stephen lewis horas non numero nisi serenas for female voice, violin, and cello (2011)

Similar documents
Conjoined. For Two Double Basses. Music by Martin Ritter 2016/17

JOHN GIBSON. Blue Traces

Nina (For Solo Violin, Viola, Cello or String Bass and String Orchestra) Preview Only. GIOVANNI BATTESTA PERGOLESI Arranged by DAVID REED

Unfinished Bridge. String Quartet For Mivos / 2018 (revised) Duration: 10 Peter Kramer

Saad Haddad T A K H T. for full orchestra. Full Score. -DIB PRESSwww.saadnhaddad.com

Score. Aubrie Powell. aɪ Kænt Spiːk. For Violin, Cello, and Piano

Spectral colours. for Ensemble and tape. Javier Alejandro Garavaglia (1997)

Saad Haddad T A K H T. for sinfonietta. Full Score --DIB PRESS-

Minna Leinonen. Luvetus. for Flute and String Orchestra

Monsters, cold and warm

Christopher Cerrone. Invisible Overture for small orchestra (2008) Version correct as of: 03/07/2013. Outburst-Inburst Musics s k Brooklyn, NY k

Jarkko Hartikainen. Studies on Empathy. for Alto Flute, Bass Clarinet, Percussion and Harp

'It isn't a noise...'

Ghost Mode. For Bass Flute, Violin, and Soprano

Music Diary. for soprano, flute, clarinet, violin, and percussion

In SMV I. IAML: Support Vector Machines II. This Time. The SVM optimization problem. We saw:

Sebastian Hilli. Paraphrase III. Soave dolore for Flute (+Alto Flute), Clarinet in Bb (+Bass Clarinet), Oboe (+English Horn), Horn and Bassoon

The Peace of Wild Things

Accelerated Chemistry POGIL: Half-life

Chapter 6 Fingerprints

Who is the Holy Spirit?

Three charges, all with a charge of 10 C are situated as shown (each grid line is separated by 1 meter).

Material Balance Equations

Preview Only. Legal Use Requires Purchase. Recorda me. JOE HENDERSON Arranged by KRIS BERG INSTRUMENTATION

Getting Involved O. Responsibilities of a Member. People Are Depending On You. Participation Is Important. Think It Through

AP Physics Kinematic Wrap Up

Differentiation Applications 1: Related Rates

Section 5.8 Notes Page Exponential Growth and Decay Models; Newton s Law

Galileo s Vision. Preview Only RALPH FORD (ASCAP) INSTRUMENTATION

Jarkko Hartikainen. Habitus. for orchestra

Surface and Contact Stress

PHYSICS NOTES. SUBJECT: Physics LEVEL: Higher TEACHER: Pat Doyle. The Institute of Education Topics Covered: Sound & Waves

Symphony for Percussion Ensemble

Medium Scale Integrated (MSI) devices [Sections 2.9 and 2.10]

Five Loons LLC No Erik Ferguson. And he was FOR MIXED CHAMBER ENSEMBLE & NARRATOR. Text by Edwin Arlington Robinson.

Thermochemistry. Thermochemistry

Chapter 8 Predicting Molecular Geometries

Still Sky Bells. For large ensemble. Stef Conner 2010

Q1. A) 48 m/s B) 17 m/s C) 22 m/s D) 66 m/s E) 53 m/s. Ans: = 84.0 Q2.

Name: Period: Date: BONDING NOTES ADVANCED CHEMISTRY

A Halloween Thriller Featuring Toccata and Fugue in D Minor, A Night on Bald Mountain, and Thriller. Preview Only INSTRUMENTATION

A) 0.77 N B) 0.24 N C) 0.63 N D) 0.31 N E) 0.86 N. v = ω k = 80 = 32 m/s. Ans: (32) 2 = 0.77 N

Question 2-1. Solution 2-1 CHAPTER 2 HYDROSTATICS

Being able to connect displacement, speed, and acceleration is fundamental to working

READING STATECHART DIAGRAMS

Equilibrium of Stress

Introduction to Three-phase Circuits. Balanced 3-phase systems Unbalanced 3-phase systems

CHAPTER Read Chapter 17, sections 1,2,3. End of Chapter problems: 25

MODULE FOUR. This module addresses functions. SC Academic Elementary Algebra Standards:

How can standard heats of formation be used to calculate the heat of a reaction?

Physics 2010 Motion with Constant Acceleration Experiment 1

Preview Only. Nikolai Rimsky-Korsakov Arranged by Richard Meyer (ASCAP) Tambourine) 8 Violin II A DIVISION OF

golden jubilee MARCH Preview Only JOHN PHILIP SOUSA INSTRUMENTATION

Suffolk County Music Service

I. Analytical Potential and Field of a Uniform Rod. V E d. The definition of electric potential difference is

Preview Only. Richard Meyer (ASCAP) notes the conductor A DIVISION OF

Variations and Distorted Reflections (After Stradella)

BASIC DIRECT-CURRENT MEASUREMENTS

Chapter 11 Death: Meaning, Manner,

Photgraphic camera. How it works? Take a simple converging lens:

Massachusetts Institute of Technology 2.71/2.710 Optics Spring 2014 Solution for HW2

B g. B w. C w Water compressibility (pressure -1 ) G i G p m N N p. P Pressure R p Cumulative producing gas-oil ratio (st.vol./st.

