Inscenácia. Miloša Pietra. O myšiach a ľuďoch. ročníková práca

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1 Vy s o k á š k o l a m ú z i c k ý c h u m e n í K a t e d r a d i v a d e l n ý c h š t ú d i í Inscenácia Miloša Pietra O myšiach a ľuďoch ročníková práca Matej Moško 2009

2 But, Mousie, thou art no thy lane, In proving foresight may be vain; The best-laid schemes o mice an men Gang aft agley, An lea e us nought but grief an pain, For promis d joy! Robert Burns 1 1 Však myška, to nie je tvoje brázda, Každá opatrnosť môže byť márna; Aj najlepšie čo dohodli myši a ľudia sa často pokazí a nenechá nám nič okrem bolesti a žiaľu miesto sľúbenej radosti! (pozn. vlastný preklad) Pozri BURNS, Robert. The complete works of Robert Burns: Containing his poems, songs, and correspondence. Boston : Phillips, Sampson, and company, 1855, báseň To a mouse

3 Obsah Úvod Literárna zložka John Ernst Steinbeck O myšiach a ľuďoch Novela, dráma, úprava Originál, preklad a úprava Režijná zložka Režisér Miloš Pietor Réžia hry O myšiach a ľuďoch Výtvarná a hudobná zložka Scénografia Kostýmy Hudba Herecká zložka Jaroslav Vrzala ako Lennie Anton Gýmerský ako George Ďalšie herecké výkony...26 Záver...28 Zoznam použitej literatúry...30 Základné informácie o inscenácii

4 Úvod J o h n E r n s t S t e i n b e c k n e p a t r í n a S l o v e n s k u k a u t o r o m, p o k t o r é h o t e x t o c h b y d i v a d e l n í c i č a s t o s i a h a l i. M o ž n o p r e t o, ž e d r á m e s a s y s t e m a t i c k y n e v e n o v a l a j e z n á m y s k ô r p r o z a i c k o u t v o r b o u a m o ž n o k v ô l i p r í l i š n e j n a v i a z a n o s t i j e h o d i e l a n a ú z e m i e j u h o v ý c h o d u U S A. Te n t o p r i r o d z e n ý s t r a c h i n s c e n á t o r o v z l o k á l n y c h š p e c i f í k t e x t u v š a k p o d ľ a m ň a n i e j e o p o d s t a t n e n ý. P r e d p á r r o k m i s o m m a l m o ž n o s ť p r v ý k r á t s i S t e i n b e c k o v u n o v e l u p r e č í t a ť v o r i g i n á l e. M ô j p o h ľ a d n a d i e l o b o l t e d a t a k p o v e d i a c z p r v e j r u k y. V t e d y s o m v š a k e š t e n e v e d e l, ž e S t e i n b e c k o v o O m y š i a c h a ľ u ď o c h b o l o p o k u s o m n a p í s a ť h r u, k t o r á s a d á č í t a ť, a l e b o r o m á n, k t o r ý s a d á h r a ť. U v e d o m i l s o m s i t o, a ž k e ď s o m u v i d e l v B r a t i s l a v e n a š t u d o v a n i e t e j t o n o v e l y - h r y K a r o l o m S p i š á k o m. S o s p r a c o v a n í m s o m s p o k o j n ý n e b o l. P r o b l é m v z n i k o l o k r e m i n é h o a j p r e k l a d o m a j e h o ú p r a v a m i. N o n a j v i a c i n s c e n á c i a u t r p e l a n e d o s t a t o č n o u r é ž i j n o u k o n c e p c i o u a s l a b o u s ú h r o u h e r c o v. I š l o p r a k t i c k y i b a o u v e d e n i e t e x t u n a j a v i s k o. P r e t o s o m p o t o m t o z á ž i t k u z a č a l p o c h y b o v a ť o t o m, č i j e m o ž n é t o t o d i e l o p o d a ť t a k, a b y s a n e v y t r a t i l a m y š l i e n k a. P r e t o, k e ď s a m e d z i m o ž n ý m i t é m a m i n a r o č n í k o v ú p r a c ú o b j a v i l a a j r e k o n š t r u k c i a i n s c e n á c i e t e j t o h r y r e ž í r o v a n á M i l o š o m P i e t o r o m, v y b r a l s o m s i j u. M i l o š P i e t o r t o t i ž, p o d ľ a m o j e j s k r o m n e j s k ú s e n o s t i s j e h o d i e l o m, p a t r í k r e ž i s é r o m, k t o r í s a t o h t o z d a n l i v o j e d n o d u c h é h o, n o r e á l n e n a o z a j z l o ž i t é h o t e x t u m o h o l z m o c n i ť s o z a j s t n o u ú c t o u a z o d p o v e d n o s ť o u. J o h n E r n s t S t e i n b e c k d á v a v o s v o j o m d i e l e d ô r a z n a j m ä n a m y š l i e n k u. I k e ď p í s a l s v o j e t e x t y v k a l i f o r n s k o m d i a l e k t e, n e k l a d i e p r í l i š n ý d ô r a z n a f o r m á l n u s t r á n k u t e x t u. V r e k o n š t r u k c i i s o m s a t e d a r o z h o d o l p o s t u p o v a ť p r á v e o d t e x t o v e j z l o ž k y i n s c e n á c i e. O i n s c e n á c i i S t e i n b e c k o v h o d i e l a s a t o t i ž n e d á u v a ž o v a ť b e z t o h o, a b y s m e v e d e l i, č i r e ž i s é r d o k á z a l p r e t l m o č i ť a u t o r o v o d k a z. P r i r o d z e n e t e d a p r á c a p o k r a č u j e p o h ľ a d o m n a r é ž i u M i l o š a P i e t o r a. V t e j t o č a s t i s o m d a l d ô r a z n a t o, a b y s o m p o u k á z a l n a t o a k ý m s p ô s o b o m P i e t o r p o d p o r i l m y š l i e n k y p r e z e n t o v a n é v t e x t e

5 K e ď ž e M i l o š P i e t o r n a t l m o č e n i e s v o j h o p o h ľ a d u v y u ž í v a l v ž d y n a j m ä h e r c a, d a l o b y s a č a k a ť, ž e t r e ť o u k a p i t o l o u b y m a l o b y ť p r á v e h e r e c t v o. R o z h o d o l s o m s a i n á č. R o z o b e r a n á i n s c e n á c i a j e v ý n i m o č n á p r á v e t ý m, ž e h e r e c t v o s í c e b o l o t a k m e r d o k o n a l é, n o p r e p o c h o p e n i e ž á n r u, k t o r ý s i z v o l i l M i l o š P i e t o r v s p o l u p r á c i s M i l a n o m H l o ž e k o m a M i l a n o m N o v á k o m, s o m a k o t r e t i u v l o ž i l d o p r á c e k a p i t o l u s n á z v o m S c é n o g r a f i a, k o s t ý m y a h u d b a. P o s l e d n o u k a p i t o l o u j e r o z b o r u ž s p o m í n a n é h o h e r e c t v a. J a r o s l a v Vo s t r ý v o s v o j e j r e c e n z i i v y z d v i h o l p r á v e p o c i t p r e m i e r u p o k o r u. R o z b o r h e r e c t v a j e n a p o s l e d n o m m i e s t e v m o j e j p r á c i a j p r e t o, a b y s o m p o u k á z a l n a t o, a k ú v e ľ k ú ú l o h u h e r c i v i n s c e n á c i i z v l á d l i. D o k á z a l i s a u s k r o m n i ť p r e d a u t o r o m a j e h o t e x t o m. A a j p r e t o s o m s i v y b r a l p r á v e t ú t o i n s c e n á c i u

