Analog Digital Sampling & Discrete Time Discrete Values & Noise Digital-to-Analog Conversion Analog-to-Digital Conversion
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1 Analog Digital Sampling & Discrete Time Discrete Values & Noise Digital-to-Analog Conversion Analog-to-Digital Conversion Fall 2006 Analog Digital, Slide
2 Plan: Mixed Signal Architecture volts bits Digital Signal Processing bits volts Analog to Digital store xmit/rcv modify Digital to Analog ANALOG DIGITAL ANALOG Continuous time, Continuous values Discrete time, Discrete values Fall 2006 Analog Digital, Slide 2
3 Discrete Time Let s use an impulse train to sample a continuoustime function at a regular interval T: δ(x) is a narrow impluse at x=0, where f ( t) δ ( t a) dt = f ( a) Time Domain n= p ( t) = δ ( t nt ) x (t) x p (t) x(t) p(t) T time time x p (t) time Fall 2006 Analog Digital, Slide 3
4 Reconstruction Is it possible to reconstruct the original waveform using only the discrete time samples? x p (t) R p x(t) Frequency Domain Looks like modulation by ω s and its harmonics X ( jω) T X p ( jω) 2ω s ωs ω M 2π T ω M P( jω) s 0 ω = 2π T ωs 2ω s ω s ω M ω M ωs ω M So, if ω m < ω s -ω m, we can recover the original waveform with a low-pass filter! T R p ( jω) ω Fall 2006 Analog Digital, Slide 4 ω c M ω c < ω < ω ω c s M
5 Sampling Theorem Let x(t) be a band-limited signal with X(jω)=0 for ω > ω M. Then x(t) is uniquely determined by its samples x(nt), n = 0, ±, ±2,, if ω s > 2ω M 2ω M is called the Nyquist rate and ω s /2 the Nyquist frequency where 2π ω s = T Given these samples, we can reconstruct x(t) by generating a periodic impluse train in which successive impulses have amplitudes that are successive sample values, then passing the train through an ideal LPF with gain T and a cutoff frequency greater than ω M and less than ω s -ω M Fall 2006 Analog Digital, Slide 5
6 Zero-Order Sample & Hold Impluses are hard to engineer, so a zero-order sample & hold is often used to produce the discrete time waveform. Sample Method x p (t) T time x sh (t) T time R p ( jω) Reconstruction Filter R sh ( jω) T ω ω c M c ω c < ω < ω ω ω = 2π s M s Fall 2006 T Analog Digital, Slide 6 ω c ω c See Chapter 7 in Signals and Systems by Oppenheim & Willsky (6.003)
7 Undersampling Aliasing If ω s 2ω M there s an overlap of frequencies between one image and its neighbors and we discover that those overlaps introduce additional frequency content in the sampled signal, a phenomenon called aliasing. -5 ω M 5, ω = -2 = s X ( jω) P( jω) There are now tones at (= 6 5) and 4 (= 6 2) in addition to the original tones at 2 and X p ( jω) Fall 2006 Analog Digital, Slide 7
8 Antialias Filters If we wish to create samples at some fixed frequency ω s, then to avoid aliasing we need to use a low-pass filter on the original waveform to remove any frequency content ω s /2. This is the symbol for a low-pass filter see the little x marks on the middle and high frequecies? ω = C ωs 2 We need this antialiasing filter it has to have a reasonably sharp cutoff Discrete- Time sampler ω s The frequency response of human ears essentially drops to zero above 20kHz. So the Red Book standard for CD Audio chose a 44.kHz sampling rate, yielding a Nyquist frequency of 22.05kHz. The 2kHz of elbow room is needed because practical antialiasing filters have finite slope Why 44.kHz? See Fall 2006 Analog Digital, Slide 8
9 Discrete Values If we use N bits to encode the magnitude of one of the discrete-time samples, we can capture 2 N possible values. So we ll divide up the range of possible sample values into 2 N intervals and choose the index of the enclosing interval as the encoding for the sample value. sample voltage V MAX V MIN quantized value -bit 3 2-bit 6 3-bit 3 4-bit Fall 2006 Analog Digital, Slide 9
10 Quantization Error Note that when we quantize the scaled sample values we may be off by up to ±½ step from the true sampled values. 57 The red shaded region shows the error we ve introduced Fall 2006 Analog Digital, Slide 0
