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Unless otherwise noted, the content of this course material is licensed under a Creative Commons BY 3.0 License. http://creativecommons.org/licenses/by/3.0/ Copyright 2009, August E. Evrard. You assume all responsibility for use and potential liability associated with any use of the material. Material contains copyrighted content, used in accordance with U.S. law. Copyright holders of content included in this material should contact open.michigan@umich.edu with any questions, corrections, or clarifications regarding the use of content. The Regents of the University of Michigan do not license the use of third party content posted to this site unless such a license is specifically granted in connection with particular content. Users of content are responsible for their compliance with applicable law. Mention of specific products in this material solely represents the opinion of the speaker and does not represent an endorsement by the University of Michigan. For more information about how to cite these materials visit http://open.umich.edu/education/about/terms-of-use Any medical information in this material is intended to inform and educate and is not a tool for self-diagnosis or a replacement for medical evaluation, advice, diagnosis or treatment by a healthcare professional. You should speak to your physician or make an appointment to be seen if you have questions or concerns about this information or your medical condition. Viewer discretion is advised: Material may contain medical images that may be disturbing to some viewers.

Physics 140 Fall 2007 lecture #26: 6 Dec Ch 16 topics: sound waves speed of sound sound intensity, decibel scale standing waves, harmonics interference, beats Doppler effect Wave image removed http://www.privateline.com/telephonehistory/speech.jpg

Final exam is next Friday, 14 Dec, 7:30 9:30pm Alternate: 4:00 6:00pm bring: up to four 3x5 notecards or one 8.5x11 sheet, calculator, #2 pencils, student ID

Sound Waves Sound waves are longitudinal pressure variations that move through a medium. Any sound can be represented as a sum of scaled and phased pure tones, each characterized by an amplitude of pressure variations Δp, angular frequency ω and phase constant φ Δp(x,t) = Δp m sin(kx ± ωt + φ) where +x is the direction of propagation of the sound. The angular wavenumber k can be determined through the relation to the speed of sound v in the medium k=v/ω. Associated with the pressure fluctuation are displacements y(x,t) of elements of the medium aligned with the direction of propagation y(x,t) = Acos(kx ± ωt + φ) For a medium with density ρ, the amplitudes are related by Δp m = (ρv 2 )ka = BkA (for fluid w/ bulk mod B)

Speed of sound Sound propagates at speed v by the continual transfer of energy between oscillating elements of a medium. The generic form for the sound speed elastic property v = inertial property reflects the fact that the speed of sound is linked to the efficiency of mechanical energy transport. Mediums with higher elasticity or lower inertia will transport energy more efficiently, resulting in higher sound speeds. Air at room temperature (20 C) and at atmospheric pressure (10 5 Pa) has a sound speed v = 343 m/s

Sound intensity Sound waves transport energy in the form of pressure variations. I = p(t)v y (t) cycle = 1 2 BωkA2 = 1 2 ρvω 2 A 2 Human ears can typically detect sounds with intensity above a minimum value I 0 = 10 12 W/m 2. The decibel scale is a common measure of sound intensity. It uses the logarithm (decimal, not natural) of the intensity β = (10 db) log 10 ( I / I 0 ). Whereas a change of 10 db corresponds to a factor 10 increase in intensity, a change of 20 db corresponds to a factor 100 increase (not a factor 20). The threshold of pain for the human ear occurs at 120 db, an amazing factor of 10 12 (one trillion) times more intense than the threshold for hearing.

CC: BY AJ Billapando http://creativecommons.org/licenses/by/3.0/

Fundamental and first two harmonics of standing waves with mixed (node+anti-node) endpoints.

Standing waves and musical instruments Different harmonic frequencies arise from string or wind instruments of a given length L, depending on whether the endpoints are nodes (zero summed amplitude) or anti-nodes (max summed amplitude). node : node (e.g., guitar, violin) f n = n (v/ 2L) ; n = 1, 2, 3, anti-node : anti-node (e.g., flute, organ pipe) f n = n (v/ 2L) ; n = 1, 2, 3, node : anti-node (e.g., clarinet, saxophone) f n = n (v/ 4L) ; n = 1, 3, 5, (odd harmonics)

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Beats Two pure, equal amplitude tones, with frequencies w 1 and w 2, superpose to create a modulated sound pattern that varies in time as y(t) = 2Asin[ 1 2 (ω 1 - ω 2 )t]cos[ 1 2 (ω 1 +ω 2 )t] and is especially noticeable when w 2 w 1 << w 2 + w 1. Source: ExploreLearning.com http://www.explorelearning.com/index.cfm?method=cresource.dspview&resourceid=48

Doppler effect for sound When there is relative motion between a wave source and detector, the frequency (and wavelength) of the source will differ from the received values. This phenomenon is known as the Doppler effect. For a source and detector with speeds v S and v D along the sourcedetector direction, the detected frequency is related to that of the source by f D = f S v ± v D v ± v S The velocities are measured with respect to the medium and the sign convention is as follows: source approaching detector v S f increases source receding from detector +v S f decreases detector approaching source +v D f increases detector receding from source v D f decreases

Source: ExploreLearning.com http://www.explorelearning.com/index.cfm?method=cresource.dspview&resourceid=18

You are on the freeway traveling side by side at 75 mph alongside a police car with siren blaring. Compared to the tone of the siren at rest, the tone you hear is 1) pitched higher (higher f) 2) pitched lower (lower f) 3) pitched the same (same f) 4) depends on the pitch (on f)

The police car then veers off and heads away from you. Compared to the tone of the siren at rest, the tone you hear now is 1) pitched higher (higher f) 2) pitched lower (lower f) 3) pitched the same (same f) 4) depends on the pitch (on f)