6 1 Literárna zložka 1.1 John Ernst Steinbeck J o h n E r n s t S t e i n b e c k s a n a r o d i l v r o k u v K a l i f o r n i i, k d e v y r a s t a l v m l y n e, k t o r ý p a t r i l j e h o o t c o v i. Š t u d o v a l n a S a l i n a s H i g h S c h o o l. 2 P o t o m s a v i a c - m e n e j s p o r a d i c k y v e n o v a l š t ú d i u n a u n i v e r z i t e v S t a n f o r d e. P o č a s l e t n é h o v o ľ n a v ž d y p r a c o v a l v c u k r o v o m m l y n e v j u ž n e j K a l i f o r n i i, k d e o k r e m i n é h o a j d o z e r a l n a n á m e z d n ý c h r o b o t n í k o v. O k r e m t ý c h t o s ú v i s l o s t í m e d z i S t e i n b e c k o v ý m ž i v o t o m a n o v e l o u O m y š i a c h a ľ u ď o c h, p a t r í k i n š p i r á t o r o m t e j t o p r á c e a j ť a ž k á s o c i á l n a s i t u á c i a a u t o r a. A ž d o p r v ý c h k n i ž n ý c h ú s p e c h o v ( D u b i o u s B a t t l e ) s a a j s o s v o j o u p r v o u ž e n o u C a r o l m u s e l z f i n a n č n ý c h d ô v o d o v v i a c k r á t d o k o n c a s ť a h o v a ť. 3 S t e i n b e c k t e d a d o b r e p o z n a l a j p o c i t v y k o r e n e n o s t i, k t o r ý j e t a k t i e ž j e d n o u z n o s n ý c h t é m v j e h o d i e l e O m y š i a c h a ľ u ď o c h. 1.2 O myšiach a ľuďoch K r á t k y r o m á n a h r u O m y š i a c h a ľ u ď o c h n a p í s a l r o č n ý J o h n S t e i n b e c k v r o k u P ô v o d n e c h c e l a u t o r n o v e l u n a z v a ť S o m e t h i n g t h a t h a p p e n e d ( N i e č o, č o s a s t a l o ), a l e p o p r e č í t a n í b á s n e š k ó t s k e h o b á s n i k a R o b e r t a B u r n s a s i n á z o v v y p o ž i č a l z j e j t e x t u. 4 Z a u j í m a v é j e, ž e b á s e ň P o ľ n e j m y š i ( To a m o u s e ) j e v l a s t n e b a l a d o u. B u r n s v n e j o p i s u j e s n a h u o i s t ú s p o l u p r á c u m e d z i č l o v e k o m a m y š o u. S a m o z r e j m e, ž e t á s a n e s k o n č i l a ú p e c h o m. P r i o b r á b a n í p o ľ a t o t i ž r o ľ n í k m y š z a b i l. Z a k r á t k o p o v y d a n í s a O m y š i a c h a ľ u ď o c h s t a l o j e d n ý m z o S t e i n b e c k o v y c h n a j z n á m e j š í c h d i e l. D a l o b y s a p o v e d a ť, ž e ú s p e š n ý m s a s t a l o o k a m ž i t e a k o v y š l o z t l a č i a r n e. U ž v t o m i s t o m r o k u h r u v d i v a d l e M u s i c B o x t h e a t r e n a B r o a d w a y i r e ž í r o v a l G e o r g e S. K a u f m a n 5 a v r o k u r e ž i s é r L e w i s M i l e s t o n n a k r ú t i l f i l m, k t o r ý 2 High school je v anglicky hovoriacich krajinách čosi ako slovenské gymnázium. 3 STEINBECK, John. Novels and stories New York : Literary Classics, ISBN I-8830II-0I-9. s Pozri motto práce

7 z í s k a l š t y r i n o m i n á c i e n a O s c a r a. 6 S a m o t n ý t e x t s a z a o b e r á ž i v o t o m n á m e z d n ý c h r o b o t n í k o v n a j u h o z á p a d e A m e r i k y v t r i d s i a t y c h r o k o c h, č i ž e v o b d o b í h o s p o d á r s k e j k r í z y. Z o b r a z u j e i c h p u t o v a n i e z a p r á c o u z f a r m y n a f a r m u a z d ô r a z ň u j e n a j m ä i c h o s a m e l o s ť. V ý n i m k o u j e p r á v e d v o j i c a G e o r g a a L e n n i e h o, k t o r í m a j ú j e d e n d r u h é h o. M e n t á l n e z a o s t a l ý s i l á k L e n n i e a j e h o n e u s t á l e o t á z k y s ú n a p r v ý p o h ľ a d p r e G e o r g a i b a p r í ť a ž o u. P o s o l s t v o t e x t u s a v š a k u k r ý v a v t o m, ž e b e z L e n n i e h o o s t a n e a j G e o r g e s á m. A n a l o g i c k y s t ý m t o p r í b e h o m v i d í m e ž i v o t y ľ u d í n a f a r m e. P o d o b n e a k o s k o n č í d v o j i c a L e n n i e a G e o r g e v z á v e r e, d o p a d n ú a j C a n d y a j e h o p e s. N a C a n d y m h ľ a d a j ú c o m a k ý k o ľ v e k n o v ý z m y s e l ž i v o t a m ô ž e m e p o z o r o v a ť t o, a k o s a a s i b u d e v y v í j a ť G e o r g o v ž i v o t p o L e n n i e h o s m r t i. Ď a l š í m i v ý r a z n e o s a m e l ý m i t y p m i j e č e r n o c h C r o o k s, k t o r é h o v š e t c i v y č l e ň u j ú l e n p r e t o, ž e j e č i e r n y, t i e ž s y n m a j i t e ľ a f a r m y C u r l e y, k t o r ý z a p á r a d o k a ž d é h o, k t o j e v ä č š í n e ž o n a C u r l e y h o ž e n a, k t o r á s v o j h o m a n ž e l a v ô b e c n e m á r a d a a ú t e c h u h ľ a d á u k o h o k o ľ v e k, k t o j e o c h o t n ý j u p o č ú v a ť. N i k t o s a s ň o u v š a k n e c h c e r o z p r á v a ť, p r e t o ž e s a v š e t c i b o j a C u r l e y h o ž i a r l i v o s t i. Z o S t e i n b e c k o v h o p e r a t e d a v z n i k l a m o z a i k a o s a m e l ý c h ľ u d í. A u t o r t a k v y t v o r i l o b r a z p l n ý b e z n á d e j e, k a m p r i c h á d z a j ú L e n n i e a G e o r g e s o s v o j í m s n o m o v l a s t n e j f a r m e. P r i d a j ú s a k n í m C a n d y a j C r o o k s s o s v o j i m i ú s p o r a m i a s p o č i a t k u u t o p i c k á v í z i a z a č í n a d o s t á v a ť r e á l n e o b r y s y. V š e t k o s a v š a k z m e n í v m o m e n t e k e ď L e n n i e s v o j o u n e o b r a t n o s ť o u a z á ľ u b o u v h l a d k a n í p r í j e m n ý c h p r e d m e t o v s p ô s o b í s m r ť C u r l e y h o ž e n e. H r a n a s t o ľ u j e u č i t a t e ľ a m n o h o o t á z o k. J e p r e s e n v ô b e c d ô l e ž i t é, a b y s a s t a l s k u t o č n o s ť o u, a l e b o h o s t a č í m a ť? J e l e p š i e b y ť s á m a l e b o b y ť z a ť a ž e n ý m e n t á l n e z a o s t a l ý m s p o l o č n í k o m? P r e k o h o j e s m r ť v y k ú p e n í m, P r e L e n n i e h o a l e b o p r e G e o r g a, p r e p s a a l e b o p r e 5 Do hlavných úloh boli obsadení Broderick Crawford ako Lennie a Wallace Ford ako George. V roku 1938 ju New Yorkská kritika ocenila ako najlepšiu inscenáciu roka. Po presťahovaní produkcie do Los Angeles v roku 1939 sa Crawford vystriedal v postave Lennieho s Lonom Chaneyim m., ktorý túto úlohu v tom istom roku zahral aj vo filme. 6 V úlohe Lennieho sa predstavil Lon Chaney mladší a Georga hral Burgess Meredith. Film dostal štyri nominácie na ocenenie Oscar v kategóriách hudby, kamery a strihu

8 C a n d y h o? I k e ď a u t o r n e d á v a p r i a m e o d p o v e d e, c í t i ť z j e h o d i e l a j a s n é h u m a n i s t i c k é p o s o l s t v o : A k u ž n a o z a j m u s í L e n n i e u m r i e ť, n e c h h o t o a s p o ň n e b o l í. O s o b i t n é m i e s t o m e d z i r o z b o r m i t e x t u m á r e a k c i a n a i n s c e n á c i u S t a n i s l a v a Vr b k u z K u l t ú r n e h o ž i v o t a. P a t r í d o p r v e j v á r k y r e c e n z i í, k t o r é v z n i k l i p o p r e m i é r e i n s c e n á c i e v M a r t i n e. N a r o z d i e l o d s v o j i c h k o l e g o v t o t i ž v y s l o v u j e v i a c e r o z á s a d n ý c h v ý h r a d h l a v n e v o č i t e x t o v e j p r e d l o h e. V p r v o m r a d e p o u k a z u j e n a S t e i n b e c k o v u d r a m a t i c k ú n e v y s p e l o s ť, k e ď ž e t e n t o a u t o r p o d o b n e a k o H e m i n g w a y, n a p í s a l i b a j e d n u d i v a d e l n ú h r u. ( R e c e n z e n t s a v t o m t o s í c e m ý l i, a l e j e t o s k ô r z n e p o z o r n o s t i. ) K ľ ú č o v o u k p o c h o p e n i u c e l e j Vr b k o v e j r e a k c i e j e v e t a : F o r m á l n e s m e s í c e p r i j a l i d e v í z u o n e v y h n u t n o s t i i d e o l o g i c k e j o f e n z í v y z a v l a s t n ú, n o v p r a x i i b a ť a ž k o p r i p ú š ť a m e, ž e j e j u v e d e n i e d o p r a x e p r e d p o k l a d á p r e d o v š e t k ý m b e z p e č n e o v l á d a ť r o z l i č n é f i l o z o f i c k é, e t i c k é a u m e l e c k é k o n c e p c i e d n e š n é h o z á p a d n é h o s v e t a. 7 U ž z n e j j e j a s n é, z a k é h o u h l a n a S t e i n b e c k o v t e x t n a z e r á. Vi a c e r ý m i a n a l ó g i a m i d o k a z u j e a u t o r o v o s m e r o v a n i e k f r e u d i z m u. Ú p l n e a b s u r d n e k l a d i e d ô r a z v t e x t e O m y š i a c h a ľ u ď o c h d ô r a z n a t é m u s e x u a k o d r á m y s a m e j o s e b e. T ý m s a h r u n á s l e d n e s n a ž í c h a r a k t e r i z o v a ť a k o k a n o n i z u j ú c u k a p i t a l i s t i c k ý n á z o r k a ž d ý p r e s e b a. A j n a p r i e k t o m u t o i d e o v é m u, p o v e d a l b y s o m d o k o n c a i d e o l o g i c k é m u, o d m i e t n u t i u h r y Vr b k a i n s c e n á c i u p r i j í m a a v j e d n o m k r á t k o m o d s e k u a j c e l k o m v ý s t i ž n e o z n a č í z a z a s l ú ž e n é v í ť a z s t v o r e ž i s é r a a h e r c o v. N o b e z o h ľ a d u n a p o c h v a l u p o u k á ž e n a t o, ž e P i e t o r s v o j o u k o n c e p c i o u u r o b i l p r e s n e t o, č o j e z i d e o l o g i c k é h o h ľ a d i s k a n e p r í p u s t n é. A s í c e t ý m, ž e f r e u d i s t i c k ý p o d t ó n v i n s c e n á c i i n e u t l m i l. P r á v e k v ô l i t e j t o j e d n e j r e a k c i i j e n e v y h n u t n é s p o m e n ú ť, ž e ž i a d n a z o s t a t n ý c h k r i t í k n e o p í s a l a a n i l e n n á z n a k t é m y s e x u č i d o k o n c a f r e u d i z m u v P i e t r o v e j i n s c e n á c i i Novela, dráma, úprava M e d z i r o m á n o m a h r o u n i e j e v e ľ a r o z d i e l o v a j p r e t o, ž e S t e i n b e c k 7 VRBKA, Stanislav. Steinbeck, freudizmus a dramatické habkanie. In Kultúrny život, Bratislava,

