended the University of Marburg. The university was small with about students and there they became aware that students of lower social status were not treated equally. They were disqualified from admission because of their standing and had to request dispensation to study law 3. The collection is known in English as Grimms Fairy Tales. The first volume of the first edition was published in, containing 86 stories, for the second edition, two volumes were issued in and a third in, totalling tales. The third edition appeared in, fourth edition,, fifth edition,, sixth edition,, stories were added, and also subtracted, from one edition to the next, until the seventh held tales. All editions were illustrated, first by Philipp Grot Johann and, after his death in Many changes through the editions â such as turning the wicked mother of the first edition in Snow White, in, the Brothers published their Kleine Ausgabe or small edition, a selection of 50 tales designed for child readers. This childrens version went through ten editions between and, the influence of these books was widespread. The tales themselves have put to many uses. Writers who have written about the Holocaust have combined the tales with their memoirs, there was not always a pleased reaction to their collection. Joseph Jacobs was in inspired by his complaint that English children did not read English fairy tales, in his own words, What Perrault began. The titles are those as of, some titles in were different. All editions from until split the stories into two volumes, the Original Folk and Fairy Tales of the Brothers Grimm, the complete first edition. Wiltse through a purifying and eliminating process, be found any stories with bad morals 4. Andrew Lang â Andrew Lang was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales, the Andrew Lang lectures at the University of St Andrews are named after him. He soon made a reputation as one of the most able and versatile writers of the day as a journalist, poet, critic, in, he was elected FBA. He died of angina pectoris at the Tor-na-Coille Hotel in Banchory, Banchory and he was buried in the cathedral precincts at St Andrews. Lang is now known for his publications on folklore, mythology. The interest in folklore was from early life, he read John Ferguson McLennan before coming to Oxford, the earliest of his publications is Custom and Myth. In Myth, Ritual and Religion he explained the irrational elements of mythology as survivals from more primitive forms and his Blue Fairy Book was a beautifully produced and illustrated edition of fairy tales that has become a classic. This was followed by other collections of fairy tales, collectively known as Andrew Langs Fairy Books. In the preface of the Lilac Fairy Book he credits his wife with translating and transcribing most of the stories in the collections, Lang examined the origins of totemism in Social Origins. Lang was one of the founders of psychical research and his writings on anthropology include The Book of Dreams and Ghosts, Magic and Religion. He served as President of the Society for Psychical Research in He collaborated with S. Butcher in a translation of Homers Odyssey. He was a Homeric scholar of conservative views, Langs writings on Scottish history are characterised by a scholarly care for detail, a piquant literary style, and a gift for disentangling complicated questions. Fiddle â Fiddle is another name for the bowed string musical instrument more often called a violin. It is also a term for the instrument used by players in all genres. Fiddle playing, or fiddling, refers to various styles of music, Fiddle is also a common term among musicians who play folk music on the violin. The fiddle is part of traditional styles of music which are aural traditions. There are few distinctions between violins and fiddles, though more primitively constructed and smaller violins are more likely to be considered fiddles. In order to produce a tone, compared to the deeper tones of gut or synthetic core strings. Among musical styles, fiddling tends to produce rhythms focused on dancing, with associated quick note changes, whereas classical music tends to contain more vibrato and it is less common for a classically trained violinist to play folk music, but today, many fiddlers have classical training. The medieval fiddle emerged in 10th-century Europe, deriving from the Byzantine lira, lira spread widely westward to Europe, in the 11th and 12th centuries European writers use the terms fiddle and lira interchangeably when referring to bowed instruments. During the Renaissance the gambas were important and elegant instruments, they eventually lost ground to the viola da braccio family. A native Germanic ancestor of fiddle may even be the ancestor of the early Romance form of violin, historically, Page 5