11 Quantization Noise ω s N x(t) sample scale & quantize - Quantization Noise scale N 2 Time Domain Max signal Freq. Domain NOISE( jω) Noise Asignal SNR = 20log0 = 20log0(2 A noise = N 6. 02dB.76dB if x(t) is a sine wave N ) Fall 2006 Analog Digital, Slide ω s 2 ω s 2 In most cases it s white noise with a uniform frequency distribution
12 Oversampling To avoid aliasing we know that ω s must be at least 2ω M. Is there any advantage to oversampling, i.e., ω s = K 2ω M? Suppose we look at the frequency spectrum of quantized samples of a sine wave: (sample freq. = ω s ) α ω s / 2 P SNR = ω s 0log0 P SIGNAL NOISE Let s double the sample frequency to 2ω s. Total signalnoise power remains the same, so SNR is unchanged. But noise is spread over twice the freq. range so it s relative level has dropped. Now let s use a low pass filter to eliminate half the noise! Note that we re not affecting the signal at all α / 2 α / 2 2( ωs / 2) OversamplingLPF reduces noise by 3dB/octave Fall 2006 Analog Digital, Slide 2 ω s / 2 SNR s P SIGNAL 0log0 = SNR 3dB s PNOISE / 2 2 ω = ω
13 DAC: digital to analog converter How can we convert a N-bit binary number to a voltage? V i = 0 volts if B i = 0 V i = V volts if B i = R OPAMP will vary V OUT to maintain this node at 0V, i.e., the sum of the currents flowing into this node will be zero. B 3 B 2 B B 0 2R 4R 8R R F V OUT OKAY, this ll work, but the voltages produced by the drivers and various R s must be carefully matched in order to get equal steps. V R V OUT F OUT = B V R B2V 2R 3 = R R F V B 3 BV B0V 4R 8R B2 B B Fall 2006 Analog Digital, Slide 3 0
14 Successive-Approximation A/D D/A converters are typically compact and easier to design. Why not A/D convert using a D/A converter and a comparator? DAC generates analog voltage which is compared to the input voltage If DAC voltage > input voltage then set that bit; otherwise, reset that bit This type of ADC takes a fixed amount of time proportional to the bit length V in code D/A C Comparator out Example: 3-bit A/D conversion, 2 LSB < V in < 3 LSB Fall 2006 Analog Digital, Slide 4
15 Successive-Approximation A/D Data D/A Converter N Successive Approximation Generator - Done v in Sample/ Hold Control Go Serial conversion takes a time equal to N (t D/A t comp ) Fall 2006 Analog Digital, Slide 5
16 Flash A/D Converter Vref vin R R R R Comparators The rm ometer to binary b 0 b Brute-force A/D conversion Simultaneously compare the analog value with every possible reference value Fastest method of A/D conversion Size scales exponentially with precision (requires 2 N comparators) Fall 2006 Analog Digital, Slide 6
17 Analog input V < V < V REF IN REF Sigma Delta ADC -bit ADC integrator - - Bit stream ±V REF -bit DAC 0: add V REF, : subtract V REF Bit stream Decimator samples Computes average, produces N-bit result Only need to keep enough samples to meet Nyquist rate Average of bit stream (=V REF, 0=-V REF ) gives voltage With V REF =V: V IN =0.5: 0, V IN =-0.25: 00000, V IN =0.6: Fall 2006 Analog Digital, Slide 7
18 So, what s the big deal? Can be run at high sampling rates, oversampling by, say, 8 or 9 octaves for audio applications; low power implementations Feedback path through the integrator changes how the noise is spread across the sampling spectrum. Power Signal Spectrum of modulator s output Noise ω s 2 kω s 2 Frequencies attenuated by LPF Pushing noise power to higher frequencies means more noise is eliminated by LPF: N th order ΣΔ SNR = (3N*6)dB/octave Fall 2006 Analog Digital, Slide 8
19 Summary If we sample a band-limited signal x(t) to produce discrete-time samples x(nt), then if ω s > 2ω M, then we can reconstruct the original waveform by passing the impulse samples through a LPF. Undersampling (ω s 2ω M ) will result in aliasing. Usually an antialiasing filter is used before sampling to avoid this problem. Quantizing the sampled values into 2 N discrete levels introduces quantization noise (SNR ~ 6dB*N) Oversampling reduces noise by 3dB/octave DAC architectures: summing node ADC architectures: successive approx., flash, sigma delta (combines oversampling noise shaping) Fall 2006 Analog Digital, Slide 9
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