9 s a s n a ž i l n a p í s a ť t e x t s p ô s o b o m, a b y r o v n a k o, a k o s a d a l č í t a ť, h o b o l o m o ž n é a j h r a ť. 8 N o a j n a p r i e k t o m u i s t ý r o z d i e l, n a j m ä v z á v e r e, t u j e. V h r e j e v p o r o v n a n í s r o m á n o m i b a j e d e n v ý z n a m n ý r o z d i e l. S l i m s a v o b o c h p r í p a d o c h z a u j í m a o L e n n i e h o o s u d i n ý m s p ô s o b o m. P r á v e v h r e n a d o b ú d a j e h o k o n a n i e v ä č š í h u m a n i s t i c k ý p o d t ó n. V r o m á n e s a s n a ž í u š e t r i ť L e n n i e h o u t r p e n i a i b a t ý m, ž e p r e s v i e d č a C u r l e y h o, a b y o s t a l d o m a, p r e t o ž e s i u v e d o m u j e j e h o p o m s t y c h t i v o s ť : I f w e c o u l d k e e p C u r l e y i n, w e m i g h t. B u t C u r l e y ' s g o n n a w a n t t o s h o o t ' i m. C u r l e y ' s s t i l l m a d a b o u t h i s h a n d. A n ' s ' p o s e t h e y l o c k h i m u p a n ' s t r a p h i m d o w n a n d p u t h i m i n a c a g e. T h a t a i n ' t n o g o o d, G e o r g e. 9 a C u r l e y - m a y b e y o u b e t t e r s t a y h e r e w i t h y o u r w i f e. 1 0 V h r e j e j e h o z á u j e m o L e n n i e h o v ä č š í. P o č a s t r e t i e h o d e j s t v a, k e ď u ž G e o r g e p r e s n e v i e, k d e j e L e n n i e u k r y t ý, s a o d o h r á v ý s t u p, k t o r ý v r o m á n e v ô b e c n i e j e. C u r l e y, S l i m a S p r á v c a s a e š t e r a z s t r e t n ú s G e o r g o m a c h c ú í s ť s m e r o m k L e n n i e m u. L e n ž e p r á v e S l i m i c h o d t o h o o d h o v o r í : S L I M : ( s k ú m a v o h ľ a d e l n a G e o r g a ). P o z r i t e, k e ď p ô j d e m e t a k t o p o k o p e, n i k d y h o n e n á j d e m e. M u s í m e s a r o z p t ý l i ť. C U R L E Y: P o r a s t j e t u d o s ť h u s t ý. M o ž n o z a ľ a h o l d a k d e d o h ú š t i n y. ( P o d í d e k š a c h o r i n e. G e o r g e r ý c h l o z a n í m. ) S L I M : ( Z b a d á G e o r g o v p o h y b, r ý c h l o ). P o z r i t e, ( u k a z u j e r u k o u ) t a m t o j e c e s t a, o t v o r e n é p o l i a a z a n i m i h r a d s k á. R o z p t ý ľ m e s a a p r e č e š m e h ú š t i n u. Š É F : S l i m m á p r a v d u. M u s í m e s a r o z p t ý l i ť. S L I M : R a d š e j p r e j d i m e a ž h o r e k c e s t e a p o t o m n a z a d. 1 1 N a j d ô l e ž i t e j š i e n a c e l o m v ý s t u p e j e v š a k t o, č o S l i m p o v i e G e o r g o v i. P r e j a v í t o t i ž v y s o k o e m p a t i c k é p o c i t y a G e o r g o v i p o l o ž í d v e o t á z k y. K d e j e? a C h c e š m á m o d í s ť? 1 2 G e o r g e m u o d p o v i e i b a k ý v n u t í m h l a v y. Ta k v d i v a d e l n e j v e r z i i a k o a j v P i e t r o v e j ú p r a v e. 8 John Steinbeck písal spôsobom próza-hra aj novelu Mesiac zapadol a Perla. 9 STEINBECK, John Ernst. Of mice and men. London : Pan Books Ltd, s STEINBECK, John Ernst. Of mice and men. London : Pan Books Ltd, s STEINBECK, John Ernst. O myšiach a ľuďoch. Bratislava : DILIZA, STEINBECK, John Ernst. O myšiach a ľuďoch. Bratislava : DILIZA, s

10 Te n t o m i n i d i a l ó g p o o d c h o d e o s t a t n ý c h p o s t á v š i k o v n e v y k r e s ľ u j e s i t u á c i u o b o c h c h l a p o v. O b a j a v e d i a, ž e j e d i n é, č o L e n n i e h o u c h r á n i p r e d k r u t ý m l y n č o v a n í m j e r ý c h l a s m r ť. S l i m c h á p e G e o r g o v o r o z p o l o ž e n i e a a j k v ô l i t o m u, ž e i c h s p o l o č n é p u t o v a n i e o b d i v u j e, v c í t i s a d o j e h o k o ž e. N e c h á h o p r e t o v y k o n a ť t e n t o č i n. P o d o b n e s a v c í t i l a j d o C a n d y h o p o c i t o v, k e ď s a C a r l s o n r o z h o d o l p o m ô c ť j e h o p s o v i z o s v e t a : ( s ú c i t n e ). C a n d y, m ô ž e š s i z o b r a ť k t o r é k o ľ v e k š t e ň a V p o r o v n a n í s n o v e l o u a j p o s t a v a š é f a p ô s o b í v h r e v i a c ľ u d s k y. S t e i n b e c k s í c e v o b o c h v e r z i á c h p r e d p i s u j e, a b y s a C u r l e y h o o t e c s n a ž i l n e ú s p e š n e n a d v i a z a ť p r i a t e ľ s k ý d i a l ó g s G e o r g o m, v n o v e l e j e t o v š a k s k ô r i b a n a p o s i l n e n i e G e o r g o v h o v š e o b e c n é h o p o c i t u n e d ô v e r y v o č i o k o l i u. V d i v a d e l n e j v e r z i i j e u ž t á t o p o s t a v a j e d n o d u c h ý m s p ô s o b o m h l b š i e z a p r a c o v a n á d o c e l k o v e j k o n c e p c i e. Z m a j i t e ľ a t o t i ž S t e i n b e c k u r o b i l i b a s p r á v c u. G e o r g e : A r a n č p a t r í š é f o v i? C a n d y : N i e. O n j e i b a s p r á v c o m. O b r o v s k ý v e ľ k o s t a t k á r s k y p o d n i k H r a s a t e d a o p r o t i n o v e l e v i a c v e n u j e v e d ľ a j š í m p o s t a v á m, p r e h l b u j e h u m a n i s t i c k ý a s p e k t a s n a ž í s a z a u j a ť k p r o b l e m a t i k e o s a m e l ý c h ľ u d í v s o c i á l n e j b e z v ý c h o d i s k o v o s t i k o m p l e x n e j š i e s t a n o v i s k o. V ý r a z n e t ý m n a h r á v a M i l o š o v i P i e t r o v i, k t o r ý p r á v e t i e t o a u t o r o v e z m e n y d ô s l e d n e v y u ž i l n a v y j a d r e n i e s v o j e j i n t e r p r e t á c i e Originál, preklad a úprava J o h n S t e i n b e c k n a p í s a l d i a l ó g y v r o m á n e O m y š i a c h a ľ u ď o c h k a l i f o r n s k ý m d i a l e k t o m. R o z h o d n u t i e, k t o r é v y c h á d z a l o z d ô v e r n e j z n a l o s t i j a z y k a a p o m e r o v, z n á s o b i l o u ž a j t a k ž i v ý o b r a z a m e r i c k é h o f a r m á r s k e h o z á p a d u. N a p r i e k t o m u, ž e i d e v p o d s t a t e o s l a n g, n e p ô s o b í t e n t o f a k t h u m o r n e a u ž v ô b e c n i e s a m o ú č e l n e. P r á v e n a o p a k. P o s t a v y h o v o r i a c e t a k a k o i m h u b a n a r á s t l a s a v t e x t e p r e m i e ň a j ú n a ž i v ý c h ľ u d í. A t o a j z t o h o d ô v o d u, ž e k a l i f o r n s k ý s l a n g p a t r í v ď a k a r o z m a c h u f i l m o v é h o p r i e m y s l u p r á v e v t e j t o o b l a s t i a j e h o f r e k v e n t o v a n é p o u ž í v a n i e n a j m ä v o w e s t e r n o v ý c h f i l m o c h k n a j z n á m e j š í m a m e r i c k ý m 13 STEINBECK, John Ernst. O myšiach a ľuďoch. Bratislava : DILIZA, s