6 fiddle also referred to a predecessor of todays violin. Like the violin, it tended to have four strings, another family of instruments that contributed to the development of the modern fiddle are the viols, which are held between the legs and played vertically, and have fretted fingerboards. Violins, on the hand, are commonly grouped in sections. The difference was likely compounded by the different sounds expected of violin music, historically, the majority of fiddle music was dance music, while violin music had either grown out of dance music or was something else entirely. Violin music came to value a smoothness that fiddling, with its dance-driven clear beat, in situations that required greater volume, a fiddler could push their instrument harder than could a violinist. In the very late 20th century, a few artists have attempted a reconstruction of the Scottish tradition of violin and big fiddle. Gray fox â The gray fox, or grey fox, is a carnivorous mammal of the family Canidae ranging throughout most of the southern half of North America from southern Canada to the northern part of South America. No other canids natural range spans both North and South America and it is the only American canid that can climb trees. This species and its congener, the diminutive Channel Island fox, are the only living members of the genus Urocyon. Though it was once the most common fox in the eastern United States, the Pacific States still have the gray fox as a dominant. Its specific epithet cinereoargenteus means ashen silver, the gray fox appeared in North America during the mid-pliocene epoch 3. Genetic analyses of the fox-like canids confirmed that the fox is a distinct genus from the red foxes. Genetically, the gray fox often clusters with two other ancient lineages, the east Asian raccoon dog and the African bat-eared fox, faunal remains at two northern California cave sites confirm the presence of the gray fox during the late Pleistocene. Genetic analysis has shown that the gray fox migrated into the northeastern United States post-pleistocene in association with the Medieval Climate Anomaly warming trend, recent mitochondrial genetic studies suggests divergence of North American eastern and western gray foxes in the Irvingtonian mid-pleistocene into separate sister taxa. The gray foxs dwarf relative, the Channel Island fox, is descended from mainland gray foxes. These foxes apparently were transported by humans to the islands and from island to island, there is little sexual dimorphism, save for the females being slightly smaller than males. The gray fox ranges from 76 to The gray fox typically weighs 3. In contrast to all Vulpes and related foxes, the fox has oval pupils. The gray foxs ability to climb trees is shared only with the Asian raccoon dog among canids and its strong, hooked claws allow it to scramble up trees to escape many predators, such as the domestic dog or the coyote, or to reach tree-bound or arboreal food sources. It can climb branchless, vertical trunks to heights of 18 meters and it descends primarily by jumping from branch to branch, or by descending slowly backwards as a domestic cat would do. The gray fox is nocturnal or crepuscular and makes its den in hollow trees, such gray fox tree dens may be located 30 ft above the ground. In areas where red and gray foxes exist, the gray fox is dominant. The breeding season of the gray fox varies geographically, in Michigan, the gestation period lasts approximately 53 days 7. Fox â Foxes are small-to-medium-sized, omnivorous mammals belonging to several genera of the family Canidae. Foxes are slightly smaller than a domestic dog, with a flattened skull, upright triangular ears, a pointed, slightly upturned snout. Twelve species belong to the group of Vulpes genus of true foxes. Foxes live on every continent except Antarctica, by far the most common and widespread species of fox is the red fox with about 47 recognized subspecies. The global distribution of foxes, together with their reputation for cunning, has contributed to their prominence in popular culture and folklore in many societies around the world. Male foxes are known as dogs, tods or reynards, females as vixens, a group of foxes is referred to as a skulk, leash, or earth. Page 6