[ ] CEE October 2010 FIRST EXAM. Closed book, one page of notes allowed.

CHAPTER 6 WORK AND ENERGY

CHAPTER 8b Static Equilibrium Units

, which yields. where z1. and z2

Department of Electrical Engineering, University of Waterloo. Introduction

Guide to Using the Rubric to Score the Klf4 PREBUILD Model for Science Olympiad National Competitions

This PDF contains excerpts from the score. For the complete score, please contact the composer directly at

If (IV) is (increased, decreased, changed), then (DV) will (increase, decrease, change) because (reason based on prior research).

Chapter 2 GAUSS LAW Recommended Problems:

Internal vs. external validity. External validity. This section is based on Stock and Watson s Chapter 9.

SUMMER REV: Half-Life DUE DATE: JULY 2 nd

Q1. A string of length L is fixed at both ends. Which one of the following is NOT a possible wavelength for standing waves on this string?

Why Don t They Get It??

Purpose: Use this reference guide to effectively communicate the new process customers will use for creating a TWC ID. Mobile Manager Call History

at the still point for orchestra

NUMBERS, MATHEMATICS AND EQUATIONS

Edexcel GCSE Physics

Physics 102. Second Midterm Examination. Summer Term ( ) (Fundamental constants) (Coulomb constant)

alexander sigman struwl-2 for solo electric guitar (2012)

This work was commissioned by and dedicated to the Ventoso Winds, at the request of their clarinetist, Sara Stolt.

Olli Virtaperko Usvapatsas

Find this material useful? You can help our team to keep this site up and bring you even more content consider donating via the link on our site.

AP Literature and Composition. Summer Reading Packet. Instructions and Guidelines

Universal Pump Control

Lecture 14 Chapter 16, Sections 3-4 Equilibrium. Nifty K eq math Q and K eq Connection with G Le Chatelier

Plan o o. I(t) Divide problem into sub-problems Modify schematic and coordinate system (if needed) Write general equations

Houghton Mifflin Phonics/Decoding Screening Test

Sunrise and Sunset Times for the 22 nd of each month of 2012 in New York City

Associated Students Flacks Internship

ELOQUENTIA espacio para flauta y orquesta

LECTURES 4 AND 5 THREE-PHASE CONNECTIONS (1)

11/1/18. Our Milky Way Galaxy THIS INSPIRES A SONG! Onward to Galaxies, starting with our own! Stars and gas are all moving!

Find this material useful? You can help our team to keep this site up and bring you even more content consider donating via the link on our site.

CHAPTER 2 Algebraic Expressions and Fundamental Operations

PHYS 219 Spring semester Lecture 02: Coulomb s Law how point charges interact. Ron Reifenberger Birck Nanotechnology Center Purdue University

d sinθ = mλ Interference and diffraction double slit or diffraction grating d sinθ = mλ d sinθ is the path difference x (small angle approximation)

Finite Automata. Human-aware Robo.cs. 2017/08/22 Chapter 1.1 in Sipser

Chapter 2 SOUND WAVES

Transcription:

stehen leis hras nn numer nisi serenas r emale vice, vilin, and cell (2011)

hras nn numer nisi serenas is a cmmn inscritin n sundials It etically translates t I cunt n hurs but r thse that are serene, and mre literally int I d nt tell time unless the sky is clear The singer s line is based n the inal rd in Mahler s Das Lied vn der Erde ( eig ), dran ut ver the curse the iece int a series regularly recurring utterances I Mahler s subect disslves at the mment death int nature, then that subectivity merges ith a set henmena hse time is beynd human sychlgical understanding The image a sundial, inerably yet, in the mment, imercetibly tracing the assage the sun thrugh the sky is the cal int r natural events that e can understand but nt eerience Further insiratin is dran rm Renaissance chral lyhny, esecially in making a categrical cnnectin beteen the cycles the lanetary bdies and human breathing, and in the ability cntrauntal activity t create ne musical eerience rather than ulilling received eectatins The Aendi includes an arrangement the inal t minutes Das Lied vn der Erde I ssible, this, a similar arrangement r available rces (cntact me at chinis@gmailcm i yu uld like me t make this r yu), r an arriate recrding shuld be layed immediately bere hras nn numer nisi serenas begins Strings: B lacement cle: Vice: The vice art is ritten in IPA symbls An arr beteen t IPA symbls indicates a gradual shit rm the irst t the net This shiting shuld smthly emhasize all the intermediary vel sunds Vilin tuning: Cell tuning: The smaller third sta that aears as needed shs the sunding itch ntes layed n scrdatura strings Cnsnant brightness cle: When singing the and the ç sunds, this cle indicates the relative brightness This is achieved by changing the shae the lis and the sitin the tngue inside the muth The sund ill be darker hen a) the lis are mre clsed (as thugh making a u vel) and b) hen the tngue is ressed dn and back The sund is brighter hen a) the lis are ide and en (as thugh making an i vel) and b) the tngue is laced clse t the r the muth As ith the arrs beteen vel sunds, the changes beteen dark and bright cnsnant sunds shuld be gradual, smth, and eaggerated