11 d i a l e k t o m. N a p r o t i t o m u p r e k l a d a t e ľ K a r o l D l o u h ý s a r o z h o d o l v ô b e c n e p o u ž i ť a k é k o ľ v e k d i a l e k t a h r u O m y š i a c h a ľ u ď o c h p r e l o ž i l d o s p i s o v n e j s l o v e n č i n y. R o z h o d o l s a k v ô l i š p e c i f i c k o s t i s l o v e n s k é h o j a z y k o v é h o k o n t e x t u. D o b o v ý d i v á k z v y k n u t ý n a j a v i s k o v ú r e č b y n e m u s e l s p r á v n e o d č í t a ť a u t o r s k ý z á m e r a m y š l i e n k a t e x t u b y s a s t r a t i l a v n e v h o d n e z v o l e n o m d i a l e k t e. Č i u ž b y p ô s o b i l s m i e š n e a l e b o n e p r i r o d z e n e. Ta k i s t o a k o K a r o l D l o u h ý, a j M i l o š P i e t o r č í t a l h r u O m y š i a c h a ľ u ď o c h v o r i g i n á l e 1 4. Z a r u č e n e s i t e d a n e m o h o l t o t o j a z y k o v é š p e c i f i k u m n e v š i m n ú ť. Č o h o t e d a v i e d l o k z o t r v a n i u n a s p i s o v n e j s l o v e n č i n e? P r a v d e p o d o b n e t ý m b o l o m i e s t o i n s c e n o v a n i a. M a r t i n s k á j a z y k o v á o b l a s ť p a t r í t o t i ž k t ý m, k d e s a s p i s o v n á s l o v e n č i n a p o u ž í v a v l a s t n e z á r o v e ň a j a k o d i a l e k t. J e h o ú l o h a b o l a t e d a c e l k o m j e d n o d u c h á. S t a č i l o r e p l i k y p r i b l í ž i ť v i a c k h o v o r o v o s t i. A t o, a k o v y p l ý v a z j e h o ú p r a v y t e x t u, a j u r o b i l. P r i u v a ž o v a n í o t e x t e a j e h o p r e k l a d e j e e š t e n e v y h n u t n é s p o m e n ú ť d e t a i l o h ľ a d o m m i e n p o s t á v. P ô v o d n é h o L e n n i e h o t o t i ž v b u l l e t i n e p r e m e n o v a l i n a L a n n i e h o n a p r i e k t o m u, ž e a j v P i e t r o v e j ú p r a v e s a u v á d z a m e n o L e n n i e. N a v ý s l o v n o s t i m e n a s a n i č n e m e n í, i š l o t e d a p r a v d e p o d o b n e o t l a č o v ú c h y b u, k t o r ú n e s k ô r o d s t r á n i l i. K r i t i k y z r o k u t o t i ž e š t e h o v o r i a o Vr z a l o v o m v ý k o n e v ú l o h e L e n n i e h o, n o t i e z r o k u u ž p í š u o p o s t a v e L e n n i e h o. P r e z j e d n o d u š e n i e s i t u á c i e b u d e m t e d a k t e j t o p o s t a v e p r i s t u p o v a ť v ž d y a k o k L e n n i e m u. 14 ŠTEFKO, Vladimír. Divadlo, ktoré vzniklo. Martin : Osveta, s

12 2 Režijná zložka D o m a r t i n s k é h o D i v a d l a S N P p r i š i e l M i l o š P i e t o r v o b d o b í, k e ď s a e š t e n e d á v n a s l á v a t o h t o d i v a d l a z v i a c e r ý c h d ô v o d o v e x t r é m n o u r ý c h l o s ť o u v y t r á c a l a. V r o k u s a A r m á d n e d i v a d l o d o s t a l o p o d c i v i l n ú s p r á v u. Z a s t a v i l s a p r í s u n m l a d ý c h d i v a d e l n ý c h u m e l c o v, k t o r í v m a r t i n s k o m s ú b o r e v y k o n á v a l i p o v i n n ú v o j e n s k ú s l u ž b u. O k r e m t o h o, ž e d o B r a t i s l a v y o d i š i e l r i a d i t e ľ I v a n T u r z o, o p u s t i l i M a r t i n a j š t y r i a r e ž i s é r i : J u r a j H a ľ a m a, M a r t i n H o l l ý, D e z i d e r J a n d a a O t t o H a a s s a r o z t r a t i l i p o v š e t k ý c h s l o v e n s k ý c h d i v a d l á c h. P o p r í c h o d e m l a d é h o I v a n a P e t r o v i c k é h o o s t a l i v M a r t i n e s p o l u s P a v l o m R í m s k y m d v a j a r e ž i s é r i. H e r e c k ý s ú b o r, k t o r ý s a t i e ž v ý r a z n e z ú ž i l o d c h o d o m m n o h ý c h k v a l i t n ý c h h e r c o v n a j m ä d o b r a t i s l a v s k ý c h d i v a d i e l, n e m a l h i s t o r i c k ú s k ú s e n o s ť a p r e d p o k l a d y n a s c é n i c k é e x p e r i m e n t y, k t o r é o d n e h o v y ž a d o v a l P a v o l R í m s k y. Z á r o v e ň b o l o l e n v e ľ m i ť a ž k é p r o f i l o v a ť t ý m t o s m e r o m d i v a d l o v m e s t e, k d e s i d i v á c i z v y k l i n a k v a l i t n é r e a l i s t i c k é d i e l a z p r v e j p o l o v i c e p ä ť d e s i a t y c h r o k o v - č i a s n a j v ä č š e j s l á v y m a r t i n s k é h o d i v a d l a. K r i t i k a, d o t ý c h t o č i a s D i v a d l o S N P n a j m ä c h v á l i a c a, z a č a l a m a ť v o č i M a r t i n s k ý m i n s c e n á c i á m č o r a z č a s t e j š i e v ý h r a d y. To s a o d r a z i l o n i e l e n n a v o n k a j š o m n a z e r a n í n a d i v a d l o, a l e m u s e l o t o r o z l a d i ť a j h e r e c k ý s ú b o r. P r á v e p r e t o d i v a d l o p r i s t ú p i l o k z m e n e r e p e r t o á r u a p r i v i e d l o d o r e ž i s é r a, k t o r ý b o l s c h o p n ý v i e s ť t v o r i v ý d i a l ó g s h e r e c k ý m s ú b o r o m v r o v i n e r e a l i s t i c k é h o d i v a d l a. P r i j a t i e M i l o š a P i e t r a d o s ú b o r u s a t a k m e r o k a m ž i t e u k á z a l o a k o s p r á v n y k r o k, s ú b o r u t o t i ž r o z u m e l Režisér Miloš Pietor M i l o š P i e t o r p r i š i e l d o M a r t i n a u ž a k o h o t o v ý r e ž i s é r. Z a s e b o u m a l ú s p e š n é p ô s o b e n i e v P r e š o v e ( ) a j p o k l e s z á u j m u k r i t i k o v o j e h o p r á c u v o Z v o l e n e ( ). 1 6 S l u h a d v o c h p á n o v, j e h o p r v á 15 LAJCHA, Ladislav. Začiatky v profesionálnom divadle. In Režisér Miloš Pietor. Bratislava : Koordinačná rada pre vydávanie divadelných hier a teatrologickej literatúry, zostavil Miloš Mistrík s JABORNÍK, Ján. Začiatky v profesionálnom divadle. In Režisér Miloš Pietor. Bratislava : Koordinačná rada pre vydávanie divadelných hier a teatrologickej literatúry, zostavil Miloš Mistrík s