7 Chapter 3 : The Wonderful Musician - WikiVisually The Sleeping Beauty In The Woods As soon as he began to get near to the wood, all the great trees, the bushes, and brambles gave way of themselves to let him pass. The first known appearance was in the chanson de geste Les Prouesses et faitz du noble Huon de Bordeaux: Years later when Aurora is in her early twenties, Carabosse has died in exile but her son, Caradoc attempts to exact revenge and seduce Aurora. Maleficent In the Disney animated version of Sleeping Beauty the character of the wicked fairy is personified in Maleficent, a dark sinister being who is the "Mistress of all Evil ". When Maleficent learns that Prince Phillip is in love with the Princess Aurora, she captures him so that he will be too old and feeble to wield a sword when he can finally free Aurora. When the good fairies help him escape, Maleficent takes over the entire palace and later transforms into a giant black dragon to do battle with the hero. Prince Phillip defeats the villainess with his Sword of Truth, killing her by throwing the sword as if it were a spear at the dragon. All that is left of Maleficent is her robe. However, Maleficent starts to care for the child as if she was her own daughter and begins to question her own actions. All of the fairies give gifts to Lisa, but the witch twists her ankle, and curses Lisa to die when she was seven, because her mother, combing her hair, forgot the comb in her hair. In another variant, The Glass Coffin, the role of the witch is taken by a male traveler who curses the daughter of a rich count to be imprisoned in a glass coffin after she refuses to marry him. Revisionist[ edit ] The common knowledge of the witch has made the figure an obvious target for revisionist fairy tales. The wicked fairy godmother is widely spoofed and parodied. In Shrek 2, a DreamWorks Animation computer-animated film that compiles and parodies motifs from numerous fairy tales, a treacherous character of Fairy Godmother appears, who plots against the protagonists in order to enable her son, Prince Charming, to become a royal family member in the kingdom of Far Far Away. Makemnoit arrives without an invitation and curses the princess to have no gravity. It is discovered that water makes the princess regain her gravity, so Makemnoit drains the water from the lake, making even the rain cease and babies cry no tears. Makemnoit eventually meets her fate when her house is undermined by the waters and falls in, drowning her. In another George MacDonald tale, Little Daylight, the swamp fairy, arriving uninvited, tries to continue her curse, claiming that the fairy who had mitigated hers had broken in when she was not done, but the fairies had wisely kept two fairies from giving their gifts until she had come, and the second one was able to mitigate the curse she added. The girl, named Marina, remains hidden during 17 and a half years until Arachne murders her parents and takes Marina with her. At some point, the curse is broken but Arachne manages to re-instate the curse, resulting in a battle between Marina and Arachne. Odelia disguises as an old spinning woman somewhat a spinster like in the original fairy tale, and hands Princess Felicity the spindle and she accidentally pricks her index finger. She is killed by spirit of the seventh fairy godmother, who lost all powers to put the castle to sleep, and spent hundred years and one day as pink-red rose. Analysis[ edit ] Some folklorists have analyzed Sleeping Beauty as indicating the replacement of the lunar year with its thirteen months, symbolically depicted by the full thirteen fairies by the solar year which has twelve, symbolically the invited fairies. Page 7

8 Chapter 4 : Wicked Fairy Godmother Fairytale Wiki FANDOM powered by Wikia canopy bed, Charles Perrault, Classic Fairy Tales, Sleeping Beauty And Sleeping beauty in the wood is ready to get up after sleeping for years. she has been added to Etsy tonight. '' he pushed on, and so came at last to a chamber which was decked all over with gold. The Sleeping Beauty in the Wood Charles Perrault Once upon a time there lived a king and queen who were grieved, more grieved than words can tell, because they had no children. They tried the waters of every country, made vows and pilgrimages, and did everything that could be done, but without result. At last, however, the queen found that her wishes were fulfilled, and in due course she gave birth to a daughter. A grand christening was held, and all the fairies that could be found in the realm they numbered seven in all were invited to be godmothers to the little princess. This was done so that by means of the gifts which each in turn would bestow upon her in accordance with the fairy custom of those days the princess might be endowed with every imaginable perfection. Places were laid for them in magnificent style, and before each was placed a solid gold casket containing a spoon, fork, and knife of fine gold, set with diamonds and rubies. But just as all were sitting down to table an aged fairy was seen to enter, whom no one had thought to invite -- the reason being that for more than fifty years she had never quitted the tower in which she lived, and people had supposed her to be dead or bewitched. The old creature believed that she was intentionally slighted, and muttered threats between her teeth. She was overheard by one of the young fairies, who was seated nearby. The latter, guessing that some mischievous gift