Dedicated t Dr Steven Plank, in grateul areciatin r ive years singing beautiul music in the Oberlin Cllegium Musicum

ilincellsran16vcshras nn numer nisi serenas i cunt n hurs but r thse that are serene stehen leis Inciit: c - - - - H - ras nn nu - me - r ni - si se - re - nas straight tne 12" cchissim U U 12" 12" U W W ɛ ɛ ə ɛ U 12" v5 c c c c q = 48 q = 48 q = 48 senza vibrat R b vibrat semre senza vibrat b Kn F P 7 c ɛ ɜ ə y ɛ ɪ i ɛ ə ŋ i ə m ɛ # n # n iu B srana b # ( ) quasi lautand, hll b b # b # # ( ) n b # n # ( ) b b b ȯ b ( ) semlice ( ) ( ( b ) ( ) ( ) # # itchless # b # # c F F stt vce P vibrat senza vib r n # resent r ɪ i ɛ i ɛ i ɛ ɪ ɪ ɛ ɛ ə ɛ y vibrat k 2012 stehen leis all rights reserved

cs4scsv26 7 C b b (# ( ) ) # # # # 4 5 4 5 U F allargand 5 5 # U # c c a tem ( b) ( n) k # senza vib ( ) 7 n (y) ə ə ɔ ɛ nk # # cnnect t vilin n beat 2 b # n vibrat # 4 5 4 5 4 5 4 5 n allargand F 5 U U 5 b # U allargand ɛ ə ɛ ɑ ɔ 5 c c c c a tem a tem senza vibrat D m m ɔ m m m ɔ i m mɛ ɪ ɛ ɔ -2- P c vibrat #

csvc45ve F ( # ) ( b ) ( ) # b st, velvety æ æ æ æ æ æ æ ȯ b R r b b # æ æ æ æ # # 5 5 n # # r # # n 54 ( b ) ( # n ) ( # ) ( # ) G b b æ æ # ( n n ) æ æ # # # b # b b b # # æ æ rather reely iu semlice 6 > # b n 5 b ( ) - - > ɛ ɛ ɛ v v b b - # - - - # > damen all strings ith ingers s that nly "hite nise" is rduced here damen all strings ith ingers s that nly "hite nise" is rduced here --

cs76vcsv64 H # cut abrutly b cut abrutly > > I (b change) - - - itchless æ b b æ itched semre 5 b b b b breathy histle, indeterminate itch Barrque "trill," as in Mnteverdi æ æ -4- ith calm authrity i

cs97vvc86 K ( b) ( ) ( n) L b # st, velvety æ æ æ æ æ # F # # # - - æ - P - M ( ( #) # quasi lautand, hll # intense ( ) ( b b intense # # # F intense quasi lautand, hll # P magisterial F P c 5 5 i i i ɔ i ɪ i ɑ ɛ i ɪ ə ɔ y i ç ç ( ) ( ) # ( ) # cchissim æ æ st, velvety ( n ) # b N ( b) ( b) -5-

cs119vsvc109 O ( ) b F # r # b ( ) # ç ç ç ç ( ) ẉ # ( b ) ( b ) cut abrutly P ( b ( ) ) ( ) ( ) #l ȯ ( b n ) ( ) #l # ( ) n b ȯ b ( ) U U U itchless, as lng as ssible n ne b U U ç -6- U

Aendi: Arrangement Ending Mahler's Das Lied vn der Erde

Aendi eigrah rm Das Lied vn der Erde Gustav Mahler Stehen Leis Flute q = 120 4 > 2 2 2 > Clarinet in A Hrn in F b b b # 4 4 q = 120 4 b b Marimba Pian Vilin Cell Duble Bass 4 q = 120 4 4 q = 120 4 q = 120 4 4 4 b b b b b 2 ~~~~~~~~~ ~~~~~~~~~ 2 - - 4 - - ~~~~ e # - - # - - # n - - n - - n # - - # - - - - - - - - - - ig, e - - # - ig! 2012 stehen leis all rights reserved

Fl 2 15 b n A Cl Hn 15 b b b # b b 15 Mrb b b b b ( ) 15 b b b Pn 15 b b b b e - - - - - - - - ig, e - ig! b b b Vln 15 sul G b Vc b DB b

Fl 0 n A Cl Hn 0 b b b # n 0 Mrb Pn 0 0 - e - - - - - - ig, - Vln 0 sul G esress sul G Vc DB

Fl 4 47 A Cl b b b Hn 47 # 47 Mrb Pn ( ) 47-47 e - - - - - - - ig, - Vln 47 Vc DB

Fl 6 5 A Cl Hn 6 b b b # 6 Mrb 6 ~~~~~~~ Pn - < < < 6 e - - - - - - - - - - - - ig! Vln 6 Vc DB izz arc

Fr mre inrmatin abut Stehen Leis and his music, lease visit: stehenleiscmsercm