13 p r e š o v s k á i n s c e n á c i a, b o l a p r e P i e t r a z á r o v e ň a j i n s c e n á c i o u, k t o r o u u k o n č i l š t ú d i u m n a V Š M U. P o b l i ž š o m p o h ľ a d e n a š k o l y, k t o r é a b s o l v o v a l s a i s t ý m s p ô s o b o m d á p o c h o p i ť a j j e h o i n s c e n a č n ý k ľ ú č. P o o d c h o d e z M a r t i n a d o P r a h y z a č a l n a v š t e v o v a ť m i e s t n e a n g l i c k é g y m n á z i u m. Ta m p r e h ĺ b i l s v o j u z n a l o s ť a n g l i č t i n y n a t o ľ k o, ž e m o h o l v o r i g i n á l i č í t a ť n i e l e n k a l i f o r n s k ý d i a l e k t u S t e i n b e c k a, a l e d o k o n c a a j n á r o č n ý j a z y k S h a k e s p e a r a. V P r a h e z á r o v e ň m o h o l n a v š t e v o v a ť v y s p e l é p r e d s t a v e n i a F r e j k u, B u r i a n a, č i H o n z l a. N e s k ô r v r o k u , e š t e p r e d š t ú d i o m r é ž i e n a V Š M U u k o n č i l p o s t a v o u L o v e c k é h o v H o l l é h o h r e K u b o s v o j e h e r e c k é š k o l e n i e n a O d b o r n o m d i v a d e l n o m k u r z e v t r i e d e Ľ u b o m í r a S m r č k a. N a Vy s o k e j š k o l a m u z i c k ý c h u m e n í b o l i j e h o p e d a g ó g m i O n d r e j J a r i a b e k, M a r t i n G r e g o r a K a r o l L. Z a c h a r. A k o s á m s p o m í n a v r o z h o v o r e s L a d i s l a v o m L a j c h o m z r o k u , J a r i a b e k p r e s a d i l, a b y k a ž d ý p o s l u c h á č r é ž i e r e ž í r o v a l s á m u ž o d z a č i a t k u š t ú d i a, n a G r e g o r o v i o b d i v o v a l l á s k u k u k a ž d é m u c h a r a k t e r u v p r e d l o h e a u Z a c h a r a j e h o v š e s t r a n n o s ť. 1 7 V n e p o s l e d n o m r a d e s a P i e t o r u č i l a j v š k o l e ž i v o t a. J e h o o t e c, J U D r. I v a n P i e t o r b o l t o t i ž p o č a s v o j n y b l í z k y m s p o l u p r a c o v n í k o m Va v r a Š r o b á r a, p o d i e ľ a l s a t e d a n a o b č i a n s k o m o d b o j i p o č a s d r u h e j s v e t o v e j v o j n y. V r o k o c h r e l a t í v n e j s l o b o d y s a P i e t o r - o t e c s t a l m i n i s t r o m d o m á c e h o o b c h o d u, n e s k ô r a j m i n i s t r o m d o p r a v y a v r o k u p a t r i l k t ý m m i n i s t r o m, k t o r ý p o d a l i d e m i s i u. M i l o š P i e t o r t e d a p o č a s d e t s t v a z a ž i l o d b o j, v p o v o j n o v o m o b d o b í b o l s y n o m m i n i s t r a a o d p o l i t i c k é h o p r e v r a t u v r o k u s a s t a l s y n o m r o b o t n í k a a n e s k ô r p o d n i k o v é h o p r á v n i k a. A k o j a s n e v i d i e ť, p r i v s t u p e n a p r o f e s i o n á l n u d i v a d e l n ú s c é n u m a l M i l o š P i e t o r z č o h o v y c h á d z a ť. N i e l e n š t ú d i u m r é ž i e, h e r e c t v a a a n g l i c k é h o g y m n á z i a, a l e a j j e h o r o z h ľ a d e n o s ť a ž i v o t n é s k ú s e n o s t i m u p o n ú k a l i m n o h o t é m a s m e r o v, k t o r ý m s a m o h o l v e n o v a ť. P r e k v a p i v o s a, n a p r i e k p ô s o b e n i u s v o j h o o t c a, v o s v o j e j t v o r b e v y h ý b a l p o l i t i c k ý m t é m a m. J e h o d i e l o s a t a k m e r o d ú p l n ý c h z a č i a t k o v d á c h a r a k t e r i z o v a ť a k o z v ä č š a k r i t i c k á, n o r e a l i s t i c k á a p r e s v e d č i v á 17 LAJCHA, Ladislav. Na kus reči s Milošom Pietrom. In Smena, s

14 š t ú d i a ľ u d í a ľ u d s k ý c h s i t u á c i í. R e a l i z m u s s i v š a k P i e t o r v ž d y n e j a k ý m s p ô s o b o m p r i s p ô s o b i l. N e b o l a t o l e n t r a n s k r i p c i a ž i v o t n ý c h j a v o v n a j a v i s k o, a l e d ô r a z n a p s y c h o l o g i c k ú p r e p r a c o v a n o s ť p o s t á v, n a j m ä i c h v n ú t o r n ý c h v z ť a h o v t a k ý m s p ô s o b o m, a b y s a n e s t r á c a l a i c h d i v a d e l n o - e s t e t i c k á ú č i n n o s ť, a b y ž i v o t n a j a v i s k u b o l k o n d e n z á t o r o m, e x t r a k t o m, b á s n i c k ý m z o b r a z e n í m ž i v o t n e j re a l i t y Réžia hry O myšiach a ľuďoch S t e i n b e c k o v a h r a O m y š i a c h a ľ u ď o c h p r i n á š a v i a c e r o i n t e r p r e t a č n ý c h m o ž n o s t í. R e ž i s é r M i l o š P i e t o r s a r o z h o d o l u k á z a ť p r í b e h d v o c h ľ u d í, k t o r í c h o d i a z f a r m y n a f a r m u s v l a s t n ý m s n o m, k t o r é m u o b a j a ( t e d a a j G e o r g e ) v e r i a. A k o n á h l e i c h v í z i a z a č í n a d o s t á v a ť r e á l n e k o n t ú r y, p r í d e t r a g i c k ý z á v e r, k t o r ý v š a k d i v á c i o č a k á v a j ú u ž o d z a č i a t o č n é h o d i a l ó g u G e o r g a a L e n n i e h o. O p i s t o h t o m o d e l u s a d á n a h r a d i ť j e d n ý m s l o v o m b a l a d a. I n s c e n á c i a b o l a d r s n ý m a p o e t i c k ý m o b r a z o m, k t o r é h o r á m t v o r i l s á m ž i v o t. 1 9 B a l a d i c k é m u v y z n e n i u h r y v ý r a z n e n a p o m á h a l a a j s c é n o g r a f i a M i l a n a H l o ž e k a a h u d b a M i l a n a N o v á k a, v e n o v a ť s a i m v š a k b u d e m a ž v n e s k o r š í c h k a p i t o l á c h. S á m P i e t o r s v o j u r e ž i s é r s k u k o n c e p c i u p o d p o r i l n a j m ä d ô r a z o m n a r o v n o r o d o s ť a r o v n o m e r n o s ť v ý k o n o v v š e t k ý c h h e r c o v. T ý m, ž e s a n e s n a ž i l s t a v a ť d o p o p r e d i a i b a o s u d L e n n i e h o a G e o r g a, d o s i a h o l v ý r a z n e v y š š í p o c i t o s a m e l o s t i a b e z v ý c h o d i s k o v o s t i s t a v u. K a ž d á z p o s t á v n a j a v i s k u b o l a v P i e t r o v e j i n t e r p r e t á c i i o s a m e l á. K a ž d ý n á m e z d n ý r o b o t n í k s v o j í m s p ô s o b o m n e j a k o p o c i ť o v a l v y t r h n u t i e z o z n á m e h o p r o s t r e d i a a p u t o v a n í m z f a r m y n a f a r m u s a s t á l e v i a c u t v r d z o v a l v o s v o j e j s a m o t e. A j p r á v e p r e t o s a S l i m r o z h o d n e p o m ô c ť G e o r g o v i. O n j e t o t i ž t a k t i e ž s á m a n a G e o r g o v i s L e n n i e m o b d i v u j e p r á v e t o, ž e c h o d i a s p o l u : Ta k ý c h p á r o v, č o c h o d i a s p o l u p o s v e t e, s a t a k v e ľ a n e n á j d e. S á m b y s o m r á d v e d e l, p r e č o. M o ž n o, ž e s k o r o k a ž d ý č l o v e k m á z d r u h é h o s t r a c h ŠTEFKO, Vladimír. Divadlo, ktoré vzniklo. Martin: Osveta, s ŠTEFKO, Vladimír. Divadlo, ktoré vzniklo. Martin: Osveta, s STEINBECK, John Ernst. O myšiach a ľuďoch : Úprava Miloša Pietra. 81 strán. Strojopis, dostupné v archíve