might be bestowed upon the little princess, hid behind the tapestry as soon as the company left the table. Her intention was to be the last to speak, and so to have the power of counteracting, as far as possible, any evil which the old fairy might do. Presently the fairies began to bestow their gifts upon the princess. The youngest ordained that she should be the most beautiful person in the world; the next, that she should have the temper of an angel; the third, that she should do everything with wonderful grace; the fourth, that she should dance to perfection; the fifth, that she should sing like a nightingale; and the sixth, that she should play every kind of music with the utmost skill. It was now the turn of the aged fairy. Shaking her head, in token of spite rather than of infirmity, she declared that the princess should prick her hand with a spindle, and die of it. A shudder ran through the company at this terrible gift. All eyes were filled with tears. But at this moment the young fairy stepped forth from behind the tapestry. My power, it is true, is not enough to undo all that my aged kinswoman has decreed. The princess will indeed prick her hand with a spindle. But instead of dying she shall merely fall into a profound slumber that will last a hundred years. At the end of fifteen or sixteen years the king and queen happened one day to be away, on pleasure bent. The princess was running about the castle, and going upstairs from room to room she came at length to a garret at the top of a tower, where an old serving woman sat alone with her distaff, spinning. Let me try and see if I can do it equally well. In great alarm the good dame cried out for help. People came running from every quarter to the princess. They threw water on her face, chafed her with their hands, and rubbed her temples with the royal essence of Hungary. But nothing would restore her. Then the king, who had been brought upstairs by the commotion, remembered the fairy prophecy. Feeling certain that what had happened was inevitable, since the fairies had decreed it, he gave orders that the princess should be placed in the finest apartment in the palace, upon a bed embroidered in gold and silver. You would have thought her an angel, so fair was she to behold. The trance had not taken away the lovely color of her complexion. Her cheeks were delicately flushed, her lips like coral. Her eyes, indeed, were closed, but her gentle breathing could be heard, and it was therefore plain that she was not dead. The king commanded that she should be left to sleep in peace until the hour of her awakening should come. When the accident happened to the princess, the good fairy who had saved her life by condemning her to sleep a hundred years was in the kingdom of Mataquin, twelve thousand leagues away. She was instantly warned of it, however, by a little dwarf who had a pair of seven-league boots, which are boots that enable one to cover seven leagues at a single step. The fairy set off at Page 8

9 once, and within an hour her chariot of fire, drawn by dragons, was seen approaching. The king handed her down from her chariot, and she approved of all that he had done. But being gifted with great powers of foresight, she bethought herself that when the princess came to be awakened, she would be much distressed to find herself all alone in the old castle. And this is what she did. She touched with her wand everybody except the king and queen who was in the castle -- governesses, maids of honor, ladies-in-waiting, gentlemen, officers, stewards, cooks, scullions, errand boys, guards, porters, pages, footmen. She touched likewise all the horses in the stables, with their grooms, the big mastiffs in the courtyard, and little Puff, the pet dog of the princess, who was lying on the bed beside his mistress. The moment she had touched them they all fell asleep, to awaken only at the same moment as their mistress. Thus they would always be ready with their service whenever she should require it. The very spits before the fire, loaded with partridges and pheasants, subsided into slumber, and the fire as well. All was done in a moment, for the fairies do not take long over their work. Then the king and queen kissed their dear child, without waking her, and left the castle. Proclamations were issued, forbidding any approach to it, but these warnings were not needed, for within a quarter of an hour there grew up all round the park so vast a quantity of trees big and small, with interlacing brambles and thorns, that neither man nor beast could penetrate them. The tops alone of the castle towers could be seen, and these only from a distance. At the end of a hundred years the throne had passed to another family from that of the sleeping princess. His attendants told him in reply the various stories which they had heard. Some said there was an old