15 T r a g i k a a b a l a d i c k o s ť P i e t r o v h o L e n n i e h o s a v o b k l o p e n í d r s n ý m i, o s a m e l ý m i c h l a p m i e š t e z v ä č š u j e. K e ď ž e h l a v n o u i d e o u t e j t o p o s t a v y b o l a p o t r e b a b l í z k o s t i a p o r o z u m e n i a, 2 1 j e l o g i c k é, ž e v t a k o m t o p r o s t r e d í, z k t o r é h o v l a s t n e n i e t r e á l n e h o v ý c h o d i s k a, m u s e l p r e S l i m a, n o a j p r e d i v á k o v p ô s o b i ť a k o c h l a p n a o d s t r e l. B o l o p r i r o d z e n é, ž e s k ô r č i n e s k ô r b u d e n e v y h n u t n é t o m u t o p r i m i t í v o v i, o d l i š n é m u o d o s t a t n ý c h ľ u d í, d a ť r a n u z m i l o s t i. J e h o u t r p e n i e v š a k n e v y c h á d z a l o z j e h o s a m é h o, a l e z t o h o, d o a k é h o p r o s t r e d i a s a d o s t a l. S á m L e n n i e s i t o u P i e t r a u v e d o m o v a l : M n e s a t u n e p á č i. Tu j e t o n a n i č. M n e s a t u n e p á č i a G e o r g e, p o ď m e o d t i a ľ t o. P o ď m e o d t i a ľ t o p r e č. Tu j e t o s p r o s t é. 2 2 A j P i e t r o v G e o r g e s i u v e d o m u j e t e n t o p r o b l é m. P r e t o s a v j e h o ú p r a v e e š t e v i a c s n a ž í u d r ž a ť L e n n i e h o v č o n a j v ä č š e j i z o l á c i i o d o s t a t n ý c h ľ u d í n a f a r m e. Č a s t e j š i e n e ž v D l o u h é h o p r e k l a d e m u p r í z v u k u j e, a b y b o l t i c h o, a b y n e p r e z r a d i l s v o j u i n a k o s ť. Ve t y a k o : Ta k a t e r a z b u ď t i c h o, c h l a p c i z a c h v í ľ k u s ú u ž t u. 2 3 s a v D l o u h é h o p r e k l a d e n e n a c h á d z a j ú. I c h v l o ž e n í m P i e t o r z v ý r a z n i l G e o r g o v o u v e d o m o v a n i e s i h r o z b y, k t o r á n a d L e n n i e m n e u s t á l e v i s í. O k r e m p u t u j ú c i c h r o b o t n í k o v j e u P i e t r a o s a m e l á a j j e d i n á ž e n s k á p o s t a v a. P o s p r á v n o m p o c h o p e n í p r e d l o h y u n e j r e ž i s é r v y z d v i h o l p r á v e t o, ž e r o v n a k o a k o L e n n i e a G e o r g e, a j o n a m á s v o j n e n a p l n e n ý s e n. T ú ž i b y ť s l á v n o u h e r e č k o u, p r e t o ž e p r á v e t o s a j e j m o h l o s t a ť, a k b y s a n e b o l a v y d a l a z a C u r l e y h o. P r e s n é d e f i n í c i e o s a m e l o s t i a b e z n á d e j e v y c h á d z a j ú z ú s t č e r n o c h a C r o o k s a ( J á n B l a n s k ý b o l v P i e t o r o v e j i n s c e n á c i i z a č e r n o c h a n a o z a j p r e s t r o j e n ý ) p r i r o z h o v o r e s L e n n i e m : Vy m á t e s v o j h o G e o r g a. A v i e t e, ž e z a s a p r í d e. A l e d a j m e t o m u, ž e b y s t e n e m a l i ž i a d n e h o G e o r g a a ž e b y s t e Slovenského komorného divadla, Martin. s Porov. VOSTRÝ, Jaroslav. Divadlo je porozumenie. In Rudé právo STEINBECK, John Ernst. O myšiach a ľuďoch : Úprava Miloša Pietra. 81 strán. Strojopis, dostupné v archíve Slovenského komorného divadla, Martin. s STEINBECK, John Ernst. O myšiach a ľuďoch : Úprava Miloša Pietra. 81 strán. Strojopis, dostupné v archíve Slovenského komorného divadla, Martin. s Obrázok 1: 2. dejstvo, 2. obraz Crooks ako skeptický realista

16 n e s m e l i í s ť d o b a r á k u a n e s m e l i s a t a m h r a ť v k a r t y, p r e t o ž e s t e č e r n o c h. A k o b y s t e s a c í t i l i? A k e b y s t e m u s e l i s e d i e ť s á m v t e j t o d i e r e a č í t a ť l e n k n i h y. A l e k n i h y t o j e n i č. Č l o v e k p o t r e b u j e d a k o h o m a ť p r i s e b e. 2 4 P i e t o r v š a k u C r o o k s a n e o b m e d z i l p o h ľ a d i b a n a t o, ž e j e č i e r n y. Z a u j í m a v á b o l o p r e ň h o n a j m ä o t v o r e n e v i d i t e ľ n á s a m o t a t e j t o p o s t a v y. V ď a k a n e u s t á l e m u o d s t r k o v a n i u s a z C r o o k s a s t a l z d a n l i v o č o s i a k o n e z á v i s l ý p o z o r o v a t e ľ, k t o r ý v i d e l p a d n ú ť t o ľ k o s n o v, ž e s á m s i u ž ž i a d e n n e p r i p u s t í. Te n t o d o j e m z d r a v é h o ú s u d k u v š a k n e c h a l P i e t o r p ô s o b i ť i b a k r á t k o. A j j e h o C r o o k s s a z a s n í o s v o j o m d e t s t v e a n e s k ô r s a p o d o b n e a k o C a n d y p o n ú k n e n a v y s n í v a n e j f a r m e p o m á h a ť. K a ž d á z P i e t r o v ý c h p o s t á v n e s i e o s a m e l o s ť a, a k o h o v o r í S l i m, a j s t r a c h z o s t a t n ý c h. Č o s a t ý k a s t r a c h u, a n i G e o r g e n i e j e v ý n i m k o u. I n í v t o m t o o h ľ a d e s ú a z d a i b a L e n n i e a C u r l e y h o ž e n a. L e n n i e s a n e b o j í n i k o h o, k t o m u n a t o v y s l o v e n e n e d á d ô v o d a C u r l e y h o ž e n a s a b o j í j e d i n e t o h o, ž e p r e d ň o u m a j ú v š e t c i s t r a c h. A j p r e t o b o l o o d z a č i a k u z r e j m é, ž e d o p a d n ú z l e. Te n t o p o c i t s a p o č a s p r e d s t a v e n i a p r e n i e s o l a j n a d i v á k a. O s u d v i s i a c i n a d L e n n i e m a C u r l e y h o ž e n o u v y t v o r i l z p r e d s t a v e n i a t o, o č o P i e t o r o v i š l o. B a l a d u o b e z n á d e j i ľ u d s k o s t i a o s a m e l o s t i ľ u d í. 24 STEINBECK, John Ernst. O myšiach a ľuďoch : Úprava Miloša Pietra. 81 strán. Strojopis, dostupné v archíve Slovenského komorného divadla, Martin

17 3 Výtvarná a hudobná zložka V ý t v a r n á a j h u d o b n á z l o ž k a r o v n a k o a k o r é ž i a r o z v í j a l i b a l a d i c k ý t ó n i n s c e n á c i e. S c é n a, k t o r ú p r i p r a v i l M i l a n H l o ž e k a j h u d b a M i l a n a N o v á k a s a n i e s l i v p o e t i c k o m d u c h u a z a c h o v a l i P i e t r o v u t e n d e n c i u o z v l á š t n e n é h o r e a l i z m u. A z d a i b a k o s t ý m y G i t y M a t i s o v e j s a p r í s n e d r ž a l i r e a l i s t i c k e j, p r i a m v e r i s t i c k e j m e t ó d y. 3.1 Scénografia Z a c h o v a n é f o t o g r a f i e a n á v r h y s c é n y o d h a ľ u j ú s k ĺ b e n i e r e a l i s t i c k y p ô s o b i a c i c h i n t e r i é r o v ý c h f r a g m e n t o v ( v ý s e k o v ) a i m p r e s i o n i s t i c k é h o v y u ž i t i a s v e t l a. Č o s a v š a k a n i z f o t o g r a f i í o d č í t a ť n e d á j e s p ô s o b, a k ý m s a o d o h r á v a l i p r e s t a v b y s c é n y m e d z i o b r a z m i. K e ď ž e i š l o o b a l a d i c k o s ť a u d r ž a n i e i l u z í v n o s t i d i v a d l a, s c é n a b o l a p o č a s n i c h z a t m e n á a i n s c e n á c i a s n i m i a k o b y n e s ú v i s e l a. Obrázok 2: 3. dejstvo, 2. obraz Lennie pred smrťou Ú v o d n ý a z á v e r e č n ý o b r a z o d o h r á v a j ú c i s a p r i r i e k e v y r i e š i l M i l a n H l o ž e k u m i e s t n e n í m n a s c é n u č o h o s i, č o v y z e r a l o a k o k a k t u s a s p ä t n o u p r o j e k c i o u p r e d s t a v u j ú c o u v o d u. N e n á p a d n é t r b l i e t a n i e v p o z a d í k o n a n i a n a s c é n e z v ý r a z ň o v a l o p o e t i c k o s ť a v z á v e r e č n o m o b r a z e p ô s o b i l o v k o n t r a p u n k t e k t o m u, č o s a n a s c é n a v l a s t n e o d o h r á v a l o. V s t r e d e n a j a v i s k u s a n a c h á d z a l a n a k l o n e n á r o v i n a, k t o r á m a l a v i a c e r o ú l o h. P r v á, p r a k t i c k á p o m á h a l a d i v á k o v i v i d i e ť l e ž i a c i c h h e r c o v. D r u h á, v ý z n a m o v á p o u k a z o v a l a n a t o, ž e u ž o d z a č i a t k u s t o j a o b a j a h r d i n o v i a n a š i k m e j p l o c h e. I c h s p o l o č n ý s e n, k t o r ý G e o r g e r o z p r á v a p r á v e s e d i a c n a t e j t o š i k m i n e, t a k u ž o d z a č i a t k u d o s t á v a n á d y c h n e u s k u t o č n i t e ľ n o s t i. T r e t i a, p o e t i c k o Obrázok 3: 3. dejstvo, 2. obraz Lennieho smrť

18 c i t o v á m a l a s l ú ž i ť n a j m ä v z á v e r e č n o m o b r a z e. L e n n i e d o s t á v a g u ľ k u d o h l a v y p r á v e v m o m e n t e, k e ď k ľ a č í n a n a j v y š š o m b o d e. P o z á s a h u s a c e l ý v y s t r i e a j e h o h l a v a m u s k o n č í a ž n a m i e s t e, k d e s a š i k m i n a s t r e t á v a s r o v i n o u. O s t a t n é o b r a z y o d o h r á v a j ú c e s a v i n t e r i é r o c h f a r m y H l o ž e k t i e ž z h m o t n i l p o u ž i t í m j e d n o d u c h ý c h s c é n i c k ý c h p r o s t r i e d k o v. P r e s c é n y z u b y t o v a c í c h p r i e s t o r o v f a r m y p o u ž i l a k o z á k l a d n ý v ý s t a v b o v ý p r v o k p o s t e ľ. P r i e s t o r b e z z a d n e j a b o č n ý c h s t i e n o h r a n i č i l d r s n e p ô s o b i a c i m i p o s t e ľ a m i z h r u b ý c h n e h o b ľ o v a n ý c h b r v i e n a d o s á k. T ý m, ž e s a H l o ž e k z r i e k o l o h r a n i č e n i a p r i e s t o r u, z d ô r a z n i l t o, č o S t e i n b e c k v p r e d l o h e o p i s u j e m n o ž s t v o m p o s t e l í v m i e s t n o s t i. P o s t e l e v p r á z d n o m p r i e s t o r e z d ô r a z ň u j ú v y k o r e n e n o s ť n á m e z d n ý c h r o b o t n í k o v a i c h v e č n ú n u t n o s ť p u t o v a ť z m i e s t a n a m i e s t o. V ž d y v š a k t a m, k d e n e b u d ú m a ť a n i l e n v l a s t n ú s t r e c h u n a d h l a v o u, i b a f u n k č n ú p o s t e ľ, k t o r á j e t i e ž i b a p o ž i č a n á. A j t o i b a d o v t e d y, k ý m b u d ú u ž i t o č n í. S p o l o č n ú n o c ľ a h á r e ň a s a m o s t a t n ú C r o o k s o v u i z b u r o z l í š i l s c é n o g r a f p o č t o m p o s t e l í a p r í t o m n o s ť o u r o z l i č n ý c h d e t a i l o v. V s p o l o č n e j m i e s t n o s t i p r i e s t o r c h a r a k t e r i z o v a l i o k r e m p o s t e l í a j j e d n o d u c h é p o l i č k y. T i e s v o j o u p o l o p r á z d n o s ť o u t i e ž p o u k a z o v a l i n a t o, ž e r o b o t n í c i n i e s ú v t o m t o p r o s t r e d í d o m a. U C r o o k s a, k t o r ý m á p o d ľ a a u t o r a b ý v a ť v k o n i a r o v o m p r í s t a v k u, s ú p o v e š a n é k o n s k é s e d l á a k o s t o l i č k y u ň h o p r o v i z ó r n e s l ú ž i v ä č š i a d r e v e n á b e d ň a. Obrázok 4: 1. dejstvo, 2.obraz Výsek z priestoru, dominancia postelí J e h o i z b a v š a k p r i n á š a i n ý z a u j í m a v ý m o m e n t. C e l á j e h o i z b a v y z e r á z n a č n e ú t u l n e j š i e n e ž s p o l o č n á n o c ľ a h á r e ň. C r o o k s s i t o t i ž, p o t o m č o b o l v y t l a č e n ý o d o s t a t n ý c h r o b o t n í k o v, m o h o l d o v o l i ť t o, č o j e h o k o l e g o v i a n i e. P r i s p ô s o b i ť s i p r i e s t o r. M a ť s v o j v l a s t n ý k u s z e m e. J e d n u v e c, p o c i t v l a s t n í c t v a, s í c e n e v e d o m k y z í s k a l, n o i n á, o s a m e l o s ť, s a u ň h o e š t e

19 v i a c z v ý r a z n i l a. Obrázok 5: Náčrt scény Stodola, dominantné svetlo a tieň rebríka s a o c i t l i v o v š e t k o o d h a ľ u j ú c o m k u ž e l i s v e t l a. I c h o s u d y b o l i s p e č a t e n é a d e f i n i t í v n e o d h a l e n é v n e m i l o s r d n o m p r i a m o m s v e t l e. U p r a v e n ý b o l a j d o j e m z o s a m o t n é h o r e b r í k a. Te n, i k e ď j e d n o z n a č n e s m e r o v a l n e v e d n o k a m h o r e, v r h a l n e m i l o s r d n ý t i e ň k d o l e s a k r č i a c e m u L e n n i e m u. A n i C u r l e y h o ž e n a p r i v y s t u p o v a n í n a ň n e m a l a n a v ý b e r. K a ž d ý p o k u s n a p l n i ť o s o b n ý s e n m u s e l s k o n č i ť n a z e m i. 3.2 Kostýmy P o s l e d n o u z p o u ž í v a n ý c h s c é n b o l a s t o d o l a. Z n á č r t u s c é n y d o m i n u j e a n i n i e t a k p o u ž i t á s l a m a a r e b r í k o p r e t ý o s t e n u, a l e z h o r a d o p a d a j ú c e k o l m é s v e t l o z r e f l e k t o r u ( N a f o t k á c h p r i a m o z i n s c e n á c i e t o d o k l a d u j e t i e ň r e b r í k a ). S c é n a t a k p r a v d e p o d o b n e v y v o l á v a l a p o c i t a k e j s i p r i a m e j p r a v d y. C u r l e y h o ž e n a u t e k a j ú c a p r e d s a m o t o u n a f a r m e a L e n n i e m á r n e s a s n a ž i a c i s k r y ť m ŕ t v e š t e ň a K o s t ý m y v t e j t o i n s c e n á c i i r e a l i s t i c k ý m s p ô s o b o m u m i e s t n i l i d e j n a v ý c h o d U S A z h r u b a v č a s e o d o h r á v a n i a s a h r y. G i t a M a t i s o v á n i m i o s t a l a v p r e d p í s a n ý c h r e á l i á c h, i n s c e n á c i u n e p o s u n u l a i n a m a k o s i t o ž i a d a l a u t o r t e x t u. K e ď ž e P i e t r o v ý m h l a v n ý m n o s i t e ľ o m o d k a z u b o l i h e r c i, t e n t o p o s t u p b o l p r e j e h o i n s c e n á c i e i d e á l n y. Obrázok 6: 3. dejstvo, 1. obraz Tieň a svetlo v stodole P o d ľ a v z o r u a m e r i c k é h o z á p a d u m á k a ž d ý m u ž n a f a r m e k l o b ú k a j e d i n á ž e n s k á p o s t a v a m á r i f l o v ú s u k ň u a č i e r n e t r i č k o s h l b o k ý m v ý s t r i h o m. K o s t ý m y p o s t á v o d z r k a d ľ o v a l i a j i c h s o c i á l n y s t a t u s. K ý m

20 L e n n i e m a l n a s e b e s t a r ý d e r a v ý s v e t e r a ľ a h k ú b u n d u, C u r l e y m a l o k r e m ú h ľ a d n e j t m a v e j k o š e l e a v e s t y a j š a t k u o k o l o k r k u. P o d o b n e a k o s y n, b o l o b l e č e n ý a j s p r á v c a f a r m y, p ô s o b i l v š a k e š t e u h l a d e n e j š í m d o j m o m a n a m i e s t o f r a j e r s k e j v e s t y b o l v t m a v o m s a k u. S o c i á l n o o s t a t n ý c h c h l a p o v o d r a z e n é v k o s t ý m o v a n í b o l o p r i b l i ž n e r o v n a k é. I c h o b l e č e n i e s a l í š i l o s k ô r p o d ľ a t o h o, k t o z n i c h v y k o n á v a l a k ú p r á c u a a k o s a n a t o s á m o b l i e k o l. V ý r a z n e z a u j í m a v e j š i e v y z e r a l i b a S l i m, k t o r ý n a s e b e n e m a l k o š e ľ u, a l e t r i č k o s n á p i s o m S p e e d w a y c l u b. P r a v d e p o d o b n e v š a k n e š l o o v ý z n a m o v ý o d k a z, a l e o p ä ť i b a o t o, a b y n e b o l i v š e t c i r o b o t n í c i o b l e č e n í r o v n a k o. U v y z ý v a v o o b l e č e n e j C u r l e y h o ž e n y v y z d v i h l a G i t a M a t i s o v á p r á v e t o, a k o n a ň u p o z e r a j ú r o b o t n í c i n a f a r m e. N a o z a j h l b o k ý v ý s t r i h a s u k ň a z v ý r a z ň u j ú c e j e j ž e n s k ú p o s t a v u p o s u n u l i t ú t o i n á č z l o ž i t ú p o s t a v u m i e r n e s m e r o m k i s t e j p l o c h o s t i c h a r a k t e r u. J e j p o s t a v a t o t i ž ž i a d a v i a c a k o i b a j e d n o d u c h é z a č l e n e n i e k ľ a h k ý m ž e n á m. C u r l e y h o ž e n a s a s í c e c h c e l a p á č i ť, n o v p r v o m r a d e j e j š l o o t o a b y j u n i e k t o v y p o č u l, a b y s a s ň o u n i e k t o p o z h o v á r a l. A j p r e t o j e j c h á p a n i e a k o ž e n y, k t o r á s a s n a ž í z a č a ť s i n i e č o s k ý m k o ľ v e k n a f a r m e j e z n a č n e z j e d n o d u š u j ú c e. Z h ľ a d i s k a k o s t ý m o v a m a s k o v a n i a j a d ô l e ž i t á p o s t a v a C r o o k s a. I n s c e n á t o r i v y r o b i l i z J á n a B l a n s k é h o p o m o c o u h n e d e j f a r b y a p a r o c h n e č e r n o c h a. O p ä ť t e d a n e š l o o ž i a d n u z m e n u a u t o r s k é h o p ô v o d n é h o z á m e r u. P i e t o r s a n e v y h o l t é m e r a s o v e j n e z n á š a n l i v o s t i, i k e ď s a ň o u p r í l i š n e z a o b e r a l. A j u C r o o k s a h o z a u j í m a l a n a j m ä j e h o o s a m e l o s ť. Z v ý r a z n i l d o k o n c a a ž s k e p s u v o č i a k é m u k o ľ v e k s n e n i u o l e p š e j b u d ú c n o s t i. Obrázok 7: 2. dejstvo, 2. obraz Kostýmovanie postáv zobrazujúce sociálne rozdiely. 3.3 Hudba V ä č š i n a k r i t í k s a h u d b e v t e j t o i n s c e n á c i i ú p l n e v y h l a. S p o m í n a j u