castle haunted by ghosts, others that all the witches of the neighborhood held their revels there. The favorite tale was that in the castle lived an ogre, who carried thither all the children whom he could catch. There he devoured them at his leisure, and since he was the only person who could force a passage through the wood nobody had been able to pursue him. While the prince was wondering what to believe, an old peasant took up the tale. He jumped immediately to the conclusion that it was for him to see so gay an adventure through, and impelled alike by the wish for love and glory, he resolved to set about it on the spot. Hardly had he taken a step towards the wood when the tall trees, the brambles and the thorns, separated of themselves and made a path for him. He turned in the direction of the castle, and espied it at the end of a long avenue. This avenue he entered, and was surprised to notice that the trees closed up again as soon as he had passed, so that none of his retinue were able to follow him. A young and gallant prince is always brave, however; so he continued on his way, and presently reached a large forecourt. The sight that now met his gaze was enough to fill him with an icy fear. The silence of the place was dreadful, and death seemed all about him. The recumbent figures of men and animals had all the appearance of being lifeless, until he perceived by the pimply noses and ruddy faces of the porters, that they merely slept. It was plain, too, from their glasses, in which were still some dregs of wine, that they had fallen asleep while drinking. The prince made his way into a great courtyard, paved with marble, and mounting the staircase entered the guardroom. Here the guards were lined up on either side in two ranks, their muskets on their shoulders, snoring their hardest. Through several apartments crowded with ladies and gentlemen in waiting, some seated, some standing, but all asleep, he pushed on, and so came at last to a chamber which was decked all over with gold. There he encountered the most beautiful sight he had ever seen. Reclining upon a bed, the curtains of which on every side were drawn back, was a princess of seemingly some fifteen or sixteen summers, whose radiant beauty had an almost unearthly luster. Trembling in his admiration he drew near and went on his knees beside her. At the same moment, the hour of disenchantment having come, the princess awoke, and bestowed upon him a look more tender than a first glance might seem to warrant. He declared that he loved her better than he loved himself. His words were faltering, but they pleased the more for that. The less there is of eloquence, the more there is of love. Her embarrassment was less than his, and that is not to be wondered at, since she had had time to think of what she would say to him. It seems although the story says nothing about it that the good fairy had beguiled her long slumber with pleasant dreams. To be brief, after four hours of talking they had not succeeded in uttering one half of the things they had to say to each other. Now the whole palace had awakened with the princess. Everyone went about his business, and since they were not all in love they presently began Page 9

10 to feel mortally hungry. The lady-in-waiting, who was suffering like the rest, at length lost patience, and in a loud voice called out to the princess that supper was served. The princess was already fully dressed, and in most magnificent style. As he helped her to rise, the prince refrained from telling her that her clothes, with the straight collar which she wore, were like those to which his grandmother had been accustomed. And in truth, they in no way detracted from her beauty. They passed into an apartment hung with mirrors, and were there served with supper by the stewards of the household, while the fiddles and oboes played some old music and played it remarkably well, considering they had not played at all for just upon a hundred years. A little later, when supper was over, the chaplain married them in the castle chapel, and in due course, attended by the courtiers in waiting, they retired to rest. They slept but little, however. The princess, indeed, had not much need of sleep, and as soon as morning came the prince took his leave of her. He returned to the city, and told his father, who was awaiting him with some anxiety, that he had lost himself while hunting in the forest, but had obtained some black bread and cheese from a charcoal burner, in whose hovel he had passed the night. His royal father, being of an easygoing nature, believed the tale, but his mother was not so easily hoodwinked. She noticed that he now went hunting every day, and that he always had an excuse handy when he had slept two or three nights from home. She felt certain, therefore, that he had some love affair. Two whole years