21 i b a J a r o s l a v Vo s t r ý, k t o r ý o n e j v r a v í i b a t o ľ k o, ž e b o l a v ý b o r n á a r o v n a k o a k o u o s t a t n ý c h z l o ž i e k a j M i l a n N o v á k m a l p r i h u d b e n a p a m ä t i p o c i t p r e m i e r u. 2 5 D á v a t o t e d a t u š i ť, ž e h u d b a n e b o l a z b y t o č n e v ý r a z n á a c h a r a k t e r i n s c e n á c i e s k ô r d o k r e s ľ o v a l a, n e ž n i e s l a. B o l o t o t a k a j p o d ľ a V l a d i m í r a Š t e f k a, k t o r ý h u d b u o p í s a l a k o b a l a d i c k ú. J e d n ý m z o p a k u j ú c i c h s a m o t í v o v b o l a a j v o p r e d n a p í s k a n á m e l ó d i a, k t o r e j i n t e r p r e t o m b o l I v a n K r a j í č e k VOSTRÝ, Jaroslav. Divadlo je porozumenie. In Rudé právo paraf. ŠTEFKO, Vladimír. Vysoká škola muzických umení, Zochova 1, Bratislava Ústny rozhovor

22 4 Herecká zložka Ta k m e r v š e t k y k r i t i k y z a o b e r a j ú c e s a P i e t r o v o u i n s c e n á c i o u O m y š i a c h a ľ u ď o c h n e z a b u d l i v y z d v i h n ú ť h e r e c k é v ý k o n y. R e ž i s é r s a, p o d v o c h r o k o c h r ô z n y c h e x p e r i m e n t o v s v o j i c h k o l e g o v, r o z h o d o l v r á t i ť M a r t i n k c i v i l n o s t i a r e a l i z m u. S a m o z r e j m e, ž e a j t o v o v e ľ k e j m i e r e p r i s p e l o k ú s p e c h u. S ú b o r s a t o t i ž m o h o l u k á z a ť t ý m, č o m u b o l o e š t e z p r v e j p o l o v i c e p ä ť d e s i a t y c h r o k o v v l a s t n é. A t o k v a l i t n ý m p o c h o p e n í m c h a r a k t e r o v, z o d p o v e d n ý m p r e p r a c o v a n í m p o s t á v a n á s l e d n ý m z r o z u m i t e ľ n ý m p o d a n í m d i v á k o v i. Z t o h o, č o s p o m í n a v o s v o j e j k r i t i k e V l a d i m í r Š t e f k o,... v i d i t e ľ n e s i d a l ( P i e t o r ) z á l e ž a ť n a h o m o g é n n o s t i h e r e c k ý c h v ý k o n o v. 2 7 r e s p e k t í v e a k o r o k p o p r e m i é r e n a p í s a l J a r o s l a v Vo s t r ý : Ta k é v y z n e n i e h r y v y p l ý v a z j e j k o n k r é t n e h o j a v i s k o v é h o p o ň a t i a : z m o d e r n é h o d i v a d e l n é h o r e a l i z m u, k t o r ý n a p r v é m i e s t o v h i e r a r c h i i j a v i s k o v ý c h p r o s t r i e d k o v k l a d i e p r á v e v z ť a h y m e d z i p o s t a v a m i a i m p o d r i a ď u j e v š e t k o o s t a t n é. P o d r i a d e n o s ť o u t u t r e b a ro z u m i e ť n a j m ä p o c i t m i e r y, a t o n i e l e n v h e r e c k ý c h v ý k o n o c h , s a d á c e l k o m j a s n e v y č í t a ť, ž e i n s c e n a č n ý t í m p r a c o v a l n a o z a j t í m o v o. A j v i n ý c h k r i t i k á c h s a o b j a v u j ú n a r á ž k y n a v y r o v n a n o s ť a j e d n o l i a t o s ť h e r e c k ý c h v ý k o n o v. Ž i a d e n z h e r c o v t e d a s v o j o u p r e h n a n o u s e b a p r e z e n t á c i o u n e n a r ú š a l c e l k o v é v y z n e n i e i n s c e n á c i e. Č o j e v ž d y u ž s a m o o s e b e z n a č n ý ú s p e c h. N e m ô ž e m v š a k o b í s ť r e a k c i u L a d i s l a v a L a j c h u p o h o s ť o v a n í i n s c e n á c i e v B r a t i s l a v e, k t o r ý a k o s á m p í š e, v i d e l j u p r e d t ý m u ž š e s ť k r á t. 2 9 P o p r e d s t a v e n í b o l t o t i ž s k l a m a n ý, p r e t o ž e p r á v e J a r o s l a v Vr z a l a, p r e d t ý m n a j v i a c o c e ň o v a n ý a a j o c e n e n ý z a v ý k o n v ú l o h e L a n n i e h o, n e u d r ž a l n a s v o j e j h r u d i m e d a i l u. 3 0 K a ž d o p á d n e v š a k n e m o ž n o p o z e r a ť i b a n a t o t o j e d n o p r e d s t a v e n i e. A j z f o t o g r a f i í a o s t a t n ý c h k r i t í k t o t i ž j a s n e v y p l ý v a t o, č o s o m n a z n a č i l v p r e d c h á d z a j ú c o m o d s t a v c i. K v a l i t n é a v y r o v n a n é h e r e c k é v ý k o n y 27 ŠTEFKO, Vladimír. Keď ide o poctivé umenie. In Smena , č VOSTRÝ, Jaroslav. Divadlo je porozumenie. In Rudé právo LAJCHA, Ladislav. Steinbeck v Bratislave : Čiže: keď niekto robí to isté, nie je to to isté. In Smena , č LAJCHA, Ladislav. Steinbeck v Bratislave : Čiže: keď niekto robí to isté, nie je to to isté. In Smena , č

23 a j a s n ý r e ž i s é r o v z á m e r p o d p o r i l i v i n s c e n á c i i a u t o r o v o p o s o l s t v o a b e z z b y t o č n é h o p r e h r á v a n i a č i i l u s t r o v a n i a h o t l m o č i l i d i v á k o v i. H e r e c k é g e s t o a v ý r a z n a f o t o g r a f i á c h i b a p o t v r d z u j e t o, č o s o m u ž v r a v e l. H e r c i s a s p o ľ a h l i n a p s y c h o l o g i c k ý r e a l i z m u s. N a f o t o g r a f i á c h v i d i e ť, a k o s a h e r c i n a j a v i s k u s p r á v a j ú t a k, a b y i c h k o n a n i e p ô s o b i l o č o n a j d ô v e r y h o d n e j š i e. Č i u ž v t e d y, k e ď s a A n t o n G ý m e r s k ý p o z e r á d o p r á z d n a p r i p r e d s t a v o v a n í s i v l a s t n e j f a r m y, a l e b o v t e d y, k e ď s a E m i l J. H o r v á t h v y p l a š e n e p o z e r á n a r o b o t n í k o v a i n t u i t í v n e s a t i s n e k s v o j m u p s o v i, k e ď h o o n i p r e s v i e d č a j ú, ž e p r e s n e t o m u t o p s o v i b u d e l e p š i e, a k h o z a s t r e l i a. Obrázok 8: 2. dejstvo, 1. obraz Candymu idú zastreliť psa A j r e a l i z m u s v š a k M i l o š P i e t o r s v o j í m s p ô s o b o m o z v l á š t n i l. Ta k a k o v o s v o j i c h i n ý c h r é ž i á c h, p o s t a v i l u ž t u d o i s t é h o p r o t i k l a d u t e x t a k o n a n i e. I k e ď G ý m e r s k é h o G e o r g e p o s i e l a l C u r l e y h o ž e n u p r e č, p o z e r a l n a ň u s c h u ť o u. Te n t o s p ô s o b v y u ž í v a n i a h e r e c k é h o k o n a n i a d o t v á r a l u p o s t á v Obrázok 9: 1. dejstvo, 2. obraz George vyháňa Curleyho ženu ď a l š i e a ď a l š i e c h a r a k t e r o v é č r t y. N e s k ô r s a p r á v e t a k ý t o d r u h p r á c e s t a l p r e P i e t r o v r u k o p i s c h a r a k t e r i s t i c k ý m. O k r e m k o n a n i a, m i m i k y a g e s t a Obrázok 10: 1. dejstvo, 2. obraz Mizanscéna so správcom farmy

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