passed since the marriage of the prince and princess, and during that time they had two children. The first, a daughter, was called "Dawn," while the second, a boy, was named "Day," because he seemed even more beautiful than his sister. Many a time the queen told her son that he ought to settle down in life. She tried in this way to make him confide in her, but he did not dare to trust her with his secret. Despite the affection which he bore her, he was afraid of his mother, for she came of a race of ogres, and the king had only married her for her wealth. It was whispered at the court that she had ogrish instincts, and that when little children were near her she had the greatest difficulty in the world to keep herself from pouncing on them. No wonder the prince was reluctant to say a word. Page 10

11 Chapter 5 : Sleeping Beauty Charles Perrault (French: [ʃaÊ l pé Ê o]; 12 January - 16 May ) was a French author and member of the Acadà mie theinnatdunvilla.com laid the foundations for a new literary genre, the fairy tale, with his works derived from earlier folk tales. Share Carabosse as envisioned by Leon Bakst. Carabosse is the name often ascribed to the wicked fairy godmother in the classic fairy tale "Sleeping Beauty". She is named Maleficent in the Disney adaptation of the fairy tale. She enters quietly and finds out that she cannot receive a golden casket to dine with like the other fairies, for the king had run out of them. The seventh fairy chooses to wait until Carabosse has given her gift to give her own. Carabosse curses the princess to prick her finger on a spindle when she is fifteen or sixteen - and die. Afterwards, the seventh fairy alters this to spare the princess - but she will sleep for years before being awoken. It was decided that Carabosse would not be invited. The twelfth fairy changes the curse from one of death to one of sleep lasting years. When the princess is fifteen years old, she is exploring the castle. She meets an old woman working with a spinning wheel. The princess pricks her finger on the spindle and falls into a deep sleep. Her depiction inspired the portrayal of Maleficent. In this version, Carabosse is a frightening figure, accompanied by minions, whose presence is accompanied by thunder and ominous music. When she bursts into the palace and asks why she was not invited, she beats the Master of Ceremonies for forgetting her. The Lilac Fairy spares Aurora - but Carabosse believes that she will kill the princess through the curse. She arrives at her party and presents her with a spindle. Aurora pricks her finger on it and faints. One hundred years later, when Prince Desire hears about Aurora and comes to rescue her, Carabosse tries to deter him. Prince Desire manages to defeat Carabosse with the help of the Lilac Fairy. Carabosse is never seen again afterwards. The ballet proved to be very popular, and many elements including parts of the musical score were incorporated into the Disney version. Page 11

12 Chapter 6 : Charles Perrault - Wikipedia In this lesson, we will summarize and examine Charles Perrault's 'The Sleeping Beauty in the Wood.' This version of this famous fairytale begins like the story that is still told to children. The Great Fairy Tale Tradition: From Straparola and Basile to the Brothers Grimm. Buy the book in paperback. Many of the tales were influenced by oral traditions, but most did not end up influencing oral tradition directly. She published four volumes of fairy tales. They were translated into English in Her most famous tale today is The White Cat. Many of the writings from the French salons have never been translated into English. Classic French Fairy Tales. This book is out of print, but can usually be found in larger libraries or as a used copy. A paperback edition is in print, Beauty and the Beast and Other Classic French Fairy Tales, but it omits some of the tales provided in the hardcover edition. The shorter version by Madame Le Prince de Beaumont in is available in both editions. Marina Warner also edited Wonder Tales: Six French Stories of Enchantment, presenting six salon tales. The French Salons directly influenced the literary fairy tale by increasing the overall popularity of tales. The tales enjoyed instant success. He ultimately recorded eleven fairy tales, most of which are among the most popular tales today. The translation was fairly accurate and incredibly popular. Further Reading Canepa, Nancy L. Out of the Woods: Detroit, Wayne State University Press, Buy the book in hardcover. William Henry Arthur, translator. Miss Annie Macdonell and Miss Lee, translators. Lawrence and Bullen, The Tower and the Well: A Thematic Analysis of Mme. Six French Stories of Enchantment. Buy the book in hardcover or paperback. Beauties, Beasts and Enchantments: New American Library, Page 12

13 Chapter 7 : SurLaLune Fairy Tales: The Fairy Tales of Charles Perrault THE SLEEPING BEAUTY IN THE WOODS Charles Perrault Once upon a time there was a king and a queen, who were very sorry that they had no children,â so sorry that it cannot be told. Sun, Moon, and Talia Giambattista Basile There once lived a great lord, who was blessed with the birth of a daughter, whom he named Talia. He sent for the wise men and astrologers in his lands, to predict her future. They met, counseled together, and cast her horoscope, and at length they came to the conclusion that she would incur great danger from a splinter of flax. Her father therefore forbade that any flax, hemp, or any other material of that sort be brought into his house, so that she should escape the predestined danger. One day, when Talia had grown into a young and beautiful lady, she was looking out of a window, when she beheld passing that way an old woman, who was spinning. Talia, never having seen a distaff or a spindle, was pleased to see the twirling spindle, and she was so curious as to what thing it was, that she asked the old woman to come to her. Taking the distaff from her hand, she began to stretch the flax. Unfortunately, Talia ran a splinter of flax under her nail, and she fell dead upon the ground. When the old woman saw this, she became frightened and ran down the stairs, and is running still. As soon as the wretched father heard of the disaster which had taken place, he had them, after having paid for this tub of sour wine with casks of tears, lay her out in one of his country mansions. There they seated her on a velvet throne under a canopy of brocade. Wanting to forget all and to drive from his memory his great misfortune, he closed the doors and abandoned forever the house where he had suffered this great loss. After a time, it happened by chance that a king was out hunting and passed that way. One of his falcons escaped from his hand and flew into the house by way of one of the windows. It did not come when called, so the king had one of his party knock at the door, believing the palace to be inhabited. Thus he climbed up and entered, and looked in all the rooms, and nooks, and corners, and was amazed to find no living person there. At last he came to the salon, and when the king beheld Talia, who seemed to be enchanted, he believed that she was asleep, and he called her, but she remained unconscious. Crying aloud, he beheld her charms and felt his blood course hotly through his veins. He lifted her in his arms, and carried her to a bed, where he gathered the first fruits of love. Leaving her on the bed, he returned to his own kingdom, where, in the pressing business of his realm, he for a time thought no more about this incident. Now after nine months Talia delivered two beautiful children, one a boy and the other a girl. Talia awoke as if from a long sleep, and seeing beside her two priceless gems, she held them to her breast, and gave them the nipple to suck, and the babies were dearer to her than her own life. Finding herself alone in that palace with two children by her side, she did not know what had happened to her; but she did notice that the table was set, and food and drink were brought in to her, although she did not see any attendants. In the meanwhile the king remembered Talia, and saying that he wanted to go hunting, he returned to the palace, and found her awake, and with two cupids of beauty. He was overjoyed, and he told Talia who he was, and how he had seen her, and what had taken place. When she heard this, their friendship was knitted with tighter bonds, and he remained with her for a few days. After that time he bade her farewell, and promised to return soon, and take her with him to his kingdom. Sending for the secretary, she said to him, "Listen to me, my son, you are living between two rocks, between the post and the door, between the poker and the grate. If you will tell me with whom the king your master, and my husband, is in love, I will give you treasures untold; and if you hide the truth from me, you will never be found again, dead or alive. Greed and fear blinded his eyes to all honor and to all sense of justice, and he related to her all things, calling bread bread, and wine wine. The queen, hearing how matters stood, sent the secretary to Talia, in the name of the king, asking her to send the children, for he wished to see them. Talia, with great joy, did as she was commanded. Then the queen, with a heart of Medea, told the cook to kill them, and to make them into several tasteful dishes for her wretched husband. But the cook was tender hearted and, seeing these two beautiful golden apples, felt pity and compassion for them, and he carried them home to his wife, and had her hide them. In their place he prepared two lambs into a hundred different dishes. Page 13

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